[No surviving envelope]
BeforeSeaverns, Helen;a4 I forget I must tell you that I have written to Mrs. Seaverns, to propose fixing an evening some time ahead. I told her that the impromptu proposal had proved a failure, because I usually have my evenings booked for a week or two ahead, as much as I care to, and the other evenings are needed for work at home, or correspondence, or early to bed. So I hope that I may see her during the week after Easter, as I do not go out at all during Holy Week.
ItMorleys, the;g6 seems a very long time since I have written to you – I missed one good boat by staying over Monday with the Morleys. Now I am writing for the Europa tomorrow, so I hope that this will reach you quickly. TomorrowUnderhill, Revd Francis, Bishop of Bath and Wellsconfession with;a4 I go down to Rochester for the night with the Dean, as usual before Easter, and hope to have some words with him about my private affairs. After that I shall be at home continuously for some time to come, and shall be able to write more often: I am not happy if I write less than twice a week, and prefer to write three times, because (partly because) I like to think of two letters on your breakfast table at once. I sometimes wonder why I accept weekend invitations from my friends, especially in the winter. It is partly that they feel that they are doing something for me, and one wants them to have that pleasure, and partly my inertia about going anywhere by myself. And partly I enjoy it, being very sociable; yet after an office week, with one or more interviews every afternoon, and perhaps two or three semi-business lunches, I always enjoy thoroughly a Saturday and Sunday quite by myself. SoChristianitythe Church Year;d8excitingly austere;c3 I am really looking forward to the austerity of Holy Week.
YesterdayMurder in the Cathedralunsolicited 1936 New York production;e2TSE sent press-cuttings for;a6 arrived cuttings from the New York papers, some from Donald Brace, and some apparently from Henry. I judge that the first night was a success, but I shall wait eagerly for your own report of it, as well as of your visit to New York in general. IDukes, Ashleylatest plans for Murder;b5 spoke to Dukes on the telephone. HeMurder in the Cathedral1935–6 Mercury Theatre revival;d8proposed tour to end;a8 proposesMercury Theatre, LondonMurder coming off at;b2 now to end the Mercury run on April 11th. Then there is a possibility of the company giving three performances in Paris – butGate Theatre, Dublinpossible Murder run at;a4 that is still uncertain; then three performances at Keynes’s new theatre in Cambridge – thatMurder in the Cathedral1936 Gate Theatre touring production;e5scheduled;a2 is settled; thenMurder in the Cathedral1936 touring production;e6due at the Arts Theatre, Cambridge;a1 possibly a week at the Gate Theatre in Dublin; and then (I don’t know why) a few final performances in Wimbledon! ThatBrowne, Elliott Martinand Charles Williams's Cranmer;a9 bringsSpeaight, Robertcast in Williams's Cranmer;b8 itWilliams, CharlesCranmer;b4 to the beginning of June, when Browne and Speaight have to start rehearsing for the Canterbury Festival – a play about Cranmer.1 AsDukes, Ashleyrevised plans for New York;b6 for New York, Dukes thinks it quite likely that an offer will be made by some good producer there; in that event, we shall have to decide whether to accept it or stick to the original design of taking the London company over with a repertoire of three plays.
I am distressed that your immediate future should be so obscure. I hate to think of your having to move about, and never knowing how long you will be anywhere. Which wouldNoyes, Penelope BarkerEH's Cataumet summer holiday with;d3 youAmericaCataumet, Massachusetts;d7EH holidays in;a1 prefer, to spend the summer at West Rindge or with Penelope? I should think the latter would be preferable. I should say that Miss Ware suffered from a dislike (not uncommon, perhaps, to solitary people with money, who have always been accustomed to complete freedom of action) of committing herself to anything, and that she probably wanted you to come to Rindge, but would not say anything about it until the last moment. A good deal has to be excused, no doubt, to people who have never had any practice in having to put themselves at other people’s [sic] points of view.
I wish I knew more about your health. TheMorleys, the;g7 Morleys thought you looked well, but they only saw you for a short time, and I should like the opinion of someone who knew you better. AndHinkley, Susan Heywood (TSE's aunt, née Stearns);c1 Aunt Susie, who has not written for a long time, only writes the sketchiest of letters anyway – usually enclosing a new snapshot of her great-grandchildren. I should like to think that your face showed always the full radiance that belongs to it – but which I, I think, have seen there more fully revealed than anyone else has – especially on several evenings when you stood at the top of the little flight of steps at the Rosary Gardens flat to say good night to me. Now I have only words to speak to you with, and words analyse and are largely concerned with the more superficial levels on which people think differently – when they have not the tone of voice, the expression, the joy of the presence of the other person, and the silences in which the spiritual harmony is felt. But you are always with me in imagination in three ways, at night and morning and during the day, and even when I am saying things that you cannot agree with. During these recent months I have been much tormented in mind on your account. But I shall be writing at length next week, and I do not want to end this letter with anything but my love forHale, EmilyTSE's names, nicknames and terms of endearment for;x3'Western Star';c8 my Western Star, my nightingale
I am glad when you can hear concerts, and I like you to send me the programmes of concerts and theatres that you go to. Tell me more about the Footlights.
1.Charles Williams, Thomas Cranmer of Canterbury.
4.E. MartinBrowne, Elliott Martin Browne (1900–80), English director and producer, was to direct the first production of Murder in the Cathedral: see Biographical Register.
4.AshleyDukes, Ashley Dukes (1885–1959), theatre manager, playwright, critic, translator, adapter, author; from 1933, owner of the Mercury Theatre, London: see Biographical Register.
12.PenelopeNoyes, Penelope Barker Barker Noyes (1891–1977), who was descended from settlers of the Plymouth Colony, lived in a historic colonial house (built in 1894 for her father James Atkins Noyes) at 1 Highland Street, Cambridge, MA. Unitarian. She was a close friend of EH.
3.HelenSeaverns, Helen Seaverns, widow of the American-born businessman and Liberal MP, Joel Herbert Seaverns: see Biographical Register.
2.RobertSpeaight, Robert Speaight (1904–77), actor, producer and author, was to create the role of Becket in Murder in the Cathedral in 1935: see Biographical Register.
2.Revd Francis UnderhillUnderhill, Revd Francis, Bishop of Bath and Wells, DD (1878–1943), TSE’s spiritual counsellor: see Biographical Register.
5.CharlesWilliams, Charles Williams (1886–1945), novelist, poet, playwright, writer on religion and theology; biographer; member of the Inklings: see Biographical Register.