[No surviving envelope]
T. S.Eliot
EmilyHale
TS
Faber & Faber Ltd
4 February 1936
Dear my Dove, my Emily,
IMurder in the Cathedralabortive 1936 New York transfer;e1its usurper founders;a4 mustDukes, Ashleyfrom where he reports;b1 write to let you know what results fromBrownes, the Martin;a9 seeing Ashley Dukes last night at the Brownes’. HeMurder in the Cathedralunsolicited 1936 New York production;e2Rice resigns from;a4 did not know that Murder had been withdrawn, but was not surprised. HeRice, Elmerresigns from production;a3 spoke very well of Elmer Rice, and of his producer, Stanstead Wells by name, who he said seemed to know what a performance of the play ought to be like. Rice was very apologetic to him, as also was Brace, who had offered to pay the preliminary expenses in order to stop the production. It was left that rice [sc. Rice] was to produce the play for two or not more than three weeks; but it was uncertain whether he would do so, because the man they had for Becket was very unsatisfactory, and Wells agreed with Dukes that if they could not get a good Becket they had better not produce the play at all. Then just before Dukes sailed, Rice resigned from his position, which he was finding difficult. Apparently some authors had been objecting to the Federal scheme, because it involved boiling down their plays to an hour, and playing them in extempore shelters with loudspeakers – best seats twenty-five cents, ordinary places five cents. This was not to have been the arrangement for Murder, which was to have been done at a theatre called the Manhattan Theatre. But Dukes supposes, in view of your cable, that either the play was dropped because they decided that their Becket was not satisfactory, or else that after Rice resigned the whole of his programme was scrapped.
AnywayMurder in the Cathedralabortive 1936 New York transfer;e1deferred to autumn;a5, it would seem that an abortive attempt like this will do more harm than good. I now find that Dukes’s intention is to continue to run the play here through March and April; and to come to New York in October with a repertory of three or four plays, and, if there proves to be a demand for Murder beyond a few weeks, to run it on. I am rather disappointed, of course, simply because once the suggestion of producing the play in New York in the spring was broached, I had turned my mind to coming over then. Mytravels, trips and plansTSE's 1936 American trip;c4autumn better for seeing EH;a5 only consolation is the thought that possibly, if I come in September, it might be an easier time in which to arrange to be with you somehow in the country; and if you got some sort of college job which would claim you from the latter part of the month, I would come early enough to have your company before you began. And if the play is put on in October, I might arrange to stay over for the opening of it. But if you found that circumstances were such as to make you prefer to have me come earlier in the year, I would do that. As I have said before, the play is merely a pretext, and all I care about is to come at the time of year at which I can see you under the most favourable conditions.
ISpeaight, Roberthis performance agreed to be going stale;b6 spokeBrowne, Elliott Martin1935–6 Mercury Theatre Murder revival;a7agrees about Speaight's decline;a4 toDukes, Ashleyagrees about Speaight's decline;b2 Browne and Dukes about Speaight not being quite so good when I saw the play last. They were inclined to agree that the performance was going stale through repetition, and thought that it was inevitable when a play had a long run, and that there was not much to be done, though Browne thought he might have a word with Speaight about it. I am convinced myself that repertory is the only way in which acting can be kept up to standard. Inactors and actressesand the benefits of repertory;a5 a long run, the actors are almost irresistibly impelled to exaggerate what they find the audiences like.
I am more disappointed than I have let you know, about coming in the spring – but why try to find words for it? After all, I will come at a time of year that suits you best – preferably a few weeks notice! AndHale, Emilybirthdays, presents and love-tokens;w2further ring sought for EH;c8 I do want to bring you a ring that you can wear all the time – or at least when you are not wearing the other ring of mine – for I should like you to have some ring of my gift always round one of your fingers.
IBurnt Nortonall but final lines please TSE;b1 am still unsettled about the last lines of ‘Burnt Norton’: it has been set up in proof and I think I am fairly well satisfied with the rest of it.
My dear, my radiant Lady,1 I love you and it will always be the same. Now, in spite of protestations, I am going to kiss your toes again.
to my Emilie
from her Tom.
IPerkins, Edith (EH's aunt);c3 have had a nice letter from Mrs. Perkins – I am sorry I asked about your giving the presents.
I am rather stupid tonight; but I shall have another weekend to myself, and shall try to write one or two INTELLIGENT letters.
If you compare enclosed report in the Irish Times with my script, you will see that the report is rather brief and garbled.2
IAnglican Club of the University of LondonTSE's speech to;a1 have written out a rather interesting 20 minute speech for the lunch-hour meeting of the Anglican Club of the University of London – I mean the subject is rather interesting and I think important – I don’t mean that I have expressed myself very well – but if it seems to go off well I will send you a copy. That is on Friday, and it is my LAST speaking engagement. ISave the Children Fundfor which he is thanked;a2 hadRoberts, Ursula;a1 veryNoel-Buxton, Rt Hon. Lord;a1 civil notes from Mrs. Roberts3 and Lord Noel-Buxton about my Save-the-Children speech.4 But I wish you were here for me to refer all such invitation[s] to!
1.Quivi la donna mia vid’ io si lieta: ‘There I saw my lady so radiant with joy’ (Paradiso V, 94.).
2.‘Originality in Poetry: Fertilisation of Literature: Views of Mr T. S. Eliot’, Irish Times, 25 Jan. 1936, 6.
3.UrsulaRoberts, Ursula Roberts (1887–1971), author, was married to the Revd William Corbett Roberts, vicar of St George’s Church, Bloomsbury, London. She was a member of the Church League for Women’s Suffrage (later the League of the Church Militant); Hon. Treasurer and Hon. Press Secretary of the East Midland Federation of the National Union of Women’s Suffrage Societies; a member of the Anglican Group for the Ordination of Women; and a member of the interdenominational Society for the Ministry of Women in the Church. Writing as ‘Susan Miles’, publications includine Dunch (1918), The Hares, and other verses (1924) and Lettice Delmer (novel in verse, 1958; repr. 2002); and a biography of her husband, Portrait of a Person (1955).
4.TheNoel-Buxton, Rt Hon. Lord Rt Hon Lord Noel-Buxton, PC, thanked TSE on 31 Jan. 1936; and Edward Fuller, Publicity Secretary of the Fund, notified TSE (12 Mar. 1936) that the meeting had generated £35 – ‘the gift of which I feel sure is very largely due to your able advocacy of this work’.
actors and actresses, to be pitied, TSE on thespian withdrawal symptoms, enjoyable company of, English and German actresses compared, and the benefits of repertory, as readers of poetry, in Sweden,
Anglican Club of the University of London, TSE's speech to,
Browne, Elliott Martin, meets TSE at Chichester, production of The Rock, meets TSE over possible collaboration, talks over outline of play, meets TSE with Martin Shaw, delighted with Rock choruses, discusses unwritten pageant scenes with TSE, predicament as The Rock's director, well connected in amateur circles, revising into the night with TSE, argues with Shaw at dress-rehearsal, presented to Prince Arthur, honoured by Rock cast-supper, producing Gordon Bottomley's play, speaks at Londonderry House with TSE, 1935 Canterbury Murder in the Cathedral, approached by TSE to 'produce', consulted throughout composition, goes silent, lunches with TSE and Speaight, directs and acts despite illness, pursues London Murder revival, 1935–6 Mercury Theatre Murder revival, engaged as producer by Dukes, keen that EH attend rehearsals, simultaneously part of BBC production, agrees about Speaight's decline, preferred as producer for TSE's next play, and Charles Williams's Cranmer, in which he plays 'the Skeleton', and TSE attend Tenebrae, taken to Cambridge after-feast, producing York Nativity Play, which TSE thinks Giottoesque, at Savile Club Murder dinner, producing Shakespeare's Dream, and Ascent of F6, and Tewkesbury Festival Murder confusion, 1939 production of The Family Reunion, due to be sent script, weighing TSE's proposal that he produce, enthused by script, suggests TSE see Mourning Becomes Electra, against Family Reunion as title, pleased with draft, quizzed on fire-safety, typescript prepared for, new draft submitted to, rewrite waits on, receives new draft, criticisms thereof, reports John Gielgud interest, mediates between Gielgud and TSE, TSE throws over Gielgud for, secures Westminster Theatre production, steps into company breach, then into still-greater breach, and the play's weaknesses, direction of Family Reunion, receives TSE's Shakespeare lectures, 1938 American Murder tour, re-rehearsing actors for, suffers fit of pre-tour gloom, yet to report from Boston, and Tewkesbury pageant, accompanies TSE to La Mandragola, on Family Reunion's future prospects, and possible Orson Welles interest, war leaves at loose end, advises TSE over next play, war work with Pilgrim Players, unavailable for modern-dress Murder, compared to tempter/knight successor, requests Pilgrim Players' play from TSE, New Plays by Poets series, as director, and This Way to the Tomb, and Family Reunion revival, urges TSE to concentrate on theatre, 1946 Mercury Family Reunion revival, in rehearsal, possible revue for Mercury Theatre, and The Lady's Not for Burning, Chairman of the Drama League, 1949 Edinburgh Cocktail Party, to produce, TSE's intended first reader for, receives beginning, approves first act, receives TSE's revisions, communciates Alec Guinness's enthusiasm, arranges reading, surpasses himself with production, in Florence, EH suggests moving on from, and the Poets' Theatre Guild, 1950 Cocktail Party New York transfer, compares Rex Harrison and Alec Guinness, TSE debates whether to continue collaboration with, suggests three-play TSE repertory, 1953 Edinburgh Confidential Clerk, receives first two acts, designing sets, 1953 Lyric Theatre Confidential Clerk, attends with TSE, 1954 American Confidential Clerk, 1954 touring Confidential Clerk, TSE and Martin Browne catch in Golders Green, seeks Family Reunion MS from EH,
see also Brownes, the Martin
4.E. MartinBrowne, Elliott Martin Browne (1900–80), English director and producer, was to direct the first production of Murder in the Cathedral: see Biographical Register.
Brownes, the Martin, at TSE's theatrical tea-party, pick over scenario for Murder, TSE's fondness for, introduce TSE to Saint-Denis, both invited to Tenebrae, TSE reads Family Reunion to, and their Pilgrim Players, their sons, among TSE's intimates, encourage TSE over Cocktail Party, discuss Cocktail Party draft, Silver Wedding Party,
Burnt Norton, its Kensington origins, the moment in the rose-garden, opening sent to EH, TSE too moved to write, its composition a form of communion with EH, epigraphs from Heraclitus, 'our' first poem, as 'quartet', all but final lines please TSE, obscurity of, 'Garlic and sapphires' explained, 'about' EH, TSE forced into after-dinner reading of, TSE closes Edinburgh reading with, reprinted in shilling form, as 'Cotswolds poem', sales, most difficult quartet to record, and Alice in Wonderland,
Dukes, Ashley, described by Yeats to TSE, approaches Doone over Mercury Theatre season, lines up Mercury Murder revival, with which he is pleased, his ambitions for Murder, which Brace upsets, instructed as to Murder New York negotiations, hustling in New York, from where he reports, agrees about Speaight's decline, explains miscarriage of 1936 American production, at 100th performance of Murder, latest plans for Murder, revised plans for New York, dares to call TSE in morning, TSE's royalty arrangement with, policing pirate productions of Murder, discusses Murder's America rights, full of grand desgins, takes Browne into partnership, on Murder's Abdication Crisis resonance, among Family Reunion's first readers, plans for Murder, American Murder tour, against Family Reunion as title, pleased with Family Reunion fragment, sent full Family Reunion draft, lets EH down, consulted over Gielgud contract, on Gielgud and Family Reunion, negotiating with Saint-Denis, less persuaded by Family Reunion, optimistic on Family Reunion transfer, instructed on Family Reunion licensing, fields Orson Welles enquiry, suggests wartime Murder revival, which he mounts without consulting TSE, attempting season of miniature operas, submits theatrical reminiscences to TSE, and Murder film rights, book launch for memoirs, reports on TSE's continental productions, gives Garrick Club dinner for TSE, takes full control of Mercury, accompanies TSE to Germany, La Mandragola, The Scene is Changed, Too Many Twins,
see also Dukes, the
4.AshleyDukes, Ashley Dukes (1885–1959), theatre manager, playwright, critic, translator, adapter, author; from 1933, owner of the Mercury Theatre, London: see Biographical Register.
Hale, Emily, visits the Eliots for tea, returns to Boston, likened to TSE's mother, TSE identifies with her 'reserve', encouraged to write for periodicals, visits West Rindge, summers in Seattle, presents herself as cossetted, blames herself for an unfulfilled life, returns to Boston, consulted over TSE's Norton Professorship, holidays in Castine, vacations in New Bedford, TSE fears accident befalling, travels to stay in Seattle, Frank Morley on Ada on, arrives in California, brought to tears by music, goes horse-riding, baited over how to boil an egg, TSE passes old school of, takes motoring holiday via San Francisco, summers in Seattle, TSE composes squib for, takes TSE's hand in dream, returned to California, TSE sends Harvard Vocarium record, holidays in West Rindge, returns to Boston before embarking for England, arrives in England, to travel to Paris, returns to London, feels inferior to 'brilliant society', invited to Sweeney Agonistes rehearsal, attends Richard II with TSE, attends Sweeney Agonistes, takes TSE to Gielgud's Hamlet, taken to see Stravinsky conducting, leaves for Italy, takes tea at OM's before leaving, mistaken for TSE's sister, returns to Florence, sails for the Riviera, returns from France, returns to Chipping Campden, to Guernsey with Jeanie McPherrin, taken to Henry IV on return, shares open taxi with TSE through Parks and Whitehall, and TSE attend The Gondoliers, visit to the Russian ballet, invited to Murder in Canterbury, and TSE attend 1066 And All That, taken to Tovaritch, and Morleys set for ballet, which she excuses herself from, criticised for flower-arranging, and TSE walk in the Cotswolds, feels inferior to Margaret Thorp, and TSE theatre-going with Thorps, taken to Timon of Athens, taken to Peer Gynt, visited at Campden for TSE's birthday, takes lodgings in Oxford, lodges at 19 Rosary Gardens, watches TSE read to Student Christian Movement, and TSE visit Kenwood House, dines with the Maritains, describes tea with the Woolfs, returns to America, visits Ada on Boston homecoming, possible career-move into politics, pays winter visit to Rindge, and Eleanor Hinkley attend New York Murder, moves to 154 Riverway with Perkinses, considers volunteering for charity, living at 5 Clement Circle, holidays in Cataumet, returns abruptly to Cambridge, recuperates in New Hampshire, moves to 240 Crescent St., Northampton, Mass., lectures at Concord, returns to Brimmer Street, returns to Boston during vacation, sails for England, in residence at Chipping Campden, travels to Yorkshire, returned to Chipping Campden, returns and moves to 22 Paradise Road, Northampton, Mass., spends Thanksgiving in Boston, stays at Hotel Lincolnshire with the Perkinses, vacations at New Bedford, visits New York, holidays in Charleston, as patron of school, returns to Northampton, sails for England, day at Windsor with TSE, fortnight at Campden with TSE, at Campden with TSE again, returns to America with 'Boerre', ordered to stay in America in case of war, given Family Reunion draft with her comments, encouraged to write drama criticism, vacations in New Bedford, advises TSE against Tewkesbury choruses, holidays with the Havenses, sails for England, at Chipping Campden, stays with the Adam Smiths in Scotland, returns to America with Perkinses, safely returned, sent copy of TSE's daily prayers, sent first CNL, sends TSE selected American plays, holidays in New Bedford, spends Easter in Harwichport, holiday destinations, holidays in Cape Cod, returns to the Perkinses at 90 Commonwealth Avenue, stays with Elsmiths in Woods Hole, holidays on Grand Manan, visits Perkinses in Boston, returns to 90 Commonwealth Avenue, holidays in Madison, Wisc., travels on to Maine, holidays on Grand Manan, holidays in Bangor, Maine, as president of S. P. C. A., spends Christmas holiday in New Bedford, holidays in Woods Hole, loans out her Eliotana, removes from Smith to the Perkinses, spends time in Maine, repairs to New Bedford, spends time in Tryon, N. C., returned to Boston, spends three days in New York, shares details of will, holidays on Grand Manan, leaves TSE portrait in event of predeceasing him, late summer in New Brunswick, vacations in New Bedford, repairs to New Bedford, resident in Millbrook, takes short holiday at 'Bleak House', holidays on Grand Manan, visits Woods Hole, visits New Bedford, holidays in New Bedford, spends holiday at Sylvia Knowles's, holidays in Dorset, Vt., holidays briefly in Farmington, holidaying on Grand Manan, TSE seeks Trojan Women translation for, moves to 9 Lexington Road, gives Christmas readings, congratulates TSE on OM, urges TSE not to despair at honours, spends Easter in Boston, race-relations and the WPA, sings Bach's B Minor Mass, removes from Concord to Andover, on life in Grand Manan, congratulates TSE on Nobel Prize, resident at 35 School Street, Andover, summers between Boston, Woods Hole, New Bedford and Grand Manan, recounts journey to Grand Manan, takes The Cocktail Party personally, then repents of doing so, post-Christmas stay in New Bedford, reports on Cocktail Party's opening, summers between Chocorua and Campobello, tours westward to California during summer holiday, attends British Drama League summer school, holidays in Grand Manan, asks TSE for occasional poem, week in the Virgin Islands, summers between Mount Desert and California, spends holidays in New Bedford, recuperates in New Bedford, returns, briefly to Chipping Campden, Eleanor Hinkley reports on, writes to EVE, sends EVE photograph of TSE, makes tour of Scandinavia, approaches TSE on Smith's behalf, which approach TSE declines, writes to TSE on GCF's death, moves back to Concord, pays visit to Seattle, reacts to TSE's death, writes to EVE, meets EVE, dies, appearance and characteristics, her shapely neck, TSE's memory for certain of her old dresses, particularly four dresses, which TSE then describes, TSE begs EH to describe her clothing, in silk, autumn 1930, costumed in a 'Titian wig', EH encouraged to gain weight, EH encouraged to tan, her Jantzen suit, TSE begs a slip of hair from, her gold-and-green tea gown, her Praxitelean nose, EH congratulated on 'perm', EH refuses TSE lock of hair, her voice, Guardsman dress, as a Botticelli Madonna, her hands, recommended skin-cream, 'new goldy dress', TSE inquires after, in TSE's dreams, 'new and nuder' swimsuit demanded, her black dress/red jacket outfit, dressed in blue, in charming black dress, her sense of humour, her New England conscience, the famous apricot dress, her hair, various dresses, EH's idea of new dresses, EH hair cut in the new style, blue dress worn following masque, as actor, as Olivia in Twelfth Night, in the Cambridge Dramatic club, as Roxane in Cyrano in 1915/16, as Judith Bliss in Hay Fever, EH considers giving up for teaching, in the 'stunt show' with TSE, as Beatrice, TSE hopes, in The Footlight Club, in Berkeley Square, in The Yellow Jacket, EH praised over Ruth Draper, under Ellen van Volkenburg, cast as an octogenarian, in The Old Lady Shows Her Medals, TSE speculates as to her future in, and teaching, as Lady Bracknell, TSE begs to write part for, in The Footlight Club, potentially in summer theatre company, as the Duchess of Devonshire, potentially in The Family Reunion, Cambridge Dramatic club reunion, The Wingless Victory, in masque with TSE, in a Van Druten play, as Lodovico Sforza, in play by Laurence Housman, as Madame Arcati in Blithe Spirit, with Paul Stephenson, in Kind Lady, joins the Dorset Players, as director ('producer'), La Locandiera, Lady Gregory's The Dragon, Dust of the Road, Comus, possibly temporarily at St. Catherine's, Va., chorus work at Smith, Electra, Quality Street, The Merchant of Venice, Dear Brutus, Christmas play, Richard II, Hay Fever, Christmas pantomime, The Dorset Players, a reading of Outward Bound, Molnár's The Swan, Dulcy, The School for Scandal, Fanny and the Servant Problem, Dear Brutus again, Twelfth Night, Prunella, Christmas play, Antigone, The Merry Wives of Windsor, As You Like It, The Admirable Crichton, Holy Night, The Tempest, as teacher, EH lectures on 'Modern British Verse', as a career, at Milwaukee-Downer College, Mich., at Simmons College, Boston, EH considers post at Scripps, which she accepts, arrives at Scripps, establishes drama workshop at Scripps, EH lectures on TSE, EH's advice that TSE lecture less slowly, as described by Scripps student, and being admired by students, TSE sees her teaching as a kind of acting, requests year's leave from Scripps, resigns position at Scripps, declares intention to teach again, possibly, temporarily, at St. Catherine's, Va., possibly at Smith, post at St. Catherine's rejected, appointed to position at Smith, is installed at Smith, reappointed with pay-rise, reappointed again for two years, her work at Smith, unsettled at Smith, in time of war, insecure over job at Smith, from which EH takes 'sabbatical', let go by Smith, takes job at Concord Academy, appointed to post at Bennett Junior College, Millbrook, appointment to permanent Concord position, EH thinks of giving up, lectures on Family Reunion, her work at Concord Academy, resignation from Concord Academy, takes permanent position at Abbot, EH admits to being sheltered by, retirement from Abbot, according to Abbot Academy tribute, birthdays, presents and love-tokens, EH's birthday compared to TSE's, TSE sends Terry–Shaw correspondence for EH's birthday, EH sends TSE pomme purée, present from EH, flowers for EH's birthday arrive too soon, EH wearing TSE's ring, two rings bought for EH, EH bought typewriter, TSE 'cables' EH roses, TSE consults EH over potential present, TSE's second 'sapphire' ring for, EH refits new rings from TSE, TSE receives flowers for Christmas, EH given 'powder box' for Christmas, EH's present to TSE goes amiss, missing present (calendar) explained, EH left cigarettes by TSE, EH gives TSE cigarette case, TSE necklace-hunting for EH, pearls suggested for EH, EH bought sapphire bracelet, EH gives TSE a signet ring, EH bought blue-gray scarf, EH gives TSE silk handkerchiefs, TSE has signet ring engraved, further ring sought for EH, EH with TSE on his birthday, EH gives TSE initialled leather portfolio, TSE given ashtrays and matchbox, furs sought for EH, EH gives TSE stool, roses sent to EH on birthday, TSE given diary and hairbrush box, TSE given rosary and print, EH buys TSE towel rails, TSE receives diary for Christmas, 1810 ring bought for EH, EH buys TSE various ties, war means no flowers, EH's lapis lazuli ring, TSE neglects to cable EH, EH knits socks for TSE, which turn out large, EH sends TSE 'snowflake' socks, EH remembers TSE's birthday with reference to Shakespeare, TSE sent marmalade and liver-paste, EH writes poem for TSE's birthday, EH sends TSE provisions, EH loses sapphire from ring, diamond circlet given to EH in 1939, EH gives TSE socks for Christmas, TSE gives EH 'evening bag', EH unthanked for Christmas present, correspondence with TSE, TSE petitions EH to bestow on the Bodleian, TSE exalts as authoritative, TSE envisions as reading-group, the only writing TSE enjoys, TSE as Cyrano to EH's Roxane, TSE's dependence on, TSE's nights spent planning, TSE rereads with pleasure, the strain of interruption, switches to Air Mail, TSE on his decision to renew, TSE marks first anniversary of, keeps TSE sane, TSE hopes to telephone, TSE wishes to maintain when in America, EH would withhold from the Bodleian bequest, from which TSE tries to dissuade her, TSE violently dependent on, TSE begs EH that it be preserved, less exciting to EH than at first, TSE's horror of sounding sermonic, if such a correspondence were profitable, and TSE's respectful reticence, EH suggests entrusting to Willard Thorp, but subsequently explains she meant Margaret Thorp, EH's to do with as pleases, and the prospect of TSE writing every night, TSE still rereads with pleasure, excites TSE too much to write smoothly, compared with talking, phone call finally arranged, which finally takes place, EH importuned to write more, TSE promises three letters a week, EH refuses more than one, a solitude within a solitude, EH switches to typewriter, which TSE offers to buy, observed weekly by EH's students, flatters TSE most when EH writes undutifully, TSE's dread of EH rationing, TSE's efforts to moderate himself within, TSE imagines the unsealing of, TSE offers to cease, a place to vent one's feelings, TSE rebuked for 'intolerance' within, EH learns to type, hinders TSE from work, TSE on life before, third anniversary marked, thwarted by TSE's self-loathing, TSE doubts having pursued, restraints on TSE's ardour lifted, more constrained by day, TSE worries about burdening EH with, worth TSE getting home early for, by day, by night, TSE specially treasures recent 'love letters', more delightful since EH's reciprocation, and TSE's diminished ardour, switches to transatlantic airmail, constrained by war, opened by censor, and Shamley Green post-office, TSE apologises for, EH free to dispose of, within limits, particularly constrained by EH's letter of 1939, and the experience of delay, TSE equivocates on preserving, varied with airgraph, again, EH's to do with as she pleases, still intended for Bodleian, TSE chastened for short cables, TSE's letters 'undemonstrative and impersonal', post-war frequency, being and not being loving by letter, EH asks TSE to reduce, TSE criticised for following monthly injunction, TSE rebuked for impersonality, EH formally bequeaths to Princeton, TSE unfussed as to repository, TSE reiterates 50-year prohibition, TSE's worries as to future appearances, EH promises Princeton her statement on, promises letters with ten-year seal, attempts to shorten TSE's moratorium, which TSE refuses, which forces EH to relent, TSE encouraged to return EH's letters, EH deposits further material with Princeton, EH makes 'recording' for Princeton, EH renews plea to shorten moratorium, and is again refused, TSE destroys EH's letters, TSE repents of severe letter, which EH never receives, EH suspects TSE of destroying her letters, EH instructs Princeton to discard 'recording', EH ultimately respects TSE's wishes, EH on TSE's destruction of her letters, family, her father, her childhood compared to TSE's, TSE desires family history of, EH encouraged to keep younger company, EH's unity with parents, EH's relations with aunt and uncle, EH's relations with aunt and uncle, EH photographed with parents, and EH's obligations to, finances, health, physical and mental, admits to breakdown, TSE compares 'nightmares' with, TSE's desire to nurse, suffers neuritis, then neuralgia, recommended suncream, suffers arthritis, suffers with sinuses, her teeth, experiences insomnia, suffers 'hives', suffers crisis body and soul, feels depressed over Christmas, suffers neuralgia, suffers intestinal flu, has shingles, admitted to hospital, convalesces on Grand Manan, recuperates in Washington, Conn., photographs of, as a child, Edith Sitwellesque photograph, in 18th-century costume, in 18th-century French costume, in broad-brimmed 'picture' hat, TSE buys Kodak, in deck-chair, eating sandwich, in a car, 'the Beautiful one', which TSE has enlarged for his dressing-table, painful, because taken in the 'interim', in bacchanalian pose, 'Semitic', among young people, set 'Elizabeth' giggling, Diana Mannersesque, are mnemonic aids to TSE, kneeling beside can of flowers, TSE's favourite, with ordinarily sized hands, smoking in chair, as child with big ears, taken on TSE's arrival in Claremont, in Jane Austen fashion, in unfamiliar jacket, taken in autumn, with mother and father, as a child, in TSE's note-case throughout Blitz, in Wingless Victory, as child, in gold frame, in familiar jacket, taken with Boerre, surround TSE at Shamley, with baby, in a group, of EH's portrait, in sailor suit, all inadequate, carrying lamp, with Rag Doll, at Campobello, reading, Henry James, Letters from Baron Friedrich von Hügel to a Niece, All Passion Spent, Bubu de Montparnasse, F&F thriller, Eyeless in Gaza, Dante, Hopkins and Roosevelt, Henry Irving: The Actor and His World, relationship with TSE, TSE's first acquaintance with, its abnormality, runs to admiration from EH, and TSE's habitual reserve, its morality under examination, defended by TSE, its susceptibilities envisaged by TSE, EH admits estrangement within, and TSE's desire for intimacies, provokes sorrow and fury in TSE, confided to the Perkinses, Miss Ware and Father Underhill, TSE's chance to be frivolous, and the prospect of TSE's Harvard year, TSE dates first meeting to 1905, whereas EH dates to 1915, TSE's terror of renewing in California, teaches TSE true companionship, runs to a 'kiss', as perpetual progress and revelation, EH offered manumission from, if TSE were not married, seems more real for TSE's American year, TSE's reasons against marrying, TSE fears having misled over, EH again offered manumission from, EH writes to Ada concerning, EH blames TSE for his ardour, then apologises for blaming TSE, leads to unhappiness in EH, possible drain on EH's health, its perceived inequalities, pity and gratitude would corrupt, TSE conditionally promises marriage, TSE sees as an imposition on EH, potentially richer for meeting TSE's friends, EH 'kisses' TSE, EH rests head on TSE's shoulder, EH strokes TSE's face, as consubstantial union, TSE's love finally reciprocated, mutual embraces, EH kissed on the right foot, TSE favoured with birthday kiss, exhausting, should proceed without hope of marriage, TSE again regrets misleading EH, as one of mutual dependence, its unsatisfactions, its seasonal rhythm, but for VHE would be marriage, EH seeks post-war clarity on, and the prospect of VHE's death, following VHE's death, TSE reflects on the deterioration of, TSE reflects generally on, and men and women generally, according to Theresa Eliot, EH reflects on, since TSE discounted marriage, had TSE behaved differently in 1914, its new dispensation, source of mutual anguish, apropos of TSE's second marriage, EH's marriage regret, EH recoils from publicising, TSE re-evaluates, EH writes to EVE about, religious beliefs and practices, claims experience of 'vision', admits suffering spiritual crisis, goes on retreat, and TSE's definition of sainthood, compared to TSE's, professes to resent the Church, makes retreat to Senexet, the issue of communion, the possibility of confirmation, source of worry to EH, confronts TSE on religious differences, TSE on her 'Christian spirit', fears TSE considers her damned, TSE pointedly refrains from criticising, unclear to TSE, TSE's love for, and their conversation in Eccleston Square, declared, in 1915, and TSE's desire to be EH's spiritual possession, source of serenity to TSE, the strangeness of not broadcasting, first felt in 1913, recognised by TSE the night of Tristan und Isolde, TSE's reasons for not declaring in 1913, what TSE said instead of declaring, a pain of sorts, unconfided to friends, not immune to jealousy of EH's male friends, its passion tempered by religion, and the torment of resignation, defiled by possessiveness and anger, and a particular journey back from Pasadena, in light of California stay, increases his desire to quarrel with EH, TSE doubts decision to declare, eternally unconditional, shows TSE true meaning of tenderness, defined by TSE, violent, clarified and strengthened by Chipping Campden reunion, disquiets EH, obstructive to EH loving another, TSE initially relieved to find unrequited, queered by inexperience, TSE repents of over-prizing, startles TSE, like 'a burglar', strengthened and deepened, irrespective of physical beauty, finally reciprocated, ideal when unreciprocated, relieved only by poetry, as against love's travesties, as expressed in Burnt Norton, over time, apparently undimmed but dwarfed by war, and the first time TSE spoke EH's name, thwarted by question of divorce, EH questions, now better adjusted to reality, argument over communion challenges, would run to jealously but not marriage, as expressed in 1914 on Chestnut Hill, TSE's names, nicknames and terms of endearment for, 'Lady', 'Dove', 'My saint', 'Bienaimée', TSE's reason for calling her 'Dove', 'Isolde', 'My Lady', 'Emilie', 'Princess', 'Lady bird', 'Birdie', 'riperaspberrymouth', 'Emily of Fire & Violence', 'Bouche-de-Fraise', 'Bouch-de-Framboise', 'Raspberrymouth', not 'Wendy', 'Nightingale', 'Mocking Bird', 'Love', 'My true love', 'my Self', 'Emilia' and Shelley's Epipsychidion, 'my Own', 'Girl', 'Western Star', 'Darling', 'My Life', 'My Lamb', 'Beloved my Female', 'My own Woman', writings, an article on 'Weimar', letter to The Times about King's jubilee, account of communion at Beaulieu, EH asks to write about TSE, review of La Machine infernale, review of Dangerous Corner, a note for S. P. C. A., an 'epigram', 'Actors at Alnwick', 'An Etching', 'The Giocanda Smile', 'The Personal Equation in Spoken English', 'A Play from Both Sides of the Footlights', 'Summer Sunshine: A Memory of Miss Minna Hall', 'They flash upon the inward eye',
Murder in the Cathedral, idea for initially suggested by Laurence Irving, offered to Martin Browne, St. Thomas as TSE's muse, TSE on writing, tentatively, 'The Archbishop Murder Case', uncertainties over title, currently 'Fear in the Way', which proves unpopular, TSE on rewriting, title settled on, final revisions for printer, tentatively critiqued by EH, and EH on TSE as dramatist, chorus copied for EH, Virginia Woolf's aspersions on, the form of its choruses, defended from obscurity, did not test TSE's plotting, book-sales to-date, $1,000 offered for American rights, pays for 1936 American trip, Italian and Hungarian rights sold, and Whiggery, Savile Club dinner to celebrate, compared to next play, discrepancies of Canterbury Text, Martin Browne's initial response to, TSE recognised as author of, TSE on its cheerful title, EH on, abandoned Mercury Theatre premiere, suggested by Yeats and Doone, in the offing, and Doone's response to first draft, EH requested at, imperilled, text copied for Yeats, 1935 Canterbury Festival production, in rehearsal, opening night, reception, final performance, and EH's response, 1935–6 Mercury Theatre revival, Martin Browne pushing for, in rehearsal, which EH attends, compared to Canterbury original, at the box-office, its 100th performance, still running, proposed tour to end, 1936 BBC radio version, BBC bid to produce, broadcast fixed, BBC memo on, in rehearsal, TSE on, abortive 1936 New York transfer, Dukes visits America to arrange, blighted by Brace's actions, quashed by Federal Theatre production, its usurper founders, deferred to autumn, unsolicited 1936 New York production, licensed by Brace, to be directed by Rice, seemingly withdrawn, Rice resigns from, delights EH and Eleanor Hinkley, TSE sent press-cuttings for, EH reports on, TSE speculates as to textual discrepancies, attended by Eleanor Roosevelt, extended and potentially expanded, TSE to the Transcript on, may predispose immigration authorities favourably in future, royalties from, 1936 University College, Dublin student production, described by TSE, rumoured Australian and American productions, 1936 Gate Theatre touring production, TSE's long-held wish, scheduled, 1936 touring production, due at the Arts Theatre, Cambridge, as it was played in Cambridge, 1936 America pirate production, 1937 Duchess Theatre West End transfer, date fixed for, announced in Times, dress-rehearsal attended, reception, reviewed, royalties, still playing, ticket sales pick up, coming to an end, receives royal visit, 1937 touring production, scheduled post-Duchess, beginning in Leeds, then Manchester, going strong, 1937 Harvard University production, 1937 Amherst College production, singled out for praise, 1937 Old Vic production, touring production arrived at, in rehearsal, 1937 Tewkesbury Drama Festival production, 1938 American tour, projected for January 1937, said date seconded by Dukes, deferred to September 1937, confirmed again by Dukes, pre-tour dates in Golders Green, then Liverpool, opening in Boston in January, over which EH is consulted, tour itinerary, Family Reunion keeps TSE from, preparatory re-rehearsal for, pre-crossing Liverpool dates, EH's judgement desired, EH reports on first night, reviewed in The Times, EH sends New York cuttings, prematurely transferred to New York, Dukes reports on, Westminster Cathedral Hall charity performance, 1940 Latham Mercury revival, revival suggested in rep with Family Reunion, wartime modern-dress production suggested, ambushes TSE, in rehearsal, first night, reviewed, Browne's wartime Pilgrim Players' adaptation, Hoellering film, Hoellering's initial approach made, Hoellering's vision for, TSE adapting for screen, reconnoitre of Canterbury for, casting Becket, recording made for, development process described to NYT, non-actor found for Becket, screenings of Groser, set-dressing, screening, approaching release, still in the edit, final screening, and Venice Film Festival, seeking distribution, soon to premiere, opens, initial reception, circulating in shortened version, 1945 Théâtre du Vieux Colombier production, compared to Martin Browne's, royalties, apparently a hit, reviewed, reaches 150 performances, Fluchère's involvement, 1946 German production, 1947 Edinburgh Festival production, 1948 Milton Academy production, 1949 broadcast, 1949 Berlin production, politically resonant, 1952 University of Rennes, Grand Théâtre abridgment, 1952 Théatre National Populaire production, 1953 Old Vic revival, waiting on Donat, TSE on, 1954 Harvard production,
Noel-Buxton, Rt Hon. Lord,
4.TheNoel-Buxton, Rt Hon. Lord Rt Hon Lord Noel-Buxton, PC, thanked TSE on 31 Jan. 1936; and Edward Fuller, Publicity Secretary of the Fund, notified TSE (12 Mar. 1936) that the meeting had generated £35 – ‘the gift of which I feel sure is very largely due to your able advocacy of this work’.
Perkins, Edith (EH's aunt), her relationship to EH queried, to accompany EH to Scripps, asks TSE to dinner, at first Norton lecture, shares pew with TSE, accompanies TSE to Symphony Concert, in audience at Milton Academy, catches cold in Florence, in TSE's private opinion, TSE's occasional poem for, her relationship with EH analysed, dislikes Jeanette McPherrin, explains EH's breakdown to TSE, on the Harvard Murder, as Campden hostess, and TSE's wartime instructions to EH, gives lunch at American Women's Club, gives TSE balsam pillow, requests English edition of Cats, as horticulturalist, without Campden garden, compared to Irene Hale, gives TSE photograph of EH, attends Ada's funeral, reports on EH's Millbrook situation, pressed for ham and pineapple recipe, sight affected in one eye, gives lecture, sight failing, sight deteriorates in other eye, thanked for 1946 hospitality, gives to Books Across the Sea, according to EH, asks TSE to present slides to RHS, which TSE does, on EH and TSE's relationship, and Hidcote House, friendly with Marion, TSE pitches her book to publishers, depressed by the heat, somewhat recovered, approaching 80th, faced with husband's death, letter of condolence to, sent birthday poem, visited in Boston, has sciatica, reports on EH's dramatic activities, Miss Lavorgna on, in her old-age infirmity, suffers 'shock', sacks nurse, EH preserved from, sends funeral tribute to Cousin Will, and the Hale letters, nursing home sought for, moved into nursing home, where TSE writes to her, suffers stroke, deteriorating, relations with EH, her legacy to EH,
see also Perkinses, the
Rice, Elmer, succeeds TSE as Norton Professor, produces Federal Theatre Murder, resigns from production,
8.ElmerRice, Elmer Rice, born Elmer Leopold Reizenstein (1892–1967), playwright, socialist, screenwriter, enjoyed Broadway success with plays including On Trial (1914), The Adding Machine (1923) and Street Scene (1929; Pulitzer Prize for Drama). He was the first director of the New York office of the Federal Theater Project. See too The Living Theatre (1960); Minority Report (autobiography, 1964).
Roberts, Ursula,
3.UrsulaRoberts, Ursula Roberts (1887–1971), author, was married to the Revd William Corbett Roberts, vicar of St George’s Church, Bloomsbury, London. She was a member of the Church League for Women’s Suffrage (later the League of the Church Militant); Hon. Treasurer and Hon. Press Secretary of the East Midland Federation of the National Union of Women’s Suffrage Societies; a member of the Anglican Group for the Ordination of Women; and a member of the interdenominational Society for the Ministry of Women in the Church. Writing as ‘Susan Miles’, publications includine Dunch (1918), The Hares, and other verses (1924) and Lettice Delmer (novel in verse, 1958; repr. 2002); and a biography of her husband, Portrait of a Person (1955).
Save the Children Fund, TSE's speech for, for which he is thanked,
Speaight, Robert, singled out as Malvolio, chats to TSE at OM's, talked through part of Becket by TSE, excited at TSE's dramatic ambitions, never happier on stage, committed to Mercury Murder revival, unimprovable as Becket, in Mercury Theatre production, issues TSE with Irish introductions, his performance agreed to be going stale, at 100th performance of Murder, cast in Williams's Cranmer, his Becket critiqued by Tandy, as Becket, records Becket's sermon, which TSE is against, at post-performance feast in Cambridge, better as Cranmer than Becket, sermon reblocked for Duchess Theatre, at Savile Club Murder dinner, and the royal visit, becoming conceited, performance pruned in re-rehearsal, problems with his performance persist, in EH's report, compared to Robert Sansom, broadcasts East Coker, gives small dinner at Garrick, swoops on Shamley to record TSE, discounted from film of Murder, complains and is disingenuously soothed, as Elijah in Nicholson's debut, attends Family Reunion with TSE, still playing Becket, misrepresents TSE's views, in Belgium, ruined by Becket, in The Confidential Clerk,
2.RobertSpeaight, Robert Speaight (1904–77), actor, producer and author, was to create the role of Becket in Murder in the Cathedral in 1935: see Biographical Register.
travels, trips and plans, EH's 1930 trip to England, EH's proposed 1931 England visit, called off, EH's 1932 summer holidays, the Eliots' Derby Day excursion, related, the Eliots' July 1932 Hindhead visit, the Eliots' August 1932 Eastbourne holiday, described, TSE's 1932–3 year in America, Norton Professorship offered to TSE, and the prospect of reunion with EH, which TSE refuses to see as decisive, which angers EH, who writes and destroys a response, TSE's financial imperatives, TSE's itinerary, and the question of discretion, opportunity for adventurous lecture-tours, TSE speculates on attendant feelings, TSE on the voyage over, TSE reflects on, TSE's return from, the Eliot family's Randolph holiday, TSE's 1933 westward tour to Scripps, proposed to EH, and TSE's need to lecture, possibly via St. Louis, TSE's itinerary, possible stopover in Seattle, a shameful source of happiness, still a happy thought, described by Havens and others, TSE reflects on, TSE's return from, TSE wonders at after-effect on EH, EH urged to reflect honestly on, Ada on, and a conversation about divorce, in EH's recollection, possible EH 1933 summer in England, TSE's 1933 Faber summer holiday, set for mid-August, postponed, rearranged, TSE buys summer outfits for, described, TSE's 1933 tour of Scotland, possible itinerary, Morley's preparations for, described for EH, TSE's 1933 trip to Paris, mooted, described, EH's 1934–5 year in Europe, TSE delighted at the prospect, attempts to coordinate with TSE's 1934 summer plans, the Perkinses due in Chipping Camden, EH's itinerary, TSE's initial weekend at Chipping Campden, TSE books rooms in Lechlade, TSE visits Campden again with family, and again alone, which visit TSE reflects on, TSE's plans to entertain EH en route to Europe, EH's continental itinerary, VHE and propriety inhibit pre-Paris arrangements, L'Escargot lunch, weekend in Sussex for EH's birthday, possible London tea-party, second lunch at L'Escargot, EH and TSE's November excursions, a month which TSE reflects happily on, EH's summer 1935 plans, EH departs England, EH in Florence, arrived in Rome, TSE coordinating with EH's return, TSE recommends Siena, EH returns to Florence, EH sails for Riviera, EH returns from France, L'Escargot lunch on EH's return, EH sails for Guernsey, May 1935, EH's June 1935 London sortie, TSE attends Dr Perkins's birthday, TSE's July 1935 Campden week, TSE offers to fund EH in London, where EH joins Jeanie McPherrin, TSE's Campden birthday weekend, prospect of EH spending month at Blomfield Terrace, Thorp theatre outing, TSE's 6–8 September Campden weekend, EH staying at 19 Rosary Gardens, EH to Campden for 15–17 November, EH sails for Boston, EH and TSE's final farewell, TSE and EH's final weeks in London, their excursion to Finchampstead, TSE reflects on, excursion to Greenwich, EH reflects on the final weeks of, TSE's 1934 Faber summer holiday, described, TSE's dream of Cairo, TSE's invitation to Finland, palmed off on Robert Nichols, TSE's 1935 tour of Scotland, proposed by Blake, attempts to coordinate with EH, TSE's itinerary, TSE's 1935 Faber summer holiday, TSE writes from, described, TSE's 1936 visit to Ireland, TSE's itinerary, recounted, TSE's spring/summer 1936 trip to Paris, first contemplated, date fixed, Morleys invited, TSE's itinerary, recounted, TSE's 1936 Faber summer holiday, TSE writes from, TSE's 1936 American trip, spring arrival dependent on New York Murder, if not spring, then autumn, possible excursions, autumn better for seeing EH, and possible Princeton offer, and possible Smith visit, efforts to coordinate with EH, passage on Alaunia booked, TSE's itinerary, Murder to pay for, coordinating with Eliot Randolph holiday, the moment of parting from EH, TSE's birthday during, TSE reflects on, TSE's 1937 tour of Scotland, itinerary, recounted, the Morley–Eliot 1937 trip to Salzburg, contemplated, itinerary, EH receives postcard from, described, as relayed to OM, EH's 1937 summer in England, and Mrs Seaverns, EH accompanies TSE to Edinburgh, itinerary coordinated with EH, dinner at L'Escargot, TSE's 10–11 July Campden visit, TSE's 17–22 July Campden visit, TSE's 21 August Campden visit, EH travels to Yorkshire, TSE reminisces about, TSE's 1937 Faber summer holiday, TSE reports from, leaves TSE sunburnt, TSE's 1938 trip to Lisbon, outlined to EH, TSE advised on, travel arrangements, the voyage out, described, EH's 1938 summer in England, and whether EH should spend it at Campden, EH's arrival confirmed, TSE's July Campden visit, EH's late-July London stay, TSE's 5–21 August Campden fortnight, TSE's 3–6 September Campden visit, EH's September London stay, TSE reflects on, TSE's 1938 Faber summer holiday, TSE's preparations for, TSE reports from, possible EH England Christmas 1938 visit, possible TSE 1939 visit to America, mooted for spring, complicated by Marion and Dodo's trip, shifted to autumn, threatened by war, made impossible, EH's 1939 England visit, TSE's efforts to coordinate with, threatened by war, complicated by Marion's arrival, EH's itinerary, EH's initial London stay, TSE's 7–20 July Campden visit, TSE's 22–30 August Campden visit, TSE's 2–4 September Campden visit, EH again London, EH and TSE's parting moments, in TSE's memory, memory vitiated by EH's subsequent letter, TSE's 1939 Faber summer holiday, TSE writes from, possible wartime transatlantic crossings, contingencies, in case of EH being ill, TSE's reasons for and against, and TSE's New York proposition, following invasion Denmark and Norway, impossible for TSE unless official, TSE's desire to remain in England, TSE's reasons for and against accepting lectureship, given Ada's impending death, TSE's abortive 1940 Italian mission, possible but confidential, lectures prepared for, and the prospect of seeing EP, might include Paris, itinerary, in jeopardy, final preparations for, cancelled, TSE's 1940 visit to Dublin, approved by Foreign Office, in national interest, itinerary, recounted, involves TSE's first plane-journey, TSE's 1940 Faber summer holiday, TSE reports from, TSE's 1941 Faber summer holiday, Kipling and fishing-rod packed for, TSE reports from, TSE's 1941 Northern tour, proposed by the Christendom group, arranged with Demant, itinerary, recounted, TSE's 1942 British Council mission to Sweden, TSE makes cryptic allusion to, as recounted to EH, as recounted to JDH, return leg in London, as war-work, TSE's 1942 New Forest holiday, described, TSE's 1942 week in Scotland, recounted, TSE's abortive 1942 Iceland mission, TSE's 1943 trip to Edinburgh, recounted, TSE's abortive 1943 Iceland mission, TSE's 1943 New Forest holiday, TSE's 1944 trip to Edinburgh, TSE's abortive 1944 North Africa mission, TSE's May 1945 trip to Paris, described, TSE's June 1945 trip to Paris, recounted, possible post-war American visit, and Henry's impending death, ideally ancillary to work, possibly as F&F's representative, waits on TSE's health and Carlyle Mansions, TSE's 1945 September fortnight in Lee, described, TSE's 1945 Christmas in Lee, described, TSE's 1946 summer in America, date for passage fixed, paperwork for, TSE's itinerary, its aftermath, recounted, TSE's 1947 summer in America, dependent on lecture engagements, TSE seeks to bring forward, Henry's condition brings further forward, set for April, itinerary, EH reflects on, TSE's scheduled December 1947 visit to Marseilles and Rome, itinerary, TSE's preparations for, dreaded, Roman leg described by Roger Hinks, EH's hypothetical March 1948 visit to England, TSE's postponed 1948 trip to Aix, itinerary, recounted, home via Paris, TSE's 1948 trip to America, itinerary, TSE's visit to EH in Andover, disrupted by Nobel Prize, TSE's 1948 Nobel Prize visit to Stockholm, itinerary, recounted, TSE's 1949 family motor-tour of Scotland, described, TSE's October–November 1949 trip to Germany, possible itinerary, preparations for, final itinerary, TSE's account of, the return via Belgium, TSE's January 1950 voyage to South Africa, all but fixed, itinerary, described by TSE, recounted by Faber, EH's 1950 summer in England, TSE books EH's hotel room for, TSE's efforts to coordinate with EH's movements, EH in Campden, TSE reports to Aunt Edith on, TSE's 1950 visit to America, and TSE's possible Chicago post, the Chicago leg, November itinerary, TSE's spring 1951 trip to Spain, itinerary, recounted, TSE's September 1951 Geneva stay, itinerary, recounted, TSE's 1951 British Council mission to Paris, recounted, TSE's second 1951 British Council mission to Paris, recounted, TSE's 1952 visit to Rennes and the Riviera, itinerary, recounted, TSE's 1952 visit to America, itinerary, efforts to coordinate with EH's summer, TSE on meeting with EH, TSE's 1952 rest cure in Switzerland, TSE's 1953 visit to St. Louis and America, set for June, to include fortnight in Cambridge, itinerary, EH's 1953 trip to England, EH's Alnwick plans, TSE books hotel for EH, and EH's ticket to Confidential Clerk, TSE's 1953 visit to Geneva, TSE's 1953–4 trip to South Africa, itinerary, described, arrival described to JDH, GCF on, TSE's 1954 Geneva rest cure, Geneva preferred to Paris, TSE's deferred 1955 visit to Hamburg, prospect inspires reluctance in TSE, proposed for spring 1955, dreaded, TSE now returned from, TSE's 1955 visit to America, and contingent speaking engagements, foreshortened, itinerary, Washington described, TSE's return from, TSE's 1955 Geneva rest cure, TSE's 1956 visit to America, passage fixed for April, itinerary, TSE in the midst of, TSE reflects on, TSE's 1956 Geneva rest cure, itinerary, recounted, illness during, EH's 1957 visit to England, TSE and EVE invited to Campden, TSE reciprocates with London invitation, but EH leaves England abruptly, which TSE consults Eleanor Hinkley over, who duly explains, TSE and EVE's 1958 trip to America, as rumoured to EH, EH's 1959 tour of Scandinavia, funded by bequest from cousin, TSE and EVE's 1959 trip to America, TSE and EVE's 1963 trip to America,