[No surviving envelope]
For the first time, I think, I missed writing to you by a fast boat simply because I was too tired last night to write letters: as I did not write last night, I missed the Europa, and now there is nothing more till the Aquitania on Wednesday. What is most tiring is a succession of interviews with little or no interval, and having to keep oneself interested in other people’s affairs and troubles one after the other – IHowson, Revd Vincentsubmits novel;a6 had four yesterday: the Revd. Vincent Howson (Bert) with his novel, DrIovetz-Tereshchenko, N. M.his financial woes;a2 N. M. Iovetz-Tereshchenko with his financial straits, EdouardRoditi, Edouardappeals to TSE for direction;a2 Roditi with his aimlessness of the cosmopolitan Spanish Jew-Greek-Turkish-Roumanian-Flemish ancestry, andCulpin, Johanna ('Aunt Johanna', née Staengel);b9 finally to call on Jan Culpin before dinner who is just recovering from bronchitis. Onflowers and florasweet peas;c9cheer TSE up;a7 my way home I bought myself two bunches of sweet peas to cheer myself up. Sotravels, trips and plansTSE's spring/summer 1936 trip to Paris;c2TSE's itinerary;a5, as it seems that I shall have a pretty full four days in Paris next week – whatBeach, SylviaTSE's 'lecture de poésies' for;a1 withMassis, Henriand TSE's 1936 visit to Paris;a4 SylviaJoyce, Jamespart of TSE's Paris itinerary;c9 Beach and her Amis de Shakespeare & Co., LouisGillet, Louis;a2 Gillet, Henri Massis, StuartGilbert, Stuartport of call in Paris;a3 Gilbert and James Joyce; andTrouncer, Margaret;a9 IBarnes, Djunacalls on TSE;a2 haveHotsons, the;a4 Mrs. Trouncer and an hour later Djuna Barnes1 coming to see me on Tuesday, I felt justified in wiring to the Hotsons to say that I could not come down to Chalfont st. Giles (‘Jordans’) to lunch with them to-day. I’d rather entertain them to lunch later; becauseHotson, Lesliea kind of bore;a2 theyHotson, Marya kind of bore;a3 really are two particular bores, Leslie with his clodhopping scholarship and pomposity and Mary with her elephantine gaity.2 IBarnes, DjunaNightwood prepared for press;a3 have had a quiet day writing letters, and going through Djuna Barnes’s book3 to make it possible for press, and slumbering at the club after lunch.
WhatSheffields, the;b9 I particularly want to know as soon as possible, and I fear I did not stress it enough in my last letter, is when you have to be at Northampton. I want to have a week with Ada and Sheff in the mountains, and Wellesley takes on off on the 17th September; so it would appear that in any case I ought to arrive at the beginning of September. Nowtravels, trips and plansTSE's 1936 American trip;c4efforts to coordinate with EH;a8, where will you be? and where can I see you? I don’t hope for anything as easy and natural as when you were at Rosary Gardens with the Perkins’s and we could have the evenings and make excursions in the daytime: partly because when I come to America I must divide my attention and see my family – and here there is no one with such a claim upon me, and we can see my friends, and yours, or be alone – but in America I must plan out every moment carefully. I should like to have weeks and weeks and weeks, with nothing to do but to be in your company – but if not that, I had rather have a few days of perfect company than a longer time mostly among other people with you. (If I could hope that you could come to England every other year, and I come to America every other year, that would make it easier to put up with the vexation of not-very-satisfactory meetings in New England.
My new suit has come, and I hope you will like it – a very simple quiet grey.
I have thought of your journey to Windsor.
Thank you, my dearest Assistant Professor, for your sweet letter of the 19th. And now please answer the question of this letter to
1.DjunaBarnes, Djuna Barnes (1892–1982): American novelist, journalist, poet, playwright; author of Ryder (1928); Nightwood (her masterpiece, 1936); Antiphon (play, 1958). See ‘A Rational Exchange’, New Yorker, 24 June and 1 July 1996, 107–9; Nightwood: The Original Version and Related Drafts, ed. Cheryl J. Plumb (1995); Miriam Fuchs, ‘Djuna Barnes and T. S. Eliot: Authority, Resistance, and Acquiescence’, Tulsa Studies in Women’s Literature 12: 2 (Fall 1993), 289–313. Andrew Field, Djuna: The Formidable Miss Barnes (1983, 1985), 218: ‘Willa Muir was struck by the difference that came over Eliot when he was with Barnes. She thought that the way Barnes had of treating him with an easy affectionate camaraderie caused him to respond with an equally easy gaiety that she had never seen in Eliot before.’ See Letters 8 for correspondence relating to TSE’s friendship with Barnes, and with her friend, the sassy, irresistible Emily Holmes Coleman, and the brilliant editing of Nightwood.
2.Mary Hotson (b. 1896), wife of the Canadian Shakespeare scholar and controversialist Leslie Hotson. TSE to John Sheppard, 1 Nov. 1953: ‘Mary May Hotson is a cousin of some cousins of mine in Boston … [She is] a member of the well-known and very numerous Boston family of Peabody, and is herself a person of great activity.’
3.Nightwood.
1.DjunaBarnes, Djuna Barnes (1892–1982): American novelist, journalist, poet, playwright; author of Ryder (1928); Nightwood (her masterpiece, 1936); Antiphon (play, 1958). See ‘A Rational Exchange’, New Yorker, 24 June and 1 July 1996, 107–9; Nightwood: The Original Version and Related Drafts, ed. Cheryl J. Plumb (1995); Miriam Fuchs, ‘Djuna Barnes and T. S. Eliot: Authority, Resistance, and Acquiescence’, Tulsa Studies in Women’s Literature 12: 2 (Fall 1993), 289–313. Andrew Field, Djuna: The Formidable Miss Barnes (1983, 1985), 218: ‘Willa Muir was struck by the difference that came over Eliot when he was with Barnes. She thought that the way Barnes had of treating him with an easy affectionate camaraderie caused him to respond with an equally easy gaiety that she had never seen in Eliot before.’ See Letters 8 for correspondence relating to TSE’s friendship with Barnes, and with her friend, the sassy, irresistible Emily Holmes Coleman, and the brilliant editing of Nightwood.
2.SylviaBeach, Sylvia Beach (1887–1962), American expatriate; proprietor (with Adrienne Monnier) of Shakespeare & Company, Paris, a bookshop and lending library. Her customers included James Joyce (she published Ulysses), André Gide and Ezra Pound: see Biographical Register.
4.StuartGilbert, Stuart Gilbert (1883–1969), English literary scholar and translator, was educated at Hertford College, Oxford (1st class in Classics), and worked in the Indian Civil Service; and then, following military service, as a judge on the Court of Assizes in Burma. It was only after his retirement in 1925 that he undertook work on Joyce, having admired Ulysses while in Burma. After befriending Joyce and others in his Paris circle (including Sylvia Beach and Valery Larbaud), he wrote James Joyce’s ‘Ulysses’: A Study (F&F, 1930). He helped Joyce with the French translation of Ulysses; and in 1957 edited Letters of James Joyce (with advice from TSE). In addition, he translated works by Antoine de Saint-Exupéry, Roger Martin du Gard, Paul Valéry, André Malraux, Jean Cocteau, Albert Camus, Jean-Paul Sartre and Georges Simenon.
1.LouisGillet, Louis Gillet (1876–1943), art and literary historian; curator of the Abbaye de Chaalis; member of the Académie Française.
6.TSEHotson, Leslie stayed with Leslie andHotson, Mary Mary Hotson at Haverford College, where he lectured on ‘The Development of Shakespearean Criticism’ in Roberts Hall on 24 Mar.
6.TSEHotson, Leslie stayed with Leslie andHotson, Mary Mary Hotson at Haverford College, where he lectured on ‘The Development of Shakespearean Criticism’ in Roberts Hall on 24 Mar.
1.RevdHowson, Revd Vincent Vincent Howson (d. 1957), St James’ Vicarage, Ratcliff, London, was ‘Bert’ in The Rock. Founder and producer of the East End Amateurs, he had been a member of Sir Frank Benson’s Shakespearian Company. His final post was as rector of St Paul’s, Covent Garden.
2.N. M. Iovetz-TereshchenkoIovetz-Tereshchenko, N. M. (1895–1954), B.Litt. (Oxon), PhD (London): Russian exile; Orthodox Catholic Christian; university lecturer in psychology: see Biographical Register.
1.JamesJoyce, James Joyce (1882–1941), Irish novelist, playwright, poet; author of A Portrait of the Artist as a Young Man (1916), Ulysses (1922), Finnegans Wake (1939).
5.Henri MassisMassis, Henri (1886–1970), right-wing Roman Catholic critic; contributor to L’ Action Française; co-founder and editor of La Revue Universelle: see Biographical Register.
2.EdouardRoditi, Edouard Roditi (1910–92), poet, critic, biographer, translator: see Biographical Register.
2.MargaretTrouncer, Margaret Trouncer (1903–82), author of A Courtesan of Paradise: The Romantic Story of Louise de la Vallière, Mistress of Louis XIV (F&F, 1936). See http://archive.thetablet.co.uk/article/18th-december-1982/23/obituary-margaret-trouncer