[Grace Toll Hall, Scripps College, Claremont]
Your last letter – of the 6th February – was a very lovely one, and consequently provides nourishment for a considerable length of time. Otherwise I should have begun to be restless.
There is so much I want to know about yourself – in particular, has the arthritis reasserted itself at all? I am afraid that as the term wears on you will begin to be as fatigued as you were at the end of last year.
IFabers, thegive anti-Nazi party for author;b8 amLowenstein, Prince HubertusTSE attends anti-Nazi party for;a1 tired tonight, having had two parties in two days, for one of which I was in a small part host, and for the other wholly. Yesterday Faber & Faber, or Mr. & Mrs. Geoffrey Faber, gave a cocktail party for Prince Hubertus Lowenstein on the occasion of the appearance of his book in Germany,1 at L’aperitif grill in Jermyn Street. It was a mixed bag of people, of course, including many journalists (most of whom I did not know); the general colour was anti-Nazi, and the Prinz tells us that we must support Dollfuss for the moment, as a Hapsburg restoration is not at present practical politics.2 The Prinz also has his friends in Germany, all disguised in brown shirts, of course. Unimpressive looking young man, with a nose like a toucan. Standing for two hours in a packed room, talking to one person after another, trying to keep an eye on everybody, drinking cocktails, and being made dizzy by the heat, the closeness, the faces and the noise is very tiring. I got home at half past eight. I had meant to write to you last night, and then start a chorus; butgames, diversionscrossword puzzles;a3 by the time I had finished dinner I felt too feeble to do more than solve the Times crossword puzzle, andreading (TSE's)Charles Petrie's Monarchy;d6 read a few pages of Sir Charles Petrie’s ‘Monarchy’ just out.3 ThisRitz, TheTSE gives theatre tea-party at;a1 afternoonFlanagan, Hallietheatrical Ritz tea-party for;a6 IHutchinson, Maryat TSE's Ritz theatre tea-party;b1 hadDoone, Rupertat TSE's theatrical Ritz tea-party;a3 aBrownes, the Martinat TSE's theatrical tea-party;a1 teaparty on my own, at the Ritz – a very good place for the purpose, because it seems to be giving people something very grand, it is not crowded, and the tea etc. comes to only half a crown a head. The party was for Mrs. Flanagan, and included Mary Hutchinson, Rupert Doone, Mr. & Mrs. Martin Browne – all people with interests in the theatre. I do think it went off very well; they all seemed to like each other. Part of the purpose was to introduce Browne and Doone, so that Browne could try to induce Doone to do a ballet of Dick Whittington and his Cat for the Pageant (an 11 year old Cat, girl dancer, has been already engaged).4
IFlanagan, Hallieon further acquaintance;a7 can now tell you more about Mrs. Flanagan than IVassar College;a3 could after a brief and fevered visit to Vassar. SheO'Conor, Norreys Jephson;a1 is a friend of the Norys [sc. Norreys] O’Connors,5 withSmith College;a3 whom she has been staying, andPatch, Howard Rollin;a2 of some very nice people at Smith College whom I know, Professor and Mrs. Howard Patch. I find her very intelligent indeed; very quick-witted and thoughtful, and talks very well about the theatre and other matters. She talked interestingly about what she had seen of the theatre on several visits to Russia. She seems also to have serious interests in social problems as well. Certainly a rather exceptional person. I did wish that you were there!
PartRock, Thedifficulties of composition;b7 I of the Pageant is practically finished, and I have been having some difficulty in breaking the ground for Part II; I must get the opening in shape over the weekend. I must say that what I have done so far strikes me as better than expected; but you never know what anything is like until it comes to rehearsal; I expect to get frightfully depressed about it later on. One danger is that in trying to make something more of it than a mere succession of historical scenes, I may have been creating some parts which will rather strain the abilities of amateur parochial actors. My comic hero, Ethelbert the Anglo-Saxon bricklayer, has become a tremendous role; I have had to invent Mrs. Bert to take some of the strain off him, and may need one or two more assistants as well. But the venture is rather exciting, and I have very sympathetic people to work with.
It is beginning to become difficult to keep out of small, and usually pleasant, social engagements, which I really have not time for. As soon as this play is over, in the middle of June, I want to get away for several weeks, I don’t know where. There is some sort of international conference at the Bishop of Chichester’s in July, that I have promised to attend. HadeconomicsSocial Credit;a6 toDobrée, Bonamypromulgates Credit Reform;b1 write at length to Bonamy to-day about a letter to the Times which he wants me to sign, with others, urging an investigation into the possibilities of Credit Reform in England.6 TheOrage, A. R.sympathetic to Credit Reform;a1 enigmaticDouglas, Major Clifford Hugh ('C. H.');a5 Orage,7 whom I saw last night, andOrage, A. R.and Major Douglas;a2 who is Major Douglas’s faithful henchman, told me that a small group of younger Conservatives, headed or backed by Walter Elliot,8 was about to write a similar letter to the Times. There is undoubtedly a great tension and a feeling that something radical must be done within the next three years to avert disaster. Everyone looks with immense interest, tinged with scepticism, onRoosevelt, Franklin D.an inspriration to radicals;a1 the adventures of Franklin Roosevelt. TheyAmericaand FDR's example to England;b4 get a column in the Times every day. IEuropepotentially inspired by FDR;a4 am sure that if and when Roosevelt appears to have got the best of the situation, the results in Europe, and especially upon England, will be immense. If he succeeds, England will quickly ripen towards experiment. Only, when and by what is one convinced that a statesman has succeeded?
Oh my dear, my dear, I do long for news from you. DidGalitzi, Dr Christineand possible Greek translation of The Waste Land;b3 Miss Galitzi ever get my letter, I wonder, and what she has done about her Greek translation of the Waste Land.
MyPage-Barbour Lectures, The (afterwards After Strange Gods)reception;b1 book has had a very ‘mixed reception’, but is selling well.
Please, dear Bird, write to me, – once every two, or three – or four? – weeks.
It occurs to me to hope that you may at least be able to go to New England in the summer; and I wish that you could somehow meet Mrs. Flanagan. SuchAmericaCalifornia;d3TSE dreads its effect on EH;a8 acquaintances might be useful, and I don’t see how, buried in California where nobody can have the chance to hear of you even, you are going to get a better job.
1.PrinceLowenstein, Prince Hubertus Hubertus Lowenstein, The Tragedy of a Nation: Germany, 1918–1934 (F&F, 1934).
2.Engelbert Dollfuss (1892–1934), increasingly authoritarian Federal Chancellor of Austria, 1932–4. In 1933 he had shut down the parliament and suppressed socialism in the name of ‘Austrofascism’. He was to be assassinated in July 1934 by a group of Austrian Nazis.
3.Charles Petrie, Monarchy (1933).
4.PatriciaRock, Theand Patricia Shaw-Page's 'prologue';b8n Shaw-Page recited the following verses of ‘Cat’s Prologue’ to a ballet interlude, produced by the British choreographer Antony Tudor (at Sadler’s Wells, 28 May–9 June):
Be not astonished at this point to see
Creep on the stage a little cat like me.
This pageant is a kind of pantomime
Where anything may come at any time;
And what’s a pantomime without a Cat?
And I’m no ordinary puss at that.
For I was to a worthy master loyal
Who built St Michael Paternoster Royal:
I am the Cat who was Dick Whittington’s,
And now we’ll show you how our story runs.—
(For Antony Tudor, see Susan Jones, Literature, Modernism, and Dance [Oxford, 2013].)
Sadler’s Wells programme note: ‘Dick, miserable as a scullion, is loved by his master’s daughter. He ventures his Cat on a ship going to the Barbary coast; the Cat rids the Court of vermin and the king buys it for much gold. Meanwhile, Dick has run away; but Bow Bells bring him back to find fortune and his bride.’
Richard Whittington, who was four times Lord Mayor of London, helped to finance the rebuilding of this City church.
R. Webb-Odell assured TSE, in a letter of 3 June 1934, that Patricia was ‘the “hit”.’
Years later (18 Sept. 1961), Patricia Shaw-Taylor (as she then was), finding that she could not remember the entire speech she had been given to recite, asked TSE if he could remind her of the words. ‘The original scripts of my little bit which I possessed was destroyed in the bombing when my mother and I were squashed under a bomb! However, the photographs of us children … survived.’ TSE replied via his secretary (15 Dec. 1961) that he too had no copy of the text.
5.NorreysO'Conor, Norreys Jephson Jephson O’Conor (1885–1958), American author. Works include Songs of the Celtic Past (1918) and Battles and Enchantments (1922).
6.‘The Money System’ – letter signed by Lascelles Abercrombie, Bonamy Dobrée, TSE, Hewlett Johnson, Edwin Muir, Hamish Miles, Herbert Read, I. A. Richards – The Times, 5 Apr. 1934; followed by ‘The Monetary System’, signed by the same, 10 May: see CProse 5, 759–61.
7.A. R. OrageOrage, A. R. (1873–1934), owner-editor of the socialist and literary paper New Age, 1907–24; founder of the New English Weekly, 1932; disciple of G. I. Gurdjieff; proponent of C. H. Douglas’s Social Credit. See further Mairet, A. R. Orage: A Memoir (1936).
8.Dr Walter Elliot (1888–1958), prominent Scottish Unionist Party politician; Minister of Agriculture from 1932; later Secretary of State for Scotland.
3.Bonamy DobréeDobrée, Bonamy (1891–1974), scholar and editor: see Biographical Register.
2.RupertDoone, Rupert Doone (1903–66), dancer, choreographer and producer, founded the Group Theatre, London, in 1932: see Biographical Register.
5.C. H. DouglasDouglas, Major Clifford Hugh ('C. H.') (1879–1952), British engineer; proponent of the Social Credit economic reform movement. Noting that workers were never paid enough for them to purchase the goods they produced, Douglas proposed that a National Dividend (debt-free credit) should be distributed to all citizens so as to make their purchasing power equal to prices. Major works are Economic Democracy and Credit-Power and Democracy (1920); Social Credit (1924).
5.The directorFlanagan, Hallie Hallie Flanagan (1890–1969), a Professor at Vassar College, was planning to produce Sweeney Agonistes at the Experimental Theater that she had founded at Vassar.
1.DrGalitzi, Dr Christine Christine Galitzi (b. 1899), Assistant Professor of French and Sociology, Scripps College. Born in Greece and educated in Romania, and at the Sorbonne and Columbia University, New York, she was author of Romanians in the USA: A Study of Assimilation among the Romanians in the USA (New York, 1968), as well as authoritative articles in the journal Sociologie româneascu. In 1938–9 she was to be secretary of the committee for the 14th International Congress of Sociology due to be held in Bucharest. Her husband (date of marriage unknown) was to be a Romanian military officer named Constantin Bratescu (1892–1971).
3.MaryHutchinson, Mary Hutchinson (1889–1977), literary hostess and author: see Biographical Register.
5.NorreysO'Conor, Norreys Jephson Jephson O’Conor (1885–1958), American author. Works include Songs of the Celtic Past (1918) and Battles and Enchantments (1922).
7.A. R. OrageOrage, A. R. (1873–1934), owner-editor of the socialist and literary paper New Age, 1907–24; founder of the New English Weekly, 1932; disciple of G. I. Gurdjieff; proponent of C. H. Douglas’s Social Credit. See further Mairet, A. R. Orage: A Memoir (1936).
10.HowardPatch, Howard Rollin Rollin Patch (1889–1963), scholar of Chaucer, taught medieval literature at Smith College, 1919–57. (In a later year he would tutor Sylvia Plath.) His wife was Helen K. Patch.