[No surviving envelope]
Letter 23.
I had your letter of August 23 a few days ago, the first since I last wrote. I should be interested to know why Princeton Mass. (I don’t remember that there was a Princeton in Massachusetts) was so exciting: but your visit there seems to have been another short one, I am sorry you have had to be so much on the move. IHinkleys, the;e9 was interested in what you told me of the Hinkleys: AuntHinkley, Susan Heywood (TSE's aunt, née Stearns);d2 Susie is certainly remarkable for her age, and perhaps the very narrow limitation of her interests makes for longevity. IHinkley, Eleanor Holmes (TSE's first cousin)and life after Aunt Susie;d4 should be glad to think that Eleanour [sic] is developing a practical talent, for she will soon have to prepare for a life alone, I suppose; unless she has some friend with whom she might share a habitation. As for the photograph of me, I imagine that was one taken for Harper’s Bazaar: aBrandt, Bill;a1 photographer came to the Russell Square flat. I have never seen the photograph: I ran in, the other day, to the young man who represented the paper, and who came with the photographer (photographers seem to be always Central Europeans nowadays) and he said that they sent the negatives to New York, and they only sent her one file copy; but she promised to let me see it.1 I trust that you are attaching too much importance to one portrait, which may not even be a good likeness. I do not remember when it was taken, but perhaps towards the end of the rocket time, when everyone was rather exhausted. But I shall have all the more curiosity to see the picture, to judge whether I can find in it what you see: I hope that my experiences of the last years have not made me ‘withdraw from life’. I have not felt very well just lately, I believe because of that tooth I had out, but I think I am just as interested in life, and in human beings, as ever. Yet if that sort of thing had happened to one, it is probably just the sort of thing one might observe in oneself: so your remarks are rather disturbing!
Itravels, trips and plansTSE's 1945 September fortnight in Lee;f7;a5 goEnglandDevon ('Devonshire');e5;a3 on Saturday to North Devon for the fortnight – a part of the world which I dare say you know but I do not. ButEnglandCotswolds;e3sacred in TSE's memory;a1 that is an advantage: IEnglandAdlestrop, Gloucestershire;c5visited by EH and TSE;a1 shouldEnglandCharlbury, Oxfordshire;d7visited by EH and TSE;a1 notEnglandGloucester, Gloucestershire;f5;a2 care to take a holiday in the Cotswolds again, unless you were there: and how much of it we drove, or walked, or trained over, between Adlestrop and Charlbury on one side, and Gloucester itself on the other. (INason, Margaret ('Meg') Geraldine;a9 have a letter from Meg, which I will send you, I left it by oversight at the office). Nothing19 Carlyle Mansions, Londonbuilding works on;a5 new about the flat: I am still waiting to hear whether the estimate for repairs is approved by the authorities. OnNicholson, NormanThe Old Man of the Mountains;a2 ThursdayBrowne, Elliott MartinNew Plays by Poets series;d7 night is theNicholson, Normanin New Plays by Poets series;a1 opening performance of ‘The Old Man of the Mountains’ by a young poet Norman Nicholson,2 inMercury Theatre, Londonhosts New Plays by Poets;c7 Martin’s series at the Mercury Theatre. IDuncan, RonaldThis Way to the Tomb;a5 am not sure that it is the best of his plays to open with – IDuncan, Ronaldpart of New Plays by Poets series;a1 think ‘This Way to the Tomb’ by Ronald Duncan,3 is likely to be more of a success;4 butSpeaight, Robertas Elijah in Nicholson's debut;e3 he has Robert Speaight in the rôle of Elijah (the biblical theme is enacted in Cumberland with local variations, and the other important part is the Raven). WeRidler, Anne (née Bradby)The Shadow Factory;b9 are publishing these three plays (the third is a Christmas play by Anne Ridler)5 as soon as we can, and I will send them to you to judge for yourself. Anyway, I have promised to be present; andMurder in the Cathedral1945 Théâtre du Vieux Colombier production;g2compared to Martin Browne's;a4 I very much hope Martin will make a success of it; butFranceFrench theatre;b5;a2 my experience of the French ‘Murder’ makes me see his weaknesses more clearly – though it may be partly the greater efficiency of the French in the theatre. IEliot, Henry Ware, Jr. (TSE's brother)as curator of Eliotana;e9 haveMurder in the Cathedral1945 Théâtre du Vieux Colombier production;g2reviewed;a9 finally received the newspapers containing the notices, and have sent them to Henry, who will no doubt treasure them and paste them up neatly for the collection (which threatens to become the most embarrassingly complete collection that any man of letters ever had made about him!) but you might like to look at some of them when you next visit them. They are on the whole amazingly favourable; and I am particularly pleased by the unanimous approval of the production and acting; especiallyVilar, Jeanacclaimed with Prix du Théâtre;a2 because it seems to have founded the fortunes of the young producer Jean Vilar (who also took the leading part). He has been acclaimed, and has been awarded a ‘Prix du Théâtre’. I am involved in some correspondence by the difficulty of getting my royalties – not the fault of the theatre, but due to the restrictions by the official controls on both sides of the channel.
ByHinkley, Barbara (TSE's first cousin)left by husband;b7 the way, IWelch, Edward Sohiermarries again;a2 was shocked to hear of your Barbara and her husband. I presume, if he has married again, that the blame is chiefly on his side: but I hardly know them. (I always suspected that if Barbara senior had been less self-centred she might not have lost Sohier, though I am not excusing him). But for a couple to separate after having had three or four children, seems to me very difficult to condone even on the most liberal point of view, which is of course not mine.
ISecond World Waratomic bomb;f9 do not envy any political leaders who have to guide the course of either Britain or America in the next five years. And a note in the paper to-day stating that the scientists in America are now perfecting a bomb nearly 1,000 times as powerful as the Nagasaki bomb is very depressing.6 I fear we are really moving into a very dark age indeed.
I shall write from Lee, but I shall not take a typewriter, so you must expect only a short scrawl. WhenMrs Millington (the blind masseuse);b2 I get back Mrs. Millington must work on my hand again. She will not massage one for several weeks after a tooth extraction, because of the loose poison she says; then she was taking her holiday, and Now I am to be away myself.
P.S. I see I was wrong: you say that Princeton is ‘exacting’, not ‘exciting’. It sounds like a colony of some kind.
1.BillBrandt, Bill Brandt’s expressive full-page photograph of TSE, pictured in tired, lined concentration against his dirty office window, with the trees of Gordon Square behind him, appeared in a feature article about Brandt’s work, entitled ‘Above the Crowd’, Harper’s Bazaar (New York), 79: 2803 (July 1945), [34–7] 34. Brandt (1904–83) spent his early years in Germany, where his British father was interned for some time during WW1 (his mother was German). Moving to London in 1933, he won a high reputation as photographer and photojournalist. His works include The English at Home (1936); A Night in London (1938); Literary Britain (1951); Perspective of Nudes (1961). See Paul Delany, Bill Brandt: A Life (Stanford, 2004).
2.NormanNicholson, Norman Nicholson (1914–87): English poet, playwright, novelist and critic, who held fast to his small home town of Millom in Cumberland (Cumbria), on the western edge of the English Lake District. TSE published his work with Faber & Faber: poetry including Five Rivers (1944), Rock Face (1948) and The Pot Geranium (1954); and verse plays including The Old Man of the Mountains (1945). Recipient of the Queen’s Award for Poetry 1977, he was made OBE in 1981. See further Kathleen Jones, Norman Nicholson: The Whispering Poet (2013).
The Old Man of the Mountains was to be the first production in a season of New Plays by Poets performed by Browne’s Pilgrim Players.
3.RonaldDuncan, Ronald Duncan (1914–82): British poet, playwright, librettist, autobiographer: see Biographical Register.
4.This Way to the Tomb, by Ronald Duncan (1914–82), produced by Martin Browne in the same season, was to be published by Faber & Faber in 1946.
5.The Shadow Factory (1946).
6.The Times (10 Sept. 1945, 3) carried a graphic eyewitness account, full of shock and awe, by the American scientific writer William L. Laurence, of the atomic bombing of Nagasaki.
A further report, ‘Atom Bomb a “Man-Made Meteor”: U.S. Account’, appeared on the front page of the Sunday Times, 9 Sept. 1945. It was followed by a story filed from Knoxville, Tennessee: ‘Forecast of New Bomb: 100 Times The Power’: ‘An atom bomb nearly 100 times as powerful as those dropped on Japan was forecast to-day by Prof. Hilton Smith, of the University of Tennessee. He said that science was preparing a material far more concentrated for manufacture of the atomic bomb.
‘Engineers at the Hanford factory in Washington were working on plutonium, the new source of atomic energy. While uranium 235 was like a gold nugget that was only one per cent pure, uranium 238, which is used to produce plutonium, was like a nugget 99 per cent pure.’
The bomb dropped on Nagasaki had in fact been a plutonium-based weapon.
1.BillBrandt, Bill Brandt’s expressive full-page photograph of TSE, pictured in tired, lined concentration against his dirty office window, with the trees of Gordon Square behind him, appeared in a feature article about Brandt’s work, entitled ‘Above the Crowd’, Harper’s Bazaar (New York), 79: 2803 (July 1945), [34–7] 34. Brandt (1904–83) spent his early years in Germany, where his British father was interned for some time during WW1 (his mother was German). Moving to London in 1933, he won a high reputation as photographer and photojournalist. His works include The English at Home (1936); A Night in London (1938); Literary Britain (1951); Perspective of Nudes (1961). See Paul Delany, Bill Brandt: A Life (Stanford, 2004).
4.E. MartinBrowne, Elliott Martin Browne (1900–80), English director and producer, was to direct the first production of Murder in the Cathedral: see Biographical Register.
3.RonaldDuncan, Ronald Duncan (1914–82): British poet, playwright, librettist, autobiographer: see Biographical Register.
3.HenryEliot, Henry Ware, Jr. (TSE's brother) Ware Eliot (1879–1947), TSE’s older brother: see Biographical Register.
6.BarbaraHinkley, Barbara (TSE's first cousin) Hinkley (1889–1958) was married in July 1928 to Roger Wolcott (1877–1965), an attorney; they lived at 125 Beacon Hill, Boston, and at 1733 Canton Avenue, Milton, Mass.
5.EleanorHinkley, Eleanor Holmes (TSE's first cousin) Holmes Hinkley (1891–1971), playwright; TSE’s first cousin; daughter of Susan Heywood Stearns – TSE’s maternal aunt – and Holmes Hinkley: see Biographical Register.
1.MargaretNason, Margaret ('Meg') Geraldine (Meg) Geraldine Nason (1900–86), proprietor of the Bindery tea rooms, Broadway, Worcestershire, whom TSE and EH befriended on visits to Chipping Campden.
2.NormanNicholson, Norman Nicholson (1914–87): English poet, playwright, novelist and critic, who held fast to his small home town of Millom in Cumberland (Cumbria), on the western edge of the English Lake District. TSE published his work with Faber & Faber: poetry including Five Rivers (1944), Rock Face (1948) and The Pot Geranium (1954); and verse plays including The Old Man of the Mountains (1945). Recipient of the Queen’s Award for Poetry 1977, he was made OBE in 1981. See further Kathleen Jones, Norman Nicholson: The Whispering Poet (2013).
3.AnneRidler, Anne (née Bradby) (Bradby) Ridler (30 July 1912–2001), poet, playwright, editor; worked as TSE’s secretary, 1936–40: see Biographical Register.
2.RobertSpeaight, Robert Speaight (1904–77), actor, producer and author, was to create the role of Becket in Murder in the Cathedral in 1935: see Biographical Register.
3.JeanMurder in the Cathedral1945 Théâtre du Vieux Colombier production;g2 Vilar’s production of Murder in the Cathedral opened at the Vieux-Colombier Theatre on 18 June 1945. VilarVilar, Jean (1912–71), actor-producer and administrator, who founded his acting company in 1943, was awarded in 1945 the Prix du Théâtre for his outstanding work on Murder and on Strindberg’s Dance of Death. In 1947 he founded the Avignon Festival, the first drama festival in France; and he was appointed director of the prestigious state-owned Théâtre National Populaire, 1947–63. His acting roles included Macbeth, Don Juan and the gangster in Brecht’s Arturo Ui; and his productions extended from French plays to Aristophanes, Shakespeare, Beckett and Robert Bolt.
3.EdwardWelch, Edward Sohier Sohier Welch (1888–1948), lawyer, had married TSE’s cousin Barbara Hinkley in 1909. TheyPearmain, Margaret were divorced in 1926, and he married Margaret Pearmain later the same year. See Elizabeth F. Fideler, Margaret Pearmain Welch (1893–1984): proper Bostonian, activist, pacifist, reformer, preservationist (Eugene, Oregon, 2017).