[41 Brimmer St., Boston]
AnotherHarcourt, Brace & Co.and Selected Essays;a1 week has gone by – I mean a week since your last letter – in the usual occupations; ISelected Essaysdedicated to Harriet Weaver;a2 think that I have finished with the ‘Selected Essays’, a set of which with table of contents etc. has gone off to Harcourt Brace. I dedicated the book to HarrietWeaver, Harriet Shawin thumbnail;a3 Weaver; have I told you anything of her? At the risk of repetition I will place her: Harriet is a little mousy Quaker spinster of about 55, I imagine, though she might be older or younger. HerMarsden, DoraHarriet Weaver's devotion to;a1 great devotion in life has been for her friend Dora Marsden, whom she regards as a great philosopher: perhaps she is.1 Anyway, Harriet, who has little money, founded ‘The New Freewoman’, which became ‘TheEgoist, Theits aetiology;a1 Egoist’, just before the War, in order to give Dora a place in which to publish her philosophical writings. But Dora couldn’t fill it all up, andPound, Ezraat The Egoist;a4 happily Harriet fell in with Ezra Pound, who got her to make Aldington assistant editor, and they filled up the rest of the paper with writing by themselves and their friends. It was really very good. ThenAthenaeum, Thestepping stone to TLS;a2 when Richard went to the war, I was taken on in his place, as assistant, and there wrote my first literary essays, and thence advanced to the Athenaeum and The Times. But Harriet did more than that; she started publishing; and for years she was the only publisher in London who would publish PoundPound, Ezraindebted to Harriet Weaver;a5, or me, orLewis, Wyndhamindebted to Harriet Weaver;a2 Wyndham Lewis, orJoyce, Jamesindebted to Harriet Weaver;b2 James Joyce; shePrufrock and Other Observationsand Harriet Weaver;a1 published my first book of twelve poems, at a shilling, which is now out of print and very scarce.2 Also, she is the most modest and self-sacrificing little person in existence. And surely the best use to make of the opportunity of dedicating a book is to preserve the memory of someone who has done a good deal for literature and is completely unknown to the public.3
NowCriterion, TheJuly 1932;c3'Commentary';a1, I shall devote my time largely to clearing up arrears of the Criterion and arranging as far as possible the numbers to be published during my absence; and presently I must write the Commentary for the June number. ICriterion, Thearrangements in TSE's absence;a4 think I shall continue to write the Commentary myself, and send it over from Boston, to preserve continuity. Other arrangements here I cannot make. V. IEliot, Vivien (TSE's first wife, née Haigh-Wood)and TSE's departure for America;e9threatens to come;a5 am sorry to say, continues to play with the notion of coming to America too; her idea at the moment is to come ‘for two weeks’ and return to England God knows how. I tried to deal with this diplomatically by suggesting instead that she should wait until May, get a friend to come with her, and return with me; but the poor child had a notion that my arrival in America would be attended by public celebrations, almost, and that she wanted to share in the glory. She would be very bitterly undeceived, I fear. The worst of these daydreams is that they prevent her from coming to any conclusions about what she is to do with herself during my absence. She has agreed to see her doctor and take his advice; and I have some time since had correspondence with him on the subject, so I am sure that his advice would be right. IEliot, Vivien (TSE's first wife, née Haigh-Wood)and TSE's departure for America;e9from which TSE tries to dissuade her;a6 explained carefully to her and frankly why her coming would be disastrous for me: firstfinances (TSE's)TSE's Income Tax;a1 financially, in that the extra expense would eat up the profits which are needed to pay my income tax arrears, and second that I could not possibly get my work done properly under the strain of looking after her, and third that it is vitally necessary for me to have rest and relief. I don’t know how much impression I made; but I think it is best to have told her the truth (I mean as much of the truth as is necessary) at an early stage.
WeBolliger, Aureliagood for VHE;a2 haveAmericaMadison, Wisconsin;f5Aurelia Bolliger hails from;a1 had the little Bolliger girl (whose home is Madison Wis.) staying off and on; and she is so simple and goodhearted that she is a great help (V. ought always to have a good but slightly immature person as a playmate). Also she has put my books in order for me with the greatest care and ingenuity. We shall miss her when she returns to Japan.
LunchedHinks, Roger;a1 with Hinks4 yesterdaySassoon, Siegfriedbumps into TSE;a1 at the Reform Club and came across Siegfried Sassoon there, the first time that I had seen him for years.5 HeSassoon, Siegfrieddescribed for EH;a2 is an odd fellow, rather young looking and young behaving for his years – I think he is some years older than I – that due [sic] perhaps to a neurotic temperament damaged by the war – but I imagine very likeable when one has got to know him well. WeMorrell, Lady Ottoline;c3 wentEliots, the T. S.again to OM's;b7 to aSpeaight, Robertchats to TSE at OM's;a2 late tea at Ottoline’s, where was the young Speight [sic] who acted Malvolio so well; I had some conversation with him, and found him intelligent and earnest; alsoAinley, Richard;a1 Henry Ainley’s son,6 who played the Duke, and a young woman who had a minor part; all of much refinement and pleasing. Iactors and actressesenjoyable company of;a3 enjoy very much the society of the right kind of theatrical people: Ipoetryversus the law, as career path;a2 suspect that I have always had a hankering after the stage myself! perhaps the best career for me would have been the Bar, where one can combine the arts of the theatre with the pleasures of reasoning. Poetry is no career: it is simply the ruin of any career.
And now I have been talking only about myself, and I hope I shall write a different kind of letter on Tuesday.
1.DoraMarsden, Dora Marsden (1882–1960), suffragette; literary editor; founder-editor of The Freewoman and The Egoist. Weaver published what she regarded as Marsden’s magnum opus in two parts: The Definition of the Godhead (1928); Mysteries of Christianity (1930).
2.Prufrock and Other Observations (1917).
3.TSE dedicated Selected Essays (1932):
To Harriet Shaw Weaver
In gratitude, and in recognition
of her services
To English letters
4.RogerHinks, Roger Hinks (1903–63), Assistant Keeper, 1926–39, in the Department of Greek and Roman Antiquities, British Museum, from which he resigned in consequence of a scandal caused by his arrangements for deep-cleaning the Elgin Marbles. He later worked at the Warburg Institute, at the British Legation in Stockholm (where he met TSE in 1942) and for the British Council (Rome, The Netherlands, Greece, Paris). His writings include Carolingian Art (1935) and Caravaggio: His Life – His Legend – His Works (1953). See also ‘Roger Hinks’, Burlington Magazine 105: 4738 (Sept. 1964), 423–34; and The Gymnasium of the Mind: The Journals of Roger Hinks, 1933–1963, ed. John Goldsmith (1984).
5.SiegfriedSassoon, Siegfried Sassoon, MC (1886–1967), poet, writer and soldier. Initially recognised as a war poet and satirist, he won greater fame with his fictionalised autobiography Memoirs of a Fox-Hunting Man (F&F, 1928: James Tait Black Award), which was followed by Memoirs of an Infantry Officer (1930) and Sherston’s Progress (1936). He was appointed CBE in 1951.
6.RichardAinley, Richard Ainley (1910–67), theatre and film actor; son of actor Henry Ainley (1879–1945).
6.RichardAinley, Richard Ainley (1910–67), theatre and film actor; son of actor Henry Ainley (1879–1945).
1.AureliaBolliger, Aurelia Bolliger (1898–1984), born in Pennsylvania, studied at Heidelberg College, Ohio; she taught in Wisconsin before journeying to teach at a mission school in Tokyo, 1922–3, and for the next seven years at the Women’s College of Sendai, where she met and fell in love with Ralph Hodgson. She was to marry Hodgson in 1933.
4.RogerHinks, Roger Hinks (1903–63), Assistant Keeper, 1926–39, in the Department of Greek and Roman Antiquities, British Museum, from which he resigned in consequence of a scandal caused by his arrangements for deep-cleaning the Elgin Marbles. He later worked at the Warburg Institute, at the British Legation in Stockholm (where he met TSE in 1942) and for the British Council (Rome, The Netherlands, Greece, Paris). His writings include Carolingian Art (1935) and Caravaggio: His Life – His Legend – His Works (1953). See also ‘Roger Hinks’, Burlington Magazine 105: 4738 (Sept. 1964), 423–34; and The Gymnasium of the Mind: The Journals of Roger Hinks, 1933–1963, ed. John Goldsmith (1984).
1.JamesJoyce, James Joyce (1882–1941), Irish novelist, playwright, poet; author of A Portrait of the Artist as a Young Man (1916), Ulysses (1922), Finnegans Wake (1939).
7.WyndhamLewis, Wyndham Lewis (1882–1957), painter, novelist, philosopher, critic: see Biographical Register.
1.DoraMarsden, Dora Marsden (1882–1960), suffragette; literary editor; founder-editor of The Freewoman and The Egoist. Weaver published what she regarded as Marsden’s magnum opus in two parts: The Definition of the Godhead (1928); Mysteries of Christianity (1930).
4.LadyMorrell, Lady Ottoline Ottoline Morrell (1873–1938), hostess and patron: see Biographical Register.
3.Ezra PoundPound, Ezra (1885–1972), American poet and critic: see Biographical Register.
5.SiegfriedSassoon, Siegfried Sassoon, MC (1886–1967), poet, writer and soldier. Initially recognised as a war poet and satirist, he won greater fame with his fictionalised autobiography Memoirs of a Fox-Hunting Man (F&F, 1928: James Tait Black Award), which was followed by Memoirs of an Infantry Officer (1930) and Sherston’s Progress (1936). He was appointed CBE in 1951.
2.RobertSpeaight, Robert Speaight (1904–77), actor, producer and author, was to create the role of Becket in Murder in the Cathedral in 1935: see Biographical Register.
5.HarrietWeaver, Harriet Shaw Shaw Weaver (1876–1961), English editor and publisher, and political activist, whom Virginia Woolf described as ‘modest judicious & decorous’ (Diary, 13 Apr. 1918). In 1912, Weaver offered financial support to the Freewoman, a radical periodical founded and edited by Dora Marsden, which was renamed in 1913 (at the suggestion of Ezra Pound) The Egoist. Weaver became editor in 1914, turning it into a ‘little magazine’ with a big influence in the history of literary modernism. Following in the footsteps of Richard Aldington and H.D., TSE became assistant editor in 1917 (having been nominated by Pound) and remained so until it closed in 1919. When Joyce could not secure a publisher for A Portrait of the Artist as a Young Man, Weaver in 1917 converted the Egoist into a press to publish it. She went on to publish TSE’s first book, Prufrock and Other Observations (1917), Pound’s Quia Pauper Amavi, Wyndham Lewis’s novel Tarr, Marianne Moore’s Poems, and other notable works. (She played a major role as Joyce’s patron, served as his literary executor, and helped to put together The Letters of James Joyce.)