[35A School St., Andover, Mass.]
T. S.Eliot
EmilyHale
TS
19 Carlyle Mansions
7 December 1952
DearestEnglandLondon;h1its fogs;a5 Emily,
To-day is the third day of exceptional fog on London: no buses, silence in the street, and a dirty smoky fog that penetrates into the house so successfully that the end of the corridor looks dim. I feel filthy inside and out, and haven’t been out of doors. I hope for a change tomorrow: but if there are no buses running by then I shall certainly stay at home and cancel my engagements. The milk is still delivered, and we have, thanks to American kindness and madame’s foresight, canned goods to live on.
IGeorge, Ruth;a5 am glad to have Miss George’s address, and will write to her. IPerkins, Edith (EH's aunt);m1 wrote to Aunt Edith last week, but will try to write again before Christmas, as well as the Christmas cable which is really intended for yourself. HerLavorgna, Elvira Giovanna;a2 last letter, written by Miss Lavorgna at the end of August, puzzled me, because she asked me to write on white paper and wider spacing. Can she actually read a letter herself? I had assumed that she would have to have a letter read to her: and naturally, a letter which one expects to [be] read aloud to the recipient, is a little different from one to read to herself. It seems to me that her vision must be a little better than I thought, if she can manage at night all by herself. I still don’t see how she does it.
IConfidential Clerk, Thewhich TSE rewrites;a6 have re-written, and I think vastly improved, the first two acts of my play, andBrowne, Elliott Martin1953 Edinburgh Confidential Clerk;f9receives first two acts;a1 they have just gone off to Martin, toHunter, Ian (impresario)receives The Confidential Clerk;a4 study himself and to show to Ian Hunter of Edinburgh. But in improving these acts I have made the solution of my situation in Act III all the more difficult; and in re-writing that, I am at the moment stuck: The plot is so involved that there are at least three solutions or three ‘reconciliations’ necessary in Act III – and I see no escape from what producers’ won’t like: the introduction in the second part of the act of a character previously mentioned but never seen or heard.
IHoellering, George M.peddling his Murder;c1 hear from Hoellering thatMurder in the CathedralHoellering film;g1circulating in shortened version;c4 his shortened (and much improved) version of his Murder film had a good reception in Glasgow, so I hope he will be able to put it on circuit here and in America, bypassing London and New York. I confess that I have lost all interest in it myself, but I don’t want him to lose money by it. I was gratified to have your support over the suggestion of three plays in repertory; andFamily Reunion, The1953 New York production vetoed;j9;a1 I have also vetoed a suggestion from New York for putting on ‘The Family Reunion’ commercially. I don’t want that to be done until I have tried out a new play.
Your play was done last night.1 I do hope that your girls did you credit. I am glad that it is over; but even so I imagine that you have to live in a bustle of forced activities until Christmas. I am glad that you will get to New Bedford. (NothingElsmith, Dorothy Olcott;d2 from Dorothy Elsmith except a sort of Christmas card from which it appears that she is travelling in the South until next May!).
Wheretravels, trips and plansTSE's 1953 visit to St. Louis and America;i1set for June;a1 do you expect to be, towards the end of June? I have to be in St. Louis on the 9th, and I am writing to find out whether I should make that the end of my visit, or the middle – it seems simpler that I should dash through New York straight to St. Louis and then take a fortnight in Cambridge, and only spend one night in New York at each end. The only advantage of coming to Cambridge after the middle of June, is that some of the people I should otherwise have to see there, will have gone, and I shall have more time for my sisters and those who are left.
With much love
Tom
1.TSE to Edith Perkins, 2 Dec. 1952: ‘I was glad that Emily’s tour of the West was so satisfactory, and relieved when she had completed her air travel. She tells me she is now, as usual, in the midst of preparation for the seasonal Play, and no doubt will be very tired when Christmas comes. That is one among other drawbacks to teaching, that it inevitably means her starting the vacations in a state of great fatigue.’
Browne, Elliott Martin, meets TSE at Chichester, production of The Rock, meets TSE over possible collaboration, talks over outline of play, meets TSE with Martin Shaw, delighted with Rock choruses, discusses unwritten pageant scenes with TSE, predicament as The Rock's director, well connected in amateur circles, revising into the night with TSE, argues with Shaw at dress-rehearsal, presented to Prince Arthur, honoured by Rock cast-supper, producing Gordon Bottomley's play, speaks at Londonderry House with TSE, 1935 Canterbury Murder in the Cathedral, approached by TSE to 'produce', consulted throughout composition, goes silent, lunches with TSE and Speaight, directs and acts despite illness, pursues London Murder revival, 1935–6 Mercury Theatre Murder revival, engaged as producer by Dukes, keen that EH attend rehearsals, simultaneously part of BBC production, agrees about Speaight's decline, preferred as producer for TSE's next play, and Charles Williams's Cranmer, in which he plays 'the Skeleton', and TSE attend Tenebrae, taken to Cambridge after-feast, producing York Nativity Play, which TSE thinks Giottoesque, at Savile Club Murder dinner, producing Shakespeare's Dream, and Ascent of F6, and Tewkesbury Festival Murder confusion, 1939 production of The Family Reunion, due to be sent script, weighing TSE's proposal that he produce, enthused by script, suggests TSE see Mourning Becomes Electra, against Family Reunion as title, pleased with draft, quizzed on fire-safety, typescript prepared for, new draft submitted to, rewrite waits on, receives new draft, criticisms thereof, reports John Gielgud interest, mediates between Gielgud and TSE, TSE throws over Gielgud for, secures Westminster Theatre production, steps into company breach, then into still-greater breach, and the play's weaknesses, direction of Family Reunion, receives TSE's Shakespeare lectures, 1938 American Murder tour, re-rehearsing actors for, suffers fit of pre-tour gloom, yet to report from Boston, and Tewkesbury pageant, accompanies TSE to La Mandragola, on Family Reunion's future prospects, and possible Orson Welles interest, war leaves at loose end, advises TSE over next play, war work with Pilgrim Players, unavailable for modern-dress Murder, compared to tempter/knight successor, requests Pilgrim Players' play from TSE, New Plays by Poets series, as director, and This Way to the Tomb, and Family Reunion revival, urges TSE to concentrate on theatre, 1946 Mercury Family Reunion revival, in rehearsal, possible revue for Mercury Theatre, and The Lady's Not for Burning, Chairman of the Drama League, 1949 Edinburgh Cocktail Party, to produce, TSE's intended first reader for, receives beginning, approves first act, receives TSE's revisions, communciates Alec Guinness's enthusiasm, arranges reading, surpasses himself with production, in Florence, EH suggests moving on from, and the Poets' Theatre Guild, 1950 Cocktail Party New York transfer, compares Rex Harrison and Alec Guinness, TSE debates whether to continue collaboration with, suggests three-play TSE repertory, 1953 Edinburgh Confidential Clerk, receives first two acts, designing sets, 1953 Lyric Theatre Confidential Clerk, attends with TSE, 1954 American Confidential Clerk, 1954 touring Confidential Clerk, TSE and Martin Browne catch in Golders Green, seeks Family Reunion MS from EH,
see also Brownes, the Martin
4.E. MartinBrowne, Elliott Martin Browne (1900–80), English director and producer, was to direct the first production of Murder in the Cathedral: see Biographical Register.
Confidential Clerk, The, first sketches towards, intended for 1952 Edinburgh Festival, being written, draft complete, which TSE rewrites, now intended for 1953 Edinburgh Festival, and Sherek's lordly conduct, EVE typing up, TSE finalising, 1953 Edinburgh production, negotiations over, casting for, may prompt further revision, stage-sets for, EH's ticket arranged for, dress rehearsal, 1953 Lyric Theatre production, first night, full house, soon to come off, 1954 American production, Sherek to negotiate, schedule for, EH encouraged to report on, reception, 1954 Paris International Theatre Festival production, reception, 1954 Ruhrfestspiele production, reception, 1954 post-Paris English touring production, Muriel Spark on, EH requests signed copy of,
Elsmith, Dorothy Olcott, issues invitation to Woods Hole, TSE and EH to stay with, now living in Boston, invites TSE again to Woods Hole, thanked for hospitality, on TSE as nurse, attends Kind Lady, reports on Kind Lady, in New Zealand, taken to dinner at Garrick, EH in Grand Manan with, EH visits during Christmas holidays, present when EH learns of TSE's death,
see also Elsmiths, the
4.TSEElsmiths, theseminal Woods Hole stay with;a1Elsmith, Dorothy Olcott
England, TSE as transatlantic cultural conduit for, discomforts of its larger houses, and Henry James, at times unreal, TSE's patriotic homesickness for, which is not a repudiation of America, TSE's want of relations in, encourages superiority in Americans familiar with, reposeful, natural ally of France, compared to Wales, much more intimate with Europe than America, TSE on his 'exile' in, undone by 'Dividend morality', in wartime, war binds TSE to, post-war, post-war privations, the English, initially strange to TSE, contortions of upward mobility, comparatively rooted as a people, TSE more comfortable distinguishing, the two kinds of duke, TSE's vision of wealthy provincials, its Tories, more blunt than Americans, as congregants, considered racially superior, a relief from the Scottish, don't talk in poetry, compared to the Irish, English countryside, around Hindhead, distinguished, the West Country, compared to New England's, fen country, in primrose season, the English weather, cursed by Joyce, suits mistiness, preferred to America's, distinguished for America's by repose, relaxes TSE, not rainy enough, English traditions, Derby Day, Order of Merit, shooting, Varsity Cricket Match, TSE's dislike of talking cricket, rugby match enthralls, the death of George V, knighthood, the English language, Adlestrop, Gloucestershire, visited by EH and TSE, Amberley, West Sussex, ruined castle at, Arundel, West Sussex, TSE's guide to, Bath, Somerset, TSE 'ravished' by, EH visits, Bemerton, Wiltshire, visited on Herbert pilgrimage, Blockley, Gloucestershire, tea at the Crown, Bosham, West Sussex, EH introduced to, Bridport, Dorset, Tandys settled near, Burford, Oxfordshire, EH staying in, too hallowed to revisit, Burnt Norton, Gloucestershire, TSE remembers visiting, and the Cotswolds, its imagined fate, Cambridge, Cambridgeshire, less oppressive than Oxford, TSE's vision of life in, possible refuge during Blitz, Charlbury, Oxfordshire, visited by EH and TSE, Chester, Cheshire, TSE's plans in, TSE on, Chichester, West Sussex, the Perkinses encouraged to visit, EH celebrates birthday in, TSE's guide to, 'The Church and the Artist', TSE gives EH ring in, Chipping Campden, Gloucestershire, Perkinses take house at, shockingly remote, TSE's first weekend at, likened to Florence, TSE jealous of memories associated with, its Arts & Crafts associations, its attractions to Dr Perkins, forever associated with TSE and EH, sound of the Angelus, without EH, treasured in TSE's memory, excursions from, EH on 'our' garden at, Stamford House passes into new hands, EH's fleeting return to, Cornwall, TSE's visit to, compared to North Devon, Cotswolds, sacred in TSE's memory, Derbyshire, as seen from Swanwick, Devon ('Devonshire'), likened to American South, the Eliots pre-Somerset home, its scenery, Dorset, highly civilised, TSE feels at home in, TSE's Tandy weekend in, Durham, TSE's visit to, East Anglia, its churches, TSE now feels at home in, East Coker, Somerset, visited by Uncle Chris and Abby, TSE conceives desire to visit, reasons for visiting, described, visited again, and the Shamley Cokers, now within Father Underhill's diocese, photographs of, Finchampstead, Berkshire, visited by TSE and EH, specifically the Queen's Head, Framlingham, Suffolk, visited, Garsington, Oxfordshire, recalled, Glastonbury, Somerset, Gloucester, Gloucestershire, Gloucestershire, highly civilised, its beautiful edge, its countryside associated with EH, TSE at home in, its domestic architecture, Hadsleigh, Suffolk, visited, Hampshire, journey through, TSE's New Forest holiday, Hereford, highly civilised, Hull, Yorkshire, and 'Literature and the Modern World', Ilfracombe, Devon, and the Field Marshal, hideous, Knole Park, Kent, Lavenham, Suffolk, visited, Leeds, Yorkshire, TSE lectures in, touring Murder opens in, the Dobrées visited in, home to EVE's family, Lincoln, Lincolnshire, TSE's visit to, especially the Bishop's Palace, Lincolnshire, arouses TSE's curiosity, unknown to EH, Lingfield, Surrey, Little Gidding, Cambridgeshire, TSE's long-intended expedition to, London, in TSE's experience, TSE's isolation within, affords solitude and anonymity, contrasted to country life, its fogs, socially freer than Boston and Paris, eternally misty, its lionhunters, rain preferable in, more 'home' to TSE than America, socially more legible than Boston, its society compared to Boston's, TSE's desire to live among cockneys, South Kensington too respectable, Clerkenwell, Camberwell, Blackheath, Greenwich scouted for lodging, its comparatively vigorous religious life, Camberwell lodging sought, Clerkenwell lodging sought, and music-hall nostalgia, abandoned by society in August, the varieties of cockney, TSE's East End sojourn, South Kensington grows on TSE, prepares for Silver Jubilee, South Kensington street names, Dulwich hallowed in memory, so too Greenwich, during 1937 Coronation, preparing for war, Dulwich revisited with family, in wartime, TSE as air-raid warden in, Long Melford, Suffolk, Lowestoft, Suffolk, Lyme Regis, Dorset, with the Morleys, Marlborough, Wiltshire, scene of a happy drink, Needham Market, Suffolk, Newcastle, Northumberland, TSE's visit to, Norfolk, appeals to TSE, Nottingham, Nottinghamshire, dreary, Nottinghamshire, described for EH, Oxford, Oxfordshire, as recollected by TSE, past and present, EH takes lodgings in, haunted for TSE, in July, compared to Cambridge, Peacehaven, Sussex, amazing sermon preached in, Penrith, TSE's visit to, Rochester, as Dickens described, Salisbury, Wiltshire, in the Richmonds' company, Shamley Green, Surrey, TSE's ARP work in, its post office, Pilgrim Players due at, Somerset, highly civilised, TSE at home in, Southwold, Suffolk, TSE visits with family, Stanton, Gloucestershire, on TSE and EH's walk, Stanway, Gloucestershire, on EH and TSE's walk, Suffolk, TSE visits with family, Surrey, Morley finds TSE lodging in, evening bitter at the Royal Oak, TSE misses, as it must have been, Sussex, commended to EH, TSE walking Stane Street and downs, EH remembers, Walberswick, Suffolk, Wells, Somerset, TSE on visiting, Whipsnade, Bedfordshire, EH and TSE visit, Whitchurch Canonicorum, Dorset, delightful name, Wiltshire, highly civilised, TSE at home in, Winchelsea, East Sussex, visited, Winchester, TSE on, Wisbech, Lincolnshire, TSE on visiting, Worcestershire, TSE feels at home in, Yeovil, Somerset, visited en route to East Coker, York, TSE's glimpse of, Yorkshire,
see also British General Election
Family Reunion, The, and TSE as Orestes, plot sought for, progress stalled, referred to as 'Orestes play', written against countdown to war, should be artistically a stretch, plot still not settled on, begun, compared to Murder, TSE on writing, described (mid-composition), and Gunn's Carmina Gadelica, described to GCF, EH questions Harry's entrance, draft read to Martin Brownes, projected autumn 1938 production, depletes TSE, and Mourning Becomes Electra, its Greek inheritance, alternatively 'Follow the Furies', first draft promised to EH, as inspired by Tenebrae, being rewritten, work suspended till summer, fair copy being typed, waiting on Browne and Dukes, 'Follow the Furies' quashed by EH, aspires to be Chekhovian, Dukes keen to produce, criticised by Martin Browne, under revision, submitted to EH's theatrical wisdom, for which TSE credits her, possible John Gielgud production, Gielgud-level casting, Browne's final revisions, with the printers, Henry loaned draft, Donat and Saint-Denis interested, in proof, progress towards staging stalled, Saint-Denis interest tempered, possible Tyrone Guthrie production, possible limited Mercury run, its defects, publication scheduled, first draft sent to EH, Michael Redgrave interested in, March 1939 Westminster Theatre production, waits on terms, rehearsals for, which are photographed, opening night contemplated without EH, last-minute flutters, opening night, reception, coming off, TSE's final visit to, Dukes bullish on New York transfer, EH spurs TSE's reflections on, and Otway's Venice Preserv'd, American reception, and Orson Welles, F&F's sales, 1940 American production, Henry harps on the personal aspect, its cheerfulness, EH acknowledges part in, 1943 ADC production, in Dadie Rylands's hands, described, certain lines expressing TSE's frustrations, EH discusses with pupils, plays in Zurich, 1946 Birmingham production, 1946 Mercury revival, rehearsals for, opening night, TSE attends again in company, Spanish translation of, VHE's death calls to mind, its deficiencies, BBC Gielgud broadcast version, first aired, to be repeated, goes nominally with The Cocktail Party, Swedish National Theatre production, compared to Cocktail Party, EH's response to, more 'personal' than Cocktail Party, performed in Göttingen, 1950 Düsseldorf production, 1953 New York production vetoed, 1956 Phoenix Theatre revival, described, Peter Brook congratulated on, Martin Browne seeks MS of,
George, Ruth, and EH's Scripps College Library Eliot collection bequest, submits poem to TSE, which TSE sees merit in, for which TSE congratulates her, dies, remembered,
2.RuthGeorge, Ruth George (1880–1959), Associate Professor of English, Scripps College, Claremont, California, had become a close friend of EH at Scripps in 1932–4. EH was to donate thirty-two inscribed books to Scripps; five inscribed items to Princeton University Library.
Hoellering, George M., pitches for Murder film rights, TSE's fondness for, accompanies TSE on Canterbury recce, persists with TSE, encourages TSE over adaptation, sitting on TSE's scenario, commissioned to film Archbishop's enthronement, incommunicado, publicising Murder, on collaborating with TSE, tries to cast TSE as Becket, discovers Father Groser of Stepney, dressing set in disused church, peddling his Murder, and Murder's reception, Message from Canterbury,
3.GeorgeHoellering, George M. M. Hoellering (1898–1980), Austrian-born filmmaker and cinema manager: see Biographical Register.
Hunter, Ian (impresario), wants three TSE plays in repertory, receives The Confidential Clerk,
2.IanHunter, Ian (impresario) Hunter, MBE (1919–2003), British festival director, impresario, talent manager, succeeded Rudolf Bing as artistic director of the Edinburgh Festival, 1950–5. He pursued his success in that capacity with others including the Bath Festival (from 1948), City of London Festival (from 1962), Brighton Festival (1967–83), Windsor Festival (1969–72), Hong Kong Festival (1973–5), and a one-off Commonwealth Arts Festival (1965). In addition, he was chairman of the artists’ agency Harold Holt Ltd, 1953–88. Knighted in 1983. As a guest on the BBC radio programme Desert Island Discs, his choice of book was the complete works of T. S. Eliot.
Lavorgna, Elvira Giovanna, on the Perkinses,
1.ElviraLavorgna, Elvira Giovanna Giovanna Lavorgna (a devout Christian) was for some while a nurse-companion to Edith Perkins. ‘Mrs Perkins and Miss Hale both dislike my name Elvira – and worse, my nickname, Vee,’ as she was to tell TSE on 5 July 1953. ‘I don’t mind and I like having them use Giovanna! I would have taken it as my name in religion.’
Murder in the Cathedral, idea for initially suggested by Laurence Irving, offered to Martin Browne, St. Thomas as TSE's muse, TSE on writing, tentatively, 'The Archbishop Murder Case', uncertainties over title, currently 'Fear in the Way', which proves unpopular, TSE on rewriting, title settled on, final revisions for printer, tentatively critiqued by EH, and EH on TSE as dramatist, chorus copied for EH, Virginia Woolf's aspersions on, the form of its choruses, defended from obscurity, did not test TSE's plotting, book-sales to-date, $1,000 offered for American rights, pays for 1936 American trip, Italian and Hungarian rights sold, and Whiggery, Savile Club dinner to celebrate, compared to next play, discrepancies of Canterbury Text, Martin Browne's initial response to, TSE recognised as author of, TSE on its cheerful title, EH on, abandoned Mercury Theatre premiere, suggested by Yeats and Doone, in the offing, and Doone's response to first draft, EH requested at, imperilled, text copied for Yeats, 1935 Canterbury Festival production, in rehearsal, opening night, reception, final performance, and EH's response, 1935–6 Mercury Theatre revival, Martin Browne pushing for, in rehearsal, which EH attends, compared to Canterbury original, at the box-office, its 100th performance, still running, proposed tour to end, 1936 BBC radio version, BBC bid to produce, broadcast fixed, BBC memo on, in rehearsal, TSE on, abortive 1936 New York transfer, Dukes visits America to arrange, blighted by Brace's actions, quashed by Federal Theatre production, its usurper founders, deferred to autumn, unsolicited 1936 New York production, licensed by Brace, to be directed by Rice, seemingly withdrawn, Rice resigns from, delights EH and Eleanor Hinkley, TSE sent press-cuttings for, EH reports on, TSE speculates as to textual discrepancies, attended by Eleanor Roosevelt, extended and potentially expanded, TSE to the Transcript on, may predispose immigration authorities favourably in future, royalties from, 1936 University College, Dublin student production, described by TSE, rumoured Australian and American productions, 1936 Gate Theatre touring production, TSE's long-held wish, scheduled, 1936 touring production, due at the Arts Theatre, Cambridge, as it was played in Cambridge, 1936 America pirate production, 1937 Duchess Theatre West End transfer, date fixed for, announced in Times, dress-rehearsal attended, reception, reviewed, royalties, still playing, ticket sales pick up, coming to an end, receives royal visit, 1937 touring production, scheduled post-Duchess, beginning in Leeds, then Manchester, going strong, 1937 Harvard University production, 1937 Amherst College production, singled out for praise, 1937 Old Vic production, touring production arrived at, in rehearsal, 1937 Tewkesbury Drama Festival production, 1938 American tour, projected for January 1937, said date seconded by Dukes, deferred to September 1937, confirmed again by Dukes, pre-tour dates in Golders Green, then Liverpool, opening in Boston in January, over which EH is consulted, tour itinerary, Family Reunion keeps TSE from, preparatory re-rehearsal for, pre-crossing Liverpool dates, EH's judgement desired, EH reports on first night, reviewed in The Times, EH sends New York cuttings, prematurely transferred to New York, Dukes reports on, Westminster Cathedral Hall charity performance, 1940 Latham Mercury revival, revival suggested in rep with Family Reunion, wartime modern-dress production suggested, ambushes TSE, in rehearsal, first night, reviewed, Browne's wartime Pilgrim Players' adaptation, Hoellering film, Hoellering's initial approach made, Hoellering's vision for, TSE adapting for screen, reconnoitre of Canterbury for, casting Becket, recording made for, development process described to NYT, non-actor found for Becket, screenings of Groser, set-dressing, screening, approaching release, still in the edit, final screening, and Venice Film Festival, seeking distribution, soon to premiere, opens, initial reception, circulating in shortened version, 1945 Théâtre du Vieux Colombier production, compared to Martin Browne's, royalties, apparently a hit, reviewed, reaches 150 performances, Fluchère's involvement, 1946 German production, 1947 Edinburgh Festival production, 1948 Milton Academy production, 1949 broadcast, 1949 Berlin production, politically resonant, 1952 University of Rennes, Grand Théâtre abridgment, 1952 Théatre National Populaire production, 1953 Old Vic revival, waiting on Donat, TSE on, 1954 Harvard production,
Perkins, Edith (EH's aunt), her relationship to EH queried, to accompany EH to Scripps, asks TSE to dinner, at first Norton lecture, shares pew with TSE, accompanies TSE to Symphony Concert, in audience at Milton Academy, catches cold in Florence, in TSE's private opinion, TSE's occasional poem for, her relationship with EH analysed, dislikes Jeanette McPherrin, explains EH's breakdown to TSE, on the Harvard Murder, as Campden hostess, and TSE's wartime instructions to EH, gives lunch at American Women's Club, gives TSE balsam pillow, requests English edition of Cats, as horticulturalist, without Campden garden, compared to Irene Hale, gives TSE photograph of EH, attends Ada's funeral, reports on EH's Millbrook situation, pressed for ham and pineapple recipe, sight affected in one eye, gives lecture, sight failing, sight deteriorates in other eye, thanked for 1946 hospitality, gives to Books Across the Sea, according to EH, asks TSE to present slides to RHS, which TSE does, on EH and TSE's relationship, and Hidcote House, friendly with Marion, TSE pitches her book to publishers, depressed by the heat, somewhat recovered, approaching 80th, faced with husband's death, letter of condolence to, sent birthday poem, visited in Boston, has sciatica, reports on EH's dramatic activities, Miss Lavorgna on, in her old-age infirmity, suffers 'shock', sacks nurse, EH preserved from, sends funeral tribute to Cousin Will, and the Hale letters, nursing home sought for, moved into nursing home, where TSE writes to her, suffers stroke, deteriorating, relations with EH, her legacy to EH,
see also Perkinses, the
travels, trips and plans, EH's 1930 trip to England, EH's proposed 1931 England visit, called off, EH's 1932 summer holidays, the Eliots' Derby Day excursion, related, the Eliots' July 1932 Hindhead visit, the Eliots' August 1932 Eastbourne holiday, described, TSE's 1932–3 year in America, Norton Professorship offered to TSE, and the prospect of reunion with EH, which TSE refuses to see as decisive, which angers EH, who writes and destroys a response, TSE's financial imperatives, TSE's itinerary, and the question of discretion, opportunity for adventurous lecture-tours, TSE speculates on attendant feelings, TSE on the voyage over, TSE reflects on, TSE's return from, the Eliot family's Randolph holiday, TSE's 1933 westward tour to Scripps, proposed to EH, and TSE's need to lecture, possibly via St. Louis, TSE's itinerary, possible stopover in Seattle, a shameful source of happiness, still a happy thought, described by Havens and others, TSE reflects on, TSE's return from, TSE wonders at after-effect on EH, EH urged to reflect honestly on, Ada on, and a conversation about divorce, in EH's recollection, possible EH 1933 summer in England, TSE's 1933 Faber summer holiday, set for mid-August, postponed, rearranged, TSE buys summer outfits for, described, TSE's 1933 tour of Scotland, possible itinerary, Morley's preparations for, described for EH, TSE's 1933 trip to Paris, mooted, described, EH's 1934–5 year in Europe, TSE delighted at the prospect, attempts to coordinate with TSE's 1934 summer plans, the Perkinses due in Chipping Camden, EH's itinerary, TSE's initial weekend at Chipping Campden, TSE books rooms in Lechlade, TSE visits Campden again with family, and again alone, which visit TSE reflects on, TSE's plans to entertain EH en route to Europe, EH's continental itinerary, VHE and propriety inhibit pre-Paris arrangements, L'Escargot lunch, weekend in Sussex for EH's birthday, possible London tea-party, second lunch at L'Escargot, EH and TSE's November excursions, a month which TSE reflects happily on, EH's summer 1935 plans, EH departs England, EH in Florence, arrived in Rome, TSE coordinating with EH's return, TSE recommends Siena, EH returns to Florence, EH sails for Riviera, EH returns from France, L'Escargot lunch on EH's return, EH sails for Guernsey, May 1935, EH's June 1935 London sortie, TSE attends Dr Perkins's birthday, TSE's July 1935 Campden week, TSE offers to fund EH in London, where EH joins Jeanie McPherrin, TSE's Campden birthday weekend, prospect of EH spending month at Blomfield Terrace, Thorp theatre outing, TSE's 6–8 September Campden weekend, EH staying at 19 Rosary Gardens, EH to Campden for 15–17 November, EH sails for Boston, EH and TSE's final farewell, TSE and EH's final weeks in London, their excursion to Finchampstead, TSE reflects on, excursion to Greenwich, EH reflects on the final weeks of, TSE's 1934 Faber summer holiday, described, TSE's dream of Cairo, TSE's invitation to Finland, palmed off on Robert Nichols, TSE's 1935 tour of Scotland, proposed by Blake, attempts to coordinate with EH, TSE's itinerary, TSE's 1935 Faber summer holiday, TSE writes from, described, TSE's 1936 visit to Ireland, TSE's itinerary, recounted, TSE's spring/summer 1936 trip to Paris, first contemplated, date fixed, Morleys invited, TSE's itinerary, recounted, TSE's 1936 Faber summer holiday, TSE writes from, TSE's 1936 American trip, spring arrival dependent on New York Murder, if not spring, then autumn, possible excursions, autumn better for seeing EH, and possible Princeton offer, and possible Smith visit, efforts to coordinate with EH, passage on Alaunia booked, TSE's itinerary, Murder to pay for, coordinating with Eliot Randolph holiday, the moment of parting from EH, TSE's birthday during, TSE reflects on, TSE's 1937 tour of Scotland, itinerary, recounted, the Morley–Eliot 1937 trip to Salzburg, contemplated, itinerary, EH receives postcard from, described, as relayed to OM, EH's 1937 summer in England, and Mrs Seaverns, EH accompanies TSE to Edinburgh, itinerary coordinated with EH, dinner at L'Escargot, TSE's 10–11 July Campden visit, TSE's 17–22 July Campden visit, TSE's 21 August Campden visit, EH travels to Yorkshire, TSE reminisces about, TSE's 1937 Faber summer holiday, TSE reports from, leaves TSE sunburnt, TSE's 1938 trip to Lisbon, outlined to EH, TSE advised on, travel arrangements, the voyage out, described, EH's 1938 summer in England, and whether EH should spend it at Campden, EH's arrival confirmed, TSE's July Campden visit, EH's late-July London stay, TSE's 5–21 August Campden fortnight, TSE's 3–6 September Campden visit, EH's September London stay, TSE reflects on, TSE's 1938 Faber summer holiday, TSE's preparations for, TSE reports from, possible EH England Christmas 1938 visit, possible TSE 1939 visit to America, mooted for spring, complicated by Marion and Dodo's trip, shifted to autumn, threatened by war, made impossible, EH's 1939 England visit, TSE's efforts to coordinate with, threatened by war, complicated by Marion's arrival, EH's itinerary, EH's initial London stay, TSE's 7–20 July Campden visit, TSE's 22–30 August Campden visit, TSE's 2–4 September Campden visit, EH again London, EH and TSE's parting moments, in TSE's memory, memory vitiated by EH's subsequent letter, TSE's 1939 Faber summer holiday, TSE writes from, possible wartime transatlantic crossings, contingencies, in case of EH being ill, TSE's reasons for and against, and TSE's New York proposition, following invasion Denmark and Norway, impossible for TSE unless official, TSE's desire to remain in England, TSE's reasons for and against accepting lectureship, given Ada's impending death, TSE's abortive 1940 Italian mission, possible but confidential, lectures prepared for, and the prospect of seeing EP, might include Paris, itinerary, in jeopardy, final preparations for, cancelled, TSE's 1940 visit to Dublin, approved by Foreign Office, in national interest, itinerary, recounted, involves TSE's first plane-journey, TSE's 1940 Faber summer holiday, TSE reports from, TSE's 1941 Faber summer holiday, Kipling and fishing-rod packed for, TSE reports from, TSE's 1941 Northern tour, proposed by the Christendom group, arranged with Demant, itinerary, recounted, TSE's 1942 British Council mission to Sweden, TSE makes cryptic allusion to, as recounted to EH, as recounted to JDH, return leg in London, as war-work, TSE's 1942 New Forest holiday, described, TSE's 1942 week in Scotland, recounted, TSE's abortive 1942 Iceland mission, TSE's 1943 trip to Edinburgh, recounted, TSE's abortive 1943 Iceland mission, TSE's 1943 New Forest holiday, TSE's 1944 trip to Edinburgh, TSE's abortive 1944 North Africa mission, TSE's May 1945 trip to Paris, described, TSE's June 1945 trip to Paris, recounted, possible post-war American visit, and Henry's impending death, ideally ancillary to work, possibly as F&F's representative, waits on TSE's health and Carlyle Mansions, TSE's 1945 September fortnight in Lee, described, TSE's 1945 Christmas in Lee, described, TSE's 1946 summer in America, date for passage fixed, paperwork for, TSE's itinerary, its aftermath, recounted, TSE's 1947 summer in America, dependent on lecture engagements, TSE seeks to bring forward, Henry's condition brings further forward, set for April, itinerary, EH reflects on, TSE's scheduled December 1947 visit to Marseilles and Rome, itinerary, TSE's preparations for, dreaded, Roman leg described by Roger Hinks, EH's hypothetical March 1948 visit to England, TSE's postponed 1948 trip to Aix, itinerary, recounted, home via Paris, TSE's 1948 trip to America, itinerary, TSE's visit to EH in Andover, disrupted by Nobel Prize, TSE's 1948 Nobel Prize visit to Stockholm, itinerary, recounted, TSE's 1949 family motor-tour of Scotland, described, TSE's October–November 1949 trip to Germany, possible itinerary, preparations for, final itinerary, TSE's account of, the return via Belgium, TSE's January 1950 voyage to South Africa, all but fixed, itinerary, described by TSE, recounted by Faber, EH's 1950 summer in England, TSE books EH's hotel room for, TSE's efforts to coordinate with EH's movements, EH in Campden, TSE reports to Aunt Edith on, TSE's 1950 visit to America, and TSE's possible Chicago post, the Chicago leg, November itinerary, TSE's spring 1951 trip to Spain, itinerary, recounted, TSE's September 1951 Geneva stay, itinerary, recounted, TSE's 1951 British Council mission to Paris, recounted, TSE's second 1951 British Council mission to Paris, recounted, TSE's 1952 visit to Rennes and the Riviera, itinerary, recounted, TSE's 1952 visit to America, itinerary, efforts to coordinate with EH's summer, TSE on meeting with EH, TSE's 1952 rest cure in Switzerland, TSE's 1953 visit to St. Louis and America, set for June, to include fortnight in Cambridge, itinerary, EH's 1953 trip to England, EH's Alnwick plans, TSE books hotel for EH, and EH's ticket to Confidential Clerk, TSE's 1953 visit to Geneva, TSE's 1953–4 trip to South Africa, itinerary, described, arrival described to JDH, GCF on, TSE's 1954 Geneva rest cure, Geneva preferred to Paris, TSE's deferred 1955 visit to Hamburg, prospect inspires reluctance in TSE, proposed for spring 1955, dreaded, TSE now returned from, TSE's 1955 visit to America, and contingent speaking engagements, foreshortened, itinerary, Washington described, TSE's return from, TSE's 1955 Geneva rest cure, TSE's 1956 visit to America, passage fixed for April, itinerary, TSE in the midst of, TSE reflects on, TSE's 1956 Geneva rest cure, itinerary, recounted, illness during, EH's 1957 visit to England, TSE and EVE invited to Campden, TSE reciprocates with London invitation, but EH leaves England abruptly, which TSE consults Eleanor Hinkley over, who duly explains, TSE and EVE's 1958 trip to America, as rumoured to EH, EH's 1959 tour of Scandinavia, funded by bequest from cousin, TSE and EVE's 1959 trip to America, TSE and EVE's 1963 trip to America,