[No surviving envelope]

T. S.Eliot
EmilyHale
TS
Faber & Faber Ltd
Letter 5.
5 February 1945
Dearest Emily

YourAmericaNew Bedford, Massachusetts;f8EH's holidays in;a1 letterHale, Emilyholidays in New Bedford;q6 of January 2, from New Bedford, arrived a few days earlier than your letter of December 22 from Concord. I think I will send this by air for a change; though in general the ordinary mail seems quite good enough – after all, there is always liable to be a long delay of letters posted before Christmas, even to people in the next street. The difference between a month by sea and three weeks by air is not good enough – if it was going to be so important as that one would be cabling anyway!

I was delighted to hear that the Bethlehem play went off so very well. But it is a great pity that neither I, nor any of your closer friends, should ever have seen one of your most successful productions: I was quite aware that I had not, but not that nobody else had. Could not somebody have come out from Boston for this, or was it private. I hope that the school authorities at least showed some appreciation. I fancy that it must have been particularly difficult, doing a religious play with some such little children in it. ‘DearHale, Emilyas director ('producer');v9Dear Brutus;b1 Brutus’ (which I think you have produced before? at least you have had to do with some Barrie play) ought to be easier: for I imagine that that will only concern the older girls, and that it is simpler of apprehension anyway – anyway, what they don’t understand will not matter so much as with a religious play in verse. (IsBuckton, Alice MaryEager Heart: A Christmas Mystery-Play;a1 a play called ‘Eager Heart’ ever used for children at Christmas? I saw it done in a village a few years ago: the writing is not very good, but yet it has good points).1

ThePerkins, Edith (EH's aunt);g6 HarvardHarvard UniversityHarvard calendar given to TSE;b8 calendar, a very charming production, only arrived this last week, so I have not yet written to Mrs. Perkins to thank her for it; but I will do that next. I was still more pleased by her thought of sending it, and now by the cable, which I had assumed to be a joint production, or that you had sent it and put her name to it instead. You have not yet told me very clearly about the condition of her sight, and the prospects.

IEliot, Henry Ware, Jr. (TSE's brother)as curator of Eliotana;e9 was interested to get your account of the exhibition to do with myself, for it really gave me a much clearer impression than Henry’s more statistical account. He says that he had no part in the initiation of it, but I suspect that he did a good deal of work, which I was not happy about with his impending operation. I am waiting impatiently to learn the result. And these things are very expensive, and because of the war restrictions I can do nothing to help anyone in America financially. IEliot, Theresa Garrett (TSE's sister-in-law)and Henry's mania for Eliotana;c9 have sometimes wondered whether Theresa did not get a little tired of his enthusiasm for the Eliot collection and its exhibitions; but she is very patient and generous about such things.

IElsmith, Dorothy Olcottnow living in Boston;b2 am interested to know that Dorothy Elsmith is now living in Boston – or was she only stopping there for a visit? IMcKnight Kauffer, EdwardTSE dislikes photograph by;a5 did not like that photograph by McKnight Kauffer (not McKauffer Knight). Such powerful lenses should not be put into the hands of amateurs; a photograph taken late at night makes a man look very unshaven, so the effect was rather coarse I thought. I prefer the Stockholm one to that. (TheLow, Davidcartoons TSE;a1 cartoonist David Low came in and made a few sketches the other day: not for his newspaper work, but for a drawing for some collection he means to publish as a book, I gather. I don’t like him much). I am glad you saw the exhibition in the right company. I don’t much care for this sort of thing: the more information people have about one, the more definite, often, their incorrect impressions and inferences.

IHale, Emilyphotographs of;w7of EH's portrait;e8 remember the colour of your painting, and the sweet peas, and I remember that as good: I think that perhaps the minute inaccuracies of outline show more clearly in a reproduction like this. The general effect of the original portrait was charming, at least to me. I should like to see the other one you speak of.

I am glad that, now you are discovering drawbacks in the character of your landlady, the arrangement for next year is fixed. Apparently you are less independent in lodgings than you would be lodging at the school, which is very contrariwise. I am waiting for you to divulge the mysterious discussion which you say you were to have with the headmistress about unsatisfactory features.

IMurder in the CathedralHoellering film;g1casting Becket;a5 have had aSpeaight, Robertdiscounted from film of Murder;e1 rather distressing letter from Bobbie Speaight about the film.2 Actually no casting has been done; but he has heard rumours of the film and infers (quite correctly) from the fact that he has not been approached, that he is not wanted. But I could not press upon Hoellering a man who I never thought had the right face for it (and ten years have brought a fleshiness which does not increase the effect either of spirituality or of power): apart from the fact that I think it is bad for any play to be always associated with one actor (and probably bad for an actor to be associated only with one play, but it is not for me to point that out to him). And what he never put into his interpretation, was the development of the character: Bobbie was as much the Saint the first moment he stepped upon the stage, as at the end of the play – with the film version, which starts seven years earlier, the conception of character development becomes more important still. But I am very sorry. I regard the whole thing as an experiment. IFabers, theas moviegoing companions;f7 have never been an enthusiast for films – IMarx Brothers, theTSE's only inducement for moviegoing;a1 can’t understand people like the Fabers, who like to see every ‘important’ film that appears – except for the Marx Brothers; and I like documentaries. What interests me is the possibility of getting the verse spoken perfectly, and of its all being audible to a whole audience. TheMurder in the CathedralHoellering film;g1recording made for;a6 recording I am doing is hard work: the standard is very high, and no breath or click of the tongue must be audible.

Well, I must stop and change for dinner. Not time to finish off properly.

Your devoted
Tom.

1.Eager Heart: A Christmas Mystery-Play (1904), by Alice Mary Buckton (1867–1944).

2.SpeaightSpeaight, Robertcomplains and is disingenuously soothed;e2n to TSE, 29 Jan. 1945: ‘This letter is being written in much sorrow, but in no anger. I understand that the Murder in the Cathedral film is really seriously under way, and that production is contemplated in the comparatively near future. At the same time, from the fact that no approach whatever has been made to me, I gather that the producer has other ideas for the part of “Becket”. It would be wholly insincere to pretend that I should not be bitterly disappointed to be deprived of a part which I so largely made my own, but I am too well versed in the ways of the entertainment industry not to realise that these things may easily happen, and my only motive in writing to you is to make two points … It is, I gather, being suggested that I am altogether too wedded to the original stage production to be sufficiently plastic for the conceptions of the film. Although I find it difficult to imagine that a producer whose knowledge of English is so rudimentary that he can hardly carry on a normal conversation, could teach me or anybody else very much about the speaking of a play which is as English as Piers Plowman, nevertheless, I do assure you that so far from attaching myself to previous techniques, I should welcome the opportunity of making a new approach, within, of course, the same imaginative conception. As you know very well, and as I take it Mr Hoellering also knows, we televised the play several times and were completely at the service of that medium. Also, I played the part in Washington, under a producer who had learned nothing from you or Martin Browne, although the results were so alike as to suggest that there are not, after all, so very many “new ways” of doing Murder in the Cathedral.’

TSE to Speaight on 5 Feb. 1945: ‘I do not know that Hoellering has got anywhere near the point of casting, though I know that he has been considering the question of the principal rôle. I do not know whether he considered you too “wedded to the original stage production”: and any of his designs that he has confided to me I have so far considered as confidential. So I do not know how much foundation there may be for any rumours that have reached you.

‘My own attitude has been, to make no positive suggestions, for casting or anything else. I do not know anything about films; and apart from the Marx Brothers and a few documentaries, they generally bore and tire me. But I was rather fearful of a broadcast version, and when it was done (by Miss Burnham) I was very well pleased with it. It has seemed to me that my part should be confined to veto: to stop anything I don’t like, but not to try to make positive suggestions. I know that a film has to be in some ways very different from a stage play, but I have no experience to tell me what these ways are. I only can see from common sense that a film can do some things the stage cannot, and that the stage can do things which ought not to be attempted in a film.

‘I regard this film as an experiment: when it is done I shall know what I think of the film as a medium, and whether I want to have anything more to do with it or not – though, I cannot, in any case, conceive caring to write primarily for the screen, but chiefly the possible filming of a future play at some time after its success or failure on the stage.

‘If, however, Hoellering wants to cast the film quite differently from the play, I don’t consider that any reflection on your interpretation of the part. I don’t believe that there was anyone, ten years ago, who could have made the play such a success as you did; and if the standards of verse speaking on the stage have improved, that is largely due to your work.’

America, TSE on not returning in 1915, and TSE as transatlantic cultural conduit, dependence on Europe, TSE's sense of deracination from, and the Great Depression, TSE a self-styled 'Missourian', as depicted in Henry Eliot's Rumble Murders, its national coherence questioned, its religious and educational future, versus Canadian and colonial society, where age is not antiquity, drinks Scotland's whisky, and FDR's example to England, underrates Europe's influence on England, redeemed by experience with G. I.'s, TSE nervous at readjusting to, and post-war cost of living, more alien to TSE post-war, its glories, landscape, cheap shoes, its horrors, Hollywood, climate, lack of tea, overheated trains, over-social clubs, overheating in general, perplexities of dress code, food, especially salad-dressing, New England Gothic, earthquakes, heat, the whistle of its locomotives, 'Easter holidays' not including Easter, the cut of American shirts, television, Andover, Massachusetts, EH moves to, Ann Arbor, Michigan, TSE on visiting, Augusta, Maine, EH stops in, Baltimore, Maryland, and TSE's niece, TSE engaged to lecture in, TSE on visiting, Bangor, Maine, EH visits, Bay of Fundy, EH sailing in, Bedford, Massachusetts, its Stearns connections, Boston, Massachusetts, TSE tries to recollect society there, its influence on TSE, its Museum collection remembered, inspires homesickness, TSE and EH's experience of contrasted, described by Maclagan, suspected of dissipating EH's energies, EH's loneliness in, Scripps as EH's release from, possibly conducive to TSE's spiritual development, restores TSE's health, its society, TSE's relations preponderate, TSE's happiness in, as a substitute for EH's company, TSE's celebrity in, if TSE were there in EH's company, its theatregoing public, The Times on, on Labour Day, Brunswick, Maine, TSE to lecture in, TSE on visiting, California, as imagined by TSE, TSE's wish to visit, EH suggests trip to Yosemite, swimming in the Pacific, horrifies TSE, TSE finds soulless, land of earthquakes, TSE dreads its effect on EH, Wales's resemblance to, as inferno, and Californians, surfeit of oranges and films in, TSE's delight at EH leaving, land of kidnappings, Aldous Huxley seconds TSE's horror, the lesser of two evils, Cannes reminiscent of, TSE masters dislike of, land of monstrous churches, TSE regrets EH leaving, winterless, its southern suburbs like Cape Town, land of fabricated antiquities, Cambridge, Massachusetts, TSE's student days in, socially similar to Bloomsbury, TSE lonely there but for Ada, TSE's happiness in, exhausting, EH's 'group' in, road safety in, Casco Bay, Maine, TSE remembers, Castine, Maine, EH holidays in, Cataumet, Massachusetts, EH holidays in, Chicago, Illinois, EH visits, reportedly bankrupt, TSE on, TSE takes up lectureship in, its climate, land of fabricated antiquities, Chocurua, New Hampshire, EH stays in, Concord, Massachusetts, EH's househunting in, EH moves from, Connecticut, its countryside, and Boerre, TSE's end-of-tour stay in, Dorset, Vermont, EH holidays in, and the Dorset Players, Elizabeth, New Jersey, TSE on visiting, Farmington, Connecticut, place of EH's schooling, which TSE passes by, EH holidays in, Fitzwilliam, New Hampshire, EH recuperates in, Gerrish Island, Maine, TSE revisits, Hollywood, perceived debauchery of its movies, TSE's dream of walk-on part, condemned by TSE to destruction, TSE trusts Murder will be safe from, Iowa City, Iowa, TSE invited to, Jonesport, Maine, remembered, Kittery, Maine, described, Lexington, Massachusetts, and the Stearns family home, Lyndeborough, New Hampshire, visited by EH, Madison, Wisconsin, Aurelia Bolliger hails from, Ralph Hodgson sails for, EH summers in, as conceived by TSE, who eventually visits, Maine, its coast remembered by TSE, TSE recalls swimming off, Minneapolis, on EH's 1952 itinerary, TSE lectures in, New Bedford, Massachusetts, EH's holidays in, TSE's family ties to, New England, and Unitarianism, more real to TSE than England, TSE homesick for, in TSE's holiday plans, architecturally, compared to California, and the New England conscience, TSE and EH's common inheritance, springless, TSE remembers returning from childhood holidays in, its countryside distinguished, and The Dry Salvages, New York (N.Y.C.), TSE's visits to, TSE encouraged to write play for, prospect of visiting appals TSE, as cultural influence, New York theatres, Newburyport, Maine, delights TSE, Northampton, Massachusetts, TSE on, EH settles in, TSE's 1936 visit to, autumn weather in, its spiritual atmosphere, EH moves house within, its elms, the Perkinses descend on, Aunt Irene visits, Boerre's imagined life in, TSE on hypothetical residence in, EH returns to, Peterborough, New Hampshire, visited by EH, TSE's vision of life at, Petersham, Massachusetts, EH holidays in, TSE visits with the Perkinses, EH spends birthday in, Edith Perkins gives lecture at, the Perkinses cease to visit, Philadelphia, Pennsylvania, TSE on, and TSE's private Barnes Foundation tour, Independence Hall, Pittsfield, Massachusetts, surrounding countryside, Portsmouth, Maine, delights TSE, Randolph, New Hampshire, 1933 Eliot family holiday in, the Eliot siblings return to, Seattle, Washington State, EH summers in, EH's situation at, TSE prefers to California, EH repairs to post-Christmas, EH visits on 1952 tour, EH returns to, Sebasco, Maine, EH visits, South, the, TSE's first taste of, TSE's prejudices concerning, St. Louis, Missouri, TSE's childhood in, TSE's homesickness for, TSE styling himself a 'Missourian', possible destination for TSE's ashes, resting-place of TSE's parents, TSE on his return to, the Mississippi, compared to TSE's memory, TSE again revisits, TSE takes EVE to, St. Paul, Minnesota, TSE on visiting, the Furness house in, Tryon, North Carolina, EH's interest in, EH staying in, Virginia, scene of David Garnett's escapade, and the Page-Barbour Lectures, TSE on visiting, and the South, Washington, Connecticut, EH recuperates in, West Rindge, New Hampshire, EH holidays at, White Mountains, New Hampshire, possible TSE and EH excursion to, Woods Hole, Falmouth, Massachusetts, TSE and EH arrange holiday at, TSE and EH's holiday in recalled, and The Dry Salvages, TSE invited to, EH and TSE's 1947 stay in, EH learns of TSE's death at,
see also American Presidential Election
Buckton, Alice Mary, Eager Heart: A Christmas Mystery-Play,
Eliot, Henry Ware, Jr. (TSE's brother), hears TSE's Dryden broadcast, as potential confidant, sibling most attuned to TSE's needs, witness to the Eliots in 1926, surprises TSE in Boston, his aura of futility, disputes New Yorker profile of TSE, at Eliot family Thanksgiving, attends second Norton lecture, his business in Chicago, hosts TSE in New York, TSE reads his second detective story, his immaturity, accuses TSE of wrath, writes TSE long critical letter, the favourite of TSE's parents, sends New York Murder clippings, writes again about religion, insensitive to European affairs, Peabody Museum employ as research associate, gives TSE pyjamas for Christmas, sends TSE luggage for Christmas, hosts Murder's Boston cast, sends present to Morley children, cables TSE on 50th birthday, given draft of Family Reunion, gives TSE portfolio, champions Kauffer's photograph of TSE, explains operation on ears, sends list of securities, takes pleasure in shouldering Margaret, undergoes serious operation, recovering at home, as curator of Eliotana, as curator of Eliotana, war imperils final reunion with, and TSE's rumoured Vatican audience, corresponds with TSE monthly, offers Tom Faber wartime refuge, nervous about TSE during Blitz, as described by Frank Morley, recalls The Dry Salvages, has appendix out, cautioned as to health, frail, condition worries TSE, as correspondent, friend to J. J. Sweeney, tries TSE's patience, reports on Ada, describes Ada's funeral, beleaguered by Margaret, sent Picture Post F&F photos, likened to Grandfather Stearns, goitre operated on, his archaeological endeavours, back in hospital, imagined in exclusively female company, ill again, as brother, has pneumonia, terminal leukaemia, prospect of his death versus Ada's, anxieties induced by deafness, writes to TSE despite illness, death, memorial service for, on EH's presumption, Michael Roberts's symptoms reminiscent of, his Chicago acquaintance, friends with Robert Lowell's father, invoked against EH, on TSE's love for EH, buried in Garrett family lot, The Rumble Murders,

3.HenryEliot, Henry Ware, Jr. (TSE's brother) Ware Eliot (1879–1947), TSE’s older brother: see Biographical Register.

Eliot, Theresa Garrett (TSE's sister-in-law), witness to the Eliots in 1926, draws TSE, co-hosts Murder party, remembers TSE's intention to marry EH, her immaturity, expresses solicitude for EH, careless of Henry's health, inflator of rumours, apparently ill, a 'lovely person', as correspondent, more agreeable than an Eliot, TSE on, unsuited to resist Margaret, and Henry's mania for Eliotana, wishes to take Henry on holiday following illness, made fretful by Henry, relationship with Henry, ignorant of Henry's true condition, on EH and TSE, after Henry's death, sends TSE Henry's old greatcoat, EH reports on, visits lawyer with TSE, avid for Eliotana, star-struck, undergoes operation on ear, for which TSE bears cost, hosts TSE in 1952, hosts TSE in 1955, custodian of Henry's collection, hosts TSE in 1956, visits England, on whether to return EH's letters, on TSE not marrying EH,
see also Eliots, the Henry
Elsmith, Dorothy Olcott, issues invitation to Woods Hole, TSE and EH to stay with, now living in Boston, invites TSE again to Woods Hole, thanked for hospitality, on TSE as nurse, attends Kind Lady, reports on Kind Lady, in New Zealand, taken to dinner at Garrick, EH in Grand Manan with, EH visits during Christmas holidays, present when EH learns of TSE's death,
see also Elsmiths, the

4.TSEElsmiths, theseminal Woods Hole stay with;a1Elsmith, Dorothy OlcottElsmiths, the andAmericaWoods Hole, Falmouth, Massachusetts;i2TSE and EH's holiday in recalled;a2St. LouisAmericaBostonAmericaCaliforniaAmericaCambridge, MassachusettsAmericaHollywoodAmericaNew EnglandAmericaNew YorkAmerica EHElsmith, Dorothy Olcott were going to visit a friend of EH’s named Dorothy Olcott Elsmith (a graduate of Smith College), who lived with her family in a white clapboard house by the seaside at Woods Hole, Falmouth, Mass.: see Biographical Register.

Fabers, the, model of happiness and respectability, their domestic situation, Faber children to tea chez Eliot, visit TSE at Pike's Farm, compared to the Morleys, closer to TSE than to VHE, 1933 summer holiday with, Ty Glyn Aeron described, request TSE to write play, too absorbed in their children, at the Morleys' party, give anti-Nazi party for author, host poker party, 1934 summer holiday with, take TSE to lunch in Oxford, 1935 summer holiday with, for which the children are bought tent, give party, 1936 summer holiday with, at Morleys' Thanksgiving Day party, sail model boats with TSE, and TSE's foggy adventure, cinema-going with TSE, take TSE to Witch of Edmonton, and Morleys take TSE to pantomime, and TSE attend opening of Ascent of F6, 1937 summer holiday with, and the Bradfield Greek play, School for Scandal with, take TSE to pantomime again, 1938 summer holiday with, 1939 summer holiday with, offer possible wartime refuge, 1940 summer holiday with, host TSE in Hampstead during war, TSE makes bread sauce for, brought vegetables from Shamley, move to Minsted, and TSE attend musical revue, 1941 summer holiday with, Minsted as substitute for nursing-home, trying to sell Welsh home, take TSE to International Squadron, invite TSE to Wales for Christmas, host TSE at Minsted, away fishing in Scotland, mourn TSE's post-war independence, 1947 Minsted summer stay, 1948 Minsted summer stay, host TSE for weekend, on 1950 South Africa trip, on TSE's 1951 Spain trip, 1951 Minsted summer stay, 1952 Minsted summer stay, 1953 Minsted summer stay, on 1953–4 South Africa trip, 35th wedding anniversary weekend,
Hale, Emily, visits the Eliots for tea, returns to Boston, likened to TSE's mother, TSE identifies with her 'reserve', encouraged to write for periodicals, visits West Rindge, summers in Seattle, presents herself as cossetted, blames herself for an unfulfilled life, returns to Boston, consulted over TSE's Norton Professorship, holidays in Castine, vacations in New Bedford, TSE fears accident befalling, travels to stay in Seattle, Frank Morley on Ada on, arrives in California, brought to tears by music, goes horse-riding, baited over how to boil an egg, TSE passes old school of, takes motoring holiday via San Francisco, summers in Seattle, TSE composes squib for, takes TSE's hand in dream, returned to California, TSE sends Harvard Vocarium record, holidays in West Rindge, returns to Boston before embarking for England, arrives in England, to travel to Paris, returns to London, feels inferior to 'brilliant society', invited to Sweeney Agonistes rehearsal, attends Richard II with TSE, attends Sweeney Agonistes, takes TSE to Gielgud's Hamlet, taken to see Stravinsky conducting, leaves for Italy, takes tea at OM's before leaving, mistaken for TSE's sister, returns to Florence, sails for the Riviera, returns from France, returns to Chipping Campden, to Guernsey with Jeanie McPherrin, taken to Henry IV on return, shares open taxi with TSE through Parks and Whitehall, and TSE attend The Gondoliers, visit to the Russian ballet, invited to Murder in Canterbury, and TSE attend 1066 And All That, taken to Tovaritch, and Morleys set for ballet, which she excuses herself from, criticised for flower-arranging, and TSE walk in the Cotswolds, feels inferior to Margaret Thorp, and TSE theatre-going with Thorps, taken to Timon of Athens, taken to Peer Gynt, visited at Campden for TSE's birthday, takes lodgings in Oxford, lodges at 19 Rosary Gardens, watches TSE read to Student Christian Movement, and TSE visit Kenwood House, dines with the Maritains, describes tea with the Woolfs, returns to America, visits Ada on Boston homecoming, possible career-move into politics, pays winter visit to Rindge, and Eleanor Hinkley attend New York Murder, moves to 154 Riverway with Perkinses, considers volunteering for charity, living at 5 Clement Circle, holidays in Cataumet, returns abruptly to Cambridge, recuperates in New Hampshire, moves to 240 Crescent St., Northampton, Mass., lectures at Concord, returns to Brimmer Street, returns to Boston during vacation, sails for England, in residence at Chipping Campden, travels to Yorkshire, returned to Chipping Campden, returns and moves to 22 Paradise Road, Northampton, Mass., spends Thanksgiving in Boston, stays at Hotel Lincolnshire with the Perkinses, vacations at New Bedford, visits New York, holidays in Charleston, as patron of school, returns to Northampton, sails for England, day at Windsor with TSE, fortnight at Campden with TSE, at Campden with TSE again, returns to America with 'Boerre', ordered to stay in America in case of war, given Family Reunion draft with her comments, encouraged to write drama criticism, vacations in New Bedford, advises TSE against Tewkesbury choruses, holidays with the Havenses, sails for England, at Chipping Campden, stays with the Adam Smiths in Scotland, returns to America with Perkinses, safely returned, sent copy of TSE's daily prayers, sent first CNL, sends TSE selected American plays, holidays in New Bedford, spends Easter in Harwichport, holiday destinations, holidays in Cape Cod, returns to the Perkinses at 90 Commonwealth Avenue, stays with Elsmiths in Woods Hole, holidays on Grand Manan, visits Perkinses in Boston, returns to 90 Commonwealth Avenue, holidays in Madison, Wisc., travels on to Maine, holidays on Grand Manan, holidays in Bangor, Maine, as president of S. P. C. A., spends Christmas holiday in New Bedford, holidays in Woods Hole, loans out her Eliotana, removes from Smith to the Perkinses, spends time in Maine, repairs to New Bedford, spends time in Tryon, N. C., returned to Boston, spends three days in New York, shares details of will, holidays on Grand Manan, leaves TSE portrait in event of predeceasing him, late summer in New Brunswick, vacations in New Bedford, repairs to New Bedford, resident in Millbrook, takes short holiday at 'Bleak House', holidays on Grand Manan, visits Woods Hole, visits New Bedford, holidays in New Bedford, spends holiday at Sylvia Knowles's, holidays in Dorset, Vt., holidays briefly in Farmington, holidaying on Grand Manan, TSE seeks Trojan Women translation for, moves to 9 Lexington Road, gives Christmas readings, congratulates TSE on OM, urges TSE not to despair at honours, spends Easter in Boston, race-relations and the WPA, sings Bach's B Minor Mass, removes from Concord to Andover, on life in Grand Manan, congratulates TSE on Nobel Prize, resident at 35 School Street, Andover, summers between Boston, Woods Hole, New Bedford and Grand Manan, recounts journey to Grand Manan, takes The Cocktail Party personally, then repents of doing so, post-Christmas stay in New Bedford, reports on Cocktail Party's opening, summers between Chocorua and Campobello, tours westward to California during summer holiday, attends British Drama League summer school, holidays in Grand Manan, asks TSE for occasional poem, week in the Virgin Islands, summers between Mount Desert and California, spends holidays in New Bedford, recuperates in New Bedford, returns, briefly to Chipping Campden, Eleanor Hinkley reports on, writes to EVE, sends EVE photograph of TSE, makes tour of Scandinavia, approaches TSE on Smith's behalf, which approach TSE declines, writes to TSE on GCF's death, moves back to Concord, pays visit to Seattle, reacts to TSE's death, writes to EVE, meets EVE, dies, appearance and characteristics, her shapely neck, TSE's memory for certain of her old dresses, particularly four dresses, which TSE then describes, TSE begs EH to describe her clothing, in silk, autumn 1930, costumed in a 'Titian wig', EH encouraged to gain weight, EH encouraged to tan, her Jantzen suit, TSE begs a slip of hair from, her gold-and-green tea gown, her Praxitelean nose, EH congratulated on 'perm', EH refuses TSE lock of hair, her voice, Guardsman dress, as a Botticelli Madonna, her hands, recommended skin-cream, 'new goldy dress', TSE inquires after, in TSE's dreams, 'new and nuder' swimsuit demanded, her black dress/red jacket outfit, dressed in blue, in charming black dress, her sense of humour, her New England conscience, the famous apricot dress, her hair, various dresses, EH's idea of new dresses, EH hair cut in the new style, blue dress worn following masque, as actor, as Olivia in Twelfth Night, in the Cambridge Dramatic club, as Roxane in Cyrano in 1915/16, as Judith Bliss in Hay Fever, EH considers giving up for teaching, in the 'stunt show' with TSE, as Beatrice, TSE hopes, in The Footlight Club, in Berkeley Square, in The Yellow Jacket, EH praised over Ruth Draper, under Ellen van Volkenburg, cast as an octogenarian, in The Old Lady Shows Her Medals, TSE speculates as to her future in, and teaching, as Lady Bracknell, TSE begs to write part for, in The Footlight Club, potentially in summer theatre company, as the Duchess of Devonshire, potentially in The Family Reunion, Cambridge Dramatic club reunion, The Wingless Victory, in masque with TSE, in a Van Druten play, as Lodovico Sforza, in play by Laurence Housman, as Madame Arcati in Blithe Spirit, with Paul Stephenson, in Kind Lady, joins the Dorset Players, as director ('producer'), La Locandiera, Lady Gregory's The Dragon, Dust of the Road, Comus, possibly temporarily at St. Catherine's, Va., chorus work at Smith, Electra, Quality Street, The Merchant of Venice, Dear Brutus, Christmas play, Richard II, Hay Fever, Christmas pantomime, The Dorset Players, a reading of Outward Bound, Molnár's The Swan, Dulcy, The School for Scandal, Fanny and the Servant Problem, Dear Brutus again, Twelfth Night, Prunella, Christmas play, Antigone, The Merry Wives of Windsor, As You Like It, The Admirable Crichton, Holy Night, The Tempest, as teacher, EH lectures on 'Modern British Verse', as a career, at Milwaukee-Downer College, Mich., at Simmons College, Boston, EH considers post at Scripps, which she accepts, arrives at Scripps, establishes drama workshop at Scripps, EH lectures on TSE, EH's advice that TSE lecture less slowly, as described by Scripps student, and being admired by students, TSE sees her teaching as a kind of acting, requests year's leave from Scripps, resigns position at Scripps, declares intention to teach again, possibly, temporarily, at St. Catherine's, Va., possibly at Smith, post at St. Catherine's rejected, appointed to position at Smith, is installed at Smith, reappointed with pay-rise, reappointed again for two years, her work at Smith, unsettled at Smith, in time of war, insecure over job at Smith, from which EH takes 'sabbatical', let go by Smith, takes job at Concord Academy, appointed to post at Bennett Junior College, Millbrook, appointment to permanent Concord position, EH thinks of giving up, lectures on Family Reunion, her work at Concord Academy, resignation from Concord Academy, takes permanent position at Abbot, EH admits to being sheltered by, retirement from Abbot, according to Abbot Academy tribute, birthdays, presents and love-tokens, EH's birthday compared to TSE's, TSE sends Terry–Shaw correspondence for EH's birthday, EH sends TSE pomme purée, present from EH, flowers for EH's birthday arrive too soon, EH wearing TSE's ring, two rings bought for EH, EH bought typewriter, TSE 'cables' EH roses, TSE consults EH over potential present, TSE's second 'sapphire' ring for, EH refits new rings from TSE, TSE receives flowers for Christmas, EH given 'powder box' for Christmas, EH's present to TSE goes amiss, missing present (calendar) explained, EH left cigarettes by TSE, EH gives TSE cigarette case, TSE necklace-hunting for EH, pearls suggested for EH, EH bought sapphire bracelet, EH gives TSE a signet ring, EH bought blue-gray scarf, EH gives TSE silk handkerchiefs, TSE has signet ring engraved, further ring sought for EH, EH with TSE on his birthday, EH gives TSE initialled leather portfolio, TSE given ashtrays and matchbox, furs sought for EH, EH gives TSE stool, roses sent to EH on birthday, TSE given diary and hairbrush box, TSE given rosary and print, EH buys TSE towel rails, TSE receives diary for Christmas, 1810 ring bought for EH, EH buys TSE various ties, war means no flowers, EH's lapis lazuli ring, TSE neglects to cable EH, EH knits socks for TSE, which turn out large, EH sends TSE 'snowflake' socks, EH remembers TSE's birthday with reference to Shakespeare, TSE sent marmalade and liver-paste, EH writes poem for TSE's birthday, EH sends TSE provisions, EH loses sapphire from ring, diamond circlet given to EH in 1939, EH gives TSE socks for Christmas, TSE gives EH 'evening bag', EH unthanked for Christmas present, correspondence with TSE, TSE petitions EH to bestow on the Bodleian, TSE exalts as authoritative, TSE envisions as reading-group, the only writing TSE enjoys, TSE as Cyrano to EH's Roxane, TSE's dependence on, TSE's nights spent planning, TSE rereads with pleasure, the strain of interruption, switches to Air Mail, TSE on his decision to renew, TSE marks first anniversary of, keeps TSE sane, TSE hopes to telephone, TSE wishes to maintain when in America, EH would withhold from the Bodleian bequest, from which TSE tries to dissuade her, TSE violently dependent on, TSE begs EH that it be preserved, less exciting to EH than at first, TSE's horror of sounding sermonic, if such a correspondence were profitable, and TSE's respectful reticence, EH suggests entrusting to Willard Thorp, but subsequently explains she meant Margaret Thorp, EH's to do with as pleases, and the prospect of TSE writing every night, TSE still rereads with pleasure, excites TSE too much to write smoothly, compared with talking, phone call finally arranged, which finally takes place, EH importuned to write more, TSE promises three letters a week, EH refuses more than one, a solitude within a solitude, EH switches to typewriter, which TSE offers to buy, observed weekly by EH's students, flatters TSE most when EH writes undutifully, TSE's dread of EH rationing, TSE's efforts to moderate himself within, TSE imagines the unsealing of, TSE offers to cease, a place to vent one's feelings, TSE rebuked for 'intolerance' within, EH learns to type, hinders TSE from work, TSE on life before, third anniversary marked, thwarted by TSE's self-loathing, TSE doubts having pursued, restraints on TSE's ardour lifted, more constrained by day, TSE worries about burdening EH with, worth TSE getting home early for, by day, by night, TSE specially treasures recent 'love letters', more delightful since EH's reciprocation, and TSE's diminished ardour, switches to transatlantic airmail, constrained by war, opened by censor, and Shamley Green post-office, TSE apologises for, EH free to dispose of, within limits, particularly constrained by EH's letter of 1939, and the experience of delay, TSE equivocates on preserving, varied with airgraph, again, EH's to do with as she pleases, still intended for Bodleian, TSE chastened for short cables, TSE's letters 'undemonstrative and impersonal', post-war frequency, being and not being loving by letter, EH asks TSE to reduce, TSE criticised for following monthly injunction, TSE rebuked for impersonality, EH formally bequeaths to Princeton, TSE unfussed as to repository, TSE reiterates 50-year prohibition, TSE's worries as to future appearances, EH promises Princeton her statement on, promises letters with ten-year seal, attempts to shorten TSE's moratorium, which TSE refuses, which forces EH to relent, TSE encouraged to return EH's letters, EH deposits further material with Princeton, EH makes 'recording' for Princeton, EH renews plea to shorten moratorium, and is again refused, TSE destroys EH's letters, TSE repents of severe letter, which EH never receives, EH suspects TSE of destroying her letters, EH instructs Princeton to discard 'recording', EH ultimately respects TSE's wishes, EH on TSE's destruction of her letters, family, her father, her childhood compared to TSE's, TSE desires family history of, EH encouraged to keep younger company, EH's unity with parents, EH's relations with aunt and uncle, EH's relations with aunt and uncle, EH photographed with parents, and EH's obligations to, finances, health, physical and mental, admits to breakdown, TSE compares 'nightmares' with, TSE's desire to nurse, suffers neuritis, then neuralgia, recommended suncream, suffers arthritis, suffers with sinuses, her teeth, experiences insomnia, suffers 'hives', suffers crisis body and soul, feels depressed over Christmas, suffers neuralgia, suffers intestinal flu, has shingles, admitted to hospital, convalesces on Grand Manan, recuperates in Washington, Conn., photographs of, as a child, Edith Sitwellesque photograph, in 18th-century costume, in 18th-century French costume, in broad-brimmed 'picture' hat, TSE buys Kodak, in deck-chair, eating sandwich, in a car, 'the Beautiful one', which TSE has enlarged for his dressing-table, painful, because taken in the 'interim', in bacchanalian pose, 'Semitic', among young people, set 'Elizabeth' giggling, Diana Mannersesque, are mnemonic aids to TSE, kneeling beside can of flowers, TSE's favourite, with ordinarily sized hands, smoking in chair, as child with big ears, taken on TSE's arrival in Claremont, in Jane Austen fashion, in unfamiliar jacket, taken in autumn, with mother and father, as a child, in TSE's note-case throughout Blitz, in Wingless Victory, as child, in gold frame, in familiar jacket, taken with Boerre, surround TSE at Shamley, with baby, in a group, of EH's portrait, in sailor suit, all inadequate, carrying lamp, with Rag Doll, at Campobello, reading, Henry James, Letters from Baron Friedrich von Hügel to a Niece, All Passion Spent, Bubu de Montparnasse, F&F thriller, Eyeless in Gaza, Dante, Hopkins and Roosevelt, Henry Irving: The Actor and His World, relationship with TSE, TSE's first acquaintance with, its abnormality, runs to admiration from EH, and TSE's habitual reserve, its morality under examination, defended by TSE, its susceptibilities envisaged by TSE, EH admits estrangement within, and TSE's desire for intimacies, provokes sorrow and fury in TSE, confided to the Perkinses, Miss Ware and Father Underhill, TSE's chance to be frivolous, and the prospect of TSE's Harvard year, TSE dates first meeting to 1905, whereas EH dates to 1915, TSE's terror of renewing in California, teaches TSE true companionship, runs to a 'kiss', as perpetual progress and revelation, EH offered manumission from, if TSE were not married, seems more real for TSE's American year, TSE's reasons against marrying, TSE fears having misled over, EH again offered manumission from, EH writes to Ada concerning, EH blames TSE for his ardour, then apologises for blaming TSE, leads to unhappiness in EH, possible drain on EH's health, its perceived inequalities, pity and gratitude would corrupt, TSE conditionally promises marriage, TSE sees as an imposition on EH, potentially richer for meeting TSE's friends, EH 'kisses' TSE, EH rests head on TSE's shoulder, EH strokes TSE's face, as consubstantial union, TSE's love finally reciprocated, mutual embraces, EH kissed on the right foot, TSE favoured with birthday kiss, exhausting, should proceed without hope of marriage, TSE again regrets misleading EH, as one of mutual dependence, its unsatisfactions, its seasonal rhythm, but for VHE would be marriage, EH seeks post-war clarity on, and the prospect of VHE's death, following VHE's death, TSE reflects on the deterioration of, TSE reflects generally on, and men and women generally, according to Theresa Eliot, EH reflects on, since TSE discounted marriage, had TSE behaved differently in 1914, its new dispensation, source of mutual anguish, apropos of TSE's second marriage, EH's marriage regret, EH recoils from publicising, TSE re-evaluates, EH writes to EVE about, religious beliefs and practices, claims experience of 'vision', admits suffering spiritual crisis, goes on retreat, and TSE's definition of sainthood, compared to TSE's, professes to resent the Church, makes retreat to Senexet, the issue of communion, the possibility of confirmation, source of worry to EH, confronts TSE on religious differences, TSE on her 'Christian spirit', fears TSE considers her damned, TSE pointedly refrains from criticising, unclear to TSE, TSE's love for, and their conversation in Eccleston Square, declared, in 1915, and TSE's desire to be EH's spiritual possession, source of serenity to TSE, the strangeness of not broadcasting, first felt in 1913, recognised by TSE the night of Tristan und Isolde, TSE's reasons for not declaring in 1913, what TSE said instead of declaring, a pain of sorts, unconfided to friends, not immune to jealousy of EH's male friends, its passion tempered by religion, and the torment of resignation, defiled by possessiveness and anger, and a particular journey back from Pasadena, in light of California stay, increases his desire to quarrel with EH, TSE doubts decision to declare, eternally unconditional, shows TSE true meaning of tenderness, defined by TSE, violent, clarified and strengthened by Chipping Campden reunion, disquiets EH, obstructive to EH loving another, TSE initially relieved to find unrequited, queered by inexperience, TSE repents of over-prizing, startles TSE, like 'a burglar', strengthened and deepened, irrespective of physical beauty, finally reciprocated, ideal when unreciprocated, relieved only by poetry, as against love's travesties, as expressed in Burnt Norton, over time, apparently undimmed but dwarfed by war, and the first time TSE spoke EH's name, thwarted by question of divorce, EH questions, now better adjusted to reality, argument over communion challenges, would run to jealously but not marriage, as expressed in 1914 on Chestnut Hill, TSE's names, nicknames and terms of endearment for, 'Lady', 'Dove', 'My saint', 'Bienaimée', TSE's reason for calling her 'Dove', 'Isolde', 'My Lady', 'Emilie', 'Princess', 'Lady bird', 'Birdie', 'riperaspberrymouth', 'Emily of Fire & Violence', 'Bouche-de-Fraise', 'Bouch-de-Framboise', 'Raspberrymouth', not 'Wendy', 'Nightingale', 'Mocking Bird', 'Love', 'My true love', 'my Self', 'Emilia' and Shelley's Epipsychidion, 'my Own', 'Girl', 'Western Star', 'Darling', 'My Life', 'My Lamb', 'Beloved my Female', 'My own Woman', writings, an article on 'Weimar', letter to The Times about King's jubilee, account of communion at Beaulieu, EH asks to write about TSE, review of La Machine infernale, review of Dangerous Corner, a note for S. P. C. A., an 'epigram', 'Actors at Alnwick', 'An Etching', 'The Giocanda Smile', 'The Personal Equation in Spoken English', 'A Play from Both Sides of the Footlights', 'Summer Sunshine: A Memory of Miss Minna Hall', 'They flash upon the inward eye',
Harvard University, rumours of TSE defecting to, TSE's student days at, makes TSE feel inadequate, Annenberg Hall disparaged, its society, English 26 (Modern English Literature), class described, on Shaw and Chesterton, on Hardy, positive feedback on, on Yeats, on modern poetry, on Joyce contra Lawrence, final lecture, compared architecturally to Yale, hockey match, compared to Princeton, produces Murder, TSE's student cooking at, engages MacNeice at TSE's instance, TSE's election to Phi Beta Kappa Society, where TSE's writers' cramp began, Harvard calendar given to TSE, TSE's student bodybuilding regime at, speaking engagement at, poetry reading at, confers honorary degree on TSE, stages Murder at Germanic Museum, Theodore Spencer Memorial Lecture, produces Murder again, Class Reunion at, which TSE gets out of, possible deposit for Hale letters,
Low, David, cartoons TSE,

6.DavidLow, David Low (1891–1963), Australian cartoonist, worked for many years in the UK, initially (from 1927) for the Evening Standard; later for the Manchester Guardian. Knighted in 1962.

McKnight Kauffer, Edward, gossiping at Clive Bell's, his cover for Triumphal March, as husband, takes Hitleresque photo, TSE dislikes photograph by, TSE opens Kauffer Memorial Exhibition, which involves television appearance,
see also McKnight Kauffers, the

2.EdwardMcKnight Kauffer, Edward McKnight Kauffer (1890–1954), American artist and illustrator: see Biographical Register. His partner was Marion Dorn (1896–1964), textile designer.

Marx Brothers, the, TSE's only inducement for moviegoing, Duck Soup,
Murder in the Cathedral, idea for initially suggested by Laurence Irving, offered to Martin Browne, St. Thomas as TSE's muse, TSE on writing, tentatively, 'The Archbishop Murder Case', uncertainties over title, currently 'Fear in the Way', which proves unpopular, TSE on rewriting, title settled on, final revisions for printer, tentatively critiqued by EH, and EH on TSE as dramatist, chorus copied for EH, Virginia Woolf's aspersions on, the form of its choruses, defended from obscurity, did not test TSE's plotting, book-sales to-date, $1,000 offered for American rights, pays for 1936 American trip, Italian and Hungarian rights sold, and Whiggery, Savile Club dinner to celebrate, compared to next play, discrepancies of Canterbury Text, Martin Browne's initial response to, TSE recognised as author of, TSE on its cheerful title, EH on, abandoned Mercury Theatre premiere, suggested by Yeats and Doone, in the offing, and Doone's response to first draft, EH requested at, imperilled, text copied for Yeats, 1935 Canterbury Festival production, in rehearsal, opening night, reception, final performance, and EH's response, 1935–6 Mercury Theatre revival, Martin Browne pushing for, in rehearsal, which EH attends, compared to Canterbury original, at the box-office, its 100th performance, still running, proposed tour to end, 1936 BBC radio version, BBC bid to produce, broadcast fixed, BBC memo on, in rehearsal, TSE on, abortive 1936 New York transfer, Dukes visits America to arrange, blighted by Brace's actions, quashed by Federal Theatre production, its usurper founders, deferred to autumn, unsolicited 1936 New York production, licensed by Brace, to be directed by Rice, seemingly withdrawn, Rice resigns from, delights EH and Eleanor Hinkley, TSE sent press-cuttings for, EH reports on, TSE speculates as to textual discrepancies, attended by Eleanor Roosevelt, extended and potentially expanded, TSE to the Transcript on, may predispose immigration authorities favourably in future, royalties from, 1936 University College, Dublin student production, described by TSE, rumoured Australian and American productions, 1936 Gate Theatre touring production, TSE's long-held wish, scheduled, 1936 touring production, due at the Arts Theatre, Cambridge, as it was played in Cambridge, 1936 America pirate production, 1937 Duchess Theatre West End transfer, date fixed for, announced in Times, dress-rehearsal attended, reception, reviewed, royalties, still playing, ticket sales pick up, coming to an end, receives royal visit, 1937 touring production, scheduled post-Duchess, beginning in Leeds, then Manchester, going strong, 1937 Harvard University production, 1937 Amherst College production, singled out for praise, 1937 Old Vic production, touring production arrived at, in rehearsal, 1937 Tewkesbury Drama Festival production, 1938 American tour, projected for January 1937, said date seconded by Dukes, deferred to September 1937, confirmed again by Dukes, pre-tour dates in Golders Green, then Liverpool, opening in Boston in January, over which EH is consulted, tour itinerary, Family Reunion keeps TSE from, preparatory re-rehearsal for, pre-crossing Liverpool dates, EH's judgement desired, EH reports on first night, reviewed in The Times, EH sends New York cuttings, prematurely transferred to New York, Dukes reports on, Westminster Cathedral Hall charity performance, 1940 Latham Mercury revival, revival suggested in rep with Family Reunion, wartime modern-dress production suggested, ambushes TSE, in rehearsal, first night, reviewed, Browne's wartime Pilgrim Players' adaptation, Hoellering film, Hoellering's initial approach made, Hoellering's vision for, TSE adapting for screen, reconnoitre of Canterbury for, casting Becket, recording made for, development process described to NYT, non-actor found for Becket, screenings of Groser, set-dressing, screening, approaching release, still in the edit, final screening, and Venice Film Festival, seeking distribution, soon to premiere, opens, initial reception, circulating in shortened version, 1945 Théâtre du Vieux Colombier production, compared to Martin Browne's, royalties, apparently a hit, reviewed, reaches 150 performances, Fluchère's involvement, 1946 German production, 1947 Edinburgh Festival production, 1948 Milton Academy production, 1949 broadcast, 1949 Berlin production, politically resonant, 1952 University of Rennes, Grand Théâtre abridgment, 1952 Théatre National Populaire production, 1953 Old Vic revival, waiting on Donat, TSE on, 1954 Harvard production,
Perkins, Edith (EH's aunt), her relationship to EH queried, to accompany EH to Scripps, asks TSE to dinner, at first Norton lecture, shares pew with TSE, accompanies TSE to Symphony Concert, in audience at Milton Academy, catches cold in Florence, in TSE's private opinion, TSE's occasional poem for, her relationship with EH analysed, dislikes Jeanette McPherrin, explains EH's breakdown to TSE, on the Harvard Murder, as Campden hostess, and TSE's wartime instructions to EH, gives lunch at American Women's Club, gives TSE balsam pillow, requests English edition of Cats, as horticulturalist, without Campden garden, compared to Irene Hale, gives TSE photograph of EH, attends Ada's funeral, reports on EH's Millbrook situation, pressed for ham and pineapple recipe, sight affected in one eye, gives lecture, sight failing, sight deteriorates in other eye, thanked for 1946 hospitality, gives to Books Across the Sea, according to EH, asks TSE to present slides to RHS, which TSE does, on EH and TSE's relationship, and Hidcote House, friendly with Marion, TSE pitches her book to publishers, depressed by the heat, somewhat recovered, approaching 80th, faced with husband's death, letter of condolence to, sent birthday poem, visited in Boston, has sciatica, reports on EH's dramatic activities, Miss Lavorgna on, in her old-age infirmity, suffers 'shock', sacks nurse, EH preserved from, sends funeral tribute to Cousin Will, and the Hale letters, nursing home sought for, moved into nursing home, where TSE writes to her, suffers stroke, deteriorating, relations with EH, her legacy to EH,
see also Perkinses, the
Speaight, Robert, singled out as Malvolio, chats to TSE at OM's, talked through part of Becket by TSE, excited at TSE's dramatic ambitions, never happier on stage, committed to Mercury Murder revival, unimprovable as Becket, in Mercury Theatre production, issues TSE with Irish introductions, his performance agreed to be going stale, at 100th performance of Murder, cast in Williams's Cranmer, his Becket critiqued by Tandy, as Becket, records Becket's sermon, which TSE is against, at post-performance feast in Cambridge, better as Cranmer than Becket, sermon reblocked for Duchess Theatre, at Savile Club Murder dinner, and the royal visit, becoming conceited, performance pruned in re-rehearsal, problems with his performance persist, in EH's report, compared to Robert Sansom, broadcasts East Coker, gives small dinner at Garrick, swoops on Shamley to record TSE, discounted from film of Murder, complains and is disingenuously soothed, as Elijah in Nicholson's debut, attends Family Reunion with TSE, still playing Becket, misrepresents TSE's views, in Belgium, ruined by Becket, in The Confidential Clerk,

2.RobertSpeaight, Robert Speaight (1904–77), actor, producer and author, was to create the role of Becket in Murder in the Cathedral in 1935: see Biographical Register.