[No surviving envelope]

T. S.Eliot
EmilyHale
TS
A supply of about 100 sheets of this old paper has turned up!
Faber & Faber Ltd
3 March 1936
JustHinkley, Eleanor Holmes (TSE's first cousin)unflattering photograph of;c1 received: a photograph of Eleanor in the garden. I think it is very unflattering.

Dearest my Love,

I would have written a letter several days earlier than this; but now that I have learned to look in the Times to see what boats are sailing, I don’t always write, if very busy, until the day before a boat sails. But I wish they were spread out more, over the week; often there seem to be three or four within a day of each other, or on the same day, and then nothing for four or five days. And one doesn’t know their relative speeds, except that the Bremen and Europa are much the fastest. This time I have the choice of the Aquitania and the Ile de France, and I suppose there is nothing to choose between them.

IcommitteesTSE forswears;a3 do accept your admonitions, dear, about the expense of my time. But it is very difficult to apply in practice. One thing I can do is to avoid any further committees or societies. EdwynBevan, Edwyn R.;a3 Bevan has invited me to join the London Society for the Study of Religion, aHügel, Friedrich vonTSE invited to join society founded by;a4 rather interesting interdenominational group founded by Baron von Huegel some years ago; and I am going to a meeting with him this afternoon, but I shall not join, because even a society which meets for a couple of hours one afternoon a month is too much.1 IAll Souls Club, TheTSE joins;a1 did join that All Souls Club, a similar affair, and have not been to one dinner yet. But dealing with individuals is another matter. TheHayward, JohnTSE's only regular acquaintance;e5 only person I see at all regularly, outside of the office, is John Hayward, andMorleys, theone of two regular ports-of-call;f9 I have to go about once every five or six weeks for a weekend at the Morleys. But there always seem to be people with the claim to see one more often than they do, and every week there is someone to see whom I have not seen for a long time – thisLewis, Wyndham;a6 week Wyndham Lewis, andCulpin, Johanna ('Aunt Johanna', née Staengel);b6 next week Jan Culpin, andWoolfs, the;c5 then there will be the Woolfs. IJanes, W. L.;a8 went in to see Janes on Saturday morning, and found that he expected me to lunch, and had got in a joint and Mrs. Webster to cook it, and a bottle of Bass, so I couldn’t bear to disappoint him. InMadge, Charlestreated to meal;a2 the evening I took one of my young men, a promising lad named Charles Madge and his wife, out to dinner. IBrocklebank, Charlotte Carissima ('Cara')Cheetham introduces to TSE;a1 haveGooch, Sir Henry;a1 managed to keep pretty clear of parishioners, but on Sunday, by the vicar’s special request, I went to lunch with a rich old lady named Mrs. Brocklebank,2 who had some elderly people there, a Sir Henry Gooch (?)3 and a Lady Callahan; andUnderhill, Evelyn;b5 in the afternoon paid a call on Mrs. Stuart Moore, who I had not seen for six months. TonightAuden, Wystan Hugh ('W. H.')The Dog Beneath the Skin (with Isherwood);d5 I must go to see The Dog Beneath the Skin, which I had to see sooner or later, because of the author being a protegé of the firm.4 I try not to go out more than two evenings in the week, and when I am at home there is always plenty to do in the evening. I should like to spend all my evenings writing to you; but there is a good deal of other private correspondence – notes to friends, letters to relatives (whichSmith, Abigail Eliot (TSE's cousin);a2 remindsSmith, Rose Greenleaf Eliot (TSE's aunt)dies;a3 me that I have not yet written to Abigail Smith a letter of condolence for the death of Aunt Rose in St. Louis)5 and manuscripts to read. It is difficult to read manuscripts at the office because of interruptions. WhatGilbert, Stuart;a2 I find most fatiguing are business, or semi-business lunches – there are so many authors whom one feels obliged to keep in touch with, e.g. Stuart Gilbert, the author of a commentary on ‘Ulysses’ which we published, is over from Paris for a few days, and is to lunch with me on Saturday; and interviewing authors, especially the young ones who seem to have talent, and need to be nursed along for that reason in the hope of their producing something good, and who are apt to have financial or domestic troubles as well. Of course the other directors have similar difficulties, in having to do work at home because of interruptions and visitors, and I stick to my programme of never going to the office in the mornings, except one Saturday a month, or when there is a press of letters to work off.

IOld Possum’s Book of Practical Catswritten to relieve political gloom;b4 hope now to settle down seriously at my nonsense book. It may be a matter of no importance, and the book may not turn out good enough to publish anyway, but something has formed inside me (pardon the inelegant metaphor) which I have got to get rid of: I have got to try to do this just for some relief that doing it will afford. Partly perhaps as a means of preservation against the gloom of contemporary politics. Thefascism;a7 more militarised the world becomes the less freedom and civilisation. It’scommunism;a9 not so great a strain, mentally, for those who can whole heartedly believe in communism or fascism, or for those who can complacently accept the kind of disguised fascism or oligarchical, centralised control of everything that we are likely to get: but it’s a hard world for those who cannot accept any of the secular alternatives of the time. Butpoetrynonsense poetry;b4, as I was starting to say, I find that nonsense verse is more difficult to write than any other. One is just as much dependent upon the inspiration of a good idea; and this sort of writing, being away from the direct line of one’s work, has to be nearly perfect to justify its existence at all. And besides the need of inspiration, of happy ideas, the verse needs to be polished and polished: every word must fall into the right place. So it may be a good practice. IMilne, Alan Alexander ('A. A.')not TSE's nonsense model;a2 am not aiming at children’s verse in the usual sense – A. A. Milne or Stevenson – verse written for children (or for the parents who think it is for children) but nonsense verse to please oneself primarily, and if it pleases children, so much the better. ItLear, Edwardyardstick for TSE's own nonsense;a6 won’tCarroll, LewisTSE measures his nonsense against;a3 be up to Lear or Carroll, butCarryl, Charles EdwardTSE's standard for Old Possum's;a1 it may be as good as Charles E. Carryl, the author of ‘Davy and the Goblin’ and ‘The Admiral’s Caravan’.6

‘MurderMurder in the Cathedral1935–6 Mercury Theatre revival;d8its 100th performance;a6’ had its 100th performance on Shrove Tuesday – did I tell you – I did not go, but went in after it was over, about 11.15 to be on the safe side to avoid any undesirable meeting – andDukes, Ashleyat 100th performance of Murder;b4 had a glass of wine with Dukes andSpeaight, Robertat 100th performance of Murder;b7 suchSpeaight, Evelyn (née Bowen);a3 ofBrowne, Elliott Martin1935–6 Mercury Theatre Murder revival;a7;a5 the performers as remained – Speaight and Scheldjrup and Mrs. Speaight7 whom I had not met before, and who made no definite impression on me. Browne was away with a touch of laryngitis. It still goes on to good houses, and apparently will until towards the end of April. DooneDoone, Rupertcraves TSE's next play;b7 has been after me to promise him my next play, but I will not tie it up to anyone until it is ready. IBrowne, Elliott Martinpreferred as producer for TSE's next play;a8 had rather stick to Browne and Dukes, unlessSaint-Denis, Michel;a4 there is something to be done with St. Denis. IGielgud, Val;a1 hadBurnham, Barbarakeen to broadcast TSE's next play;a2 teaBritish Broadcasting Corporation (BBC)lobbies TSE for next play;a7 with Val Gielgud8 and Barbara Burnham at the B.B.C. and agreed to let them see my next play in an unfinished form, to decide whether part of it could be used for a one-hour broadcast play – for which apparently, they would pay a good deal more – for first performance, than they did for ‘Murder’. It would be a waste of time, in the long run, to write a play solely for the B.B.C. – one performance and then it’s over: in any case, I am much more interested in the theatre than in broadcasting. But I think it will be a year before I can hope to complete a play. The summer is always broken up – visits, American relatives, and I should like to get away in the early summer to Ireland or France perhaps, as well as four or five days if possible in Scotland again – and there is the American visit in the early autumn!

Dearest, there is one point in your letter of Feb. 17th that I must allude to. YouHale, Emilyrelationship with TSE;w9TSE's reasons against marrying;c5 speakEliot, Vivien (TSE's first wife, née Haigh-Wood)the possibility of divorcing;f2in common and canon law;a5 as if there were some tribunal which had the function of handling special cases of unfortunate marriage, and granting dispensation. There is not. All that could even be imagined would be some future legislation would [sc. which] would give relief to a whole class of cases, and such a possibility seems so faint that it is much better for one not to think of it. Even the curia at Rome deals with a different type of case than mine; and that itself would not be valid in this country without a common law divorce as well, which can only be obtained in one way. You speaking of ‘pushing’ me, where there is nowhere to which to push me. I don’t think you have even quite grasped the difference between common law divorce in this country and in America, though I have tried to explain it long ago. So, my dearest, when you speak of these matters, it must cause me such pain – and for you more than for myself. ItHale, Emilyreligious beliefs and practices;x1professes to resent the Church;a6 is painful also to think that you feel resentment, perhaps, against the Church. IChristianityUnitarianism;d9TSE's wish that EH convert from;b2 shouldHale, Emilyreligious beliefs and practices;x1compared to TSE's;a5 not blame you if you did, I should only suffer for you: because you have never been in a position in which it would be possible for you to grasp the whole Christian and Catholic view of life – nor is it possible for you in your present environment. Some day, dear, I still hope to see you baptised – but true conversion, I believe, is self-conversion, not by another person or persons. So I simply wait and pray and love you.

Your loving and adoring,
always,
Tom

1.Edwyn Bevan (1870–1943), philosopher and historian of the Hellenic world, King’s College London, invited TSE (7 Feb.) to join the London Society for the Study of Religion (founded 1904): ‘It consists of some 30 members, drawn from religious communities, or of no organized religion, and meets normally 6 times a year for the reading of a paper and a discussion.’

2.CharlotteBrocklebank, Charlotte Carissima ('Cara') Carissima (‘Cara’) Brocklebank (1885–1948), only surviving daughter of Gen. Sir Bindon and Lady Blood, married in 1910 Lt.-Col. Richard Hugh Royds Brocklebank, DSO (1881–1965). They lived at 18 Hyde Park Square, London W.2, and at Alveston House, Stratford-on-Avon, Warwickshire: see Biographical Register.

3.SirGooch, Sir Henry Henry Gooch (1871–1959), barrister, educationalist, Conservative Party politician.

4.The Dog Beneath the Skin, by W. H. Auden and Christopher Isherwood, at the Group Theatre. TSE was annoyed that Auden collaborated with Isherwood. He had not greatly admired Isherwood’s translation of Baudelaire’s Intimate Journals (1930), for which he had written the introduction.

5.Abigail Adams Eliot (1900–84), daughter of Rose Greenleaf Eliot (b. 1862), who had died on 14 Feb. 1936.

6.CharlesCarryl, Charles Edward Edward Carryl (1841–1929), American businessman and stockbroker; author of children’s books including Davy and the Goblin (1884) and The Admiral’s Caravan (1892) – inspired by Alice’s Adventures in Wonderland (1862) and Through the Looking-Glass (1871).

7.Speaight’s second wife was the Welsh actor Evelyn Bowen.

8.ValGielgud, Val Gielgud (1900–81), pioneer of radio drama, actor, writer (his output included novels, stage plays, radio plays, works of non-fiction), director and broadcaster; Head of Productions at the BBC (responsible for radio drama) from 1929; Head of BBC Television Drama, 1946–52.

All Souls Club, The, TSE joins, first dinner with, discussion vague at second dinner, even vaguer at third, to discuss 'Church, Community and State', discusses adult baptism, discusses the Edinburgh Conference, discusses church music, discusses war policy, discusses Encyclical, and Revd Duncan-Jones,
Auden, Wystan Hugh ('W. H.'), and EP's 'Seafarer', TSE sends EH Poems, TSE recites 'To Gabriel Carritt', remembered by Ethel Swan, as dramatist, and Yeats's Mercury Theatre plans, Holmesian prank devised for, Doone wants for Westminster Theatre, collaborative efforts lamented by TSE, talks films at JDH's, strays from F&F, preoccupied with Byron and Barcelona, TSE on 'Letter to Lord Byron', as verse dramatist, away in Aragon for premiere, and Isherwood's plays versus Spender's, forgets to thank Keynes, TSE on his Isherwood plays, condoles TSE over Sandburg accusation, in bad odour, in America, circulating drollery on latest book-title, as pictured by TSE in America, Journey to a War (with Isherwood), Letters from Iceland (with MacNeice), New Year Letter, On the Frontier (with Isherwood), Paid on Both Sides, The Ascent of F6 (with Isherwood), The Dance of Death, The Dog Beneath the Skin (with Isherwood),

10.W. H. AudenAuden, Wystan Hugh ('W. H.') (1907–73), poet, playwright, librettist, translator, essayist, editor: see Biographical Register.

Bevan, Edwyn R.,

1.EdwynBevan, Edwyn R. R. Bevan (1870–1943), philosopher and historian of the Hellenic world, taught at King’s College London; elected FBA, 1942.

British Broadcasting Corporation (BBC), TSE's committee service for, its future discussed, TSE working on autumn programme for, TSE on educational broadcasting in general, Barbara Burnham production of Murder, lobbies TSE for next play, 'The Need for Poetic Drama', Metaphyical poet broadcasts for, 'The Church's Message to the World', Christmas Day 'Cats' broadcast, dramatic Waste Land adaptation, which is censored for broadcast, repeats 'Cats', plays Parsifal on Good Friday, broadcasts Hawkins interview with TSE, 'Towards a Christian Britain', 1941 production of Murder, Eastern Service broadcasts East Coker, broadcasts Webster talk, Tennyson talk, Dry Salvages, Poe talk, Dryden talk, Joyce talk, European Service broadcasts TSE's talk, TSE declines Christmas broadcast for, wants to record 'Milton II', broadcasts TSE's personal poetry selection, broadcasts Gielgud's Family Reunion, marks TSE's 60th birthday, Gielgud Family Reunion repeated, solicits TSE post-Nobel Prize, TSE's EP broadcast for, records TSE reading Ash-Wednesday, floats Reith Lectures suggestion, approaches Marilyn Monroe to star in Fitts's Lysistrata,
Brocklebank, Charlotte Carissima ('Cara'), Cheetham introduces to TSE, invites TSE to Nativity play, son killed in action, shares ancestors with TSE, suffers further family heartbreak, visited in Stratford-upon-Avon, news of her death, her death and inquest, provides inspiration for 'Celia',
see also Brocklebanks, the

2.CharlotteBrocklebank, Charlotte Carissima ('Cara') Carissima (‘Cara’) Brocklebank (1885–1948), only surviving daughter of Gen. Sir Bindon and Lady Blood, married in 1910 Lt.-Col. Richard Hugh Royds Brocklebank, DSO (1881–1965). They lived at 18 Hyde Park Square, London W.2, and at Alveston House, Stratford-on-Avon, Warwickshire: see Biographical Register.

Browne, Elliott Martin, meets TSE at Chichester, production of The Rock, meets TSE over possible collaboration, talks over outline of play, meets TSE with Martin Shaw, delighted with Rock choruses, discusses unwritten pageant scenes with TSE, predicament as The Rock's director, well connected in amateur circles, revising into the night with TSE, argues with Shaw at dress-rehearsal, presented to Prince Arthur, honoured by Rock cast-supper, producing Gordon Bottomley's play, speaks at Londonderry House with TSE, 1935 Canterbury Murder in the Cathedral, approached by TSE to 'produce', consulted throughout composition, goes silent, lunches with TSE and Speaight, directs and acts despite illness, pursues London Murder revival, 1935–6 Mercury Theatre Murder revival, engaged as producer by Dukes, keen that EH attend rehearsals, simultaneously part of BBC production, agrees about Speaight's decline, preferred as producer for TSE's next play, and Charles Williams's Cranmer, in which he plays 'the Skeleton', and TSE attend Tenebrae, taken to Cambridge after-feast, producing York Nativity Play, which TSE thinks Giottoesque, at Savile Club Murder dinner, producing Shakespeare's Dream, and Ascent of F6, and Tewkesbury Festival Murder confusion, 1939 production of The Family Reunion, due to be sent script, weighing TSE's proposal that he produce, enthused by script, suggests TSE see Mourning Becomes Electra, against Family Reunion as title, pleased with draft, quizzed on fire-safety, typescript prepared for, new draft submitted to, rewrite waits on, receives new draft, criticisms thereof, reports John Gielgud interest, mediates between Gielgud and TSE, TSE throws over Gielgud for, secures Westminster Theatre production, steps into company breach, then into still-greater breach, and the play's weaknesses, direction of Family Reunion, receives TSE's Shakespeare lectures, 1938 American Murder tour, re-rehearsing actors for, suffers fit of pre-tour gloom, yet to report from Boston, and Tewkesbury pageant, accompanies TSE to La Mandragola, on Family Reunion's future prospects, and possible Orson Welles interest, war leaves at loose end, advises TSE over next play, war work with Pilgrim Players, unavailable for modern-dress Murder, compared to tempter/knight successor, requests Pilgrim Players' play from TSE, New Plays by Poets series, as director, and This Way to the Tomb, and Family Reunion revival, urges TSE to concentrate on theatre, 1946 Mercury Family Reunion revival, in rehearsal, possible revue for Mercury Theatre, and The Lady's Not for Burning, Chairman of the Drama League, 1949 Edinburgh Cocktail Party, to produce, TSE's intended first reader for, receives beginning, approves first act, receives TSE's revisions, communciates Alec Guinness's enthusiasm, arranges reading, surpasses himself with production, in Florence, EH suggests moving on from, and the Poets' Theatre Guild, 1950 Cocktail Party New York transfer, compares Rex Harrison and Alec Guinness, TSE debates whether to continue collaboration with, suggests three-play TSE repertory, 1953 Edinburgh Confidential Clerk, receives first two acts, designing sets, 1953 Lyric Theatre Confidential Clerk, attends with TSE, 1954 American Confidential Clerk, 1954 touring Confidential Clerk, TSE and Martin Browne catch in Golders Green, seeks Family Reunion MS from EH,
see also Brownes, the Martin

4.E. MartinBrowne, Elliott Martin Browne (1900–80), English director and producer, was to direct the first production of Murder in the Cathedral: see Biographical Register.

Burnham, Barbara, directs BBC Murder, keen to broadcast TSE's next play,
Carroll, Lewis, TSE's personal torment suggests Alice in Wonderland, illustrates talk on English humour, TSE measures his nonsense against, Shamley post-office recalls, and TSE's door 'into the rose-garden',
Carryl, Charles Edward, TSE's standard for Old Possum's,

6.CharlesCarryl, Charles Edward Edward Carryl (1841–1929), American businessman and stockbroker; author of children’s books including Davy and the Goblin (1884) and The Admiral’s Caravan (1892) – inspired by Alice’s Adventures in Wonderland (1862) and Through the Looking-Glass (1871).

Christianity, and human isolation, and modern economics, Ada on TSE's personal piety, scheme for 'Pro Fide' bookshop, among the Eliot family, and beauty, its sects like different clubs, Anglo-Catholicism, TSE's conversion to, which he dates to Eccleston Square meeting, Anglican Missal sought for EH, but unfortunately out of print, discussed at Boston Theological School, and the Petrine Claims, apostolic succession, over Roman Catholicism, as refuge from VHE, and the Reformation, asceticism, discipline, rigour, the necessity for, and TSE's daily exhortation, making and breaking habits, mastering emotions and passions, as salubrious, only remedy for a prurient culture, confession and communion, more possible during Harvard year, the case for unattainable ideals, in time of war, gets TSE up before 7 o'clock, hereditary with TSE, belief, and good poetry, faced with Second World War, and conversion, antidote to TSE's skepticism, Christendom, TSE ponders the decline of, TSE on his prominence within, its ruin, the Church Visible and Invisible, and TSE's war work, the Malabar Church, prospect of total reunion within, confession, helps to objectify sin, more dreaded than dentist, harder in the morning, death and afterlife, the struggle to prepare for, consoles TSE in life, and cremation, Requiem Mass, gives meaning to life, and what makes a desirable burial place, the nature of eternal life, divorce, unrecognised by Anglo-Catholic Church, which TSE regrets, in church law, would separate TSE from Church, evil, TSE's belief in, and moral percipience, guilt, and the New England conscience, hell, TSE's 1910 vision of, and damnation, according to TSE, liturgy, TSE's weekly minimum, Mass of the Pre-sanctified, Requiem Mass versus Mass of Good Friday, and whether to serve at Mass, Imposition of Ashes, at Christmas, High Mass over Mattins, aversion to Low Church Mattins, Roman service in Wayland, Tenebrae, in country parish church, as guest at Kelham, remarkable sermon, over Christmas, Tenebrae and Family Reunion, during Holy Week, Mass of Charles King and Martyr, love, loving one's neighbour, marriage, TSE's need for privacy within, mysticism and transcendence, interpenetration of souls, intimations of life's 'pattern', 'doubleness', arrived at through reconciliation, orthodoxy, only remedy for contemporary culture, and pagans, sets TSE at odds with modernity, necessarily trinitarian, 'Christian' defined, iniquities of liberal theology, and creed, authority, Transubstantiation, TSE disclaims 'self-centredness' in maintaining, politics, the Church and social change, how denomination maps onto, need for working-class priests, church leaders against totalitarianism and Nazism, Christianity versus Fascism and Communism, Papal Encyclical against Nazi Germany, the 'Dividend morality', Presbyterianism, TSE quips on the meanness of, Quakerism, resignation, reconciliation, peace, TSE's love allows for, 'peace that passeth all understanding', the struggle to maintain, following separation from VHE, retreat and solitude, EH at Senexet, the need for, a need increasing with age, and TSE's mother, Roman Catholicism, TSE's counter-factual denomination, Rome, sacraments, Holy Communion, marriage, sainthood, TSE's idea of, the paradoxes of, susceptible of different sins, sins, vices, faults, how to invigilate, the sense of sin, the sinner's condition, bound up with the virtues, as a way to virtue, TSE's self-appraisal, when humility shades into, when unselfishness shades into, among saints, proportionate to spiritual progress, daydreaming, despair, lust, pride, perfection-seeking pride, spiritual progress and direction, TSE's crisis of 1910–11, EH's crisis, versus automatism, TSE's sense of, towards self-knowledge, in EH's case, as personal regeneration, temptation, to action/busyness, the Church Year, Advent, Christmas, dreaded, happily over, TSE rebuked for bah-humbugging, church trumps family during, season of irreligion, thoughts of EH during, unsettling, fatiguing, in wartime, Easter preferred to, Ash Wednesday, Lent, season for meditation and reading, prompts thoughts of EH, Lady Day, Holy Week, its intensity, arduous, preserved from public engagements, exhausting but refreshing, excitingly austere, Easter, better observed than Christmas, missed through illness, Unitarianism, the Eliots' as against EH's, the prospect of spiritual revival within, as personified by TSE's grandfather, regards the Bible as literature, as against Catholicism, divides EH from TSE, and whether Jesus believed himself divine, according to Dr Perkins, in England as against America, over-dependent on preachers' personality, TSE's wish that EH convert from, outside TSE's definition of 'Christian', the issue of communion, baptism, impossibly various, virtues heavenly and capital, bound up with the vices, better reached by way of sin, charity, towards others, in Bubu, TSE's intentness on, delusions of, as against tolerance, chastity, celibacy, beneath humility, TSE lacks vocation for, faith, and doubt, hope, a duty, TSE's struggle for, humility, distinguished from humiliation, comes as relief, greatest of the virtues, propinquitous to humour, not an Eliot virtue, opposed to timidity, danger of pride in, is endless, TSE criticised for overdoing, theatre a lesson in, most difficult of the virtues, possessed by EH, possessed by EH to a fault, TSE compares himself to EH in, the paradox of, distinguished from inferiority, self-discovery teaches, possessed by Dr Perkins, patience, recommended to EH, its foundations, possessed by Uncle John, purity, distinguished from purification, temperance, with alcohol, beneath humility,
committees, as a form of evasion, TSE forswears,
communism, TSE's fantasy political party conceived against, communists satirised in The Rock, communists known to TSE, essentially antagonistic to Christianity, discussed with Bunny Wilson, and unemployment, as against fascism, the church's case against, preferred to conservatism, TSE asked to sign Christian manifesto against, as inspiration for Auden and Isherwood's collaboration, preached by Cecil Day Lewis, and Middleton Murry, during the Cold War, Margaret Thorp's liberal hypocrises over,
Culpin, Johanna ('Aunt Johanna', née Staengel), described, TSE's South Kensington neighbour, weekly chess opponent, 'tiring', reports Nazi horrors, her German refugees, whom TSE helps, quarrels with VHE, leaving for Germany, departure toasted with champagne, returned from Germany, taken to Murder, and TSE watch Show Boat, returns again to Germany, taken to the movies, and company taken to Escargot,
Doone, Rupert, approaches TSE with Aristophanes commission, at TSE's theatrical Ritz tea-party, pitches the Group Theatre to TSE, discusses Sweeney Agonistes with TSE, TSE on his Sweeney, his own interpretation of Sweeney Agonistes, and Yeats's Mercury Theatre season, dismissed by Yeats, on Margot Collis, possible Mercury Murder premiere, dismayed by prose of Murder, resigns from Mercury Theatre season, resigns from Mercury Theatre season, offers Westminster Theatre production instead, craves TSE's next play, and troupe bemoaned, producing The Ascent of F6, surpasses himself with Spender, and his illustrious housekeeper,
see also Group Theatre

2.RupertDoone, Rupert Doone (1903–66), dancer, choreographer and producer, founded the Group Theatre, London, in 1932: see Biographical Register.

Dukes, Ashley, described by Yeats to TSE, approaches Doone over Mercury Theatre season, lines up Mercury Murder revival, with which he is pleased, his ambitions for Murder, which Brace upsets, instructed as to Murder New York negotiations, hustling in New York, from where he reports, agrees about Speaight's decline, explains miscarriage of 1936 American production, at 100th performance of Murder, latest plans for Murder, revised plans for New York, dares to call TSE in morning, TSE's royalty arrangement with, policing pirate productions of Murder, discusses Murder's America rights, full of grand desgins, takes Browne into partnership, on Murder's Abdication Crisis resonance, among Family Reunion's first readers, plans for Murder, American Murder tour, against Family Reunion as title, pleased with Family Reunion fragment, sent full Family Reunion draft, lets EH down, consulted over Gielgud contract, on Gielgud and Family Reunion, negotiating with Saint-Denis, less persuaded by Family Reunion, optimistic on Family Reunion transfer, instructed on Family Reunion licensing, fields Orson Welles enquiry, suggests wartime Murder revival, which he mounts without consulting TSE, attempting season of miniature operas, submits theatrical reminiscences to TSE, and Murder film rights, book launch for memoirs, reports on TSE's continental productions, gives Garrick Club dinner for TSE, takes full control of Mercury, accompanies TSE to Germany, La Mandragola, The Scene is Changed, Too Many Twins,
see also Dukes, the

4.AshleyDukes, Ashley Dukes (1885–1959), theatre manager, playwright, critic, translator, adapter, author; from 1933, owner of the Mercury Theatre, London: see Biographical Register.

Eliot, Vivien (TSE's first wife, née Haigh-Wood), takes a liking to EH, EH urged not to blame, relations with Charles Buckle, unbearable to holiday with, takes to Margaret Thorp, accompanies TSE to Poetry Bookshop, and 57 Chester Terrace, on TSE's religion, TSE declines invitations excluding, her driving, hosts various writers to tea, considers flat in Gordon Square, arranges large tea-party, as theatregoer, declares desire to make confession, taken to Eastbourne, recalls the Eliots' visit to Rodmell, Alida Monro reports on, in Alida Monro's opinion, falls out with Lucy Thayer, meets TSE for last time at solicitors, seeks TSE's whereabouts, haunts TSE in London, such that he forgoes the theatre, news of, inquires after Man Ray portrait, harries F&F office, on Mosley Albert Hall rally, dies, her funeral, Requiem Mass for, Theresa remembers, marriage to, TSE on entering into, alleged affair with Bertrand Russell, sexual relations, its morbidity, TSE on his own incapacity, its torments providential on reflection, in OM's opinion, its lessons, humiliating, TSE's father's reaction, unrecognised by TSE, to outsiders, TSE reflects on, painful yet stimulating, as an act of self-rupture, drug habits, sleeping draughts, in TSE's absence, 1926 bromidia delusions, mental state, childlike, benefits from active social life, compared to EH's mother's, at the Malmaison sanatorium, and dining in public, TSE's influence on, post-separation, the prospect of institutionalising, prompts institutionalisation crisis-meeting, and TSE's departure for America, against TSE going, adjusting to the prospect, might coordinate with a return to Malmaison, in denial as to, threatens to come, from which TSE tries to dissuade her, aggrieved at being left, possible arrangements in TSE's absence, still in denial as to, TSE dreads scene of departure, possibly beneficial to VHE, TSE describes the moment of departure, separation from, TSE, for and against, out of the question, obstructed by self-deception and responsibility, reasons for not having happened, Dr Miller's opinion on, contemplated, plotted, would necessitate TSE's sequestration, TSE encouraged in his determination, Alida Monro independently suggests, communication with solicitors on, TSE describes going through with, VHE's response before and after meeting at solicitors, impasse over financial settlement, which VHE misrepresents to friends, VHE in denial over, separation deed drawn up, which is yet unsigned, delayed by death of lawyer, general impasse, financial settlement put into force, complicated by VHE renewing lease on flat, efforts to retrieve TSE's property, which is eventually recovered, financial consequences, the possibility of divorcing, TSE's objections to, against what TSE symbolises, likened to Newman's conversion, in common and canon law, in Ada's opinion, how TSE's attitude might seem, would involve permanent division from Church, inimical to future TSE's happiness, her death, and Theresa on TSE remarrying, TSE's shifting response to, formerly wished for, EH reflects on,
see also Eliots, the T. S.
fascism, and the unemployment crisis, essentially anti-Christian, The Rock's 'modern ballet' on, 'beastly', corrupts TSE's image of Rome, possible subject for July 1936 'Commentary', and the Spanish Civil War, TSE asked to sign Christian manifesto against, TSE accused of,
Gielgud, Val,

8.ValGielgud, Val Gielgud (1900–81), pioneer of radio drama, actor, writer (his output included novels, stage plays, radio plays, works of non-fiction), director and broadcaster; Head of Productions at the BBC (responsible for radio drama) from 1929; Head of BBC Television Drama, 1946–52.

Gilbert, Stuart, port of call in Paris, in Paris,

4.StuartGilbert, Stuart Gilbert (1883–1969), English literary scholar and translator, was educated at Hertford College, Oxford (1st class in Classics), and worked in the Indian Civil Service; and then, following military service, as a judge on the Court of Assizes in Burma. It was only after his retirement in 1925 that he undertook work on Joyce, having admired Ulysses while in Burma. After befriending Joyce and others in his Paris circle (including Sylvia Beach and Valery Larbaud), he wrote James Joyce’s ‘Ulysses’: A Study (F&F, 1930). He helped Joyce with the French translation of Ulysses; and in 1957 edited Letters of James Joyce (with advice from TSE). In addition, he translated works by Antoine de Saint-Exupéry, Roger Martin du Gard, Paul Valéry, André Malraux, Jean Cocteau, Albert Camus, Jean-Paul Sartre and Georges Simenon.

Gooch, Sir Henry,

3.SirGooch, Sir Henry Henry Gooch (1871–1959), barrister, educationalist, Conservative Party politician.

Hale, Emily, visits the Eliots for tea, returns to Boston, likened to TSE's mother, TSE identifies with her 'reserve', encouraged to write for periodicals, visits West Rindge, summers in Seattle, presents herself as cossetted, blames herself for an unfulfilled life, returns to Boston, consulted over TSE's Norton Professorship, holidays in Castine, vacations in New Bedford, TSE fears accident befalling, travels to stay in Seattle, Frank Morley on Ada on, arrives in California, brought to tears by music, goes horse-riding, baited over how to boil an egg, TSE passes old school of, takes motoring holiday via San Francisco, summers in Seattle, TSE composes squib for, takes TSE's hand in dream, returned to California, TSE sends Harvard Vocarium record, holidays in West Rindge, returns to Boston before embarking for England, arrives in England, to travel to Paris, returns to London, feels inferior to 'brilliant society', invited to Sweeney Agonistes rehearsal, attends Richard II with TSE, attends Sweeney Agonistes, takes TSE to Gielgud's Hamlet, taken to see Stravinsky conducting, leaves for Italy, takes tea at OM's before leaving, mistaken for TSE's sister, returns to Florence, sails for the Riviera, returns from France, returns to Chipping Campden, to Guernsey with Jeanie McPherrin, taken to Henry IV on return, shares open taxi with TSE through Parks and Whitehall, and TSE attend The Gondoliers, visit to the Russian ballet, invited to Murder in Canterbury, and TSE attend 1066 And All That, taken to Tovaritch, and Morleys set for ballet, which she excuses herself from, criticised for flower-arranging, and TSE walk in the Cotswolds, feels inferior to Margaret Thorp, and TSE theatre-going with Thorps, taken to Timon of Athens, taken to Peer Gynt, visited at Campden for TSE's birthday, takes lodgings in Oxford, lodges at 19 Rosary Gardens, watches TSE read to Student Christian Movement, and TSE visit Kenwood House, dines with the Maritains, describes tea with the Woolfs, returns to America, visits Ada on Boston homecoming, possible career-move into politics, pays winter visit to Rindge, and Eleanor Hinkley attend New York Murder, moves to 154 Riverway with Perkinses, considers volunteering for charity, living at 5 Clement Circle, holidays in Cataumet, returns abruptly to Cambridge, recuperates in New Hampshire, moves to 240 Crescent St., Northampton, Mass., lectures at Concord, returns to Brimmer Street, returns to Boston during vacation, sails for England, in residence at Chipping Campden, travels to Yorkshire, returned to Chipping Campden, returns and moves to 22 Paradise Road, Northampton, Mass., spends Thanksgiving in Boston, stays at Hotel Lincolnshire with the Perkinses, vacations at New Bedford, visits New York, holidays in Charleston, as patron of school, returns to Northampton, sails for England, day at Windsor with TSE, fortnight at Campden with TSE, at Campden with TSE again, returns to America with 'Boerre', ordered to stay in America in case of war, given Family Reunion draft with her comments, encouraged to write drama criticism, vacations in New Bedford, advises TSE against Tewkesbury choruses, holidays with the Havenses, sails for England, at Chipping Campden, stays with the Adam Smiths in Scotland, returns to America with Perkinses, safely returned, sent copy of TSE's daily prayers, sent first CNL, sends TSE selected American plays, holidays in New Bedford, spends Easter in Harwichport, holiday destinations, holidays in Cape Cod, returns to the Perkinses at 90 Commonwealth Avenue, stays with Elsmiths in Woods Hole, holidays on Grand Manan, visits Perkinses in Boston, returns to 90 Commonwealth Avenue, holidays in Madison, Wisc., travels on to Maine, holidays on Grand Manan, holidays in Bangor, Maine, as president of S. P. C. A., spends Christmas holiday in New Bedford, holidays in Woods Hole, loans out her Eliotana, removes from Smith to the Perkinses, spends time in Maine, repairs to New Bedford, spends time in Tryon, N. C., returned to Boston, spends three days in New York, shares details of will, holidays on Grand Manan, leaves TSE portrait in event of predeceasing him, late summer in New Brunswick, vacations in New Bedford, repairs to New Bedford, resident in Millbrook, takes short holiday at 'Bleak House', holidays on Grand Manan, visits Woods Hole, visits New Bedford, holidays in New Bedford, spends holiday at Sylvia Knowles's, holidays in Dorset, Vt., holidays briefly in Farmington, holidaying on Grand Manan, TSE seeks Trojan Women translation for, moves to 9 Lexington Road, gives Christmas readings, congratulates TSE on OM, urges TSE not to despair at honours, spends Easter in Boston, race-relations and the WPA, sings Bach's B Minor Mass, removes from Concord to Andover, on life in Grand Manan, congratulates TSE on Nobel Prize, resident at 35 School Street, Andover, summers between Boston, Woods Hole, New Bedford and Grand Manan, recounts journey to Grand Manan, takes The Cocktail Party personally, then repents of doing so, post-Christmas stay in New Bedford, reports on Cocktail Party's opening, summers between Chocorua and Campobello, tours westward to California during summer holiday, attends British Drama League summer school, holidays in Grand Manan, asks TSE for occasional poem, week in the Virgin Islands, summers between Mount Desert and California, spends holidays in New Bedford, recuperates in New Bedford, returns, briefly to Chipping Campden, Eleanor Hinkley reports on, writes to EVE, sends EVE photograph of TSE, makes tour of Scandinavia, approaches TSE on Smith's behalf, which approach TSE declines, writes to TSE on GCF's death, moves back to Concord, pays visit to Seattle, reacts to TSE's death, writes to EVE, meets EVE, dies, appearance and characteristics, her shapely neck, TSE's memory for certain of her old dresses, particularly four dresses, which TSE then describes, TSE begs EH to describe her clothing, in silk, autumn 1930, costumed in a 'Titian wig', EH encouraged to gain weight, EH encouraged to tan, her Jantzen suit, TSE begs a slip of hair from, her gold-and-green tea gown, her Praxitelean nose, EH congratulated on 'perm', EH refuses TSE lock of hair, her voice, Guardsman dress, as a Botticelli Madonna, her hands, recommended skin-cream, 'new goldy dress', TSE inquires after, in TSE's dreams, 'new and nuder' swimsuit demanded, her black dress/red jacket outfit, dressed in blue, in charming black dress, her sense of humour, her New England conscience, the famous apricot dress, her hair, various dresses, EH's idea of new dresses, EH hair cut in the new style, blue dress worn following masque, as actor, as Olivia in Twelfth Night, in the Cambridge Dramatic club, as Roxane in Cyrano in 1915/16, as Judith Bliss in Hay Fever, EH considers giving up for teaching, in the 'stunt show' with TSE, as Beatrice, TSE hopes, in The Footlight Club, in Berkeley Square, in The Yellow Jacket, EH praised over Ruth Draper, under Ellen van Volkenburg, cast as an octogenarian, in The Old Lady Shows Her Medals, TSE speculates as to her future in, and teaching, as Lady Bracknell, TSE begs to write part for, in The Footlight Club, potentially in summer theatre company, as the Duchess of Devonshire, potentially in The Family Reunion, Cambridge Dramatic club reunion, The Wingless Victory, in masque with TSE, in a Van Druten play, as Lodovico Sforza, in play by Laurence Housman, as Madame Arcati in Blithe Spirit, with Paul Stephenson, in Kind Lady, joins the Dorset Players, as director ('producer'), La Locandiera, Lady Gregory's The Dragon, Dust of the Road, Comus, possibly temporarily at St. Catherine's, Va., chorus work at Smith, Electra, Quality Street, The Merchant of Venice, Dear Brutus, Christmas play, Richard II, Hay Fever, Christmas pantomime, The Dorset Players, a reading of Outward Bound, Molnár's The Swan, Dulcy, The School for Scandal, Fanny and the Servant Problem, Dear Brutus again, Twelfth Night, Prunella, Christmas play, Antigone, The Merry Wives of Windsor, As You Like It, The Admirable Crichton, Holy Night, The Tempest, as teacher, EH lectures on 'Modern British Verse', as a career, at Milwaukee-Downer College, Mich., at Simmons College, Boston, EH considers post at Scripps, which she accepts, arrives at Scripps, establishes drama workshop at Scripps, EH lectures on TSE, EH's advice that TSE lecture less slowly, as described by Scripps student, and being admired by students, TSE sees her teaching as a kind of acting, requests year's leave from Scripps, resigns position at Scripps, declares intention to teach again, possibly, temporarily, at St. Catherine's, Va., possibly at Smith, post at St. Catherine's rejected, appointed to position at Smith, is installed at Smith, reappointed with pay-rise, reappointed again for two years, her work at Smith, unsettled at Smith, in time of war, insecure over job at Smith, from which EH takes 'sabbatical', let go by Smith, takes job at Concord Academy, appointed to post at Bennett Junior College, Millbrook, appointment to permanent Concord position, EH thinks of giving up, lectures on Family Reunion, her work at Concord Academy, resignation from Concord Academy, takes permanent position at Abbot, EH admits to being sheltered by, retirement from Abbot, according to Abbot Academy tribute, birthdays, presents and love-tokens, EH's birthday compared to TSE's, TSE sends Terry–Shaw correspondence for EH's birthday, EH sends TSE pomme purée, present from EH, flowers for EH's birthday arrive too soon, EH wearing TSE's ring, two rings bought for EH, EH bought typewriter, TSE 'cables' EH roses, TSE consults EH over potential present, TSE's second 'sapphire' ring for, EH refits new rings from TSE, TSE receives flowers for Christmas, EH given 'powder box' for Christmas, EH's present to TSE goes amiss, missing present (calendar) explained, EH left cigarettes by TSE, EH gives TSE cigarette case, TSE necklace-hunting for EH, pearls suggested for EH, EH bought sapphire bracelet, EH gives TSE a signet ring, EH bought blue-gray scarf, EH gives TSE silk handkerchiefs, TSE has signet ring engraved, further ring sought for EH, EH with TSE on his birthday, EH gives TSE initialled leather portfolio, TSE given ashtrays and matchbox, furs sought for EH, EH gives TSE stool, roses sent to EH on birthday, TSE given diary and hairbrush box, TSE given rosary and print, EH buys TSE towel rails, TSE receives diary for Christmas, 1810 ring bought for EH, EH buys TSE various ties, war means no flowers, EH's lapis lazuli ring, TSE neglects to cable EH, EH knits socks for TSE, which turn out large, EH sends TSE 'snowflake' socks, EH remembers TSE's birthday with reference to Shakespeare, TSE sent marmalade and liver-paste, EH writes poem for TSE's birthday, EH sends TSE provisions, EH loses sapphire from ring, diamond circlet given to EH in 1939, EH gives TSE socks for Christmas, TSE gives EH 'evening bag', EH unthanked for Christmas present, correspondence with TSE, TSE petitions EH to bestow on the Bodleian, TSE exalts as authoritative, TSE envisions as reading-group, the only writing TSE enjoys, TSE as Cyrano to EH's Roxane, TSE's dependence on, TSE's nights spent planning, TSE rereads with pleasure, the strain of interruption, switches to Air Mail, TSE on his decision to renew, TSE marks first anniversary of, keeps TSE sane, TSE hopes to telephone, TSE wishes to maintain when in America, EH would withhold from the Bodleian bequest, from which TSE tries to dissuade her, TSE violently dependent on, TSE begs EH that it be preserved, less exciting to EH than at first, TSE's horror of sounding sermonic, if such a correspondence were profitable, and TSE's respectful reticence, EH suggests entrusting to Willard Thorp, but subsequently explains she meant Margaret Thorp, EH's to do with as pleases, and the prospect of TSE writing every night, TSE still rereads with pleasure, excites TSE too much to write smoothly, compared with talking, phone call finally arranged, which finally takes place, EH importuned to write more, TSE promises three letters a week, EH refuses more than one, a solitude within a solitude, EH switches to typewriter, which TSE offers to buy, observed weekly by EH's students, flatters TSE most when EH writes undutifully, TSE's dread of EH rationing, TSE's efforts to moderate himself within, TSE imagines the unsealing of, TSE offers to cease, a place to vent one's feelings, TSE rebuked for 'intolerance' within, EH learns to type, hinders TSE from work, TSE on life before, third anniversary marked, thwarted by TSE's self-loathing, TSE doubts having pursued, restraints on TSE's ardour lifted, more constrained by day, TSE worries about burdening EH with, worth TSE getting home early for, by day, by night, TSE specially treasures recent 'love letters', more delightful since EH's reciprocation, and TSE's diminished ardour, switches to transatlantic airmail, constrained by war, opened by censor, and Shamley Green post-office, TSE apologises for, EH free to dispose of, within limits, particularly constrained by EH's letter of 1939, and the experience of delay, TSE equivocates on preserving, varied with airgraph, again, EH's to do with as she pleases, still intended for Bodleian, TSE chastened for short cables, TSE's letters 'undemonstrative and impersonal', post-war frequency, being and not being loving by letter, EH asks TSE to reduce, TSE criticised for following monthly injunction, TSE rebuked for impersonality, EH formally bequeaths to Princeton, TSE unfussed as to repository, TSE reiterates 50-year prohibition, TSE's worries as to future appearances, EH promises Princeton her statement on, promises letters with ten-year seal, attempts to shorten TSE's moratorium, which TSE refuses, which forces EH to relent, TSE encouraged to return EH's letters, EH deposits further material with Princeton, EH makes 'recording' for Princeton, EH renews plea to shorten moratorium, and is again refused, TSE destroys EH's letters, TSE repents of severe letter, which EH never receives, EH suspects TSE of destroying her letters, EH instructs Princeton to discard 'recording', EH ultimately respects TSE's wishes, EH on TSE's destruction of her letters, family, her father, her childhood compared to TSE's, TSE desires family history of, EH encouraged to keep younger company, EH's unity with parents, EH's relations with aunt and uncle, EH's relations with aunt and uncle, EH photographed with parents, and EH's obligations to, finances, health, physical and mental, admits to breakdown, TSE compares 'nightmares' with, TSE's desire to nurse, suffers neuritis, then neuralgia, recommended suncream, suffers arthritis, suffers with sinuses, her teeth, experiences insomnia, suffers 'hives', suffers crisis body and soul, feels depressed over Christmas, suffers neuralgia, suffers intestinal flu, has shingles, admitted to hospital, convalesces on Grand Manan, recuperates in Washington, Conn., photographs of, as a child, Edith Sitwellesque photograph, in 18th-century costume, in 18th-century French costume, in broad-brimmed 'picture' hat, TSE buys Kodak, in deck-chair, eating sandwich, in a car, 'the Beautiful one', which TSE has enlarged for his dressing-table, painful, because taken in the 'interim', in bacchanalian pose, 'Semitic', among young people, set 'Elizabeth' giggling, Diana Mannersesque, are mnemonic aids to TSE, kneeling beside can of flowers, TSE's favourite, with ordinarily sized hands, smoking in chair, as child with big ears, taken on TSE's arrival in Claremont, in Jane Austen fashion, in unfamiliar jacket, taken in autumn, with mother and father, as a child, in TSE's note-case throughout Blitz, in Wingless Victory, as child, in gold frame, in familiar jacket, taken with Boerre, surround TSE at Shamley, with baby, in a group, of EH's portrait, in sailor suit, all inadequate, carrying lamp, with Rag Doll, at Campobello, reading, Henry James, Letters from Baron Friedrich von Hügel to a Niece, All Passion Spent, Bubu de Montparnasse, F&F thriller, Eyeless in Gaza, Dante, Hopkins and Roosevelt, Henry Irving: The Actor and His World, relationship with TSE, TSE's first acquaintance with, its abnormality, runs to admiration from EH, and TSE's habitual reserve, its morality under examination, defended by TSE, its susceptibilities envisaged by TSE, EH admits estrangement within, and TSE's desire for intimacies, provokes sorrow and fury in TSE, confided to the Perkinses, Miss Ware and Father Underhill, TSE's chance to be frivolous, and the prospect of TSE's Harvard year, TSE dates first meeting to 1905, whereas EH dates to 1915, TSE's terror of renewing in California, teaches TSE true companionship, runs to a 'kiss', as perpetual progress and revelation, EH offered manumission from, if TSE were not married, seems more real for TSE's American year, TSE's reasons against marrying, TSE fears having misled over, EH again offered manumission from, EH writes to Ada concerning, EH blames TSE for his ardour, then apologises for blaming TSE, leads to unhappiness in EH, possible drain on EH's health, its perceived inequalities, pity and gratitude would corrupt, TSE conditionally promises marriage, TSE sees as an imposition on EH, potentially richer for meeting TSE's friends, EH 'kisses' TSE, EH rests head on TSE's shoulder, EH strokes TSE's face, as consubstantial union, TSE's love finally reciprocated, mutual embraces, EH kissed on the right foot, TSE favoured with birthday kiss, exhausting, should proceed without hope of marriage, TSE again regrets misleading EH, as one of mutual dependence, its unsatisfactions, its seasonal rhythm, but for VHE would be marriage, EH seeks post-war clarity on, and the prospect of VHE's death, following VHE's death, TSE reflects on the deterioration of, TSE reflects generally on, and men and women generally, according to Theresa Eliot, EH reflects on, since TSE discounted marriage, had TSE behaved differently in 1914, its new dispensation, source of mutual anguish, apropos of TSE's second marriage, EH's marriage regret, EH recoils from publicising, TSE re-evaluates, EH writes to EVE about, religious beliefs and practices, claims experience of 'vision', admits suffering spiritual crisis, goes on retreat, and TSE's definition of sainthood, compared to TSE's, professes to resent the Church, makes retreat to Senexet, the issue of communion, the possibility of confirmation, source of worry to EH, confronts TSE on religious differences, TSE on her 'Christian spirit', fears TSE considers her damned, TSE pointedly refrains from criticising, unclear to TSE, TSE's love for, and their conversation in Eccleston Square, declared, in 1915, and TSE's desire to be EH's spiritual possession, source of serenity to TSE, the strangeness of not broadcasting, first felt in 1913, recognised by TSE the night of Tristan und Isolde, TSE's reasons for not declaring in 1913, what TSE said instead of declaring, a pain of sorts, unconfided to friends, not immune to jealousy of EH's male friends, its passion tempered by religion, and the torment of resignation, defiled by possessiveness and anger, and a particular journey back from Pasadena, in light of California stay, increases his desire to quarrel with EH, TSE doubts decision to declare, eternally unconditional, shows TSE true meaning of tenderness, defined by TSE, violent, clarified and strengthened by Chipping Campden reunion, disquiets EH, obstructive to EH loving another, TSE initially relieved to find unrequited, queered by inexperience, TSE repents of over-prizing, startles TSE, like 'a burglar', strengthened and deepened, irrespective of physical beauty, finally reciprocated, ideal when unreciprocated, relieved only by poetry, as against love's travesties, as expressed in Burnt Norton, over time, apparently undimmed but dwarfed by war, and the first time TSE spoke EH's name, thwarted by question of divorce, EH questions, now better adjusted to reality, argument over communion challenges, would run to jealously but not marriage, as expressed in 1914 on Chestnut Hill, TSE's names, nicknames and terms of endearment for, 'Lady', 'Dove', 'My saint', 'Bienaimée', TSE's reason for calling her 'Dove', 'Isolde', 'My Lady', 'Emilie', 'Princess', 'Lady bird', 'Birdie', 'riperaspberrymouth', 'Emily of Fire & Violence', 'Bouche-de-Fraise', 'Bouch-de-Framboise', 'Raspberrymouth', not 'Wendy', 'Nightingale', 'Mocking Bird', 'Love', 'My true love', 'my Self', 'Emilia' and Shelley's Epipsychidion, 'my Own', 'Girl', 'Western Star', 'Darling', 'My Life', 'My Lamb', 'Beloved my Female', 'My own Woman', writings, an article on 'Weimar', letter to The Times about King's jubilee, account of communion at Beaulieu, EH asks to write about TSE, review of La Machine infernale, review of Dangerous Corner, a note for S. P. C. A., an 'epigram', 'Actors at Alnwick', 'An Etching', 'The Giocanda Smile', 'The Personal Equation in Spoken English', 'A Play from Both Sides of the Footlights', 'Summer Sunshine: A Memory of Miss Minna Hall', 'They flash upon the inward eye',
Hayward, John, in TSE's thumbnail description, his condition and character, what TSE represents to, VHE complains about TSE to, TSE's new chess-playing neighbour, meets EH over tea, hosts TSE, GCF and de la Mare, on EH, on EH (to TSE), gives TSE cigars for Christmas, calls EH TSE's 'sister', and the Dobrées on Boxing Day, and TSE play a prank on guests, backstage at The Times, taken for walk, on Jenny de Margerie, Empson, TSE and Sansoms call on, evening with Spender, Jennings and, exchanges Christmas presents with TSE, exchanges rare books with TSE, sends luxuries to convalescent TSE, TSE's only regular acquaintance, dines with TSE and Camerons, lent Williams's Cranmer, accompanied to the Fabers' party, hosts discussion about Parisian Murder, inspects French translation of Murder, and TSE's Old Buffers' Dinner, gives TSE bath-mitts, given wine for Christmas, one of TSE's dependents, at Savile Club Murder dinner, Empson takes TSE on to see, possible housemate, in second line of play-readers, walked round Earl's Court, and Bradfield Greek play, and TSE drive to Tandys, and TSE give another party, corrects TSE's Anabase translation, watches television with TSE, Christmas Day with, introduced to Djuna Barnes, meets Christina Morley, walk round Brompton Cemetery with, Hyde Park excursion with, moving house, at his birthday-party, honoured at F&F, displaced to the Rothschilds, where TSE visits him, among TSE's closest friends, his conversation missed, the prospect of Christmas without, excursions to Cambridge to visit, 'my best critic', gives TSE American toilet-paper, helps TSE finish Little Gidding, possible post-war housemate, protector of TSE's literary remains, foreseeably at Merton Hall, discusses plays with TSE, flat-hunting with, and Carlyle Mansions, his furniture, installed at Carlyle Mansions, further handicapped without telephone, undermines TSE's aura of poetic facility, irritates except in small doses, helps with adjustment of TSE's OM medal, at the Brighton Cocktail Party, hounded by Time, quid pro quo with TSE, arranges first-night party for Cocktail Party, arranges Confidential Clerk cast dinner, and TSE's Selected Prose, and TSE entertained by Yehudi Menuhin,

11.JohnHayward, John Davy Hayward (1905–65), editor and critic: see Biographical Register.

Hinkley, Eleanor Holmes (TSE's first cousin), announces presence in London, TSE regrets speaking lightly of, un-deracinated, compared to TSE, TSE shares EH's frustrations with, less perceptive than her mother, gives party for Eva Le Gallienne, unworldly, theatrical success might improve, takes TSE to football match, dances with TSE, at second Norton lecture, as EH's friend, unflattering photograph of, and EH attend American Murder, suspected of writing by the book, to Aunt Susie as Hope Mirrlees to Mappie, pursues adult education, prejudices TSE against George Baker, cossetted, TSE feels remote from, explodes two Stearns family myths, reportedly writing novel, and life after Aunt Susie, turned carer, passes up EH's invitation, recollected as girl, TSE attempts to lure to England, her impersonality, invites TSE to stay in Boston, reports on Margaret's funeral, TSE's improved relations with, as 1956 hostess, reports on EH, informs EH of TSE's health, engineers correspondence between EVE and EH, adaptation of Emma, central to TSE falling for EH, Charlotte Brontë play, TSE presents to London Play Company, TSE's verdict on, compared to Dear Jane, Dear Jane, to be produced in New York, consumes her, TSE happy to dodge premiere, but hopes to catch over Christmas, well reviewed in certain quarters, White Violets,
see also Hinkleys, the

5.EleanorHinkley, Eleanor Holmes (TSE's first cousin) Holmes Hinkley (1891–1971), playwright; TSE’s first cousin; daughter of Susan Heywood Stearns – TSE’s maternal aunt – and Holmes Hinkley: see Biographical Register.

Hügel, Friedrich von, paraphrased for EH, appears in American actress's memoirs, TSE invited to join society founded by, invoked against the idea of conversion, Letters from Baron Friedrich von Hügel to a Niece,
Janes, W. L., and 'Billy M'Caw: The Remarkable Parrot', reports on VHE, his Christmas dinners with TSE, singing and reminiscing, retirement anniversary dinner for, a saying of, one of TSE's dependents, disturbed by disappearing cats, ill but merry, a burden, dying in hospital, Christmas Day hospital visit to, TSE on his death and funeral, first Christmas without,
see also Janeses, the

4.W. L. JanesJanes, W. L. (1854–1939), ex-policeman who worked as handyman for the Eliots. Having been superannuated from the police force early in the century, he worked for a period (until about 1921) as a plain-clothes detective in the General Post Office. TSE reminisced to Mary Trevelyan on 2 Apr. 1951: ‘If I ever write my reminiscences, which I shan’t, Janes would have a great part in them’ (‘The Pope of Russell Square’). TSE to Adam Roberts (b. 1940; godson of TSE), 12 Dec. 1955: ‘I … knew a retired police officer, who at one period had to snoop in plain clothes in the General Post Office in Newgate Street – he caught several culprits, he said’ (Adam Roberts). HisJanes, Ada wife was Ada Janes (d. 1935).

Lear, Edward, illustrates Scripps talk on English humour, subject of TSE's Ann Arbor lecture, again in Buffalo, again in Smith, again at Bowdoin, yardstick for TSE's own nonsense, TSE bangs on about, The Book of Nonsense,
Lewis, Wyndham, EH promised copy of portrait by, indebted to Harriet Weaver, famous evening with Joyce and, remembered in Paris, apparently numbers TSE among enemies, visiting Joyce in 1920 with, asks to paint TSE, TSE sitting for, portrait shown to EH, departed for America, and the fate of TSE's portrait, one of TSE's 'group', his sketch of TSE loaned to Henry, importunes another portrait, his portraits of TSE, second portrait acquired by Magdalene, TSE views first portrait in Durban, Blasting and Bombadiering, The Lion and the Fox,

7.WyndhamLewis, Wyndham Lewis (1882–1957), painter, novelist, philosopher, critic: see Biographical Register.

Madge, Charles, treated to meal, at heavy Criterion gathering, in one line, elopes with Spender's wife,

1.CharlesMadge, Charles Madge (1912–96), poet and sociologist: see Biographical Register.

Milne, Alan Alexander ('A. A.'), controversy with TSE over pacifism, not TSE's nonsense model, The Dover Road,
Morleys, the, join the Eliots in Eastbourne, TSE fears overburdening, go on holiday to Norway, more TSE's friend than VHE's, return from Norway, life at Pike's Farm among, reading Dickens aloud to, their Thanksgiving parties, suitable companions to Varsity Cricket Match, and TSE to Laughton's Macbeth, TSE's June 1934 fortnight with, and certain 'bathers' photographs', and TSE play 'GO', attend Richard II with EH, TSE's New Years celebrated with, take TSE to Evelyn Prentice and Laurel & Hardy, TSE's return from Wales with, TSE's September 1935 week with, leave for New York, one of two regular ports-of-call, see EH in Boston, safely returned from New York, TSE reads Dr Johnson to, compared to the Tandys, add to their menagerie, reiterate gratitude for EH's peppermints, in Paris with TSE, give TSE copy of Don Quixote, and Fabers take TSE to pantomime, and TSE's Salzburg expedition, join Dorothy Pound dinner, visit Hamburg, have Labrador puppies, dinner at Much Hadham for, TSE to see them off at Kings Cross, seem unhappy in America, Thanksgiving without, in New Canaan, return to Lingfield, remember TSE's birthday, difficulties of renewing friendship with,
Murder in the Cathedral, idea for initially suggested by Laurence Irving, offered to Martin Browne, St. Thomas as TSE's muse, TSE on writing, tentatively, 'The Archbishop Murder Case', uncertainties over title, currently 'Fear in the Way', which proves unpopular, TSE on rewriting, title settled on, final revisions for printer, tentatively critiqued by EH, and EH on TSE as dramatist, chorus copied for EH, Virginia Woolf's aspersions on, the form of its choruses, defended from obscurity, did not test TSE's plotting, book-sales to-date, $1,000 offered for American rights, pays for 1936 American trip, Italian and Hungarian rights sold, and Whiggery, Savile Club dinner to celebrate, compared to next play, discrepancies of Canterbury Text, Martin Browne's initial response to, TSE recognised as author of, TSE on its cheerful title, EH on, abandoned Mercury Theatre premiere, suggested by Yeats and Doone, in the offing, and Doone's response to first draft, EH requested at, imperilled, text copied for Yeats, 1935 Canterbury Festival production, in rehearsal, opening night, reception, final performance, and EH's response, 1935–6 Mercury Theatre revival, Martin Browne pushing for, in rehearsal, which EH attends, compared to Canterbury original, at the box-office, its 100th performance, still running, proposed tour to end, 1936 BBC radio version, BBC bid to produce, broadcast fixed, BBC memo on, in rehearsal, TSE on, abortive 1936 New York transfer, Dukes visits America to arrange, blighted by Brace's actions, quashed by Federal Theatre production, its usurper founders, deferred to autumn, unsolicited 1936 New York production, licensed by Brace, to be directed by Rice, seemingly withdrawn, Rice resigns from, delights EH and Eleanor Hinkley, TSE sent press-cuttings for, EH reports on, TSE speculates as to textual discrepancies, attended by Eleanor Roosevelt, extended and potentially expanded, TSE to the Transcript on, may predispose immigration authorities favourably in future, royalties from, 1936 University College, Dublin student production, described by TSE, rumoured Australian and American productions, 1936 Gate Theatre touring production, TSE's long-held wish, scheduled, 1936 touring production, due at the Arts Theatre, Cambridge, as it was played in Cambridge, 1936 America pirate production, 1937 Duchess Theatre West End transfer, date fixed for, announced in Times, dress-rehearsal attended, reception, reviewed, royalties, still playing, ticket sales pick up, coming to an end, receives royal visit, 1937 touring production, scheduled post-Duchess, beginning in Leeds, then Manchester, going strong, 1937 Harvard University production, 1937 Amherst College production, singled out for praise, 1937 Old Vic production, touring production arrived at, in rehearsal, 1937 Tewkesbury Drama Festival production, 1938 American tour, projected for January 1937, said date seconded by Dukes, deferred to September 1937, confirmed again by Dukes, pre-tour dates in Golders Green, then Liverpool, opening in Boston in January, over which EH is consulted, tour itinerary, Family Reunion keeps TSE from, preparatory re-rehearsal for, pre-crossing Liverpool dates, EH's judgement desired, EH reports on first night, reviewed in The Times, EH sends New York cuttings, prematurely transferred to New York, Dukes reports on, Westminster Cathedral Hall charity performance, 1940 Latham Mercury revival, revival suggested in rep with Family Reunion, wartime modern-dress production suggested, ambushes TSE, in rehearsal, first night, reviewed, Browne's wartime Pilgrim Players' adaptation, Hoellering film, Hoellering's initial approach made, Hoellering's vision for, TSE adapting for screen, reconnoitre of Canterbury for, casting Becket, recording made for, development process described to NYT, non-actor found for Becket, screenings of Groser, set-dressing, screening, approaching release, still in the edit, final screening, and Venice Film Festival, seeking distribution, soon to premiere, opens, initial reception, circulating in shortened version, 1945 Théâtre du Vieux Colombier production, compared to Martin Browne's, royalties, apparently a hit, reviewed, reaches 150 performances, Fluchère's involvement, 1946 German production, 1947 Edinburgh Festival production, 1948 Milton Academy production, 1949 broadcast, 1949 Berlin production, politically resonant, 1952 University of Rennes, Grand Théâtre abridgment, 1952 Théatre National Populaire production, 1953 Old Vic revival, waiting on Donat, TSE on, 1954 Harvard production,
Old Possum’s Book of Practical Cats, conceived as money-spinner, written as jeu d'esprit, individual poems sent to EH, early fragment of 'Rumpuscat', as outlined to GCF, and 'the Heaviside layer', TSE despairs of finishing, provisionally Mr Eliot's Book of Pollicle Dogs and Jellicle Cats and Other Birds & Beasts, as advertised by GCF, delayed by Milton and Byron essays, written to relieve political gloom, written in tours de force, written occasionally, and Children's Hour, TSE asked to recite, TSE at leisure to write, Hodgson promises to illustrate, Hodgson as 'the Man in White Spats', to appear autumn 1939, TSE to design cover, published, read in the Roberts household, sent to EH, reception, selling strongly, being reprinted, published in America, EH receives, the illustrations, the original Cat Morgan, read to the Roberts children, 'Bustopher Jones: The St. James's Street Cat', 'Gus: The Theatre Cat', 'Marching Song of the Pollicle Dogs', 'Old Deuteronomy', 'Song of the Jellicles', 'The Naming of Cats', 'The Old Gumbie Cat', 'The Practical Cat', 'The Rum Tum Tugger',
poetry, the danger of illustrating, versus the law, as career path, as social construct, as against didacticism, as redefined by Sweeney Agonistes, TSE on his oeurvre, TSE's own reasons for writing, TSE doubts his own, TSE's unrecorded epigram on, TSE on his own, and the importance of models, relieves TSE's longing for EH, nonsense poetry, versus drama, and TSE's new drawing-desk, and theatre-going audiences, and the dissimulation of feeling, TSE on writing after long intermission, jealousy among poets, and personal experience, TSE's defended from EH's charge of 'futility', and emotion, and marriage to VHE, and varieties of audience,
Saint-Denis, Michel, counsels Doone against Mercury venture, has proposal for TSE, his Three Sisters, his White Guard, interested in Family Reunion, negotiating with Dukes, his Twelfth Night, his Family Reunion interest checked,

2.CompagnieSaint-Denis, Michel des Quinze: theatre production company organised by Michel Saint-Denis (nephew of Jacques Copeau), together with the playwright André Obey, at the Théatre du Vieux-Colombier, Paris, 1929–34.

Smith, Abigail Eliot (TSE's cousin), hosts TSE in St. Louis, appears in London, taken to dinner by TSE, visits London again,

3.AbigailSmith, Abigail Eliot (TSE's cousin) Eliot Smith (1900–84), daughter of Holmes and Rose Eliot Smith, graduated from Wellesley College in 1922, and took her MD at Washington University School of Medicine, 1927. She was Assistant Resident in Medicine, Barnes Hospital, St. Louis, 1930–2; Instructor in Medicine, Washington University School of Medicine, 1932–4; Physician to out-patients, Washington University Dispensary, 1936–42; Cardiologist, Out-Patient Department, St. Louis County Hospital, 1942; and Assistant Physician, Wellesley College, from 1942.

Smith, Rose Greenleaf Eliot (TSE's aunt), hosts TSE in St. Louis, dies,

1.RoseSmith, Rose Greenleaf Eliot (TSE's aunt) Greenleaf Eliot (1862–1936), andSmith, Holmes (TSE's uncle) Holmes Smith (1863–1937), Professor of Drawing and the History of Art, Washington University; first President of the College Art Association.

Speaight, Evelyn (née Bowen),

9.EvelynSpeaight, Evelyn (née Bowen) Bowen (1911–94), Welsh actor and writer, founder-director of the Welsh National Theatre Company, 1933–6. Her marriage to Speaight ended in divorce in 1939.

Speaight, Robert, singled out as Malvolio, chats to TSE at OM's, talked through part of Becket by TSE, excited at TSE's dramatic ambitions, never happier on stage, committed to Mercury Murder revival, unimprovable as Becket, in Mercury Theatre production, issues TSE with Irish introductions, his performance agreed to be going stale, at 100th performance of Murder, cast in Williams's Cranmer, his Becket critiqued by Tandy, as Becket, records Becket's sermon, which TSE is against, at post-performance feast in Cambridge, better as Cranmer than Becket, sermon reblocked for Duchess Theatre, at Savile Club Murder dinner, and the royal visit, becoming conceited, performance pruned in re-rehearsal, problems with his performance persist, in EH's report, compared to Robert Sansom, broadcasts East Coker, gives small dinner at Garrick, swoops on Shamley to record TSE, discounted from film of Murder, complains and is disingenuously soothed, as Elijah in Nicholson's debut, attends Family Reunion with TSE, still playing Becket, misrepresents TSE's views, in Belgium, ruined by Becket, in The Confidential Clerk,

2.RobertSpeaight, Robert Speaight (1904–77), actor, producer and author, was to create the role of Becket in Murder in the Cathedral in 1935: see Biographical Register.

Underhill, Evelyn, introduced to TSE by her cousin Francis, mentioned by von Hügel, delights TSE, who feels easy in her company, reception at the house of, on TSE's Perkins tea guest-list, sherry-party chez, quizzed on divinity textbooks, her death, TSE's unpublished tribute to, which he sends to The Times, her correspondence surveyed for publication, Worship,

1.EvelynUnderhill, Evelyn Underhill (1875–1941), spiritual director and writer on mysticism and the spiritual life: see Biographical Register.

Woolfs, the, at Clive Bell's for lunch, TSE's dearest London friends, company compared to that of Christians, host TSE and Elizabeth Bowen to tea, Rodmell described, closer to TSE than to VHE, visited on TSE's 1933 return, refreshingly childless, amazed by TSE's appearance, and Tomlin dine with TSE, Keynes and TSE dine with, TSE's Bloomsbury weekend with, described in their Tavistock Square domain, have TSE for tea, TSE dines with, and TSE argue about honours, compared to the de la Mares, host TSE for weekend, abandon London for Sussex, where they invite TSE, TSE's Sussex stay with, on their return from Sussex, host TSE, give dinner without mentioning war, TSE plans to visit in Sussex, 52 Tavistock Square bombed,