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Thank you for your telephone message this morning; I was only sorry that I was not there myself to have the pleasure of hearing your voice. So I shall be at Russell Square tube station punctually at 12.45 to greet you, and proud of the honour. I do hope that you may enjoy the occasion; and that you will not get over-tired.
IIrving, Laurenceencourages Thomas Becket play;a1 hadMurder in the Cathedralidea for initially suggested by Laurence Irving;a1 Laurence Irving to dinner with me tonight; he wants me to do a play about St. Thomas a Becket for the CanterburyCanterbury Cathedral Festival, 1935approaches TSE;a1 festival next June; and I shall consider it.1 Anywaytravels, trips and plansTSE's dream of Cairo;b6;a3, the consensus of opinion among my friends seems to be that I should be better employed during the winter in writing a play than in grinding out six lectures to deliver in Cairo. I should like to see Cairo, but I don’t want to spend the next three months writing lectures. SoFaber and Faber (F&F)negotiate over Murder in the Cathedral;c4 the firm have commissioned me to write a play.
IHale, Emilybirthdays, presents and love-tokens;w2EH refits new rings from TSE;b3 hope you have had time to see about getting your rings fitted. I am looking forward eagerly to a day upon which I shall see you twice. Would you please tell Mrs. Perkins, as it is getting near post time and I can’t write another letter, thatPerkinses, theTSE entertains at Oxford and Cambridge Club;f1 dinnerOxford and Cambridge ClubPerkinses and EH entertained at;b3 on Sunday will be at my club, 71 Pall Mall, at 8.15, and I am sorry but I shall not have time to dress. I have ordered a bottle of Romanée 1919 to be got ready, which I hope you will find drinkable.
1.LaurenceIrving, Laurence Irving (1897–1988) – theatre designer and author; grandson of the legendary actor-manager Sir Henry Irving – served with distinction as a pilot during WW1 (Croix de Guerre, 1916) before spending a period in Hollywood as art director to Douglas Fairbanks Sr. From 1931 he worked in London and elsewhere – designing among other plays the first production of Murder in the Cathedral in 1935 – and in film. His writings include Henry Irving: The Actor and His World (1951), The Successors (1967), The Precarious Crust (1971); he was a director of the Times Publishing Company, 1946–62, and he campaigned for the establishment of the British Theatre Museum.
John Miller, ‘“His shadow still stretches down the years”’, The Listener, 12 Feb. 1981, 200: ‘The Dean of Canterbury, George Bell, persuaded John Masefield to write and produce The Coming of Christ in the Cathedral in 1928, and talked Laurence Irving into his one and only acting performance, as King Gaspar the Wealthy. Laurence also designed a permanent setting for the Festival, which became an annual event, commissioning new religious plays from leading poets. He explains how, after the success of Tennyson’s Becket (in which Henry Irving had given his last performance) and Laurence Binyon’s The Young King, GeorgeIrving, Laurenceon commissioning Murder;a2n Bell was keen to commission T. S. Eliot:
‘I was empowered to offer the poet a commission of £150 to write the play, with performance guaranteed, which really meant more to them than anything else. We spent the morning in the Cathedral and I showed him the stage and everything. I said: “Does this suggest any idea to you for a play?” “Oh, yes, I think I’d like to write about Thomas à Becket.” Of course I was utterly dismayed. I thought “worn-out Thomas à Becket”, but then I realised that he’d make something entirely new, as he did.’
1.LaurenceIrving, Laurence Irving (1897–1988) – theatre designer and author; grandson of the legendary actor-manager Sir Henry Irving – served with distinction as a pilot during WW1 (Croix de Guerre, 1916) before spending a period in Hollywood as art director to Douglas Fairbanks Sr. From 1931 he worked in London and elsewhere – designing among other plays the first production of Murder in the Cathedral in 1935 – and in film. His writings include Henry Irving: The Actor and His World (1951), The Successors (1967), The Precarious Crust (1971); he was a director of the Times Publishing Company, 1946–62, and he campaigned for the establishment of the British Theatre Museum.