[35A School St., Andover, Mass.]

T. S.Eliot
EmilyHale
TS
Faber & Faber Ltd
[19 Carlyle Mansions]
Easter Monday [6 April] 1953
Dearest Emily,

YourAmericaWashington, Connecticut;h8EH recuperates in;a1 welcome letter of March 23, received just before Easter, was surprising. IHale, Emilyhealth, physical and mental;w6recuperates in Washington, Conn.;c1 hope that your solitary rest cure in Washington Connecticut was satisfactory; it sounded a sensible thing to do with the little time at your disposal, and I trust that it did you good. I sincerely hope that your muscular trouble is not sciatica, or any of those nerve troubles, which are so very painful and which come and go at their pleasure without the doctor being able to do very much for one. IPerkins, Edith (EH's aunt);m4 am surprised that you speak as if I had not written to Aunt Edith for a long time, as I wrote to her at the same time that I wrote my last letter to you. WhatGeorge, Ruth;a7 I have failed to do is to write to Ruth George, and that I must do.1 IEliot, Theresa Garrett (TSE's sister-in-law);g3 amEliot, Marion Cushing (TSE's sister)tethered to Margaret;h2 distressed to hear from you, what I had not been told, that Theresa should be going to St. Louis and not Marian. I shall be very disappointed. OfEliot, Margaret Dawes (TSE's sister);d9 course there should be someone to keep an eye on Margaret, but if Marian is never able to leave Cambridge for that reason, it is most unfair, and worries me considerably. And I had been so looking forward to having Marian with me in St. Louis. Of course Marian is too self-sacrificing. The trouble is too that Margaret doesn’t want to be looked after, and I am afraid she would not consent to any stranger being about. I shall write to both Marian and Theresa.

Buttravels, trips and plansEH's 1953 trip to England;i2EH's Alnwick plans;a1 the most remarkable news is that you are coming to Britain. IfConfidential Clerk, The1953 Edinburgh production;b2;a2 however you propose to visit Edinburgh and see the play, I am sorry that you should tie yourself up at Alnwick during just the week that I shall be there.2 It opens on the 25th; I expect to go up on the 23d for rehearsals. I was thinking vaguely of taking another week somewhere in Scotland, if I could find a quiet hotel, but I don’t want to be in Edinburgh more than the one week, it is too public. Perhaps you could break the course for a night or so, as Alnwick is near Newcastle, and Newcastle is not a long journey from Edinburgh. Let me know if I can help with accommodation. I have not yet had any programme of events for Edinburgh, so I do not suppose that they are selling tickets yet, but you had better enquire of your travel agency. InSmith, Theodora ('Dodo') Eliot (TSE's niece)1953 visit to England;d6in Edinburgh for Confidential Clerk;a1 Edinburgh I shall have Theodora on my hands: she will be at the same hotel (the Beresford).3 That is a responsibility I must accept. When do you expect to be in London? I am here from the date of my return from New York (the 1st July) until I go to Edinburgh. If you are to be in London for any part of September I should like to know, so as to make my own arrangements.

IAnouilh, JeanAntigone;a4 sawAnouilh, Jeanas playwright;a3 a performance of the Anouilh ‘Antigone’ in French (not very Greek!) an effective stage play, and I suspect his best:4 his output is said to be deteriorating, and he is not now so much thought of in Paris. HisAnouilh, JeanMedée;a5 most recent ‘Medée’ is not highly praised.5

IConfidential Clerk, TheTSE finalising;b1 am putting the finishing touches to the Confidential Clerk, after which I hope it will be ready for duplication. MartinBrowne, Elliott Martin1953 Edinburgh Confidential Clerk;f9;a2 is in Dorset, but I shall meet him next week to run through the text. I am most curious to know what you will think of it: it seems to me my best built play so far, and I don’t think the characters will be at all reminiscent of any of my previous characters. BesidesLeighton, Margaretin The Confidential Clerk;a3 Margaret Leighton, weElliott, DenholmColby in The Confidential Clerk;a1 have one Denton [sc. Denholm] Elliott,6 andThorndike, Sybilagain, ideal casting for Confidential Clerk;a5 Martin was hoping that he might get Sybil Thorndike to play Lady Elizabeth Mulhammer, andLacey, Catherinepossible Mrs Guzzard;a4 Catherine Lacey7 for Mrs. Guzzard.8 All of the characters in the play are very lovable people, except perhaps Mrs. Guzzard (though I like her). TheyOld Vic, Theto produce The Confidential Clerk;c5 haveConfidential Clerk, The1953 Edinburgh production;b2casting for;a3 alsoRogers, Paulin Murder in the Cathedral;a1 got aMurder in the Cathedral1953 Old Vic revival;h1TSE on;a2 good actor from the Old Vic, who plays the First Knight in ‘Murder’.9 ThatBenthall, Michaelhis revival of Murder;a1 was revived last week at the Old Vic, aHelpmann, Robertrevives Murder at Old Vic;a2 wholly new (and superior) production by Benthall10 and Robert Helpmann, withDonat, Robertas Becket;a4 Robert Donat (a good actor) in the main part. I was on the whole delighted with it: Helpmann is well-known as ballet dancer and choreographer, and his arrangement of the chorus (a much better mixed chorus than at Canterbury and the Mercury, with some older women, and suitably attired too) was admirable. TheMurder in the Cathedral1935–6 Mercury Theatre revival;d8;b1 knights perhaps a little too comic (but the Old Vic audience is delighted) butMercury Theatre, London;d5 still less out of hand than the Mercury knights, who fell into a most deplorable clowning after a time. Helpmann is aware that they must be checked from overdoing the humour.

Meanwhile'American Literature and the American Language';a3 IWashington University, St. LouisTSE's address to;a3 am grinding out an address for Washington University. It proves to be slow hard work; it is hard to turn from a play to grinding out occasional addresses. NextUniversity of St. Andrew'sawards TSE honorary degree;a1 week ILindsay, David Alexander Robert, 28th Earl of Crawford (styled Lord Balniel);a2 go to St. Andrew’s for an honorary degree, the weekend from April 16th when I am to be a guest at Balcarres.11

Lovingly
Tom

INason, Margaret ('Meg') Geraldine;c7 have an Easter letter from Meg12 (who has had ’flu twice, she says). I thought best, in replying, to say nothing about your plans, but leave that to you.

You don’t say where you expect to be during the second half of June.

1.TSEGeorge, Ruthfor which TSE congratulates her;a6n to Ruth George, 7 Apr. 1953: ‘I am writing very tardily to thank you for the second volume of poems, “Is the Seed Yet in the Barn”. […] I have really enjoyed your poems – I am sent so many books of verse, and the experience of enjoying one is very rare! and I think you have a genuine lyric gift, a musical ear, and something to say. So few writers of verse know what they can do and what they can’t; you have these gifts and you have used them well.

‘My last direct news of you was from Emily after she had visited California last summer. She spoke warmly and happily of her visit to you’ (Denison Library, Scripps).

2.EHHale, Emilyattends British Drama League summer school;t4n was to attend a summer school run by the Training Department of the British Drama League, at Alnwick Castle, Northumberland, 21–8 Aug. 1953. She received a certificate of attendance signed by J. Francis Mackenzie, Principal of the School.

3.‘Theodora thought that Emily should not have come: she was “a pale shadow of her former self”’: Gordon, Imperfect Life, 415 – citing Mary Trevelyan’s diary, 25 and 28 Aug. 1953: PRS.

4.The Abbot Academy Dramatic Society and the Brooks School Dramatic Association (North Andover) had put on a co-production of Jean Anouilh’s Antigone, in translation: directed by EH and George Chychele Waterston, a Scottish semanticist and language teacher, and father of the actor Sam Waterston, b. 1940 – the young Sam took part in the play.

Chychele Waterston wrote with enthusiasm to EH, 3 Mar. 1953: ‘It is almost certainly obvious to you and to the Abbot Academy cast of Antigone that all the Brooks boys (in which category I include myself) found it extremely pleasant to work with the Abbot girls.’ Indeed, he felt throughout the production an ‘understanding cooperation’: ‘I wish there were some way of conveying to the girls, without mentioning personalities, how very valuable it is when ladies know how to use their powers as a civilising influence …

‘Your own helpful hints to the boys were accepted and acted upon much more immediately than mine. They accepted your advice unhesitatingly – quite rightly.’

5.Anouilh’s Medée, written in 1946, was premièred at the Théâtre de l’Atelier by André Barsacq (director) on 25 Mar. 1953.

6.DenholmElliott, Denholm Elliott (1922–92) – Colby Simpkins in The Confidential Clerk – was a great character actor: his scene-stealing, award-winning appearances included parts in The Cruel Sea (1953), Alfie (1966), Raiders of the Lost Ark (1981) and Indiana Jones and the Last Crusade (1989); and as the insidious Philip Neville in the TV adaptation of Anita Brookner’s Hotel du Lac (1986). CBE, 1988. Sherek to TSE, 13 Jan. 1953: ‘He is an excellent young man and is also a musician. Luckily his instrument is the piano.’ TSE to Elliott, 10 May 1954: ‘I particularly … want to thank you for all you did with the role of Colby. I realize that it was the most difficult part in the play, and in a sense, the most thankless, because I know what you did with it, and so few amongst any of the audiences could, I think, have realised what a difficult part it was. I am afraid that it is the one part in which the author did not succeed in finding the “objective correlative” (a phrase which I have come to dislike intensely, but which is the only one for what I want to say here). My grateful thanks and best wishes.’

7.TSE to Violet Schiff, 27 Feb. 1950: ‘I was familiar with Katherine [sic] Lacey’s very fine Agatha on the stage.’

8.‘MrsLeggatt, Alisonas Mrs Guzzard in Cocktail Party;a1 Guzzard’ was in fact to be played by Alison Leggatt (1904–90). TSE to Sherek, 15 July 1953: ‘Oddly enough I had myself thought of Alison Leggatt as a possibility for Mrs Guzzard. That excess of acidity which she put into the second act of The Cocktail Party and which was so impressive that it made the reconciliation of Edward and Lavinia appear anything but plausible, ought to stand her in good stead for this part where she can maintain the same attitude throughout’ (Texas). TSE to Anne Ridler, 18 Sept. 1953: ‘Alison Leggatt did very well I thought in fusing Pallas Athene with the shabby genteel suburban lady.’

See too Alison Leggatt, ‘A Postscript from Mrs Chamberlayne and Mrs Guzzard’, T. S. Eliot: A Symposium for his Seventieth Birthday, ed. N. Braybrooke (1958), 79:

Our producer had advised us not to ask our dramatist to explain any lines that we might find obscure. However, one member of the cast, splendidly daring, disregarded this advice and asked: ‘Please, what does this mean?’ – to receive the reply: ‘My dear child, don’t ask me, I don’t know!’

When I was rehearsing for The Confidential Clerk I ventured to seek a little guidance over the part of Mrs Guzzard, which I was playing. ‘She is a mixture of Pallas Athene and a suburban housewife,’ Mr Eliot told me!

TSE duly signed a copy of the play for Leggatt:

————‘For the suburban Pallas Athene

————Alison Leggatt – in gratitude.’

9.Paul Rogers (1917–2013) had played one of the Knights in the Old Vic production of Murder in the Cathedral, and was to take the leading role of Sir Claude Mulhammer in The Confidential Clerk.

10.MichaelBenthall, Michael Benthall (1919–74), partner of Robert Helpmann; artistic director of the Old Vic, 1953–62.

11.TSELindsay, David Alexander Robert, 28th Earl of Crawford (styled Lord Balniel) was the guest of David Lindsay, 28th Earl of Crawford (1900–75) – politician, landowner, and patron of the arts – who was Rector of St Andrews University, 1952–5. Educated at Eton and Magdalen College, Oxford, Lindsay had been a Unionist MP, 1924–40; a Trustee of the Tate Gallery, 1932–7; National Gallery, 1935–41, 1945–52, 1953–60; British Museum, 1940–73; and a member of the Standing Commission on Museums and Galleries, 1937–52. In addition, he was Chair of the Trustees of the National Galleries of Scotland, 1952–72; the Royal Fine Arts Commission, 1943–57; and the Trustees of the National Gallery of Scotland, 1944. His seat was Balcarres House, nr. Colinsburgh, in the East Neuk of Fife.

12.Meg Nason.

America, TSE on not returning in 1915, and TSE as transatlantic cultural conduit, dependence on Europe, TSE's sense of deracination from, and the Great Depression, TSE a self-styled 'Missourian', as depicted in Henry Eliot's Rumble Murders, its national coherence questioned, its religious and educational future, versus Canadian and colonial society, where age is not antiquity, drinks Scotland's whisky, and FDR's example to England, underrates Europe's influence on England, redeemed by experience with G. I.'s, TSE nervous at readjusting to, and post-war cost of living, more alien to TSE post-war, its glories, landscape, cheap shoes, its horrors, Hollywood, climate, lack of tea, overheated trains, over-social clubs, overheating in general, perplexities of dress code, food, especially salad-dressing, New England Gothic, earthquakes, heat, the whistle of its locomotives, 'Easter holidays' not including Easter, the cut of American shirts, television, Andover, Massachusetts, EH moves to, Ann Arbor, Michigan, TSE on visiting, Augusta, Maine, EH stops in, Baltimore, Maryland, and TSE's niece, TSE engaged to lecture in, TSE on visiting, Bangor, Maine, EH visits, Bay of Fundy, EH sailing in, Bedford, Massachusetts, its Stearns connections, Boston, Massachusetts, TSE tries to recollect society there, its influence on TSE, its Museum collection remembered, inspires homesickness, TSE and EH's experience of contrasted, described by Maclagan, suspected of dissipating EH's energies, EH's loneliness in, Scripps as EH's release from, possibly conducive to TSE's spiritual development, restores TSE's health, its society, TSE's relations preponderate, TSE's happiness in, as a substitute for EH's company, TSE's celebrity in, if TSE were there in EH's company, its theatregoing public, The Times on, on Labour Day, Brunswick, Maine, TSE to lecture in, TSE on visiting, California, as imagined by TSE, TSE's wish to visit, EH suggests trip to Yosemite, swimming in the Pacific, horrifies TSE, TSE finds soulless, land of earthquakes, TSE dreads its effect on EH, Wales's resemblance to, as inferno, and Californians, surfeit of oranges and films in, TSE's delight at EH leaving, land of kidnappings, Aldous Huxley seconds TSE's horror, the lesser of two evils, Cannes reminiscent of, TSE masters dislike of, land of monstrous churches, TSE regrets EH leaving, winterless, its southern suburbs like Cape Town, land of fabricated antiquities, Cambridge, Massachusetts, TSE's student days in, socially similar to Bloomsbury, TSE lonely there but for Ada, TSE's happiness in, exhausting, EH's 'group' in, road safety in, Casco Bay, Maine, TSE remembers, Castine, Maine, EH holidays in, Cataumet, Massachusetts, EH holidays in, Chicago, Illinois, EH visits, reportedly bankrupt, TSE on, TSE takes up lectureship in, its climate, land of fabricated antiquities, Chocurua, New Hampshire, EH stays in, Concord, Massachusetts, EH's househunting in, EH moves from, Connecticut, its countryside, and Boerre, TSE's end-of-tour stay in, Dorset, Vermont, EH holidays in, and the Dorset Players, Elizabeth, New Jersey, TSE on visiting, Farmington, Connecticut, place of EH's schooling, which TSE passes by, EH holidays in, Fitzwilliam, New Hampshire, EH recuperates in, Gerrish Island, Maine, TSE revisits, Hollywood, perceived debauchery of its movies, TSE's dream of walk-on part, condemned by TSE to destruction, TSE trusts Murder will be safe from, Iowa City, Iowa, TSE invited to, Jonesport, Maine, remembered, Kittery, Maine, described, Lexington, Massachusetts, and the Stearns family home, Lyndeborough, New Hampshire, visited by EH, Madison, Wisconsin, Aurelia Bolliger hails from, Ralph Hodgson sails for, EH summers in, as conceived by TSE, who eventually visits, Maine, its coast remembered by TSE, TSE recalls swimming off, Minneapolis, on EH's 1952 itinerary, TSE lectures in, New Bedford, Massachusetts, EH's holidays in, TSE's family ties to, New England, and Unitarianism, more real to TSE than England, TSE homesick for, in TSE's holiday plans, architecturally, compared to California, and the New England conscience, TSE and EH's common inheritance, springless, TSE remembers returning from childhood holidays in, its countryside distinguished, and The Dry Salvages, New York (N.Y.C.), TSE's visits to, TSE encouraged to write play for, prospect of visiting appals TSE, as cultural influence, New York theatres, Newburyport, Maine, delights TSE, Northampton, Massachusetts, TSE on, EH settles in, TSE's 1936 visit to, autumn weather in, its spiritual atmosphere, EH moves house within, its elms, the Perkinses descend on, Aunt Irene visits, Boerre's imagined life in, TSE on hypothetical residence in, EH returns to, Peterborough, New Hampshire, visited by EH, TSE's vision of life at, Petersham, Massachusetts, EH holidays in, TSE visits with the Perkinses, EH spends birthday in, Edith Perkins gives lecture at, the Perkinses cease to visit, Philadelphia, Pennsylvania, TSE on, and TSE's private Barnes Foundation tour, Independence Hall, Pittsfield, Massachusetts, surrounding countryside, Portsmouth, Maine, delights TSE, Randolph, New Hampshire, 1933 Eliot family holiday in, the Eliot siblings return to, Seattle, Washington State, EH summers in, EH's situation at, TSE prefers to California, EH repairs to post-Christmas, EH visits on 1952 tour, EH returns to, Sebasco, Maine, EH visits, South, the, TSE's first taste of, TSE's prejudices concerning, St. Louis, Missouri, TSE's childhood in, TSE's homesickness for, TSE styling himself a 'Missourian', possible destination for TSE's ashes, resting-place of TSE's parents, TSE on his return to, the Mississippi, compared to TSE's memory, TSE again revisits, TSE takes EVE to, St. Paul, Minnesota, TSE on visiting, the Furness house in, Tryon, North Carolina, EH's interest in, EH staying in, Virginia, scene of David Garnett's escapade, and the Page-Barbour Lectures, TSE on visiting, and the South, Washington, Connecticut, EH recuperates in, West Rindge, New Hampshire, EH holidays at, White Mountains, New Hampshire, possible TSE and EH excursion to, Woods Hole, Falmouth, Massachusetts, TSE and EH arrange holiday at, TSE and EH's holiday in recalled, and The Dry Salvages, TSE invited to, EH and TSE's 1947 stay in, EH learns of TSE's death at,
'American Literature and the American Language',
Anouilh, Jean, quoted, as playwright, Antigone, Medée,
Benthall, Michael, his revival of Murder,

10.MichaelBenthall, Michael Benthall (1919–74), partner of Robert Helpmann; artistic director of the Old Vic, 1953–62.

Browne, Elliott Martin, meets TSE at Chichester, production of The Rock, meets TSE over possible collaboration, talks over outline of play, meets TSE with Martin Shaw, delighted with Rock choruses, discusses unwritten pageant scenes with TSE, predicament as The Rock's director, well connected in amateur circles, revising into the night with TSE, argues with Shaw at dress-rehearsal, presented to Prince Arthur, honoured by Rock cast-supper, producing Gordon Bottomley's play, speaks at Londonderry House with TSE, 1935 Canterbury Murder in the Cathedral, approached by TSE to 'produce', consulted throughout composition, goes silent, lunches with TSE and Speaight, directs and acts despite illness, pursues London Murder revival, 1935–6 Mercury Theatre Murder revival, engaged as producer by Dukes, keen that EH attend rehearsals, simultaneously part of BBC production, agrees about Speaight's decline, preferred as producer for TSE's next play, and Charles Williams's Cranmer, in which he plays 'the Skeleton', and TSE attend Tenebrae, taken to Cambridge after-feast, producing York Nativity Play, which TSE thinks Giottoesque, at Savile Club Murder dinner, producing Shakespeare's Dream, and Ascent of F6, and Tewkesbury Festival Murder confusion, 1939 production of The Family Reunion, due to be sent script, weighing TSE's proposal that he produce, enthused by script, suggests TSE see Mourning Becomes Electra, against Family Reunion as title, pleased with draft, quizzed on fire-safety, typescript prepared for, new draft submitted to, rewrite waits on, receives new draft, criticisms thereof, reports John Gielgud interest, mediates between Gielgud and TSE, TSE throws over Gielgud for, secures Westminster Theatre production, steps into company breach, then into still-greater breach, and the play's weaknesses, direction of Family Reunion, receives TSE's Shakespeare lectures, 1938 American Murder tour, re-rehearsing actors for, suffers fit of pre-tour gloom, yet to report from Boston, and Tewkesbury pageant, accompanies TSE to La Mandragola, on Family Reunion's future prospects, and possible Orson Welles interest, war leaves at loose end, advises TSE over next play, war work with Pilgrim Players, unavailable for modern-dress Murder, compared to tempter/knight successor, requests Pilgrim Players' play from TSE, New Plays by Poets series, as director, and This Way to the Tomb, and Family Reunion revival, urges TSE to concentrate on theatre, 1946 Mercury Family Reunion revival, in rehearsal, possible revue for Mercury Theatre, and The Lady's Not for Burning, Chairman of the Drama League, 1949 Edinburgh Cocktail Party, to produce, TSE's intended first reader for, receives beginning, approves first act, receives TSE's revisions, communciates Alec Guinness's enthusiasm, arranges reading, surpasses himself with production, in Florence, EH suggests moving on from, and the Poets' Theatre Guild, 1950 Cocktail Party New York transfer, compares Rex Harrison and Alec Guinness, TSE debates whether to continue collaboration with, suggests three-play TSE repertory, 1953 Edinburgh Confidential Clerk, receives first two acts, designing sets, 1953 Lyric Theatre Confidential Clerk, attends with TSE, 1954 American Confidential Clerk, 1954 touring Confidential Clerk, TSE and Martin Browne catch in Golders Green, seeks Family Reunion MS from EH,

4.E. MartinBrowne, Elliott Martin Browne (1900–80), English director and producer, was to direct the first production of Murder in the Cathedral: see Biographical Register.

Confidential Clerk, The, first sketches towards, intended for 1952 Edinburgh Festival, being written, draft complete, which TSE rewrites, now intended for 1953 Edinburgh Festival, and Sherek's lordly conduct, EVE typing up, TSE finalising, 1953 Edinburgh production, negotiations over, casting for, may prompt further revision, stage-sets for, EH's ticket arranged for, dress rehearsal, 1953 Lyric Theatre production, first night, full house, soon to come off, 1954 American production, Sherek to negotiate, schedule for, EH encouraged to report on, reception, 1954 Paris International Theatre Festival production, reception, 1954 Ruhrfestspiele production, reception, 1954 post-Paris English touring production, Muriel Spark on, EH requests signed copy of,
Donat, Robert, negotiating over Family Reunion, reading Family Reunion, keen on Becket, as Becket,

3.RobertDonat, Robert Donat (1905–58), stage and screen actor; starred in Alfred Hitchcocks’s The 39 Steps (1935); and won an Academy Award for Best Actor in Goodbye, Mr. Chips (1939).

Eliot, Margaret Dawes (TSE's sister), not a suitable confidant, scandalised by Henry's detective story, threatens to visit England, compared to VHE, wishes to arrange TSE's birthday party, remote from TSE, TSE and Henry visit, TSE dreads visiting Uncle Rob with, drains TSE, takes TSE to hear spirituals, her history, amazes TSE by attending Norton lecture, celebrates 61st birthday at Marion's, remembered in St. Louis, unwanted presence on holiday, reason for avoiding Boston, supported Landon over FDR, in response to 1930s controversies, compared to Irene Hale, imposes on Henry, tends to monologue, her reclusive hotel existence, Henry describes moving house for, her condition, TSE leaves money with, Thanksgiving with, efforts to support financially, death, funeral, TSE's final visit to,

6.MargaretEliot, Margaret Dawes (TSE's sister) Dawes Eliot (1871–1956), TSE's second-oldest sister sister, resident in Cambridge, Mass. In an undated letter (1952) to his Harvard friend Leon M. Little, TSE wrote: ‘Margaret is 83, deaf, eccentric, recluse (I don’t think she has bought any new clothes since 1900).’

Eliot, Marion Cushing (TSE's sister), described, her reading habits, not a suitable confidant, TSE reflects on reunion with, Symphony concerts with TSE, to the cinema with TSE, delighted with first Norton lecture, recommends TSE hairdresser for baldness, attends second Norton lecture, hosts birthday party for Margaret, remembered in St. Louis, worried by Dodo's manner, TSE's pride in, vigilant on TSE's health, on Randolph family holiday, congratulates TSE on separation, 1934 summer in England with Dodo, July arrival anticipated, arrangements for, visit to Chipping Campden, off to Salisbury, walks to Kelmscott, returns from Winchester, forces Regent's Park on TSE, excessively humble, next to Ada in TSE's affections, protects TSE from overbearing Hinkleys, supported Landon over FDR, co-hosts Murder party, 1939 summer in England with Dodo, trip in doubt, Southwold week planned, due 19 June, taken to Dulwich, ballet and dinner with, Southwold holiday with, given to post-lunch naps, sends Christmas supplies to Shamley, as correspondent, easiest Eliot in Ada's absence, experiences crisis, importance as sister, Henry's fondness for, devoutly Unitarian, ignorant of Henry's true condition, undernourished, abortive 1948 summer in England, cancelled, which comes as relief, hosts family dinner-party, letter about Nobel Prize to, TSE leaves money with, 1949 visit to England with Dodo, June arrival anticipated, plans for, EH bids 'bon voyage', visit to Cambridge, return from Southwold, Borders tour, Basil Street Hotel stay, Thanksgiving with, reports on Dr Perkins's funeral, efforts to support financially, tethered to Margaret, joins TSE in St. Louis, 1954 trip to England with Dodo, visit to Ely and Cambridge, in light of Margaret's death, invoked against EH, TSE to Theresa on,

1.Marian/MarionEliot, Marion Cushing (TSE's sister) Cushing Eliot (1877–1964), fourth child of Henry Ware Eliot and Charlotte Eliot: see Biographical Register.

Eliot, Theresa Garrett (TSE's sister-in-law), witness to the Eliots in 1926, draws TSE, co-hosts Murder party, remembers TSE's intention to marry EH, her immaturity, expresses solicitude for EH, careless of Henry's health, inflator of rumours, apparently ill, a 'lovely person', as correspondent, more agreeable than an Eliot, TSE on, unsuited to resist Margaret, and Henry's mania for Eliotana, wishes to take Henry on holiday following illness, made fretful by Henry, relationship with Henry, ignorant of Henry's true condition, on EH and TSE, after Henry's death, sends TSE Henry's old greatcoat, EH reports on, visits lawyer with TSE, avid for Eliotana, star-struck, undergoes operation on ear, for which TSE bears cost, hosts TSE in 1952, hosts TSE in 1955, custodian of Henry's collection, hosts TSE in 1956, visits England, on whether to return EH's letters, on TSE not marrying EH,
Elliott, Denholm, Colby in The Confidential Clerk, in which he proves irreplaceable,

6.DenholmElliott, Denholm Elliott (1922–92) – Colby Simpkins in The Confidential Clerk – was a great character actor: his scene-stealing, award-winning appearances included parts in The Cruel Sea (1953), Alfie (1966), Raiders of the Lost Ark (1981) and Indiana Jones and the Last Crusade (1989); and as the insidious Philip Neville in the TV adaptation of Anita Brookner’s Hotel du Lac (1986). CBE, 1988. Sherek to TSE, 13 Jan. 1953: ‘He is an excellent young man and is also a musician. Luckily his instrument is the piano.’ TSE to Elliott, 10 May 1954: ‘I particularly … want to thank you for all you did with the role of Colby. I realize that it was the most difficult part in the play, and in a sense, the most thankless, because I know what you did with it, and so few amongst any of the audiences could, I think, have realised what a difficult part it was. I am afraid that it is the one part in which the author did not succeed in finding the “objective correlative” (a phrase which I have come to dislike intensely, but which is the only one for what I want to say here). My grateful thanks and best wishes.’

George, Ruth, and EH's Scripps College Library Eliot collection bequest, submits poem to TSE, which TSE sees merit in, for which TSE congratulates her, dies, remembered,

2.RuthGeorge, Ruth George (1880–1959), Associate Professor of English, Scripps College, Claremont, California, had become a close friend of EH at Scripps in 1932–4. EH was to donate thirty-two inscribed books to Scripps; five inscribed items to Princeton University Library.

Hale, Emily, visits the Eliots for tea, returns to Boston, likened to TSE's mother, TSE identifies with her 'reserve', encouraged to write for periodicals, visits West Rindge, summers in Seattle, presents herself as cossetted, blames herself for an unfulfilled life, returns to Boston, consulted over TSE's Norton Professorship, holidays in Castine, vacations in New Bedford, TSE fears accident befalling, travels to stay in Seattle, Frank Morley on Ada on, arrives in California, brought to tears by music, goes horse-riding, baited over how to boil an egg, TSE passes old school of, takes motoring holiday via San Francisco, summers in Seattle, TSE composes squib for, takes TSE's hand in dream, returned to California, TSE sends Harvard Vocarium record, holidays in West Rindge, returns to Boston before embarking for England, arrives in England, to travel to Paris, returns to London, feels inferior to 'brilliant society', invited to Sweeney Agonistes rehearsal, attends Richard II with TSE, attends Sweeney Agonistes, takes TSE to Gielgud's Hamlet, taken to see Stravinsky conducting, leaves for Italy, takes tea at OM's before leaving, mistaken for TSE's sister, returns to Florence, sails for the Riviera, returns from France, returns to Chipping Campden, to Guernsey with Jeanie McPherrin, taken to Henry IV on return, shares open taxi with TSE through Parks and Whitehall, and TSE attend The Gondoliers, visit to the Russian ballet, invited to Murder in Canterbury, and TSE attend 1066 And All That, taken to Tovaritch, and Morleys set for ballet, which she excuses herself from, criticised for flower-arranging, and TSE walk in the Cotswolds, feels inferior to Margaret Thorp, and TSE theatre-going with Thorps, taken to Timon of Athens, taken to Peer Gynt, visited at Campden for TSE's birthday, takes lodgings in Oxford, lodges at 19 Rosary Gardens, watches TSE read to Student Christian Movement, and TSE visit Kenwood House, dines with the Maritains, describes tea with the Woolfs, returns to America, visits Ada on Boston homecoming, possible career-move into politics, pays winter visit to Rindge, and Eleanor Hinkley attend New York Murder, moves to 154 Riverway with Perkinses, considers volunteering for charity, living at 5 Clement Circle, holidays in Cataumet, returns abruptly to Cambridge, recuperates in New Hampshire, moves to 240 Crescent St., Northampton, Mass., lectures at Concord, returns to Brimmer Street, returns to Boston during vacation, sails for England, in residence at Chipping Campden, travels to Yorkshire, returned to Chipping Campden, returns and moves to 22 Paradise Road, Northampton, Mass., spends Thanksgiving in Boston, stays at Hotel Lincolnshire with the Perkinses, vacations at New Bedford, visits New York, holidays in Charleston, as patron of school, returns to Northampton, sails for England, day at Windsor with TSE, fortnight at Campden with TSE, at Campden with TSE again, returns to America with 'Boerre', ordered to stay in America in case of war, given Family Reunion draft with her comments, encouraged to write drama criticism, vacations in New Bedford, advises TSE against Tewkesbury choruses, holidays with the Havenses, sails for England, at Chipping Campden, stays with the Adam Smiths in Scotland, returns to America with Perkinses, safely returned, sent copy of TSE's daily prayers, sent first CNL, sends TSE selected American plays, holidays in New Bedford, spends Easter in Harwichport, holiday destinations, holidays in Cape Cod, returns to the Perkinses at 90 Commonwealth Avenue, stays with Elsmiths in Woods Hole, holidays on Grand Manan, visits Perkinses in Boston, returns to 90 Commonwealth Avenue, holidays in Madison, Wisc., travels on to Maine, holidays on Grand Manan, holidays in Bangor, Maine, as president of S. P. C. A., spends Christmas holiday in New Bedford, holidays in Woods Hole, loans out her Eliotana, removes from Smith to the Perkinses, spends time in Maine, repairs to New Bedford, spends time in Tryon, N. C., returned to Boston, spends three days in New York, shares details of will, holidays on Grand Manan, leaves TSE portrait in event of predeceasing him, late summer in New Brunswick, vacations in New Bedford, repairs to New Bedford, resident in Millbrook, takes short holiday at 'Bleak House', holidays on Grand Manan, visits Woods Hole, visits New Bedford, holidays in New Bedford, spends holiday at Sylvia Knowles's, holidays in Dorset, Vt., holidays briefly in Farmington, holidaying on Grand Manan, TSE seeks Trojan Women translation for, moves to 9 Lexington Road, gives Christmas readings, congratulates TSE on OM, urges TSE not to despair at honours, spends Easter in Boston, race-relations and the WPA, sings Bach's B Minor Mass, removes from Concord to Andover, on life in Grand Manan, congratulates TSE on Nobel Prize, resident at 35 School Street, Andover, summers between Boston, Woods Hole, New Bedford and Grand Manan, recounts journey to Grand Manan, takes The Cocktail Party personally, then repents of doing so, post-Christmas stay in New Bedford, reports on Cocktail Party's opening, summers between Chocorua and Campobello, tours westward to California during summer holiday, attends British Drama League summer school, holidays in Grand Manan, asks TSE for occasional poem, week in the Virgin Islands, summers between Mount Desert and California, spends holidays in New Bedford, recuperates in New Bedford, returns, briefly to Chipping Campden, Eleanor Hinkley reports on, writes to EVE, sends EVE photograph of TSE, makes tour of Scandinavia, approaches TSE on Smith's behalf, which approach TSE declines, writes to TSE on GCF's death, moves back to Concord, pays visit to Seattle, reacts to TSE's death, writes to EVE, meets EVE, dies, appearance and characteristics, her shapely neck, TSE's memory for certain of her old dresses, particularly four dresses, which TSE then describes, TSE begs EH to describe her clothing, in silk, autumn 1930, costumed in a 'Titian wig', EH encouraged to gain weight, EH encouraged to tan, her Jantzen suit, TSE begs a slip of hair from, her gold-and-green tea gown, her Praxitelean nose, EH congratulated on 'perm', EH refuses TSE lock of hair, her voice, Guardsman dress, as a Botticelli Madonna, her hands, recommended skin-cream, 'new goldy dress', TSE inquires after, in TSE's dreams, 'new and nuder' swimsuit demanded, her black dress/red jacket outfit, dressed in blue, in charming black dress, her sense of humour, her New England conscience, the famous apricot dress, her hair, various dresses, EH's idea of new dresses, EH hair cut in the new style, blue dress worn following masque, as actor, as Olivia in Twelfth Night, in the Cambridge Dramatic club, as Roxane in Cyrano in 1915/16, as Judith Bliss in Hay Fever, EH considers giving up for teaching, in the 'stunt show' with TSE, as Beatrice, TSE hopes, in The Footlight Club, in Berkeley Square, in The Yellow Jacket, EH praised over Ruth Draper, under Ellen van Volkenburg, cast as an octogenarian, in The Old Lady Shows Her Medals, TSE speculates as to her future in, and teaching, as Lady Bracknell, TSE begs to write part for, in The Footlight Club, potentially in summer theatre company, as the Duchess of Devonshire, potentially in The Family Reunion, Cambridge Dramatic club reunion, The Wingless Victory, in masque with TSE, in a Van Druten play, as Lodovico Sforza, in play by Laurence Housman, as Madame Arcati in Blithe Spirit, with Paul Stephenson, in Kind Lady, joins the Dorset Players, as director ('producer'), La Locandiera, Lady Gregory's The Dragon, Dust of the Road, Comus, possibly temporarily at St. Catherine's, Va., chorus work at Smith, Electra, Quality Street, The Merchant of Venice, Dear Brutus, Christmas play, Richard II, Hay Fever, Christmas pantomime, The Dorset Players, a reading of Outward Bound, Molnár's The Swan, Dulcy, The School for Scandal, Fanny and the Servant Problem, Dear Brutus again, Twelfth Night, Prunella, Christmas play, Antigone, The Merry Wives of Windsor, As You Like It, The Admirable Crichton, Holy Night, The Tempest, as teacher, EH lectures on 'Modern British Verse', as a career, at Milwaukee-Downer College, Mich., at Simmons College, Boston, EH considers post at Scripps, which she accepts, arrives at Scripps, establishes drama workshop at Scripps, EH lectures on TSE, EH's advice that TSE lecture less slowly, as described by Scripps student, and being admired by students, TSE sees her teaching as a kind of acting, requests year's leave from Scripps, resigns position at Scripps, declares intention to teach again, possibly, temporarily, at St. Catherine's, Va., possibly at Smith, post at St. Catherine's rejected, appointed to position at Smith, is installed at Smith, reappointed with pay-rise, reappointed again for two years, her work at Smith, unsettled at Smith, in time of war, insecure over job at Smith, from which EH takes 'sabbatical', let go by Smith, takes job at Concord Academy, appointed to post at Bennett Junior College, Millbrook, appointment to permanent Concord position, EH thinks of giving up, lectures on Family Reunion, her work at Concord Academy, resignation from Concord Academy, takes permanent position at Abbot, EH admits to being sheltered by, retirement from Abbot, according to Abbot Academy tribute, birthdays, presents and love-tokens, EH's birthday compared to TSE's, TSE sends Terry–Shaw correspondence for EH's birthday, EH sends TSE pomme purée, present from EH, flowers for EH's birthday arrive too soon, EH wearing TSE's ring, two rings bought for EH, EH bought typewriter, TSE 'cables' EH roses, TSE consults EH over potential present, TSE's second 'sapphire' ring for, EH refits new rings from TSE, TSE receives flowers for Christmas, EH given 'powder box' for Christmas, EH's present to TSE goes amiss, missing present (calendar) explained, EH left cigarettes by TSE, EH gives TSE cigarette case, TSE necklace-hunting for EH, pearls suggested for EH, EH bought sapphire bracelet, EH gives TSE a signet ring, EH bought blue-gray scarf, EH gives TSE silk handkerchiefs, TSE has signet ring engraved, further ring sought for EH, EH with TSE on his birthday, EH gives TSE initialled leather portfolio, TSE given ashtrays and matchbox, furs sought for EH, EH gives TSE stool, roses sent to EH on birthday, TSE given diary and hairbrush box, TSE given rosary and print, EH buys TSE towel rails, TSE receives diary for Christmas, 1810 ring bought for EH, EH buys TSE various ties, war means no flowers, EH's lapis lazuli ring, TSE neglects to cable EH, EH knits socks for TSE, which turn out large, EH sends TSE 'snowflake' socks, EH remembers TSE's birthday with reference to Shakespeare, TSE sent marmalade and liver-paste, EH writes poem for TSE's birthday, EH sends TSE provisions, EH loses sapphire from ring, diamond circlet given to EH in 1939, EH gives TSE socks for Christmas, TSE gives EH 'evening bag', EH unthanked for Christmas present, correspondence with TSE, TSE petitions EH to bestow on the Bodleian, TSE exalts as authoritative, TSE envisions as reading-group, the only writing TSE enjoys, TSE as Cyrano to EH's Roxane, TSE's dependence on, TSE's nights spent planning, TSE rereads with pleasure, the strain of interruption, switches to Air Mail, TSE on his decision to renew, TSE marks first anniversary of, keeps TSE sane, TSE hopes to telephone, TSE wishes to maintain when in America, EH would withhold from the Bodleian bequest, from which TSE tries to dissuade her, TSE violently dependent on, TSE begs EH that it be preserved, less exciting to EH than at first, TSE's horror of sounding sermonic, if such a correspondence were profitable, and TSE's respectful reticence, EH suggests entrusting to Willard Thorp, but subsequently explains she meant Margaret Thorp, EH's to do with as pleases, and the prospect of TSE writing every night, TSE still rereads with pleasure, excites TSE too much to write smoothly, compared with talking, phone call finally arranged, which finally takes place, EH importuned to write more, TSE promises three letters a week, EH refuses more than one, a solitude within a solitude, EH switches to typewriter, which TSE offers to buy, observed weekly by EH's students, flatters TSE most when EH writes undutifully, TSE's dread of EH rationing, TSE's efforts to moderate himself within, TSE imagines the unsealing of, TSE offers to cease, a place to vent one's feelings, TSE rebuked for 'intolerance' within, EH learns to type, hinders TSE from work, TSE on life before, third anniversary marked, thwarted by TSE's self-loathing, TSE doubts having pursued, restraints on TSE's ardour lifted, more constrained by day, TSE worries about burdening EH with, worth TSE getting home early for, by day, by night, TSE specially treasures recent 'love letters', more delightful since EH's reciprocation, and TSE's diminished ardour, switches to transatlantic airmail, constrained by war, opened by censor, and Shamley Green post-office, TSE apologises for, EH free to dispose of, within limits, particularly constrained by EH's letter of 1939, and the experience of delay, TSE equivocates on preserving, varied with airgraph, again, EH's to do with as she pleases, still intended for Bodleian, TSE chastened for short cables, TSE's letters 'undemonstrative and impersonal', post-war frequency, being and not being loving by letter, EH asks TSE to reduce, TSE criticised for following monthly injunction, TSE rebuked for impersonality, EH formally bequeaths to Princeton, TSE unfussed as to repository, TSE reiterates 50-year prohibition, TSE's worries as to future appearances, EH promises Princeton her statement on, promises letters with ten-year seal, attempts to shorten TSE's moratorium, which TSE refuses, which forces EH to relent, TSE encouraged to return EH's letters, EH deposits further material with Princeton, EH makes 'recording' for Princeton, EH renews plea to shorten moratorium, and is again refused, TSE destroys EH's letters, TSE repents of severe letter, which EH never receives, EH suspects TSE of destroying her letters, EH instructs Princeton to discard 'recording', EH ultimately respects TSE's wishes, EH on TSE's destruction of her letters, family, her father, her childhood compared to TSE's, TSE desires family history of, EH encouraged to keep younger company, EH's unity with parents, EH's relations with aunt and uncle, EH's relations with aunt and uncle, EH photographed with parents, and EH's obligations to, finances, health, physical and mental, admits to breakdown, TSE compares 'nightmares' with, TSE's desire to nurse, suffers neuritis, then neuralgia, recommended suncream, suffers arthritis, suffers with sinuses, her teeth, experiences insomnia, suffers 'hives', suffers crisis body and soul, feels depressed over Christmas, suffers neuralgia, suffers intestinal flu, has shingles, admitted to hospital, convalesces on Grand Manan, recuperates in Washington, Conn., photographs of, as a child, Edith Sitwellesque photograph, in 18th-century costume, in 18th-century French costume, in broad-brimmed 'picture' hat, TSE buys Kodak, in deck-chair, eating sandwich, in a car, 'the Beautiful one', which TSE has enlarged for his dressing-table, painful, because taken in the 'interim', in bacchanalian pose, 'Semitic', among young people, set 'Elizabeth' giggling, Diana Mannersesque, are mnemonic aids to TSE, kneeling beside can of flowers, TSE's favourite, with ordinarily sized hands, smoking in chair, as child with big ears, taken on TSE's arrival in Claremont, in Jane Austen fashion, in unfamiliar jacket, taken in autumn, with mother and father, as a child, in TSE's note-case throughout Blitz, in Wingless Victory, as child, in gold frame, in familiar jacket, taken with Boerre, surround TSE at Shamley, with baby, in a group, of EH's portrait, in sailor suit, all inadequate, carrying lamp, with Rag Doll, at Campobello, reading, Henry James, Letters from Baron Friedrich von Hügel to a Niece, All Passion Spent, Bubu de Montparnasse, F&F thriller, Eyeless in Gaza, Dante, Hopkins and Roosevelt, Henry Irving: The Actor and His World, relationship with TSE, TSE's first acquaintance with, its abnormality, runs to admiration from EH, and TSE's habitual reserve, its morality under examination, defended by TSE, its susceptibilities envisaged by TSE, EH admits estrangement within, and TSE's desire for intimacies, provokes sorrow and fury in TSE, confided to the Perkinses, Miss Ware and Father Underhill, TSE's chance to be frivolous, and the prospect of TSE's Harvard year, TSE dates first meeting to 1905, whereas EH dates to 1915, TSE's terror of renewing in California, teaches TSE true companionship, runs to a 'kiss', as perpetual progress and revelation, EH offered manumission from, if TSE were not married, seems more real for TSE's American year, TSE's reasons against marrying, TSE fears having misled over, EH again offered manumission from, EH writes to Ada concerning, EH blames TSE for his ardour, then apologises for blaming TSE, leads to unhappiness in EH, possible drain on EH's health, its perceived inequalities, pity and gratitude would corrupt, TSE conditionally promises marriage, TSE sees as an imposition on EH, potentially richer for meeting TSE's friends, EH 'kisses' TSE, EH rests head on TSE's shoulder, EH strokes TSE's face, as consubstantial union, TSE's love finally reciprocated, mutual embraces, EH kissed on the right foot, TSE favoured with birthday kiss, exhausting, should proceed without hope of marriage, TSE again regrets misleading EH, as one of mutual dependence, its unsatisfactions, its seasonal rhythm, but for VHE would be marriage, EH seeks post-war clarity on, and the prospect of VHE's death, following VHE's death, TSE reflects on the deterioration of, TSE reflects generally on, and men and women generally, according to Theresa Eliot, EH reflects on, since TSE discounted marriage, had TSE behaved differently in 1914, its new dispensation, source of mutual anguish, apropos of TSE's second marriage, EH's marriage regret, EH recoils from publicising, TSE re-evaluates, EH writes to EVE about, religious beliefs and practices, claims experience of 'vision', admits suffering spiritual crisis, goes on retreat, and TSE's definition of sainthood, compared to TSE's, professes to resent the Church, makes retreat to Senexet, the issue of communion, the possibility of confirmation, source of worry to EH, confronts TSE on religious differences, TSE on her 'Christian spirit', fears TSE considers her damned, TSE pointedly refrains from criticising, unclear to TSE, TSE's love for, and their conversation in Eccleston Square, declared, in 1915, and TSE's desire to be EH's spiritual possession, source of serenity to TSE, the strangeness of not broadcasting, first felt in 1913, recognised by TSE the night of Tristan und Isolde, TSE's reasons for not declaring in 1913, what TSE said instead of declaring, a pain of sorts, unconfided to friends, not immune to jealousy of EH's male friends, its passion tempered by religion, and the torment of resignation, defiled by possessiveness and anger, and a particular journey back from Pasadena, in light of California stay, increases his desire to quarrel with EH, TSE doubts decision to declare, eternally unconditional, shows TSE true meaning of tenderness, defined by TSE, violent, clarified and strengthened by Chipping Campden reunion, disquiets EH, obstructive to EH loving another, TSE initially relieved to find unrequited, queered by inexperience, TSE repents of over-prizing, startles TSE, like 'a burglar', strengthened and deepened, irrespective of physical beauty, finally reciprocated, ideal when unreciprocated, relieved only by poetry, as against love's travesties, as expressed in Burnt Norton, over time, apparently undimmed but dwarfed by war, and the first time TSE spoke EH's name, thwarted by question of divorce, EH questions, now better adjusted to reality, argument over communion challenges, would run to jealously but not marriage, as expressed in 1914 on Chestnut Hill, TSE's names, nicknames and terms of endearment for, 'Lady', 'Dove', 'My saint', 'Bienaimée', TSE's reason for calling her 'Dove', 'Isolde', 'My Lady', 'Emilie', 'Princess', 'Lady bird', 'Birdie', 'riperaspberrymouth', 'Emily of Fire & Violence', 'Bouche-de-Fraise', 'Bouch-de-Framboise', 'Raspberrymouth', not 'Wendy', 'Nightingale', 'Mocking Bird', 'Love', 'My true love', 'my Self', 'Emilia' and Shelley's Epipsychidion, 'my Own', 'Girl', 'Western Star', 'Darling', 'My Life', 'My Lamb', 'Beloved my Female', 'My own Woman', writings, an article on 'Weimar', letter to The Times about King's jubilee, account of communion at Beaulieu, EH asks to write about TSE, review of La Machine infernale, review of Dangerous Corner, a note for S. P. C. A., an 'epigram', 'Actors at Alnwick', 'An Etching', 'The Giocanda Smile', 'The Personal Equation in Spoken English', 'A Play from Both Sides of the Footlights', 'Summer Sunshine: A Memory of Miss Minna Hall', 'They flash upon the inward eye',
Helpmann, Robert, as Hamlet, revives Murder at Old Vic,

2.RobertHelpmann, Robert Helpmann (né Helpman; 1909–86), Australian ballet dancer and actor, director and choreographer, joined the Vic–Wells Ballet in London under its creator, Ninette de Valois, in 1932. In Feb. 1944 he starred in an Old Vic production of Hamlet, directed by Tyrone Guthrie (1900–71) and Michael Benthall (1919–74); he alternated the title role with Paul Scofield (1922–2008).

Lacey, Catherine, as Agatha in Family Reunion, again Agatha in 1946 revival, Daily Telegraph singles out, performance swells with praise, possible Mrs Guzzard,

2.CatherineLacey, Catherine Lacey (1904–79): British actor who was Agatha in The Family Reunion at the Westminster Theatre in 1939 and again at the Mercury Theatre in 1946.

Leggatt, Alison, as Mrs Guzzard in Cocktail Party,
Leighton, Margaret, compared to Irene Worth in Cocktail Party, as Celia, in The Confidential Clerk, versus Isabel Jeans, leaving The Confidential Clerk,

2.MargaretLeighton, Margaret Leighton (1922–76): British stage and film actor whose credits included roles in Henry IV (1946), with Laurence Olivier and Ralph Richardson; and The Winslow Boy (1948). For The Go-Between (1971), she was to win a BAFTA and an Academy Award. TSE to Polly Tandy, 10 Aug. 1953: ‘The rehearsals are going well: the females in the cast – Margaret Leighton, Isabel Jeans, and Alison Leggat – are all well cast for their parts, and I seem to be able to judge the female actresses more quickly than the male actors – partly, perhaps, because I seem for some reason to be better at writing the female roles than the male.’

Lindsay, David Alexander Robert, 28th Earl of Crawford (styled Lord Balniel),

11.TSELindsay, David Alexander Robert, 28th Earl of Crawford (styled Lord Balniel) was the guest of David Lindsay, 28th Earl of Crawford (1900–75) – politician, landowner, and patron of the arts – who was Rector of St Andrews University, 1952–5. Educated at Eton and Magdalen College, Oxford, Lindsay had been a Unionist MP, 1924–40; a Trustee of the Tate Gallery, 1932–7; National Gallery, 1935–41, 1945–52, 1953–60; British Museum, 1940–73; and a member of the Standing Commission on Museums and Galleries, 1937–52. In addition, he was Chair of the Trustees of the National Galleries of Scotland, 1952–72; the Royal Fine Arts Commission, 1943–57; and the Trustees of the National Gallery of Scotland, 1944. His seat was Balcarres House, nr. Colinsburgh, in the East Neuk of Fife.

Mercury Theatre, London, Yeats proposes season at, from the outside, possible Murder premiere at, season in financial straits, stage too small for Doone, to stage Murder revival, rehearsal at, Murder coming off at, hard to imagine Murder beyond, Dukes proposes new Mercury Theatre, Martin Browne's York Nativity Play, presents The Ascent of F6, Murder in re-rehearsal at, possible venue for Family Reunion, Dukes's La Mandragola, new Murder revival at, attempts season of miniature operas, 'initimate opera' at, its French equivalent, hosts New Plays by Poets, and 1946 Family Reunion revival, Martin Browne's proposal to stage revue at, presents Saroyan play, graced with royal visit, staging Playboy of the Western World, possible destination for Cocktail Party,
Murder in the Cathedral, idea for initially suggested by Laurence Irving, offered to Martin Browne, St. Thomas as TSE's muse, TSE on writing, tentatively, 'The Archbishop Murder Case', uncertainties over title, currently 'Fear in the Way', which proves unpopular, TSE on rewriting, title settled on, final revisions for printer, tentatively critiqued by EH, and EH on TSE as dramatist, chorus copied for EH, Virginia Woolf's aspersions on, the form of its choruses, defended from obscurity, did not test TSE's plotting, book-sales to-date, $1,000 offered for American rights, pays for 1936 American trip, Italian and Hungarian rights sold, and Whiggery, Savile Club dinner to celebrate, compared to next play, discrepancies of Canterbury Text, Martin Browne's initial response to, TSE recognised as author of, TSE on its cheerful title, EH on, abandoned Mercury Theatre premiere, suggested by Yeats and Doone, in the offing, and Doone's response to first draft, EH requested at, imperilled, text copied for Yeats, 1935 Canterbury Festival production, in rehearsal, opening night, reception, final performance, and EH's response, 1935–6 Mercury Theatre revival, Martin Browne pushing for, in rehearsal, which EH attends, compared to Canterbury original, at the box-office, its 100th performance, still running, proposed tour to end, 1936 BBC radio version, BBC bid to produce, broadcast fixed, BBC memo on, in rehearsal, TSE on, abortive 1936 New York transfer, Dukes visits America to arrange, blighted by Brace's actions, quashed by Federal Theatre production, its usurper founders, deferred to autumn, unsolicited 1936 New York production, licensed by Brace, to be directed by Rice, seemingly withdrawn, Rice resigns from, delights EH and Eleanor Hinkley, TSE sent press-cuttings for, EH reports on, TSE speculates as to textual discrepancies, attended by Eleanor Roosevelt, extended and potentially expanded, TSE to the Transcript on, may predispose immigration authorities favourably in future, royalties from, 1936 University College, Dublin student production, described by TSE, rumoured Australian and American productions, 1936 Gate Theatre touring production, TSE's long-held wish, scheduled, 1936 touring production, due at the Arts Theatre, Cambridge, as it was played in Cambridge, 1936 America pirate production, 1937 Duchess Theatre West End transfer, date fixed for, announced in Times, dress-rehearsal attended, reception, reviewed, royalties, still playing, ticket sales pick up, coming to an end, receives royal visit, 1937 touring production, scheduled post-Duchess, beginning in Leeds, then Manchester, going strong, 1937 Harvard University production, 1937 Amherst College production, singled out for praise, 1937 Old Vic production, touring production arrived at, in rehearsal, 1937 Tewkesbury Drama Festival production, 1938 American tour, projected for January 1937, said date seconded by Dukes, deferred to September 1937, confirmed again by Dukes, pre-tour dates in Golders Green, then Liverpool, opening in Boston in January, over which EH is consulted, tour itinerary, Family Reunion keeps TSE from, preparatory re-rehearsal for, pre-crossing Liverpool dates, EH's judgement desired, EH reports on first night, reviewed in The Times, EH sends New York cuttings, prematurely transferred to New York, Dukes reports on, Westminster Cathedral Hall charity performance, 1940 Latham Mercury revival, revival suggested in rep with Family Reunion, wartime modern-dress production suggested, ambushes TSE, in rehearsal, first night, reviewed, Browne's wartime Pilgrim Players' adaptation, Hoellering film, Hoellering's initial approach made, Hoellering's vision for, TSE adapting for screen, reconnoitre of Canterbury for, casting Becket, recording made for, development process described to NYT, non-actor found for Becket, screenings of Groser, set-dressing, screening, approaching release, still in the edit, final screening, and Venice Film Festival, seeking distribution, soon to premiere, opens, initial reception, circulating in shortened version, 1945 Théâtre du Vieux Colombier production, compared to Martin Browne's, royalties, apparently a hit, reviewed, reaches 150 performances, Fluchère's involvement, 1946 German production, 1947 Edinburgh Festival production, 1948 Milton Academy production, 1949 broadcast, 1949 Berlin production, politically resonant, 1952 University of Rennes, Grand Théâtre abridgment, 1952 Théatre National Populaire production, 1953 Old Vic revival, waiting on Donat, TSE on, 1954 Harvard production,
Nason, Margaret ('Meg') Geraldine, sends TSE birthday letter, sends TSE birthday cake, sends TSE box of toffee, apparently forgets TSE's birthday, but remembers, ill, expecting operation, among the saved, a 'Cosy Pet', and sister to lunch, given small iron wheelbarrow, her health,

1.MargaretNason, Margaret ('Meg') Geraldine (Meg) Geraldine Nason (1900–86), proprietor of the Bindery tea rooms, Broadway, Worcestershire, whom TSE and EH befriended on visits to Chipping Campden.

Old Vic, The, relationship to Sadler's Wells, presents Laughton's Macbeth, presents Othello, presents Henry IV, Part II, presents The Witch of Edmonton, Olivier's (complete) Hamlet, presents Murder, Guthrie's Measure for Measure, Emlyn Williams's Richard III, Alec Guinness's Hamlet, considers Family Reunion, presents Midsummer Night's Dream, TSE's fellow air-warden involved with, Hamlet starring Robert Helpmann at, engages Martin Browne to produce Coriolanus, Wolfit's Tamburlaine, wants to revive Murder, to produce The Confidential Clerk,
Perkins, Edith (EH's aunt), her relationship to EH queried, to accompany EH to Scripps, asks TSE to dinner, at first Norton lecture, shares pew with TSE, accompanies TSE to Symphony Concert, in audience at Milton Academy, catches cold in Florence, in TSE's private opinion, TSE's occasional poem for, her relationship with EH analysed, dislikes Jeanette McPherrin, explains EH's breakdown to TSE, on the Harvard Murder, as Campden hostess, and TSE's wartime instructions to EH, gives lunch at American Women's Club, gives TSE balsam pillow, requests English edition of Cats, as horticulturalist, without Campden garden, compared to Irene Hale, gives TSE photograph of EH, attends Ada's funeral, reports on EH's Millbrook situation, pressed for ham and pineapple recipe, sight affected in one eye, gives lecture, sight failing, sight deteriorates in other eye, thanked for 1946 hospitality, gives to Books Across the Sea, according to EH, asks TSE to present slides to RHS, which TSE does, on EH and TSE's relationship, and Hidcote House, friendly with Marion, TSE pitches her book to publishers, depressed by the heat, somewhat recovered, approaching 80th, faced with husband's death, letter of condolence to, sent birthday poem, visited in Boston, has sciatica, reports on EH's dramatic activities, Miss Lavorgna on, in her old-age infirmity, suffers 'shock', sacks nurse, EH preserved from, sends funeral tribute to Cousin Will, and the Hale letters, nursing home sought for, moved into nursing home, where TSE writes to her, suffers stroke, deteriorating, relations with EH, her legacy to EH,
see also Perkinses, the
Rogers, Paul, in Murder in the Cathedral,
Smith, Theodora ('Dodo') Eliot (TSE's niece), 1931 visit to England, described, to lunch with Lucia Joyce and Barbara Hutchinson, TSE's almost fatherly affection for, in contrast to her sister, at Eliot family Thanksgiving, attends second Norton lecture, TSE reports on from Boston, TSE cultivates, and Marion's 1934 visit to England, visit to Chipping Campden, visit to Salisbury, walk with TSE to Kelmscott, Regent's Park visit, TSE on, 1935 visit to England, taken to the ballet, at the Russian ballet's Aurore, to tea with cousins, her way of addressing relations, TSE tells Trevelyan about, 1936 visit to England, ballet outing, taken to Cheetham's pageant, taken to Kensington Gardens, returns to America with TSE, 1938 visit to England, with Chardy, and Marion's 1939 visit to England, in doubt, Southwold week, taken to Dulwich, taken to ballet and dinner, writes to TSE, visited in Baltimore, 1949 visit to England, taken to Cambridge, then to Southwold, tours the Borders with TSE, 1950 visit to England, taken to The Cocktail Party, due for the summer, recovering from operation, arrives from Scotland, 1953 visit to England, in Edinburgh for Confidential Clerk, 1954 visit to England, 1955 visit to England, reports on the American weather, 1956 visit to England,

2.TheodoraSmith, Theodora ('Dodo') Eliot (TSE's niece) Eliot Smith (1904–92) – ‘Dodo’ – daughter of George Lawrence and Charlotte E. Smith: see Biographical Register. Theodora’sSmith, Charlotte ('Chardy') Stearns (TSE's niece) sister was Charlotte Stearns Smith (b. 1911), known as ‘Chardy’.

Thorndike, Sybil, ideal Family Reunion casting, courted by TSE, lined up for Agatha, exerts influence on Gielgud, again, ideal casting for Confidential Clerk, TSE apologises to, praised in The Sacred Wood, eventually plays Amy,

9.SybilThorndike, Sybil Thorndike (1882–1976): acclaimed British actor of stage and screen, she was a dominant presence in productions of Shakespeare and the Classics – arguably the greatest tragedienne of the twentieth century. George Bernard Shaw felt such a regard for her talent that he wrote Saint Joan (1924) specifically for her. In 1938–9 there were discussions with a view to staging the premiere of The Family Reunion, to be directed by John Gielgud (who was eager to play the hero, the tormented Harry), with Thorndike as Agatha. But Thorndike is reported to have advised Gielgud, ‘You know, Eliot’s not going to let you have his play – he says you have no faith.’ In Peter Brooks’s revival of the play at the Phoenix Theatre, London, in June 1956, she was the matriarch Amy (with Paul Scofield as Harry). Thorndike to TSE, 8 June 1956: ‘My ambition is fulfilled – to be in one of your plays …’ Created a Dame of the British Empire in 1931, in 1970 she was appointed as a Companion of Honour.

travels, trips and plans, EH's 1930 trip to England, EH's proposed 1931 England visit, called off, EH's 1932 summer holidays, the Eliots' Derby Day excursion, related, the Eliots' July 1932 Hindhead visit, the Eliots' August 1932 Eastbourne holiday, described, TSE's 1932–3 year in America, Norton Professorship offered to TSE, and the prospect of reunion with EH, which TSE refuses to see as decisive, which angers EH, who writes and destroys a response, TSE's financial imperatives, TSE's itinerary, and the question of discretion, opportunity for adventurous lecture-tours, TSE speculates on attendant feelings, TSE on the voyage over, TSE reflects on, TSE's return from, the Eliot family's Randolph holiday, TSE's 1933 westward tour to Scripps, proposed to EH, and TSE's need to lecture, possibly via St. Louis, TSE's itinerary, possible stopover in Seattle, a shameful source of happiness, still a happy thought, described by Havens and others, TSE reflects on, TSE's return from, TSE wonders at after-effect on EH, EH urged to reflect honestly on, Ada on, and a conversation about divorce, in EH's recollection, possible EH 1933 summer in England, TSE's 1933 Faber summer holiday, set for mid-August, postponed, rearranged, TSE buys summer outfits for, described, TSE's 1933 tour of Scotland, possible itinerary, Morley's preparations for, described for EH, TSE's 1933 trip to Paris, mooted, described, EH's 1934–5 year in Europe, TSE delighted at the prospect, attempts to coordinate with TSE's 1934 summer plans, the Perkinses due in Chipping Camden, EH's itinerary, TSE's initial weekend at Chipping Campden, TSE books rooms in Lechlade, TSE visits Campden again with family, and again alone, which visit TSE reflects on, TSE's plans to entertain EH en route to Europe, EH's continental itinerary, VHE and propriety inhibit pre-Paris arrangements, L'Escargot lunch, weekend in Sussex for EH's birthday, possible London tea-party, second lunch at L'Escargot, EH and TSE's November excursions, a month which TSE reflects happily on, EH's summer 1935 plans, EH departs England, EH in Florence, arrived in Rome, TSE coordinating with EH's return, TSE recommends Siena, EH returns to Florence, EH sails for Riviera, EH returns from France, L'Escargot lunch on EH's return, EH sails for Guernsey, May 1935, EH's June 1935 London sortie, TSE attends Dr Perkins's birthday, TSE's July 1935 Campden week, TSE offers to fund EH in London, where EH joins Jeanie McPherrin, TSE's Campden birthday weekend, prospect of EH spending month at Blomfield Terrace, Thorp theatre outing, TSE's 6–8 September Campden weekend, EH staying at 19 Rosary Gardens, EH to Campden for 15–17 November, EH sails for Boston, EH and TSE's final farewell, TSE and EH's final weeks in London, their excursion to Finchampstead, TSE reflects on, excursion to Greenwich, EH reflects on the final weeks of, TSE's 1934 Faber summer holiday, described, TSE's dream of Cairo, TSE's invitation to Finland, palmed off on Robert Nichols, TSE's 1935 tour of Scotland, proposed by Blake, attempts to coordinate with EH, TSE's itinerary, TSE's 1935 Faber summer holiday, TSE writes from, described, TSE's 1936 visit to Ireland, TSE's itinerary, recounted, TSE's spring/summer 1936 trip to Paris, first contemplated, date fixed, Morleys invited, TSE's itinerary, recounted, TSE's 1936 Faber summer holiday, TSE writes from, TSE's 1936 American trip, spring arrival dependent on New York Murder, if not spring, then autumn, possible excursions, autumn better for seeing EH, and possible Princeton offer, and possible Smith visit, efforts to coordinate with EH, passage on Alaunia booked, TSE's itinerary, Murder to pay for, coordinating with Eliot Randolph holiday, the moment of parting from EH, TSE's birthday during, TSE reflects on, TSE's 1937 tour of Scotland, itinerary, recounted, the Morley–Eliot 1937 trip to Salzburg, contemplated, itinerary, EH receives postcard from, described, as relayed to OM, EH's 1937 summer in England, and Mrs Seaverns, EH accompanies TSE to Edinburgh, itinerary coordinated with EH, dinner at L'Escargot, TSE's 10–11 July Campden visit, TSE's 17–22 July Campden visit, TSE's 21 August Campden visit, EH travels to Yorkshire, TSE reminisces about, TSE's 1937 Faber summer holiday, TSE reports from, leaves TSE sunburnt, TSE's 1938 trip to Lisbon, outlined to EH, TSE advised on, travel arrangements, the voyage out, described, EH's 1938 summer in England, and whether EH should spend it at Campden, EH's arrival confirmed, TSE's July Campden visit, EH's late-July London stay, TSE's 5–21 August Campden fortnight, TSE's 3–6 September Campden visit, EH's September London stay, TSE reflects on, TSE's 1938 Faber summer holiday, TSE's preparations for, TSE reports from, possible EH England Christmas 1938 visit, possible TSE 1939 visit to America, mooted for spring, complicated by Marion and Dodo's trip, shifted to autumn, threatened by war, made impossible, EH's 1939 England visit, TSE's efforts to coordinate with, threatened by war, complicated by Marion's arrival, EH's itinerary, EH's initial London stay, TSE's 7–20 July Campden visit, TSE's 22–30 August Campden visit, TSE's 2–4 September Campden visit, EH again London, EH and TSE's parting moments, in TSE's memory, memory vitiated by EH's subsequent letter, TSE's 1939 Faber summer holiday, TSE writes from, possible wartime transatlantic crossings, contingencies, in case of EH being ill, TSE's reasons for and against, and TSE's New York proposition, following invasion Denmark and Norway, impossible for TSE unless official, TSE's desire to remain in England, TSE's reasons for and against accepti