[240 Crescent St., Northampton, Mass.]

T. S.Eliot
EmilyHale
TS
The Criterion
16 March 1937
Dearest Girl,

I must try to acquire a different practice of letter-writing, and learn to write short notes when there is no time for letters. As it is, I have always been ashamed of my letters (to you) unless they covered at least two pages and a half, and contained (1) full information of my life since my last letter (2) practical remarks about your own activities (3) a little wit & humour (4) profound meditations (4) [sic] adequate expression of love and devotion. So you see that I am almost never satisfied. But it is a silly habit to postpone until one can find time for everything at once, because as a recipient I don’t feel that way at all; and the more time elapses, the more ground there is to cover, and one never catches up. Last week I was unlucky in the sailings of boats – the boats came in the first part of the week when I was very busy – and when I had time towards the weekend there were no boats. TheBritish Red Cross Societywhich proves a distasteful experience;a3 chief burden last week was the performance at Londonderry House on behalf of the Red Cross League – a particularly distasteful kind of audience to speak to. I call it a performance, because we were really a series of music hall turns for dull society people to gape at; talking on an impossible subject: ‘Why I find the World a good place to live in and why I do not’. TheMacaulay, Rose;a1 performersIrwin, Margaret;a1 wereKennedy, MargaretThe Constant Nymph on stage;a2 RoseDay Lewis, Ceciladdresses Red Cross Society;a1 MacaulayWolfe, Humbertat Red Cross do;a3,1 Margaret Irwin,2 Margaret Kennedy3 (have you ever heard of them? they are successful novelists, I believe), Cecil Day Lewis,4 Humbert Wolfe and myself. Daycommunismpreached by Cecil Day Lewis;b4 Lewis made the mistake of taking the occasion seriously, and preaching earnest communism which made me embarrassed on his account. I confined myself to humour for the benefit of the audience (jokes at Humbert Wolfe’s expense, which he took in good part) and irony for my own: but the occasion was so uncongenial that I did not do it well. IFaber, Enid Eleanorpresses TSE into public speaking;a6 should never take part in such an affair if I could help it, but as Enid Faber is keenly interested in the Red Cross League, and had asked me, how could I have refused?5

No more public speaking for a long time, anyway, and every morning on the play – even so, difficult to get every morning: yesterday I had to go to my doctor for a final anti-cold injection for the rest of the year, soJanes, W. L.disturbed by disappearing cats;b2 Icatspossible abduction of Janes's pet;a3 combined with it a visit to Janes, whom I had not seen since Christmas but once. He is very upset by the disappearance of his pet cat – says that a lot of black cats have disappeared from his neighbourhood and is sure that some one is out for their skins. IfFamily Reunion, TheTSE on writing;b4 all goes smoothly I should finish the first part of my play (but it’s only the FIRST DRAFT, I remind myself, andDukes, Ashley;c7 I shall be gratified if Dukes thinks well enough of it to regard it even as that) andEvans, Edithconsidered for The Family Reunion;a7 itHale, Emilyas actor;v8potentially in The Family Reunion;c4 hasWhitty, Dame Mayconsidered for The Family Reunion;a1 a nice part for Edith Evans or yourself, and quite a fair part for that old lady in the wheel chair in ‘Night Must Fall’.6

I'drugs'either public or inner life;a5 was much interested in yourAmericaNorthampton, Massachusetts;g3its spiritual atmosphere;a7 remarks in your letter of the 9th which arrived this morning, about trying to arouse public spirit in Northampton. I do approve of it highly! because (for one reason) it is good, I think, for people ‘living in the world’ to keep a balance between their public activities and their inner spiritual discipline and practice, and neglect neither. Though the latter is more difficult for most of us than the former, and brings less immediate satisfaction. One gets praise for outward action, sometimes, but never for the work one does on oneself; and also one never feels sure that one is progressing – that is part of the nature of the task, for the moment we feel confident that we have improved our spiritual life we are either checking our advance or sliding back (‘the saints never feel that they are saints’). At the same time, I think that outer action is necessary too, to prevent self-training from becoming self-absorption; and in studying the spiritual life, except under such wise and understanding direction as few can ever expect to find, we can be in danger of getting our standards and ideals muddled. And for yourself, in the one as in the other, you must remember not to tax your strength too far. You have had a very hard year, the work with the students ought to come more easily, and leave you more time and energy for expressing and developing yourself in other ways.7

Itravels, trips and plansEH's 1937 summer in England;c7;a6 look forward impatiently – through this long cold winter – to your coming in June, and to Campden as well as London. We shallFlat 3, 11 Emperor's GateTSE moving to;a2 probably move round the corner to Emperor’s Gate at the beginning of April – Itravels, trips and plansTSE's 1937 tour of Scotland;c5;a1 hope that they will get it done during the three or four days that I am in Scotland; so for the present you might write to Russell Square (marking the envelopes PRIVATE!) until I cable the change. ByBrowne, Elliott Martinand Tewkesbury Festival Murder confusion;b9 theMurder in the Cathedral1937 Tewkesbury Drama Festival production;f4 way, Martin Browne is to do ‘Murder’ (he hopes with the same company) at Tewksbury Festival on the 18th July: IWorld Conference of Churches, 1937TSE's address to;a1 have to be in Oxford the preceding week: so it would be nice if you could let me come over to Campden from Oxford and we could go to see it together. It will, as always, be strange and wonderful to see you again – I can hardly bear to think of it long, beforehand. Good bye for the present, my Love, and forgive my poor letters.

My Emilie from her Tom.

1.RoseMacaulay, Rose Macaulay (1881–1958), novelist, biographer, travel writer. Her fictions include Dangerous Ages (1921); Told by an Idiot (1923); Keeping Up Appearances (1928); The Towers of Trebizond (1956). Created DBE, 1957. (TSE’s secretary Brigid O’Donovan was Macaulay’s goddaughter.)

2.MargaretIrwin, Margaret Irwin (1889–1967), historical novelist (her fictions being founded on considerable historical accuracy). Her works include too That Great Lucifer: A Portrait of Sir Walter Raleigh (1960).

3.MargaretKennedy, Margaret Kennedy (1896–1967), prolific popular novelist, esteemed above all for The Constant Nymph (1924), a bestseller which the author herself adapted for stage and screen.

4.CecilDay Lewis, Cecil Day Lewis (1904–72), Anglo-Irish poet and novelist (author of mystery novels under the pseud. Nicholas Blake); Oxford Professor of Poetry, 1951–6; Norton Professor at Harvard, 1962–3; Poet Laureate, 1968–72. Educated at Wadham College, Oxford, he edited with Auden the anthology Oxford Poetry 1927. For a period in the mid-1930s he was a member of the Communist Party. After WW2 he worked as a director and senior editor of the publishers Chatto & Windus. His poetry includes From Feathers to Iron (1932), The Complete Poems of C. Day-Lewis (1992); critical works include A Hope for Poetry (1934); The Poetic Image (1947); and The Buried Day (autobiography, 1960). He was made CBE, 1950; and appointed Poet Laureate in 1968. See Sean Day-Lewis, C. Day Lewis: An English Literary Life (1980); Peter Stanford, C. Day-Lewis: A Life (1998).

5.Geoffrey Faber’s diary, 10 Mar.: ‘Dined alone with Mother, E[nid] being out at her Red X debate with the unfortunate T.S.E. in tow’ (Faber Archive).

6.TheWhitty, Dame May part of Mrs Bramson, in Emlyn Williams’s thriller Night Must Fall (which premiered at the Duchess Theatre, London, in 1935), was played by Dame May Whitty (1865–1948).

7.SeeMcPherrin, Jeanette;e3n too TSE to Jeanette McPherrin, 17 Mar. 1937: ‘I … wish that Emily might be coming to England in almost any other circumstances. I have even taken it seriously enough, and have felt unselfishly enough, to wish that she might rather be spending the summer in America, if among the right people! However, I shall do what I can – though one’s battling has to be so very indirect! The fact that she has been reappointed at Smith is very helpful: but I wish that Smith was a few hundred miles, at least, away from where it is. I agree that on the whole her letters seem more wholesome, though she is still, I think, much too concerned with “selfimprovement”. But I was cheered by her last letter, because she was exercised about trying to get public opinion in Northampton working for the improvement of a hideous café or coffee stall in the main street, patronised by the girls. That kind of activity is all to the good, in her case’ (Scripps).

America, TSE on not returning in 1915, and TSE as transatlantic cultural conduit, dependence on Europe, TSE's sense of deracination from, and the Great Depression, TSE a self-styled 'Missourian', as depicted in Henry Eliot's Rumble Murders, its national coherence questioned, its religious and educational future, versus Canadian and colonial society, where age is not antiquity, drinks Scotland's whisky, and FDR's example to England, underrates Europe's influence on England, redeemed by experience with G. I.'s, TSE nervous at readjusting to, and post-war cost of living, more alien to TSE post-war, its glories, landscape, cheap shoes, its horrors, Hollywood, climate, lack of tea, overheated trains, over-social clubs, overheating in general, perplexities of dress code, food, especially salad-dressing, New England Gothic, earthquakes, heat, the whistle of its locomotives, 'Easter holidays' not including Easter, the cut of American shirts, television, Andover, Massachusetts, EH moves to, Ann Arbor, Michigan, TSE on visiting, Augusta, Maine, EH stops in, Baltimore, Maryland, and TSE's niece, TSE engaged to lecture in, TSE on visiting, Bangor, Maine, EH visits, Bay of Fundy, EH sailing in, Bedford, Massachusetts, its Stearns connections, Boston, Massachusetts, TSE tries to recollect society there, its influence on TSE, its Museum collection remembered, inspires homesickness, TSE and EH's experience of contrasted, described by Maclagan, suspected of dissipating EH's energies, EH's loneliness in, Scripps as EH's release from, possibly conducive to TSE's spiritual development, restores TSE's health, its society, TSE's relations preponderate, TSE's happiness in, as a substitute for EH's company, TSE's celebrity in, if TSE were there in EH's company, its theatregoing public, The Times on, on Labour Day, Brunswick, Maine, TSE to lecture in, TSE on visiting, California, as imagined by TSE, TSE's wish to visit, EH suggests trip to Yosemite, swimming in the Pacific, horrifies TSE, TSE finds soulless, land of earthquakes, TSE dreads its effect on EH, Wales's resemblance to, as inferno, and Californians, surfeit of oranges and films in, TSE's delight at EH leaving, land of kidnappings, Aldous Huxley seconds TSE's horror, the lesser of two evils, Cannes reminiscent of, TSE masters dislike of, land of monstrous churches, TSE regrets EH leaving, winterless, its southern suburbs like Cape Town, land of fabricated antiquities, Cambridge, Massachusetts, TSE's student days in, socially similar to Bloomsbury, TSE lonely there but for Ada, TSE's happiness in, exhausting, EH's 'group' in, road safety in, Casco Bay, Maine, TSE remembers, Castine, Maine, EH holidays in, Cataumet, Massachusetts, EH holidays in, Chicago, Illinois, EH visits, reportedly bankrupt, TSE on, TSE takes up lectureship in, its climate, land of fabricated antiquities, Chocurua, New Hampshire, EH stays in, Concord, Massachusetts, EH's househunting in, EH moves from, Connecticut, its countryside, and Boerre, TSE's end-of-tour stay in, Dorset, Vermont, EH holidays in, and the Dorset Players, Elizabeth, New Jersey, TSE on visiting, Farmington, Connecticut, place of EH's schooling, which TSE passes by, EH holidays in, Fitzwilliam, New Hampshire, EH recuperates in, Gerrish Island, Maine, TSE revisits, Hollywood, perceived debauchery of its movies, TSE's dream of walk-on part, condemned by TSE to destruction, TSE trusts Murder will be safe from, Iowa City, Iowa, TSE invited to, Jonesport, Maine, remembered, Kittery, Maine, described, Lexington, Massachusetts, and the Stearns family home, Lyndeborough, New Hampshire, visited by EH, Madison, Wisconsin, Aurelia Bolliger hails from, Ralph Hodgson sails for, EH summers in, as conceived by TSE, who eventually visits, Maine, its coast remembered by TSE, TSE recalls swimming off, Minneapolis, on EH's 1952 itinerary, TSE lectures in, New Bedford, Massachusetts, EH's holidays in, TSE's family ties to, New England, and Unitarianism, more real to TSE than England, TSE homesick for, in TSE's holiday plans, architecturally, compared to California, and the New England conscience, TSE and EH's common inheritance, springless, TSE remembers returning from childhood holidays in, its countryside distinguished, and The Dry Salvages, New York (N.Y.C.), TSE's visits to, TSE encouraged to write play for, prospect of visiting appals TSE, as cultural influence, New York theatres, Newburyport, Maine, delights TSE, Northampton, Massachusetts, TSE on, EH settles in, TSE's 1936 visit to, autumn weather in, its spiritual atmosphere, EH moves house within, its elms, the Perkinses descend on, Aunt Irene visits, Boerre's imagined life in, TSE on hypothetical residence in, EH returns to, Peterborough, New Hampshire, visited by EH, TSE's vision of life at, Petersham, Massachusetts, EH holidays in, TSE visits with the Perkinses, EH spends birthday in, Edith Perkins gives lecture at, the Perkinses cease to visit, Philadelphia, Pennsylvania, TSE on, and TSE's private Barnes Foundation tour, Independence Hall, Pittsfield, Massachusetts, surrounding countryside, Portsmouth, Maine, delights TSE, Randolph, New Hampshire, 1933 Eliot family holiday in, the Eliot siblings return to, Seattle, Washington State, EH summers in, EH's situation at, TSE prefers to California, EH repairs to post-Christmas, EH visits on 1952 tour, EH returns to, Sebasco, Maine, EH visits, South, the, TSE's first taste of, TSE's prejudices concerning, St. Louis, Missouri, TSE's childhood in, TSE's homesickness for, TSE styling himself a 'Missourian', possible destination for TSE's ashes, resting-place of TSE's parents, TSE on his return to, the Mississippi, compared to TSE's memory, TSE again revisits, TSE takes EVE to, St. Paul, Minnesota, TSE on visiting, the Furness house in, Tryon, North Carolina, EH's interest in, EH staying in, Virginia, scene of David Garnett's escapade, and the Page-Barbour Lectures, TSE on visiting, and the South, Washington, Connecticut, EH recuperates in, West Rindge, New Hampshire, EH holidays at, White Mountains, New Hampshire, possible TSE and EH excursion to, Woods Hole, Falmouth, Massachusetts, TSE and EH arrange holiday at, TSE and EH's holiday in recalled, and The Dry Salvages, TSE invited to, EH and TSE's 1947 stay in, EH learns of TSE's death at,
see also American Presidential Election
British Red Cross Society, TSE to address, which he does at Enid Faber's instance, which proves a distasteful experience,
Browne, Elliott Martin, meets TSE at Chichester, production of The Rock, meets TSE over possible collaboration, talks over outline of play, meets TSE with Martin Shaw, delighted with Rock choruses, discusses unwritten pageant scenes with TSE, predicament as The Rock's director, well connected in amateur circles, revising into the night with TSE, argues with Shaw at dress-rehearsal, presented to Prince Arthur, honoured by Rock cast-supper, producing Gordon Bottomley's play, speaks at Londonderry House with TSE, 1935 Canterbury Murder in the Cathedral, approached by TSE to 'produce', consulted throughout composition, goes silent, lunches with TSE and Speaight, directs and acts despite illness, pursues London Murder revival, 1935–6 Mercury Theatre Murder revival, engaged as producer by Dukes, keen that EH attend rehearsals, simultaneously part of BBC production, agrees about Speaight's decline, preferred as producer for TSE's next play, and Charles Williams's Cranmer, in which he plays 'the Skeleton', and TSE attend Tenebrae, taken to Cambridge after-feast, producing York Nativity Play, which TSE thinks Giottoesque, at Savile Club Murder dinner, producing Shakespeare's Dream, and Ascent of F6, and Tewkesbury Festival Murder confusion, 1939 production of The Family Reunion, due to be sent script, weighing TSE's proposal that he produce, enthused by script, suggests TSE see Mourning Becomes Electra, against Family Reunion as title, pleased with draft, quizzed on fire-safety, typescript prepared for, new draft submitted to, rewrite waits on, receives new draft, criticisms thereof, reports John Gielgud interest, mediates between Gielgud and TSE, TSE throws over Gielgud for, secures Westminster Theatre production, steps into company breach, then into still-greater breach, and the play's weaknesses, direction of Family Reunion, receives TSE's Shakespeare lectures, 1938 American Murder tour, re-rehearsing actors for, suffers fit of pre-tour gloom, yet to report from Boston, and Tewkesbury pageant, accompanies TSE to La Mandragola, on Family Reunion's future prospects, and possible Orson Welles interest, war leaves at loose end, advises TSE over next play, war work with Pilgrim Players, unavailable for modern-dress Murder, compared to tempter/knight successor, requests Pilgrim Players' play from TSE, New Plays by Poets series, as director, and This Way to the Tomb, and Family Reunion revival, urges TSE to concentrate on theatre, 1946 Mercury Family Reunion revival, in rehearsal, possible revue for Mercury Theatre, and The Lady's Not for Burning, Chairman of the Drama League, 1949 Edinburgh Cocktail Party, to produce, TSE's intended first reader for, receives beginning, approves first act, receives TSE's revisions, communciates Alec Guinness's enthusiasm, arranges reading, surpasses himself with production, in Florence, EH suggests moving on from, and the Poets' Theatre Guild, 1950 Cocktail Party New York transfer, compares Rex Harrison and Alec Guinness, TSE debates whether to continue collaboration with, suggests three-play TSE repertory, 1953 Edinburgh Confidential Clerk, receives first two acts, designing sets, 1953 Lyric Theatre Confidential Clerk, attends with TSE, 1954 American Confidential Clerk, 1954 touring Confidential Clerk, TSE and Martin Browne catch in Golders Green, seeks Family Reunion MS from EH,
see also Brownes, the Martin

4.E. MartinBrowne, Elliott Martin Browne (1900–80), English director and producer, was to direct the first production of Murder in the Cathedral: see Biographical Register.

cats, the Eliots' Persian, the adopting of, possible abduction of Janes's pet, Cat Morgan,
communism, TSE's fantasy political party conceived against, communists satirised in The Rock, communists known to TSE, essentially antagonistic to Christianity, discussed with Bunny Wilson, and unemployment, as against fascism, the church's case against, preferred to conservatism, TSE asked to sign Christian manifesto against, as inspiration for Auden and Isherwood's collaboration, preached by Cecil Day Lewis, and Middleton Murry, during the Cold War, Margaret Thorp's liberal hypocrises over,
Day Lewis, Cecil, addresses Red Cross Society, at Valéry memorial event, and the Spender–Campbell spat, The Graveyard by the Sea,

4.CecilDay Lewis, Cecil Day Lewis (1904–72), Anglo-Irish poet and novelist (author of mystery novels under the pseud. Nicholas Blake); Oxford Professor of Poetry, 1951–6; Norton Professor at Harvard, 1962–3; Poet Laureate, 1968–72. Educated at Wadham College, Oxford, he edited with Auden the anthology Oxford Poetry 1927. For a period in the mid-1930s he was a member of the Communist Party. After WW2 he worked as a director and senior editor of the publishers Chatto & Windus. His poetry includes From Feathers to Iron (1932), The Complete Poems of C. Day-Lewis (1992); critical works include A Hope for Poetry (1934); The Poetic Image (1947); and The Buried Day (autobiography, 1960). He was made CBE, 1950; and appointed Poet Laureate in 1968. See Sean Day-Lewis, C. Day Lewis: An English Literary Life (1980); Peter Stanford, C. Day-Lewis: A Life (1998).

'drugs', activity ('being useful'), necessity, controversy, pain, either public or inner life,
Dukes, Ashley, described by Yeats to TSE, approaches Doone over Mercury Theatre season, lines up Mercury Murder revival, with which he is pleased, his ambitions for Murder, which Brace upsets, instructed as to Murder New York negotiations, hustling in New York, from where he reports, agrees about Speaight's decline, explains miscarriage of 1936 American production, at 100th performance of Murder, latest plans for Murder, revised plans for New York, dares to call TSE in morning, TSE's royalty arrangement with, policing pirate productions of Murder, discusses Murder's America rights, full of grand desgins, takes Browne into partnership, on Murder's Abdication Crisis resonance, among Family Reunion's first readers, plans for Murder, American Murder tour, against Family Reunion as title, pleased with Family Reunion fragment, sent full Family Reunion draft, lets EH down, consulted over Gielgud contract, on Gielgud and Family Reunion, negotiating with Saint-Denis, less persuaded by Family Reunion, optimistic on Family Reunion transfer, instructed on Family Reunion licensing, fields Orson Welles enquiry, suggests wartime Murder revival, which he mounts without consulting TSE, attempting season of miniature operas, submits theatrical reminiscences to TSE, and Murder film rights, book launch for memoirs, reports on TSE's continental productions, gives Garrick Club dinner for TSE, takes full control of Mercury, accompanies TSE to Germany, La Mandragola, The Scene is Changed, Too Many Twins,
see also Dukes, the

4.AshleyDukes, Ashley Dukes (1885–1959), theatre manager, playwright, critic, translator, adapter, author; from 1933, owner of the Mercury Theatre, London: see Biographical Register.

Evans, Edith, as Viola in Twelfth Night, unmissable even when playing Bernard Shaw, compared to Athene Seyler, TSE would endure Evensong for, in voice and in person, 'Acting Shakespeare' sent to EH, considered for The Family Reunion,

2.EdithEvans, Edith Evans (1888–1976), versatile stage and screen actor; enduringly celebrated for her appearance as Lady Bracknell in the film of Oscar Wilde’s The Importance of Being Earnest (1952). Evans won her reputation during her long association (from 1925) with the Old Vic, London: her other notable roles included Judith Bliss in Noel Coward’s Hay Fever on the stage and the movie Tom Jones (1963). DBE, 1946.

Faber, Enid Eleanor, TSE mistakes her parentage, and the Eliots' separation, and the Irish waiter, as tennis-player, suggests Murder tickets for F&F employees, presses TSE into public speaking, and sons at zoo, cousin of Rab Butler, and Ann share TSE's box, congratulates TSE on opening night, TSE dependent on for food, at VHE's funeral, on VHE's death and funeral, home-hunting for TSE in Sussex, now Lady Faber,
see also Fabers, the

1.TSE was mistaken here. EnidFaber, Enid Eleanor Eleanor Faber (1901–95) was the daughter of Sir Henry Erle Richards (1861–1922), Fellow of All Souls College and Chichele Professor of International Law and Diplomacy at Oxford University, and Mary Isabel Butler (1868–1945).

Family Reunion, The, and TSE as Orestes, plot sought for, progress stalled, referred to as 'Orestes play', written against countdown to war, should be artistically a stretch, plot still not settled on, begun, compared to Murder, TSE on writing, described (mid-composition), and Gunn's Carmina Gadelica, described to GCF, EH questions Harry's entrance, draft read to Martin Brownes, projected autumn 1938 production, depletes TSE, and Mourning Becomes Electra, its Greek inheritance, alternatively 'Follow the Furies', first draft promised to EH, as inspired by Tenebrae, being rewritten, work suspended till summer, fair copy being typed, waiting on Browne and Dukes, 'Follow the Furies' quashed by EH, aspires to be Chekhovian, Dukes keen to produce, criticised by Martin Browne, under revision, submitted to EH's theatrical wisdom, for which TSE credits her, possible John Gielgud production, Gielgud-level casting, Browne's final revisions, with the printers, Henry loaned draft, Donat and Saint-Denis interested, in proof, progress towards staging stalled, Saint-Denis interest tempered, possible Tyrone Guthrie production, possible limited Mercury run, its defects, publication scheduled, first draft sent to EH, Michael Redgrave interested in, March 1939 Westminster Theatre production, waits on terms, rehearsals for, which are photographed, opening night contemplated without EH, last-minute flutters, opening night, reception, coming off, TSE's final visit to, Dukes bullish on New York transfer, EH spurs TSE's reflections on, and Otway's Venice Preserv'd, American reception, and Orson Welles, F&F's sales, 1940 American production, Henry harps on the personal aspect, its cheerfulness, EH acknowledges part in, 1943 ADC production, in Dadie Rylands's hands, described, certain lines expressing TSE's frustrations, EH discusses with pupils, plays in Zurich, 1946 Birmingham production, 1946 Mercury revival, rehearsals for, opening night, TSE attends again in company, Spanish translation of, VHE's death calls to mind, its deficiencies, BBC Gielgud broadcast version, first aired, to be repeated, goes nominally with The Cocktail Party, Swedish National Theatre production, compared to Cocktail Party, EH's response to, more 'personal' than Cocktail Party, performed in Göttingen, 1950 Düsseldorf production, 1953 New York production vetoed, 1956 Phoenix Theatre revival, described, Peter Brook congratulated on, Martin Browne seeks MS of,
Flat 3, 11 Emperor's Gate, and East Coker, TSE moving to, described, TSE's initial impressions of, EH stays in, makes TSE ill, compared to Grenville Place, TSE's situation at, made homelier, drawing desk acquired for, redecorated with EH's presents, and TSE's wartime routine, St. Stephen's keeps TSE at, water pipes freeze, shut up during Blitz, date of TSE's removal from,
Hale, Emily, visits the Eliots for tea, returns to Boston, likened to TSE's mother, TSE identifies with her 'reserve', encouraged to write for periodicals, visits West Rindge, summers in Seattle, presents herself as cossetted, blames herself for an unfulfilled life, returns to Boston, consulted over TSE's Norton Professorship, holidays in Castine, vacations in New Bedford, TSE fears accident befalling, travels to stay in Seattle, Frank Morley on Ada on, arrives in California, brought to tears by music, goes horse-riding, baited over how to boil an egg, TSE passes old school of, takes motoring holiday via San Francisco, summers in Seattle, TSE composes squib for, takes TSE's hand in dream, returned to California, TSE sends Harvard Vocarium record, holidays in West Rindge, returns to Boston before embarking for England, arrives in England, to travel to Paris, returns to London, feels inferior to 'brilliant society', invited to Sweeney Agonistes rehearsal, attends Richard II with TSE, attends Sweeney Agonistes, takes TSE to Gielgud's Hamlet, taken to see Stravinsky conducting, leaves for Italy, takes tea at OM's before leaving, mistaken for TSE's sister, returns to Florence, sails for the Riviera, returns from France, returns to Chipping Campden, to Guernsey with Jeanie McPherrin, taken to Henry IV on return, shares open taxi with TSE through Parks and Whitehall, and TSE attend The Gondoliers, visit to the Russian ballet, invited to Murder in Canterbury, and TSE attend 1066 And All That, taken to Tovaritch, and Morleys set for ballet, which she excuses herself from, criticised for flower-arranging, and TSE walk in the Cotswolds, feels inferior to Margaret Thorp, and TSE theatre-going with Thorps, taken to Timon of Athens, taken to Peer Gynt, visited at Campden for TSE's birthday, takes lodgings in Oxford, lodges at 19 Rosary Gardens, watches TSE read to Student Christian Movement, and TSE visit Kenwood House, dines with the Maritains, describes tea with the Woolfs, returns to America, visits Ada on Boston homecoming, possible career-move into politics, pays winter visit to Rindge, and Eleanor Hinkley attend New York Murder, moves to 154 Riverway with Perkinses, considers volunteering for charity, living at 5 Clement Circle, holidays in Cataumet, returns abruptly to Cambridge, recuperates in New Hampshire, moves to 240 Crescent St., Northampton, Mass., lectures at Concord, returns to Brimmer Street, returns to Boston during vacation, sails for England, in residence at Chipping Campden, travels to Yorkshire, returned to Chipping Campden, returns and moves to 22 Paradise Road, Northampton, Mass., spends Thanksgiving in Boston, stays at Hotel Lincolnshire with the Perkinses, vacations at New Bedford, visits New York, holidays in Charleston, as patron of school, returns to Northampton, sails for England, day at Windsor with TSE, fortnight at Campden with TSE, at Campden with TSE again, returns to America with 'Boerre', ordered to stay in America in case of war, given Family Reunion draft with her comments, encouraged to write drama criticism, vacations in New Bedford, advises TSE against Tewkesbury choruses, holidays with the Havenses, sails for England, at Chipping Campden, stays with the Adam Smiths in Scotland, returns to America with Perkinses, safely returned, sent copy of TSE's daily prayers, sent first CNL, sends TSE selected American plays, holidays in New Bedford, spends Easter in Harwichport, holiday destinations, holidays in Cape Cod, returns to the Perkinses at 90 Commonwealth Avenue, stays with Elsmiths in Woods Hole, holidays on Grand Manan, visits Perkinses in Boston, returns to 90 Commonwealth Avenue, holidays in Madison, Wisc., travels on to Maine, holidays on Grand Manan, holidays in Bangor, Maine, as president of S. P. C. A., spends Christmas holiday in New Bedford, holidays in Woods Hole, loans out her Eliotana, removes from Smith to the Perkinses, spends time in Maine, repairs to New Bedford, spends time in Tryon, N. C., returned to Boston, spends three days in New York, shares details of will, holidays on Grand Manan, leaves TSE portrait in event of predeceasing him, late summer in New Brunswick, vacations in New Bedford, repairs to New Bedford, resident in Millbrook, takes short holiday at 'Bleak House', holidays on Grand Manan, visits Woods Hole, visits New Bedford, holidays in New Bedford, spends holiday at Sylvia Knowles's, holidays in Dorset, Vt., holidays briefly in Farmington, holidaying on Grand Manan, TSE seeks Trojan Women translation for, moves to 9 Lexington Road, gives Christmas readings, congratulates TSE on OM, urges TSE not to despair at honours, spends Easter in Boston, race-relations and the WPA, sings Bach's B Minor Mass, removes from Concord to Andover, on life in Grand Manan, congratulates TSE on Nobel Prize, resident at 35 School Street, Andover, summers between Boston, Woods Hole, New Bedford and Grand Manan, recounts journey to Grand Manan, takes The Cocktail Party personally, then repents of doing so, post-Christmas stay in New Bedford, reports on Cocktail Party's opening, summers between Chocorua and Campobello, tours westward to California during summer holiday, attends British Drama League summer school, holidays in Grand Manan, asks TSE for occasional poem, week in the Virgin Islands, summers between Mount Desert and California, spends holidays in New Bedford, recuperates in New Bedford, returns, briefly to Chipping Campden, Eleanor Hinkley reports on, writes to EVE, sends EVE photograph of TSE, makes tour of Scandinavia, approaches TSE on Smith's behalf, which approach TSE declines, writes to TSE on GCF's death, moves back to Concord, pays visit to Seattle, reacts to TSE's death, writes to EVE, meets EVE, dies, appearance and characteristics, her shapely neck, TSE's memory for certain of her old dresses, particularly four dresses, which TSE then describes, TSE begs EH to describe her clothing, in silk, autumn 1930, costumed in a 'Titian wig', EH encouraged to gain weight, EH encouraged to tan, her Jantzen suit, TSE begs a slip of hair from, her gold-and-green tea gown, her Praxitelean nose, EH congratulated on 'perm', EH refuses TSE lock of hair, her voice, Guardsman dress, as a Botticelli Madonna, her hands, recommended skin-cream, 'new goldy dress', TSE inquires after, in TSE's dreams, 'new and nuder' swimsuit demanded, her black dress/red jacket outfit, dressed in blue, in charming black dress, her sense of humour, her New England conscience, the famous apricot dress, her hair, various dresses, EH's idea of new dresses, EH hair cut in the new style, blue dress worn following masque, as actor, as Olivia in Twelfth Night, in the Cambridge Dramatic club, as Roxane in Cyrano in 1915/16, as Judith Bliss in Hay Fever, EH considers giving up for teaching, in the 'stunt show' with TSE, as Beatrice, TSE hopes, in The Footlight Club, in Berkeley Square, in The Yellow Jacket, EH praised over Ruth Draper, under Ellen van Volkenburg, cast as an octogenarian, in The Old Lady Shows Her Medals, TSE speculates as to her future in, and teaching, as Lady Bracknell, TSE begs to write part for, in The Footlight Club, potentially in summer theatre company, as the Duchess of Devonshire, potentially in The Family Reunion, Cambridge Dramatic club reunion, The Wingless Victory, in masque with TSE, in a Van Druten play, as Lodovico Sforza, in play by Laurence Housman, as Madame Arcati in Blithe Spirit, with Paul Stephenson, in Kind Lady, joins the Dorset Players, as director ('producer'), La Locandiera, Lady Gregory's The Dragon, Dust of the Road, Comus, possibly temporarily at St. Catherine's, Va., chorus work at Smith, Electra, Quality Street, The Merchant of Venice, Dear Brutus, Christmas play, Richard II, Hay Fever, Christmas pantomime, The Dorset Players, a reading of Outward Bound, Molnár's The Swan, Dulcy, The School for Scandal, Fanny and the Servant Problem, Dear Brutus again, Twelfth Night, Prunella, Christmas play, Antigone, The Merry Wives of Windsor, As You Like It, The Admirable Crichton, Holy Night, The Tempest, as teacher, EH lectures on 'Modern British Verse', as a career, at Milwaukee-Downer College, Mich., at Simmons College, Boston, EH considers post at Scripps, which she accepts, arrives at Scripps, establishes drama workshop at Scripps, EH lectures on TSE, EH's advice that TSE lecture less slowly, as described by Scripps student, and being admired by students, TSE sees her teaching as a kind of acting, requests year's leave from Scripps, resigns position at Scripps, declares intention to teach again, possibly, temporarily, at St. Catherine's, Va., possibly at Smith, post at St. Catherine's rejected, appointed to position at Smith, is installed at Smith, reappointed with pay-rise, reappointed again for two years, her work at Smith, unsettled at Smith, in time of war, insecure over job at Smith, from which EH takes 'sabbatical', let go by Smith, takes job at Concord Academy, appointed to post at Bennett Junior College, Millbrook, appointment to permanent Concord position, EH thinks of giving up, lectures on Family Reunion, her work at Concord Academy, resignation from Concord Academy, takes permanent position at Abbot, EH admits to being sheltered by, retirement from Abbot, according to Abbot Academy tribute, birthdays, presents and love-tokens, EH's birthday compared to TSE's, TSE sends Terry–Shaw correspondence for EH's birthday, EH sends TSE pomme purée, present from EH, flowers for EH's birthday arrive too soon, EH wearing TSE's ring, two rings bought for EH, EH bought typewriter, TSE 'cables' EH roses, TSE consults EH over potential present, TSE's second 'sapphire' ring for, EH refits new rings from TSE, TSE receives flowers for Christmas, EH given 'powder box' for Christmas, EH's present to TSE goes amiss, missing present (calendar) explained, EH left cigarettes by TSE, EH gives TSE cigarette case, TSE necklace-hunting for EH, pearls suggested for EH, EH bought sapphire bracelet, EH gives TSE a signet ring, EH bought blue-gray scarf, EH gives TSE silk handkerchiefs, TSE has signet ring engraved, further ring sought for EH, EH with TSE on his birthday, EH gives TSE initialled leather portfolio, TSE given ashtrays and matchbox, furs sought for EH, EH gives TSE stool, roses sent to EH on birthday, TSE given diary and hairbrush box, TSE given rosary and print, EH buys TSE towel rails, TSE receives diary for Christmas, 1810 ring bought for EH, EH buys TSE various ties, war means no flowers, EH's lapis lazuli ring, TSE neglects to cable EH, EH knits socks for TSE, which turn out large, EH sends TSE 'snowflake' socks, EH remembers TSE's birthday with reference to Shakespeare, TSE sent marmalade and liver-paste, EH writes poem for TSE's birthday, EH sends TSE provisions, EH loses sapphire from ring, diamond circlet given to EH in 1939, EH gives TSE socks for Christmas, TSE gives EH 'evening bag', EH unthanked for Christmas present, correspondence with TSE, TSE petitions EH to bestow on the Bodleian, TSE exalts as authoritative, TSE envisions as reading-group, the only writing TSE enjoys, TSE as Cyrano to EH's Roxane, TSE's dependence on, TSE's nights spent planning, TSE rereads with pleasure, the strain of interruption, switches to Air Mail, TSE on his decision to renew, TSE marks first anniversary of, keeps TSE sane, TSE hopes to telephone, TSE wishes to maintain when in America, EH would withhold from the Bodleian bequest, from which TSE tries to dissuade her, TSE violently dependent on, TSE begs EH that it be preserved, less exciting to EH than at first, TSE's horror of sounding sermonic, if such a correspondence were profitable, and TSE's respectful reticence, EH suggests entrusting to Willard Thorp, but subsequently explains she meant Margaret Thorp, EH's to do with as pleases, and the prospect of TSE writing every night, TSE still rereads with pleasure, excites TSE too much to write smoothly, compared with talking, phone call finally arranged, which finally takes place, EH importuned to write more, TSE promises three letters a week, EH refuses more than one, a solitude within a solitude, EH switches to typewriter, which TSE offers to buy, observed weekly by EH's students, flatters TSE most when EH writes undutifully, TSE's dread of EH rationing, TSE's efforts to moderate himself within, TSE imagines the unsealing of, TSE offers to cease, a place to vent one's feelings, TSE rebuked for 'intolerance' within, EH learns to type, hinders TSE from work, TSE on life before, third anniversary marked, thwarted by TSE's self-loathing, TSE doubts having pursued, restraints on TSE's ardour lifted, more constrained by day, TSE worries about burdening EH with, worth TSE getting home early for, by day, by night, TSE specially treasures recent 'love letters', more delightful since EH's reciprocation, and TSE's diminished ardour, switches to transatlantic airmail, constrained by war, opened by censor, and Shamley Green post-office, TSE apologises for, EH free to dispose of, within limits, particularly constrained by EH's letter of 1939, and the experience of delay, TSE equivocates on preserving, varied with airgraph, again, EH's to do with as she pleases, still intended for Bodleian, TSE chastened for short cables, TSE's letters 'undemonstrative and impersonal', post-war frequency, being and not being loving by letter, EH asks TSE to reduce, TSE criticised for following monthly injunction, TSE rebuked for impersonality, EH formally bequeaths to Princeton, TSE unfussed as to repository, TSE reiterates 50-year prohibition, TSE's worries as to future appearances, EH promises Princeton her statement on, promises letters with ten-year seal, attempts to shorten TSE's moratorium, which TSE refuses, which forces EH to relent, TSE encouraged to return EH's letters, EH deposits further material with Princeton, EH makes 'recording' for Princeton, EH renews plea to shorten moratorium, and is again refused, TSE destroys EH's letters, TSE repents of severe letter, which EH never receives, EH suspects TSE of destroying her letters, EH instructs Princeton to discard 'recording', EH ultimately respects TSE's wishes, EH on TSE's destruction of her letters, family, her father, her childhood compared to TSE's, TSE desires family history of, EH encouraged to keep younger company, EH's unity with parents, EH's relations with aunt and uncle, EH's relations with aunt and uncle, EH photographed with parents, and EH's obligations to, finances, health, physical and mental, admits to breakdown, TSE compares 'nightmares' with, TSE's desire to nurse, suffers neuritis, then neuralgia, recommended suncream, suffers arthritis, suffers with sinuses, her teeth, experiences insomnia, suffers 'hives', suffers crisis body and soul, feels depressed over Christmas, suffers neuralgia, suffers intestinal flu, has shingles, admitted to hospital, convalesces on Grand Manan, recuperates in Washington, Conn., photographs of, as a child, Edith Sitwellesque photograph, in 18th-century costume, in 18th-century French costume, in broad-brimmed 'picture' hat, TSE buys Kodak, in deck-chair, eating sandwich, in a car, 'the Beautiful one', which TSE has enlarged for his dressing-table, painful, because taken in the 'interim', in bacchanalian pose, 'Semitic', among young people, set 'Elizabeth' giggling, Diana Mannersesque, are mnemonic aids to TSE, kneeling beside can of flowers, TSE's favourite, with ordinarily sized hands, smoking in chair, as child with big ears, taken on TSE's arrival in Claremont, in Jane Austen fashion, in unfamiliar jacket, taken in autumn, with mother and father, as a child, in TSE's note-case throughout Blitz, in Wingless Victory, as child, in gold frame, in familiar jacket, taken with Boerre, surround TSE at Shamley, with baby, in a group, of EH's portrait, in sailor suit, all inadequate, carrying lamp, with Rag Doll, at Campobello, reading, Henry James, Letters from Baron Friedrich von Hügel to a Niece, All Passion Spent, Bubu de Montparnasse, F&F thriller, Eyeless in Gaza, Dante, Hopkins and Roosevelt, Henry Irving: The Actor and His World, relationship with TSE, TSE's first acquaintance with, its abnormality, runs to admiration from EH, and TSE's habitual reserve, its morality under examination, defended by TSE, its susceptibilities envisaged by TSE, EH admits estrangement within, and TSE's desire for intimacies, provokes sorrow and fury in TSE, confided to the Perkinses, Miss Ware and Father Underhill, TSE's chance to be frivolous, and the prospect of TSE's Harvard year, TSE dates first meeting to 1905, whereas EH dates to 1915, TSE's terror of renewing in California, teaches TSE true companionship, runs to a 'kiss', as perpetual progress and revelation, EH offered manumission from, if TSE were not married, seems more real for TSE's American year, TSE's reasons against marrying, TSE fears having misled over, EH again offered manumission from, EH writes to Ada concerning, EH blames TSE for his ardour, then apologises for blaming TSE, leads to unhappiness in EH, possible drain on EH's health, its perceived inequalities, pity and gratitude would corrupt, TSE conditionally promises marriage, TSE sees as an imposition on EH, potentially richer for meeting TSE's friends, EH 'kisses' TSE, EH rests head on TSE's shoulder, EH strokes TSE's face, as consubstantial union, TSE's love finally reciprocated, mutual embraces, EH kissed on the right foot, TSE favoured with birthday kiss, exhausting, should proceed without hope of marriage, TSE again regrets misleading EH, as one of mutual dependence, its unsatisfactions, its seasonal rhythm, but for VHE would be marriage, EH seeks post-war clarity on, and the prospect of VHE's death, following VHE's death, TSE reflects on the deterioration of, TSE reflects generally on, and men and women generally, according to Theresa Eliot, EH reflects on, since TSE discounted marriage, had TSE behaved differently in 1914, its new dispensation, source of mutual anguish, apropos of TSE's second marriage, EH's marriage regret, EH recoils from publicising, TSE re-evaluates, EH writes to EVE about, religious beliefs and practices, claims experience of 'vision', admits suffering spiritual crisis, goes on retreat, and TSE's definition of sainthood, compared to TSE's, professes to resent the Church, makes retreat to Senexet, the issue of communion, the possibility of confirmation, source of worry to EH, confronts TSE on religious differences, TSE on her 'Christian spirit', fears TSE considers her damned, TSE pointedly refrains from criticising, unclear to TSE, TSE's love for, and their conversation in Eccleston Square, declared, in 1915, and TSE's desire to be EH's spiritual possession, source of serenity to TSE, the strangeness of not broadcasting, first felt in 1913, recognised by TSE the night of Tristan und Isolde, TSE's reasons for not declaring in 1913, what TSE said instead of declaring, a pain of sorts, unconfided to friends, not immune to jealousy of EH's male friends, its passion tempered by religion, and the torment of resignation, defiled by possessiveness and anger, and a particular journey back from Pasadena, in light of California stay, increases his desire to quarrel with EH, TSE doubts decision to declare, eternally unconditional, shows TSE true meaning of tenderness, defined by TSE, violent, clarified and strengthened by Chipping Campden reunion, disquiets EH, obstructive to EH loving another, TSE initially relieved to find unrequited, queered by inexperience, TSE repents of over-prizing, startles TSE, like 'a burglar', strengthened and deepened, irrespective of physical beauty, finally reciprocated, ideal when unreciprocated, relieved only by poetry, as against love's travesties, as expressed in Burnt Norton, over time, apparently undimmed but dwarfed by war, and the first time TSE spoke EH's name, thwarted by question of divorce, EH questions, now better adjusted to reality, argument over communion challenges, would run to jealously but not marriage, as expressed in 1914 on Chestnut Hill, TSE's names, nicknames and terms of endearment for, 'Lady', 'Dove', 'My saint', 'Bienaimée', TSE's reason for calling her 'Dove', 'Isolde', 'My Lady', 'Emilie', 'Princess', 'Lady bird', 'Birdie', 'riperaspberrymouth', 'Emily of Fire & Violence', 'Bouche-de-Fraise', 'Bouch-de-Framboise', 'Raspberrymouth', not 'Wendy', 'Nightingale', 'Mocking Bird', 'Love', 'My true love', 'my Self', 'Emilia' and Shelley's Epipsychidion, 'my Own', 'Girl', 'Western Star', 'Darling', 'My Life', 'My Lamb', 'Beloved my Female', 'My own Woman', writings, an article on 'Weimar', letter to The Times about King's jubilee, account of communion at Beaulieu, EH asks to write about TSE, review of La Machine infernale, review of Dangerous Corner, a note for S. P. C. A., an 'epigram', 'Actors at Alnwick', 'An Etching', 'The Giocanda Smile', 'The Personal Equation in Spoken English', 'A Play from Both Sides of the Footlights', 'Summer Sunshine: A Memory of Miss Minna Hall', 'They flash upon the inward eye',
Irwin, Margaret,

2.MargaretIrwin, Margaret Irwin (1889–1967), historical novelist (her fictions being founded on considerable historical accuracy). Her works include too That Great Lucifer: A Portrait of Sir Walter Raleigh (1960).

Janes, W. L., and 'Billy M'Caw: The Remarkable Parrot', reports on VHE, his Christmas dinners with TSE, singing and reminiscing, retirement anniversary dinner for, a saying of, one of TSE's dependents, disturbed by disappearing cats, ill but merry, a burden, dying in hospital, Christmas Day hospital visit to, TSE on his death and funeral, first Christmas without,
see also Janeses, the

4.W. L. JanesJanes, W. L. (1854–1939), ex-policeman who worked as handyman for the Eliots. Having been superannuated from the police force early in the century, he worked for a period (until about 1921) as a plain-clothes detective in the General Post Office. TSE reminisced to Mary Trevelyan on 2 Apr. 1951: ‘If I ever write my reminiscences, which I shan’t, Janes would have a great part in them’ (‘The Pope of Russell Square’). TSE to Adam Roberts (b. 1940; godson of TSE), 12 Dec. 1955: ‘I … knew a retired police officer, who at one period had to snoop in plain clothes in the General Post Office in Newgate Street – he caught several culprits, he said’ (Adam Roberts). HisJanes, Ada wife was Ada Janes (d. 1935).

Kennedy, Margaret, The Constant Nymph on stage,

3.MargaretKennedy, Margaret Kennedy (1896–1967), prolific popular novelist, esteemed above all for The Constant Nymph (1924), a bestseller which the author herself adapted for stage and screen.

Macaulay, Rose, watches television with TSE, protests about Purchase Tax with TSE, presses Polish cause on TSE,

1.RoseMacaulay, Rose Macaulay (1881–1958), novelist, biographer, travel writer. Her fictions include Dangerous Ages (1921); Told by an Idiot (1923); Keeping Up Appearances (1928); The Towers of Trebizond (1956). Created DBE, 1957. (TSE’s secretary Brigid O’Donovan was Macaulay’s goddaughter.)

McPherrin, Jeanette, first mentioned, mentions 'shriners', TSE approves of, to accompany EH to Paris, and her first London visit, thanks TSE for Caetani introduction, TSE offers to rearrange studies at Cambridge, under I. A. Richards, encouraged to join EH in Rome, causes EH difficulty, joins EH in Florence, with EH in Rome, offered rare editions of Commerce, given introduction to the Maritains, whom she visits, shares TSE's Perkins concerns, sent stuffed plums, not to be mentioned at Campden, compared favourably to Margaret Thorp, disliked by Edith Perkins, EH job-seeking for, TSE confides EH's breakdown to, accompanied TSE and EH to Burford, taken to the Elsmiths, still persona non grata with the Perkinses, promised and receives East Coker, a Christian Scientist, recalls TSE's final day with Henry, hosts EH at Wellesley, now Lecturer in French at Wellesley, missed by EH, asks TSE to read at Wellesley,

2.JeanetteMcPherrin, Jeanette McPherrin (1911–92), postgraduate student at Scripps College; friend of EH: see Biographical Register.

Murder in the Cathedral, idea for initially suggested by Laurence Irving, offered to Martin Browne, St. Thomas as TSE's muse, TSE on writing, tentatively, 'The Archbishop Murder Case', uncertainties over title, currently 'Fear in the Way', which proves unpopular, TSE on rewriting, title settled on, final revisions for printer, tentatively critiqued by EH, and EH on TSE as dramatist, chorus copied for EH, Virginia Woolf's aspersions on, the form of its choruses, defended from obscurity, did not test TSE's plotting, book-sales to-date, $1,000 offered for American rights, pays for 1936 American trip, Italian and Hungarian rights sold, and Whiggery, Savile Club dinner to celebrate, compared to next play, discrepancies of Canterbury Text, Martin Browne's initial response to, TSE recognised as author of, TSE on its cheerful title, EH on, abandoned Mercury Theatre premiere, suggested by Yeats and Doone, in the offing, and Doone's response to first draft, EH requested at, imperilled, text copied for Yeats, 1935 Canterbury Festival production, in rehearsal, opening night, reception, final performance, and EH's response, 1935–6 Mercury Theatre revival, Martin Browne pushing for, in rehearsal, which EH attends, compared to Canterbury original, at the box-office, its 100th performance, still running, proposed tour to end, 1936 BBC radio version, BBC bid to produce, broadcast fixed, BBC memo on, in rehearsal, TSE on, abortive 1936 New York transfer, Dukes visits America to arrange, blighted by Brace's actions, quashed by Federal Theatre production, its usurper founders, deferred to autumn, unsolicited 1936 New York production, licensed by Brace, to be directed by Rice, seemingly withdrawn, Rice resigns from, delights EH and Eleanor Hinkley, TSE sent press-cuttings for, EH reports on, TSE speculates as to textual discrepancies, attended by Eleanor Roosevelt, extended and potentially expanded, TSE to the Transcript on, may predispose immigration authorities favourably in future, royalties from, 1936 University College, Dublin student production, described by TSE, rumoured Australian and American productions, 1936 Gate Theatre touring production, TSE's long-held wish, scheduled, 1936 touring production, due at the Arts Theatre, Cambridge, as it was played in Cambridge, 1936 America pirate production, 1937 Duchess Theatre West End transfer, date fixed for, announced in Times, dress-rehearsal attended, reception, reviewed, royalties, still playing, ticket sales pick up, coming to an end, receives royal visit, 1937 touring production, scheduled post-Duchess, beginning in Leeds, then Manchester, going strong, 1937 Harvard University production, 1937 Amherst College production, singled out for praise, 1937 Old Vic production, touring production arrived at, in rehearsal, 1937 Tewkesbury Drama Festival production, 1938 American tour, projected for January 1937, said date seconded by Dukes, deferred to September 1937, confirmed again by Dukes, pre-tour dates in Golders Green, then Liverpool, opening in Boston in January, over which EH is consulted, tour itinerary, Family Reunion keeps TSE from, preparatory re-rehearsal for, pre-crossing Liverpool dates, EH's judgement desired, EH reports on first night, reviewed in The Times, EH sends New York cuttings, prematurely transferred to New York, Dukes reports on, Westminster Cathedral Hall charity performance, 1940 Latham Mercury revival, revival suggested in rep with Family Reunion, wartime modern-dress production suggested, ambushes TSE, in rehearsal, first night, reviewed, Browne's wartime Pilgrim Players' adaptation, Hoellering film, Hoellering's initial approach made, Hoellering's vision for, TSE adapting for screen, reconnoitre of Canterbury for, casting Becket, recording made for, development process described to NYT, non-actor found for Becket, screenings of Groser, set-dressing, screening, approaching release, still in the edit, final screening, and Venice Film Festival, seeking distribution, soon to premiere, opens, initial reception, circulating in shortened version, 1945 Théâtre du Vieux Colombier production, compared to Martin Browne's, royalties, apparently a hit, reviewed, reaches 150 performances, Fluchère's involvement, 1946 German production, 1947 Edinburgh Festival production, 1948 Milton Academy production, 1949 broadcast, 1949 Berlin production, politically resonant, 1952 University of Rennes, Grand Théâtre abridgment, 1952 Théatre National Populaire production, 1953 Old Vic revival, waiting on Donat, TSE on, 1954 Harvard production,
travels, trips and plans, EH's 1930 trip to England, EH's proposed 1931 England visit, called off, EH's 1932 summer holidays, the Eliots' Derby Day excursion, related, the Eliots' July 1932 Hindhead visit, the Eliots' August 1932 Eastbourne holiday, described, TSE's 1932–3 year in America, Norton Professorship offered to TSE, and the prospect of reunion with EH, which TSE refuses to see as decisive, which angers EH, who writes and destroys a response, TSE's financial imperatives, TSE's itinerary, and the question of discretion, opportunity for adventurous lecture-tours, TSE speculates on attendant feelings, TSE on the voyage over, TSE reflects on, TSE's return from, the Eliot family's Randolph holiday, TSE's 1933 westward tour to Scripps, proposed to EH, and TSE's need to lecture, possibly via St. Louis, TSE's itinerary, possible stopover in Seattle, a shameful source of happiness, still a happy thought, described by Havens and others, TSE reflects on, TSE's return from, TSE wonders at after-effect on EH, EH urged to reflect honestly on, Ada on, and a conversation about divorce, in EH's recollection, possible EH 1933 summer in England, TSE's 1933 Faber summer holiday, set for mid-August, postponed, rearranged, TSE buys summer outfits for, described, TSE's 1933 tour of Scotland, possible itinerary, Morley's preparations for, described for EH, TSE's 1933 trip to Paris, mooted, described, EH's 1934–5 year in Europe, TSE delighted at the prospect, attempts to coordinate with TSE's 1934 summer plans, the Perkinses due in Chipping Camden, EH's itinerary, TSE's initial weekend at Chipping Campden, TSE books rooms in Lechlade, TSE visits Campden again with family, and again alone, which visit TSE reflects on, TSE's plans to entertain EH en route to Europe, EH's continental itinerary, VHE and propriety inhibit pre-Paris arrangements, L'Escargot lunch, weekend in Sussex for EH's birthday, possible London tea-party, second lunch at L'Escargot, EH and TSE's November excursions, a month which TSE reflects happily on, EH's summer 1935 plans, EH departs England, EH in Florence, arrived in Rome, TSE coordinating with EH's return, TSE recommends Siena, EH returns to Florence, EH sails for Riviera, EH returns from France, L'Escargot lunch on EH's return, EH sails for Guernsey, May 1935, EH's June 1935 London sortie, TSE attends Dr Perkins's birthday, TSE's July 1935 Campden week, TSE offers to fund EH in London, where EH joins Jeanie McPherrin, TSE's Campden birthday weekend, prospect of EH spending month at Blomfield Terrace, Thorp theatre outing, TSE's 6–8 September Campden weekend, EH staying at 19 Rosary Gardens, EH to Campden for 15–17 November, EH sails for Boston, EH and TSE's final farewell, TSE and EH's final weeks in London, their excursion to Finchampstead, TSE reflects on, excursion to Greenwich, EH reflects on the final weeks of, TSE's 1934 Faber summer holiday, described, TSE's dream of Cairo, TSE's invitation to Finland, palmed off on Robert Nichols, TSE's 1935 tour of Scotland, proposed by Blake, attempts to coordinate with EH, TSE's itinerary, TSE's 1935 Faber summer holiday, TSE writes from, described, TSE's 1936 visit to Ireland, TSE's itinerary, recounted, TSE's spring/summer 1936 trip to Paris, first contemplated, date fixed, Morleys invited, TSE's itinerary, recounted, TSE's 1936 Faber summer holiday, TSE writes from, TSE's 1936 American trip, spring arrival dependent on New York Murder, if not spring, then autumn, possible excursions, autumn better for seeing EH, and possible Princeton offer, and possible Smith visit, efforts to coordinate with EH, passage on Alaunia booked, TSE's itinerary, Murder to pay for, coordinating with Eliot Randolph holiday, the moment of parting from EH, TSE's birthday during, TSE reflects on, TSE's 1937 tour of Scotland, itinerary, recounted, the Morley–Eliot 1937 trip to Salzburg, contemplated, itinerary, EH receives postcard from, described, as relayed to OM, EH's 1937 summer in England, and Mrs Seaverns, EH accompanies TSE to Edinburgh, itinerary coordinated with EH, dinner at L'Escargot, TSE's 10–11 July Campden visit, TSE's 17–22 July Campden visit, TSE's 21 August Campden visit, EH travels to Yorkshire, TSE reminisces about, TSE's 1937 Faber summer holiday, TSE reports from, leaves TSE sunburnt, TSE's 1938 trip to Lisbon, outlined to EH, TSE advised on, travel arrangements, the voyage out, described, EH's 1938 summer in England, and whether EH should spend it at Campden, EH's arrival confirmed, TSE's July Campden visit, EH's late-July London stay, TSE's 5–21 August Campden fortnight, TSE's 3–6 September Campden visit, EH's September London stay, TSE reflects on, TSE's 1938 Faber summer holiday, TSE's preparations for, TSE reports from, possible EH England Christmas 1938 visit, possible TSE 1939 visit to America, mooted for spring, complicated by Marion and Dodo's trip, shifted to autumn, threatened by war, made impossible, EH's 1939 England visit, TSE's efforts to coordinate with, threatened by war, complicated by Marion's arrival, EH's itinerary, EH's initial London stay, TSE's 7–20 July Campden visit, TSE's 22–30 August Campden visit, TSE's 2–4 September Campden visit, EH again London, EH and TSE's parting moments, in TSE's memory, memory vitiated by EH's subsequent letter, TSE's 1939 Faber summer holiday, TSE writes from, possible wartime transatlantic crossings, contingencies, in case of EH being ill, TSE's reasons for and against, and TSE's New York proposition, following invasion Denmark and Norway, impossible for TSE unless official, TSE's desire to remain in England, TSE's reasons for and against accepting lectureship, given Ada's impending death, TSE's abortive 1940 Italian mission, possible but confidential, lectures prepared for, and the prospect of seeing EP, might include Paris, itinerary, in jeopardy, final preparations for, cancelled, TSE's 1940 visit to Dublin, approved by Foreign Office, in national interest, itinerary, recounted, involves TSE's first plane-journey, TSE's 1940 Faber summer holiday, TSE reports from, TSE's 1941 Faber summer holiday, Kipling and fishing-rod packed for, TSE reports from, TSE's 1941 Northern tour, proposed by the Christendom group, arranged with Demant, itinerary, recounted, TSE's 1942 British Council mission to Sweden, TSE makes cryptic allusion to, as recounted to EH, as recounted to JDH, return leg in London, as war-work, TSE's 1942 New Forest holiday, described, TSE's 1942 week in Scotland, recounted, TSE's abortive 1942 Iceland mission, TSE's 1943 trip to Edinburgh, recounted, TSE's abortive 1943 Iceland mission, TSE's 1943 New Forest holiday, TSE's 1944 trip to Edinburgh, TSE's abortive 1944 North Africa mission, TSE's May 1945 trip to Paris, described, TSE's June 1945 trip to Paris, recounted, possible post-war American visit, and Henry's impending death, ideally ancillary to work, possibly as F&F's representative, waits on TSE's health and Carlyle Mansions, TSE's 1945 September fortnight in Lee, described, TSE's 1945 Christmas in Lee, described, TSE's 1946 summer in America, date for passage fixed, paperwork for, TSE's itinerary, its aftermath, recounted, TSE's 1947 summer in America, dependent on lecture engagements, TSE seeks to bring forward, Henry's condition brings further forward, set for April, itinerary, EH reflects on, TSE's scheduled December 1947 visit to Marseilles and Rome, itinerary, TSE's preparations for, dreaded, Roman leg described by Roger Hinks, EH's hypothetical March 1948 visit to England, TSE's postponed 1948 trip to Aix, itinerary, recounted, home via Paris, TSE's 1948 trip to America, itinerary, TSE's visit to EH in Andover, disrupted by Nobel Prize, TSE's 1948 Nobel Prize visit to Stockholm, itinerary, recounted, TSE's 1949 family motor-tour of Scotland, described, TSE's October–November 1949 trip to Germany, possible itinerary, preparations for, final itinerary, TSE's account of, the return via Belgium, TSE's January 1950 voyage to South Africa, all but fixed, itinerary, described by TSE, recounted by Faber, EH's 1950 summer in England, TSE books EH's hotel room for, TSE's efforts to coordinate with EH's movements, EH in Campden, TSE reports to Aunt Edith on, TSE's 1950 visit to America, and TSE's possible Chicago post, the Chicago leg, November itinerary, TSE's spring 1951 trip to Spain, itinerary, recounted, TSE's September 1951 Geneva stay, itinerary, recounted, TSE's 1951 British Council mission to Paris, recounted, TSE's second 1951 British Council mission to Paris, recounted, TSE's 1952 visit to Rennes and the Riviera, itinerary, recounted, TSE's 1952 visit to America, itinerary, efforts to coordinate with EH's summer, TSE on meeting with EH, TSE's 1952 rest cure in Switzerland, TSE's 1953 visit to St. Louis and America, set for June, to include fortnight in Cambridge, itinerary, EH's 1953 trip to England, EH's Alnwick plans, TSE books hotel for EH, and EH's ticket to Confidential Clerk, TSE's 1953 visit to Geneva, TSE's 1953–4 trip to South Africa, itinerary, described, arrival described to JDH, GCF on, TSE's 1954 Geneva rest cure, Geneva preferred to Paris, TSE's deferred 1955 visit to Hamburg, prospect inspires reluctance in TSE, proposed for spring 1955, dreaded, TSE now returned from, TSE's 1955 visit to America, and contingent speaking engagements, foreshortened, itinerary, Washington described, TSE's return from, TSE's 1955 Geneva rest cure, TSE's 1956 visit to America, passage fixed for April, itinerary, TSE in the midst of, TSE reflects on, TSE's 1956 Geneva rest cure, itinerary, recounted, illness during, EH's 1957 visit to England, TSE and EVE invited to Campden, TSE reciprocates with London invitation, but EH leaves England abruptly, which TSE consults Eleanor Hinkley over, who duly explains, TSE and EVE's 1958 trip to America, as rumoured to EH, EH's 1959 tour of Scandinavia, funded by bequest from cousin, TSE and EVE's 1959 trip to America, TSE and EVE's 1963 trip to America,
Whitty, Dame May, considered for The Family Reunion, Gielgud potentially able to cast, lined up for Dowager,

6.TheWhitty, Dame May part of Mrs Bramson, in Emlyn Williams’s thriller Night Must Fall (which premiered at the Duchess Theatre, London, in 1935), was played by Dame May Whitty (1865–1948).

Wolfe, Humbert, a poetaster, intercedes for Jan Culpin's refugee, at Red Cross do,

5.HumbertWolfe, Humbert Wolfe (1885–1940) – originally Umberto Wolff (the family became British citizens in 1891, and he changed his name in 1918) – poet, satirist, critic, civil servant. The son of Jewish parents (his father was German, his mother Italian), he was born in Bradford (where his father was in a wool business), and went to the Grammar School there. A graduate of Wadham College, Oxford, he worked at the Board of Trade and the Ministry of Labour, and spent time as UK representative at the International Labour Organisation in Geneva. He found fame with Requiem (1927), and in 1930 was mooted as a successor to Robert Bridges as Poet Laureate. He edited over forty books of verse and prose, and wrote many reviews. See Philip Bagguley, Harlequin in Whitehall: A Life of Humbert Wolfe, Poet and Civil Servant, 1885–1940 (1997).

World Conference of Churches, 1937, TSE's address to, keeps TSE from Campden,