[35A School St., Andover, Mass.]
It is a very long time since I have written you a letter: and since my return from America I don’t think I have written to anyone there (except bread-and-butter and of course business). And I have not heard from you. I hope, by the way, that you got my radio. You were down in my diary as sailing on the 16th – in fact, the word ‘Caronia’ is in your handwriting – so I was surprised when my wire to the ship at Southampton was returned. I sent a message to the ship. Andtravels, trips and plansTSE's 1953 visit to Geneva;i3;a2 I wrote several postcards from Geneva. ThatClements, thein Geneva;a8, by the way, was a most successful fortnight’s holiday, spent with the Clements, their daughter-in-law, and the two very likeable grand-children. Eating, Sleeping, Walking, and excursions to the Canton de Vaud to eat in little inns and prowl among the fields and forests. Beautiful weather; and I managed to escape the notice of all the people (Intellectuals) who had assembled in Geneva for a Culture Congress (subject: ‘Anguish in the Modern World’). ILyric Theatre, Londonproduction of The Confidential Clerk;a1 got back just theConfidential Clerk, The1953 Lyric Theatre production;b3first night;a1 day before the First Night at the Lyric: which went off very well indeed: after Edinburgh and Newcastle the cast were all at the top [of] their form, confident of themselves and their ability to control the audience, and working beautifully together. JacobEpstein, Jacoband family at Confidential Clerk premiere;b3 Epstein and family in the opposite box. I gave a dinner party to the cast afterwards – a small party of 18, including husbands and wives and one fiancée – they seemed to enjoy it – wrote me nice letters afterwards. ILeighton, Margaretversus Isabel Jeans;a4 gather that the cast get on very well, noJeans, Isabelversus Margaret Leighton in Confidential Clerk;a1 jealousy visible between Margaret Leighton & Isabel Jeans. (Isabel J. has in her dressing room (Margaret L. agreed amiably that I.J. should have the best dressing room, as the elder woman) large photographs of (1) a Bishop (2) a jockey. I thought that the former had been exposed for my benefit, butSykes, Christopher;a1 Christopher Sykes reports that he visited her on a later occasion and also noticed it – I think she told me that the Bishop was her godfather. TheHayward, Johnarranges Confidential Clerk cast dinner;n9 dinner had been well organised for me by John Hayward, while I was away; it cost £114! and flowers for the three ladies, there and in Edinburgh, cost about £20, but that can all be counted as Expenses Necessary). After this, I felt as exhausted (I got into bed at 2.55 a.m.) as if I had never had the holiday in Geneva. And since then I have been very busy with Arrears; withLaw, Richard;a1 preparing an'Literature';a1 Iron Curtain Broadcast of 10 minutes for a series arranged by Richard Law;1 and now, with 12 ‘blurbs[’] to write, andNational Book League;a1 with the'Three Voices of Poetry, The'undertaken to oblige GCF;a1 preparation of a Lecture on Poetry for the National Book League to be delivered in November.2 DoFaber, Geoffreyand National Book League;l4 not blame me for doing the latter: it was [to] oblige Geoffrey Faber, who was the inventor of this ‘N.B.L.’ and to whom it is dear.3
TheSherek, HenryAmerican Confidential Clerk production;b3 otherConfidential Clerk, The1954 American production;b4Sherek to negotiate;a1 piece of news is (apart from the fact that the house is playing to full capacity) that Henry Sherek is off to New York to try to persuade Equity to let him take over an English company. (He has secured a theatre, 45th Street). Maurice Evans tells him he won’t succeed. Failing that, he proposes to organise a company on the spot (cuttingMiller, Gilbert;a8 out Gilbert Miller, who, as you know, is not brilliant at casting) to start as soon as may be.
For other items, and the rest of this letter, I see that I must take another Air Letter form, or simply write a letter (as I should have done if I had realised that this chronicle would take up so much space). So I trust that you will have received the air letters by the same mail, and that you will read them in the proper order.
1.RichardLaw, Richard Law, PC (1901–80): Conservative Party politician, representing the constituency of Haltemprice, Yorkshire, 1950–4; he was Minister of Education from 1945, and raised to the peerage as 1st Baron Coleraine in 1954.
TSE’s untitled talk, editorially headed ‘Literature: talk by T. S. Eliot’, was recorded on 12 Oct. 1953 and broadcast on the BBC European Service on 13 Oct., as the sixth in a series on ‘The Unity of European Culture’; rebroadcast on the Third Programme on 2 Feb. 1954. First printed in The Unity of European Culture: A Series of Broadcasts Given over the B.B.C. Foreign Service July to October 1953 (London: BBC, 1953), 19–21. See ‘Literature [The Unity of European Literature]’: CProse 7, 812–16.
2.‘The Three Voices of Poetry’: the eleventh Annual Lecture of the National Book League, delivered at the Central Hall, Westminster, on 19 Nov. 1953: see CProse 7, 817–33.
3.Geoffrey Faber was Chairman of the National Book League, 1945–7.
1.JacobEpstein, Jacob Epstein (1880–1959), American sculptor championed by Ezra Pound and Wyndham Lewis; naturalised British subject from 1907. He designed the tomb of Oscar Wilde in Père Lachaise, and his Rock-Drill was sculpted during his Vorticist period.
11.GeoffreyFaber, Geoffrey Faber (1889–1961), publisher and poet: see Biographical Register.
11.JohnHayward, John Davy Hayward (1905–65), editor and critic: see Biographical Register.
1.RichardLaw, Richard Law, PC (1901–80): Conservative Party politician, representing the constituency of Haltemprice, Yorkshire, 1950–4; he was Minister of Education from 1945, and raised to the peerage as 1st Baron Coleraine in 1954.
2.MargaretLeighton, Margaret Leighton (1922–76): British stage and film actor whose credits included roles in Henry IV (1946), with Laurence Olivier and Ralph Richardson; and The Winslow Boy (1948). For The Go-Between (1971), she was to win a BAFTA and an Academy Award. TSE to Polly Tandy, 10 Aug. 1953: ‘The rehearsals are going well: the females in the cast – Margaret Leighton, Isabel Jeans, and Alison Leggat – are all well cast for their parts, and I seem to be able to judge the female actresses more quickly than the male actors – partly, perhaps, because I seem for some reason to be better at writing the female roles than the male.’
5.GilbertMiller, Gilbert Miller (1884–1969); American theatrical producer. In 1950 he was to win a Tony Award for his production of The Cocktail Party. The Gilbert Miller–Ashley Dukes production of Murder in the Cathedral (with Miller taking a quarter-share in the enterprise, and Dukes three-quarters to secure artistic control), starring Robert Speaight, was to open at the Ritz Theatre, West 48th Street, New York City, on 16 Feb. 1938. It ran for 21 performances.
4.HenrySherek, Henry Sherek (1900–1967), theatre producer: see Biographical Register.
4.ChristopherSykes, Christopher Sykes (1907–86), author and journalist; friend of Robert Byron (author of The Road to Oxiana; he and Sykes were travelling companions) and Evelyn Waugh. Having passed an active war in the Special Operations Executive and Special Air Service, he worked in BBC Radio and lived with his wife, Camilla Georgiana and family in Chelsea, not far from TSE and Hayward. Works include Four Studies in Loyalty (1946); Nancy: The Life of Lady Astor (1972); Evelyn Waugh: A Biography (1975).