[22 Paradise Rd., Northampton, Mass.]
T. S.Eliot
EmilyHale
TS
The Criterion
19 January 1938
My Dearest,
There seem to be no fast boats announced during this week or the next: the best is the Aquitania tomorrow, so I am writing for that. I do not seem to have very much to report since I last wrote. ICouncil of Churches at LambethTSE attends;a1 went to a meeting of the Council of Churches at Lambeth (butOldham, Josephorganises Lambeth Council;b9 am glad to say I am not on the Committee, only on a sort of vague council. I was almost the only layman there – Oldham told me he had been careful to ask only such laymen as were so used to clerical gatherings that they would not be depressed by them). IFamily Reunion, TheTSE on writing;b4 finished the first draft of the rest of the play (30 pages more than there were when you had it in your hands. IFamily Reunion, Thefirst draft promised to EH;c7 am saving the first draft for you, as it is the nearest to being ‘manuscript’: it’s [sic] chief interest will be in the differences from the final text). IBrowne, Elliott Martin1939 production of The Family Reunion;c1quizzed on fire-safety;a7 sent a wire to Martin Browne to ask whether the L.C.C. and the Fire Insurance would allow a birthday cake with lighted candles to be brought onto the stage. He says they are allowed (naked light that is) ‘if they are part of the action and can be shown to be integral to it’. He cites lighting cigarettes; and my candles seem to me more important than most cigarette-lighting on the stage, but I do not know whether others will take this view. ItChristianityliturgy;b9Tenebrae and Family Reunion;b6 isFamily Reunion, Theas inspired by Tenebrae;c8 for a sort of final choral action in which two characters circle round the table gradually blowing out the lights (the person in whose honour the celebration is, has of course just died) in a kind of Tenebrae action. But of course the whole finale may be judged unsuitable, in which case the issue won’t arise. AnywayFamily Reunion, Thebeing rewritten;c9, I am now starting to re-write the second scene of the first act, which I perceive to be slow and might make the audience shuffle their feet. That is the most formidable piece of re-writing that occurs to my mind on my own; there are some minor points to be attended to; and then when it is all typed out again it will be ready for the practical criticisms of producers. YouFamily Reunion, TheEH questions Harry's entrance;b9 spokeFaber, Geoffreyshares EH's Family Reunion criticism;g1 of Harry’s first speech being too sudden (I don’t know whether you will remember now) and Faber has made the same criticism; but if I alter that in the approved way I shall have to drop the original point of his immediate violence, which is that he has been looking through the window at the company for a moment before entering, and therefore the fact that the curtains are not drawn is uppermost in his mind.
The weather has been very violent on the coast, and I had further a card from Martin in Liverpool saying that the Carinthia had been held up a day by the gale, so they will probably not arrive until next Monday at the soonest. HeMurder in the Cathedral1938 American tour;f6pre-crossing Liverpool dates;b2 said that the short Liverpool run was satisfactory, and that he was again more sanguine about their success in the States.
I am very happy to have the little picture (not so good as the other one you gave me in a gilt frame, at a rather earlier age, but still very good) and it is an additional treasure to my small collection; and I look forward to two others you say you may be able to give me next summer.
Soon I hope for a letter telling me how the new term is going, and what outside and social activities you have, and whether you get any time for reading and thinking, and have you any nice girls, and are you rested after the Christmas ‘holidays’.
Lovingly
Tom
Browne, Elliott Martin, meets TSE at Chichester, production of The Rock, meets TSE over possible collaboration, talks over outline of play, meets TSE with Martin Shaw, delighted with Rock choruses, discusses unwritten pageant scenes with TSE, predicament as The Rock's director, well connected in amateur circles, revising into the night with TSE, argues with Shaw at dress-rehearsal, presented to Prince Arthur, honoured by Rock cast-supper, producing Gordon Bottomley's play, speaks at Londonderry House with TSE, 1935 Canterbury Murder in the Cathedral, approached by TSE to 'produce', consulted throughout composition, goes silent, lunches with TSE and Speaight, directs and acts despite illness, pursues London Murder revival, 1935–6 Mercury Theatre Murder revival, engaged as producer by Dukes, keen that EH attend rehearsals, simultaneously part of BBC production, agrees about Speaight's decline, preferred as producer for TSE's next play, and Charles Williams's Cranmer, in which he plays 'the Skeleton', and TSE attend Tenebrae, taken to Cambridge after-feast, producing York Nativity Play, which TSE thinks Giottoesque, at Savile Club Murder dinner, producing Shakespeare's Dream, and Ascent of F6, and Tewkesbury Festival Murder confusion, 1939 production of The Family Reunion, due to be sent script, weighing TSE's proposal that he produce, enthused by script, suggests TSE see Mourning Becomes Electra, against Family Reunion as title, pleased with draft, quizzed on fire-safety, typescript prepared for, new draft submitted to, rewrite waits on, receives new draft, criticisms thereof, reports John Gielgud interest, mediates between Gielgud and TSE, TSE throws over Gielgud for, secures Westminster Theatre production, steps into company breach, then into still-greater breach, and the play's weaknesses, direction of Family Reunion, receives TSE's Shakespeare lectures, 1938 American Murder tour, re-rehearsing actors for, suffers fit of pre-tour gloom, yet to report from Boston, and Tewkesbury pageant, accompanies TSE to La Mandragola, on Family Reunion's future prospects, and possible Orson Welles interest, war leaves at loose end, advises TSE over next play, war work with Pilgrim Players, unavailable for modern-dress Murder, compared to tempter/knight successor, requests Pilgrim Players' play from TSE, New Plays by Poets series, as director, and This Way to the Tomb, and Family Reunion revival, urges TSE to concentrate on theatre, 1946 Mercury Family Reunion revival, in rehearsal, possible revue for Mercury Theatre, and The Lady's Not for Burning, Chairman of the Drama League, 1949 Edinburgh Cocktail Party, to produce, TSE's intended first reader for, receives beginning, approves first act, receives TSE's revisions, communciates Alec Guinness's enthusiasm, arranges reading, surpasses himself with production, in Florence, EH suggests moving on from, and the Poets' Theatre Guild, 1950 Cocktail Party New York transfer, compares Rex Harrison and Alec Guinness, TSE debates whether to continue collaboration with, suggests three-play TSE repertory, 1953 Edinburgh Confidential Clerk, receives first two acts, designing sets, 1953 Lyric Theatre Confidential Clerk, attends with TSE, 1954 American Confidential Clerk, 1954 touring Confidential Clerk, TSE and Martin Browne catch in Golders Green, seeks Family Reunion MS from EH,
see also Brownes, the Martin
4.E. MartinBrowne, Elliott Martin Browne (1900–80), English director and producer, was to direct the first production of Murder in the Cathedral: see Biographical Register.
Christianity, and human isolation, and modern economics, Ada on TSE's personal piety, scheme for 'Pro Fide' bookshop, among the Eliot family, and beauty, its sects like different clubs, Anglo-Catholicism, TSE's conversion to, which he dates to Eccleston Square meeting, Anglican Missal sought for EH, but unfortunately out of print, discussed at Boston Theological School, and the Petrine Claims, apostolic succession, over Roman Catholicism, as refuge from VHE, and the Reformation, asceticism, discipline, rigour, the necessity for, and TSE's daily exhortation, making and breaking habits, mastering emotions and passions, as salubrious, only remedy for a prurient culture, confession and communion, more possible during Harvard year, the case for unattainable ideals, in time of war, gets TSE up before 7 o'clock, hereditary with TSE, belief, and good poetry, faced with Second World War, and conversion, antidote to TSE's skepticism, Christendom, TSE ponders the decline of, TSE on his prominence within, its ruin, the Church Visible and Invisible, and TSE's war work, the Malabar Church, prospect of total reunion within, confession, helps to objectify sin, more dreaded than dentist, harder in the morning, death and afterlife, the struggle to prepare for, consoles TSE in life, and cremation, Requiem Mass, gives meaning to life, and what makes a desirable burial place, the nature of eternal life, divorce, unrecognised by Anglo-Catholic Church, which TSE regrets, in church law, would separate TSE from Church, evil, TSE's belief in, and moral percipience, guilt, and the New England conscience, hell, TSE's 1910 vision of, and damnation, according to TSE, liturgy, TSE's weekly minimum, Mass of the Pre-sanctified, Requiem Mass versus Mass of Good Friday, and whether to serve at Mass, Imposition of Ashes, at Christmas, High Mass over Mattins, aversion to Low Church Mattins, Roman service in Wayland, Tenebrae, in country parish church, as guest at Kelham, remarkable sermon, over Christmas, Tenebrae and Family Reunion, during Holy Week, Mass of Charles King and Martyr, love, loving one's neighbour, marriage, TSE's need for privacy within, mysticism and transcendence, interpenetration of souls, intimations of life's 'pattern', 'doubleness', arrived at through reconciliation, orthodoxy, only remedy for contemporary culture, and pagans, sets TSE at odds with modernity, necessarily trinitarian, 'Christian' defined, iniquities of liberal theology, and creed, authority, Transubstantiation, TSE disclaims 'self-centredness' in maintaining, politics, the Church and social change, how denomination maps onto, need for working-class priests, church leaders against totalitarianism and Nazism, Christianity versus Fascism and Communism, Papal Encyclical against Nazi Germany, the 'Dividend morality', Presbyterianism, TSE quips on the meanness of, Quakerism, resignation, reconciliation, peace, TSE's love allows for, 'peace that passeth all understanding', the struggle to maintain, following separation from VHE, retreat and solitude, EH at Senexet, the need for, a need increasing with age, and TSE's mother, Roman Catholicism, TSE's counter-factual denomination, Rome, sacraments, Holy Communion, marriage, sainthood, TSE's idea of, the paradoxes of, susceptible of different sins, sins, vices, faults, how to invigilate, the sense of sin, the sinner's condition, bound up with the virtues, as a way to virtue, TSE's self-appraisal, when humility shades into, when unselfishness shades into, among saints, proportionate to spiritual progress, daydreaming, despair, lust, pride, perfection-seeking pride, spiritual progress and direction, TSE's crisis of 1910–11, EH's crisis, versus automatism, TSE's sense of, towards self-knowledge, in EH's case, as personal regeneration, temptation, to action/busyness, the Church Year, Advent, Christmas, dreaded, happily over, TSE rebuked for bah-humbugging, church trumps family during, season of irreligion, thoughts of EH during, unsettling, fatiguing, in wartime, Easter preferred to, Ash Wednesday, Lent, season for meditation and reading, prompts thoughts of EH, Lady Day, Holy Week, its intensity, arduous, preserved from public engagements, exhausting but refreshing, excitingly austere, Easter, better observed than Christmas, missed through illness, Unitarianism, the Eliots' as against EH's, the prospect of spiritual revival within, as personified by TSE's grandfather, regards the Bible as literature, as against Catholicism, divides EH from TSE, and whether Jesus believed himself divine, according to Dr Perkins, in England as against America, over-dependent on preachers' personality, TSE's wish that EH convert from, outside TSE's definition of 'Christian', the issue of communion, baptism, impossibly various, virtues heavenly and capital, bound up with the vices, better reached by way of sin, charity, towards others, in Bubu, TSE's intentness on, delusions of, as against tolerance, chastity, celibacy, beneath humility, TSE lacks vocation for, faith, and doubt, hope, a duty, TSE's struggle for, humility, distinguished from humiliation, comes as relief, greatest of the virtues, propinquitous to humour, not an Eliot virtue, opposed to timidity, danger of pride in, is endless, TSE criticised for overdoing, theatre a lesson in, most difficult of the virtues, possessed by EH, possessed by EH to a fault, TSE compares himself to EH in, the paradox of, distinguished from inferiority, self-discovery teaches, possessed by Dr Perkins, patience, recommended to EH, its foundations, possessed by Uncle John, purity, distinguished from purification, temperance, with alcohol, beneath humility,
Council of Churches at Lambeth, TSE attends,
Faber, Geoffrey, made TSE's literary executor, described for EH, as friend, overawed by Joyce, recounts the Eliots' dinner-party, discusses international situation with TSE, his annual effort to diet, introduced to TSE by Whibley, favours TSE taking Norton Professorship, suggests garden-party for TSE, mislays key to Hale correspondence, writes to TSE about separation, which he helps TSE over, blesses Scotland tour with whisky, victim of Holmesian prank, favours 'The Archbishop Murder Case', Times articles on Newman, Russell Square proclaims his gentlemanly standards, forgives TSE and Morley's prank, as tennis-player, champion of Haig biography, social insecurities, and the Faber family fortune, advertises 'Pollicle Dogs and Jellicle Cats', at lavish lunch for Dukes, relieved that 'Work in Progress' progresses, and JDH, needs persuading over Nightwood, on Edward VIII's abdication, Old Buffer's Dinner for, wins at Monopoly, and the Anglo-Saxon Chronicle, thrilled by complimentary tickets, The Family Reunion described to, in line to read Family Reunion, has mumps, composes Alcaics from sickbed, at TSE and JDH's dinner, shares EH's Family Reunion criticism, on TSE's dinner-party bearing, discusses F&F's wartime plans, on meeting Ralph Hodgson, asks TSE to stay on during war, takes TSE to Oxford, argues with Major-General Swinton, and Purchase Tax exertions, and Literary Society membership, TSE's wartime intimacy with, drops teeth on beach, offers criticisms of 'Rudyard Kipling', falsely promised Literary Society membership, but eventually elected, helps revise TSE's Classical Association address, reports to Conversative Education Committee, deputed to America on publishing business, returned from America, Ada too ill to see, discusses National Service on BBC, depended on for breakfast, as fire-watching companion, and TSE rearrange attic at 23 Russell Square, recommends blind masseuse to TSE, in nursing home, and the Spender–Campbell spat, on TSE's Order of Merit, approached for essay on TSE, seeks to protect TSE's serenity, as Captain Kidd, wins fancy-dress prize, TSE's trip to Spain with, and National Book League, receives knighthood, on TSE's paroxysmal tachycardia, dies, his death,
see also Fabers, the
11.GeoffreyFaber, Geoffrey Faber (1889–1961), publisher and poet: see Biographical Register.
Family Reunion, The, and TSE as Orestes, plot sought for, progress stalled, referred to as 'Orestes play', written against countdown to war, should be artistically a stretch, plot still not settled on, begun, compared to Murder, TSE on writing, described (mid-composition), and Gunn's Carmina Gadelica, described to GCF, EH questions Harry's entrance, draft read to Martin Brownes, projected autumn 1938 production, depletes TSE, and Mourning Becomes Electra, its Greek inheritance, alternatively 'Follow the Furies', first draft promised to EH, as inspired by Tenebrae, being rewritten, work suspended till summer, fair copy being typed, waiting on Browne and Dukes, 'Follow the Furies' quashed by EH, aspires to be Chekhovian, Dukes keen to produce, criticised by Martin Browne, under revision, submitted to EH's theatrical wisdom, for which TSE credits her, possible John Gielgud production, Gielgud-level casting, Browne's final revisions, with the printers, Henry loaned draft, Donat and Saint-Denis interested, in proof, progress towards staging stalled, Saint-Denis interest tempered, possible Tyrone Guthrie production, possible limited Mercury run, its defects, publication scheduled, first draft sent to EH, Michael Redgrave interested in, March 1939 Westminster Theatre production, waits on terms, rehearsals for, which are photographed, opening night contemplated without EH, last-minute flutters, opening night, reception, coming off, TSE's final visit to, Dukes bullish on New York transfer, EH spurs TSE's reflections on, and Otway's Venice Preserv'd, American reception, and Orson Welles, F&F's sales, 1940 American production, Henry harps on the personal aspect, its cheerfulness, EH acknowledges part in, 1943 ADC production, in Dadie Rylands's hands, described, certain lines expressing TSE's frustrations, EH discusses with pupils, plays in Zurich, 1946 Birmingham production, 1946 Mercury revival, rehearsals for, opening night, TSE attends again in company, Spanish translation of, VHE's death calls to mind, its deficiencies, BBC Gielgud broadcast version, first aired, to be repeated, goes nominally with The Cocktail Party, Swedish National Theatre production, compared to Cocktail Party, EH's response to, more 'personal' than Cocktail Party, performed in Göttingen, 1950 Düsseldorf production, 1953 New York production vetoed, 1956 Phoenix Theatre revival, described, Peter Brook congratulated on, Martin Browne seeks MS of,
Murder in the Cathedral, idea for initially suggested by Laurence Irving, offered to Martin Browne, St. Thomas as TSE's muse, TSE on writing, tentatively, 'The Archbishop Murder Case', uncertainties over title, currently 'Fear in the Way', which proves unpopular, TSE on rewriting, title settled on, final revisions for printer, tentatively critiqued by EH, and EH on TSE as dramatist, chorus copied for EH, Virginia Woolf's aspersions on, the form of its choruses, defended from obscurity, did not test TSE's plotting, book-sales to-date, $1,000 offered for American rights, pays for 1936 American trip, Italian and Hungarian rights sold, and Whiggery, Savile Club dinner to celebrate, compared to next play, discrepancies of Canterbury Text, Martin Browne's initial response to, TSE recognised as author of, TSE on its cheerful title, EH on, abandoned Mercury Theatre premiere, suggested by Yeats and Doone, in the offing, and Doone's response to first draft, EH requested at, imperilled, text copied for Yeats, 1935 Canterbury Festival production, in rehearsal, opening night, reception, final performance, and EH's response, 1935–6 Mercury Theatre revival, Martin Browne pushing for, in rehearsal, which EH attends, compared to Canterbury original, at the box-office, its 100th performance, still running, proposed tour to end, 1936 BBC radio version, BBC bid to produce, broadcast fixed, BBC memo on, in rehearsal, TSE on, abortive 1936 New York transfer, Dukes visits America to arrange, blighted by Brace's actions, quashed by Federal Theatre production, its usurper founders, deferred to autumn, unsolicited 1936 New York production, licensed by Brace, to be directed by Rice, seemingly withdrawn, Rice resigns from, delights EH and Eleanor Hinkley, TSE sent press-cuttings for, EH reports on, TSE speculates as to textual discrepancies, attended by Eleanor Roosevelt, extended and potentially expanded, TSE to the Transcript on, may predispose immigration authorities favourably in future, royalties from, 1936 University College, Dublin student production, described by TSE, rumoured Australian and American productions, 1936 Gate Theatre touring production, TSE's long-held wish, scheduled, 1936 touring production, due at the Arts Theatre, Cambridge, as it was played in Cambridge, 1936 America pirate production, 1937 Duchess Theatre West End transfer, date fixed for, announced in Times, dress-rehearsal attended, reception, reviewed, royalties, still playing, ticket sales pick up, coming to an end, receives royal visit, 1937 touring production, scheduled post-Duchess, beginning in Leeds, then Manchester, going strong, 1937 Harvard University production, 1937 Amherst College production, singled out for praise, 1937 Old Vic production, touring production arrived at, in rehearsal, 1937 Tewkesbury Drama Festival production, 1938 American tour, projected for January 1937, said date seconded by Dukes, deferred to September 1937, confirmed again by Dukes, pre-tour dates in Golders Green, then Liverpool, opening in Boston in January, over which EH is consulted, tour itinerary, Family Reunion keeps TSE from, preparatory re-rehearsal for, pre-crossing Liverpool dates, EH's judgement desired, EH reports on first night, reviewed in The Times, EH sends New York cuttings, prematurely transferred to New York, Dukes reports on, Westminster Cathedral Hall charity performance, 1940 Latham Mercury revival, revival suggested in rep with Family Reunion, wartime modern-dress production suggested, ambushes TSE, in rehearsal, first night, reviewed, Browne's wartime Pilgrim Players' adaptation, Hoellering film, Hoellering's initial approach made, Hoellering's vision for, TSE adapting for screen, reconnoitre of Canterbury for, casting Becket, recording made for, development process described to NYT, non-actor found for Becket, screenings of Groser, set-dressing, screening, approaching release, still in the edit, final screening, and Venice Film Festival, seeking distribution, soon to premiere, opens, initial reception, circulating in shortened version, 1945 Théâtre du Vieux Colombier production, compared to Martin Browne's, royalties, apparently a hit, reviewed, reaches 150 performances, Fluchère's involvement, 1946 German production, 1947 Edinburgh Festival production, 1948 Milton Academy production, 1949 broadcast, 1949 Berlin production, politically resonant, 1952 University of Rennes, Grand Théâtre abridgment, 1952 Théatre National Populaire production, 1953 Old Vic revival, waiting on Donat, TSE on, 1954 Harvard production,
Oldham, Joseph, lunches with TSE, convenes discussion of contemporary Christianity, at the Unemployment Conference, éminence grise in Council for Life and Work, hearing improved, spearheading anti-Nazi Church movement, puts TSE up to BBC talk, sent TSE's Revelation contribution, which he prizes, organises Lambeth Council, initiates 'Moot', and the Moot, first Moot meeting, bewails mankind, anointed reader of Boutwood Lectures, founds new wartime committee, which meets, sent drafts for CNL, as editor of CNL, views diverge from those of TSE, pleased with TSE's education supplement, needs holiday, convenes education group meeting, propagates yet another religious body, his style, to meet Michael Roberts, Church, Community and State,
see also Oldhams, the
8.JosephOldham, Joseph (‘Joe’) Houldsworth Oldham (1874–1969), missionary, adviser, organiser: see Biographical Register.