[240 Crescent St., Northampton, Mass.]

T. S.Eliot
EmilyHale
TS
The Criterion
Tuesday March 2nd [1937]
Dearest Girl,

I am writing this morning, before starting WORK (and work in capitals spells VERSE) so as to catch the Queen Mary on her return. She has brought your letter of the 23d this morning, with enclosures. I have to dine with the Camerons tonight, andLiterary Society, TheTSE's reasons for joining;a1 last night went for the first time to a monthly dining club which I have joined, called ‘The Literary Society’ 1 – which I joined because I like to be able to meet people outside of my own world, and the members of this are Old Buffers with no nonsense about literature. Besides, they are mostly older than I, which makes me feel young and sprightly. (ThisLucas, Edward Verrall ('E. V.')at The Literary Society;a1 wasDawson, Geoffreyat The Literary Society;a2 aDarwin, Bernardat The Literary Society;a1 smallMalcolm, Dougal;a1 meetingMaclagan, Ericat The Literary Society;a8: the Chairman of Methuen & Co. (Mr. E. V. Lucas); the Editor of The Times (Geoffrey Dawson); the Golf Expert of the Times (Bernard Darwin, who says he is related to the Sedgwicks of Stockbridge); the Chairman of the South Africa Company (Dougal Malcolm); and the Head of the Victoria & Albert Museum (Eric Maclagan). TheDawson, Bertrand, 1st Viscount Dawson of Penn;a1 other New Member, Lord Dawson of Penn, was unable to come. I had the satisfaction of blackballing a well-known man of letters, in favour of a man I had never heard of before, but who sounded the right sort. I again had a day and a half in bed with a cold, over the weekend, and had the doctor this time. Evidently the inoculations hold good, with me, for about three months, after which I need another: so I am to go for an injection next Monday. What I am really afraid of at present is Mumps! Our Sales Manager has it, andO'Donovan, Brigid;c2 now I hear Miss O’Donovan has it, fortunately it is over a month since she left us for the BBC; andRidler, Anne (née Bradby);a4 I am glad to say that Miss Bradby has had it at some earlier period of life, so I shan’t catch it from her. WhileFamily Reunion, Thebegun;b2 at home – after I had got up on Sunday afternoon, I managed to type about four pages of an opening scene. I think it is more likely that I shall have to scrap them sooner or later, and it will not surprise me if, after I have got a certain way, I scrap the whole scenario too and try to think of a new one: but anyway it is a START. And that’s the main thing. I am afflicted at the beginning with exactly the same feeling of complete inability that I have had on beginning every large piece of work, and probably always will. But I think that feeling helps to force one to something NEW. IMurder in the Cathedralcompared to next play;c9 knowFamily Reunion, Thecompared to Murder;b3 that there are all sorts of dramatic problems with which I was not faced in ‘Murder’; andAuden, Wystan Hugh ('W. H.')as verse dramatist;b6 furthermore I have got to work out a rather different kind of versification, as a plausible medium for contemporary people, in which they can make commonplace remarks without its sounding like parody and can rise to sublimity without sounding as if they were reciting a poetry piece. ThatAuden, Wystan Hugh ('W. H.')The Ascent of F6 (with Isherwood);d3 is where I am dissatisfied with Auden’s work. I sent you a copy of ‘The Ascent of F6’ did I not? In any case I will send you a copy of the second edition as soon as it is ready, as there are considerable alterations. IFabers, theand TSE attend opening of Ascent of F6;d7 wentMercury Theatre, Londonpresents The Ascent of F6;b6 onDoone, Rupertproducing The Ascent of F6;b9 FridayDukes, Ashley;c6 toBrowne, Elliott Martinand Ascent of F6;b8 the first night at the Mercury (taking the Fabers out to dinner beforehand) where it is being produced by little Rupert Doone under the auspices of Ashley Dukes and Martin Browne. (MrsMann, Erika;a1. Auden was there, and I liked her, but had no opportunity of any private conversation:2 WystanAuden, Wystan Hugh ('W. H.')away in Aragon for premiere;b7 is said to have gone to the Aragon Front).3 The production was quite good, especially some of the minor characters. Michael Devlin (who made his name in King Lear and Per [sic] Gynt at the Old Vic) was I thought rather heavy as the hero: you know my general feeling that Irish actors are incapable of much subtlety – except the kind of subtlety that there is in Irish plays). ButIsherwood, Christopherresponsible for the best of F6;a1 what worries me about the play is that, except for some lines which are good poetry, the best part of the play – and what makes it dramatic – is the prose part done by Christopher Isherwood. AudenYeats, William Butler ('W. B.')in TSE's view, yet to master dramatic verse;b9 hasnt, any more than Yeats, solved the problem of making people talk dramatically in verse; and the verse passages consequently are merely jam for poetry lovers – and in what may be called the big moments, are Shakespeare recitals, as I mentioned above. The playAuden, Wystan Hugh ('W. H.')The Dog Beneath the Skin (with Isherwood);d5 is much more dramatic than ‘The Dog Beneath the Skin’, butIsherwood, Christophershould pursue prose plays alone;a2 IAuden, Wystan Hugh ('W. H.')collaborative efforts lamented by TSE;b1 feel that it would be more satisfactory for Isherwood to produce a prose play by himself, and Auden to try to do a verse play by himself. Thecommunismas inspiration for Auden and Isherwood's collaboration;b3 merits of collaboration (when it comes to any work of literary art[)] are much overrated: I am afraid that the addiction to it is the result of a kind of communist theory as to how art ought to be produced, and I think it is a wrong theory.

I'Mr Reckitt, Mr Tomlin, and the Crisis';a2 enclose my Note on the Crisis (unsatisfactory essentially, because one cannot make any use of the various rumours and reports of a personal nature which one has heard), andEvans, Edith'Acting Shakespeare' sent to EH;a6 also a BBC piece by Edith Evans (which I haven’t had time to read myself) on acting Shakespeare.4

ISmith Collegereappoints EH;b6 wasHale, Emilyas teacher;w1reappointed with pay-rise;c4 very glad to get your letter of 23d (the previous were those of the 15th and 19th) and the welcome news that you had been re-appointed with even a slight rise. (ByHale, Emilyfinances;w5;a8 the way, I had been under the impression that your salary was $3000 not $2000; I must have misread your figures at the time). To be REappointed is a great deal more of an honour that to be appointed in the first place; and should stand you as the very best of references if you should make a change next year. And it is good to hope that you may be able next year to do some acting, if not directing. (DoEliot, Samuel Atkins, Jr. (TSE's cousin)apparently disliked;a2 you ever see Sam Eliot? I seem to have heard that he is not a very agreeable person). And I am glad that you are gradually getting more social life, though it seems to be largely feminine. (Don’t ever go to a college where there are only, or almost only, women teachers, like Wellesley). ThankYale Universityexhibits first editions of TSE;a7 you for all your news about the Yale exhibition. WhatGallup, Donaldobject of pity;a1 chiefly strikes me is the pathos of Mr. Gallup: a poor young man who ought not to be spending his money on first editions and letters etc. of mine or of anybody else; or for that matter wasting his time on such trivialities as exhibitions of odds and ends of a living author (I almost think he would like any old pipes, old shirts, odd buttons etc). He has sent me some catalogues – amazingly thorough.

NothingEgoist, The;a2 seems to be lacking except someTimes Literary Supplement, The;a5 unsigned contributions to The Egoist and The Times Literary Supplement: and I can’t supply those. I didn’t in the least mind your contributing some items! By the way, it was kind, but indiscreet of Gallup to suggest warning me about a certain person – I shall destroy his letter for that reason instead of returning it to you – if such a letter went astray it would be libellous. As a matter of fact, I have no illusions about that person because (1) I have met him and didn’t take to him (2) he played rather fast and loose with us and another London firm over a book. (But he does write well). I was also interested by the letter from Miss Lay, which I shall keep.5 I have not had any official news of the Pasadena production. MeanwhileMurder in the Cathedral1937 touring production;e9beginning in Leeds, then Manchester;a2 theEnglandLeeds, Yorkshire;g5touring Murder opens in;a3 London company has been doing very well at a large theatre in Leeds, and is now moving on to Manchester.

I was glad to know of the Memorial to Betty Lou Snider.

When I am in bed with a cold I always miss you especially! I was so glad to have that little illness – only about fifteen months ago – to have you come in to see me twice a day. In nursing and in being nursed one can express a tenderness that can be expressed in no other way. OneHale, Emilyhealth, physical and mental;w6TSE's desire to nurse;a3 mustn’t wish for even a slight illness – but all the same it would be pleasant to come down with a slight chill for a day or two at Campden next summer! But I long still more to be able to look after you.

Now I must stop and do some WORK before lunch.

Emilie’s
devoted Tom

1.TheLiterary Society, The;a2n Literary Society, which held monthly meetings at the Orleans Club, King Street, St James’s, London, was a select body: members included Sir Bruce Richmond, Walter de la Mare, The Rt. Hon Viscount Halifax, Sir James Barrie, A. A. Milne, The Most Hon. The Marquess of Lansdowne, The Rt Hon. Stanley Baldwin, Desmond MacCarthy, Sir Robert Vansittart, Prof. Henry Tonks, Sir Maurice Gwyer, Aldous Huxley, Kenneth Clark, Julian Huxley, Lord David Cecil. On a printed list of members handed by TSE to Hayward, TSE typed this comment: ‘What I like about This is: that there’s No Damn Nonsense about Literature.’

2.Geoffrey Faber’s Diary: ‘26 Feb. E & I dined with T.S.E. & went to first night of Ascent of F6. Met Mrs Auden.’

3.Auden was in Republican Spain, 13 Jan. to 2 Mar. 1937. See Nicholas Jenkins, Appendix to ‘Eleven Letters from Auden to Stephen Spender’, in W. H. Auden: ‘The Map of All My Youth’: Early Works, Friends and Influence, ed. Katherine Bucknell and Nicholas Jenkins (Oxford, 1990), 89–93.

4.Edith Evans, ‘Acting Shakespeare’, The Listener 17 (10 Feb. 1937), 261–3.

5.Not found.

Auden, Wystan Hugh ('W. H.'), and EP's 'Seafarer', TSE sends EH Poems, TSE recites 'To Gabriel Carritt', remembered by Ethel Swan, as dramatist, and Yeats's Mercury Theatre plans, Holmesian prank devised for, Doone wants for Westminster Theatre, collaborative efforts lamented by TSE, talks films at JDH's, strays from F&F, preoccupied with Byron and Barcelona, TSE on 'Letter to Lord Byron', as verse dramatist, away in Aragon for premiere, and Isherwood's plays versus Spender's, forgets to thank Keynes, TSE on his Isherwood plays, condoles TSE over Sandburg accusation, in bad odour, in America, circulating drollery on latest book-title, as pictured by TSE in America, Journey to a War (with Isherwood), Letters from Iceland (with MacNeice), New Year Letter, On the Frontier (with Isherwood), Paid on Both Sides, The Ascent of F6 (with Isherwood), The Dance of Death, The Dog Beneath the Skin (with Isherwood),

10.W. H. AudenAuden, Wystan Hugh ('W. H.') (1907–73), poet, playwright, librettist, translator, essayist, editor: see Biographical Register.

Browne, Elliott Martin, meets TSE at Chichester, production of The Rock, meets TSE over possible collaboration, talks over outline of play, meets TSE with Martin Shaw, delighted with Rock choruses, discusses unwritten pageant scenes with TSE, predicament as The Rock's director, well connected in amateur circles, revising into the night with TSE, argues with Shaw at dress-rehearsal, presented to Prince Arthur, honoured by Rock cast-supper, producing Gordon Bottomley's play, speaks at Londonderry House with TSE, 1935 Canterbury Murder in the Cathedral, approached by TSE to 'produce', consulted throughout composition, goes silent, lunches with TSE and Speaight, directs and acts despite illness, pursues London Murder revival, 1935–6 Mercury Theatre Murder revival, engaged as producer by Dukes, keen that EH attend rehearsals, simultaneously part of BBC production, agrees about Speaight's decline, preferred as producer for TSE's next play, and Charles Williams's Cranmer, in which he plays 'the Skeleton', and TSE attend Tenebrae, taken to Cambridge after-feast, producing York Nativity Play, which TSE thinks Giottoesque, at Savile Club Murder dinner, producing Shakespeare's Dream, and Ascent of F6, and Tewkesbury Festival Murder confusion, 1939 production of The Family Reunion, due to be sent script, weighing TSE's proposal that he produce, enthused by script, suggests TSE see Mourning Becomes Electra, against Family Reunion as title, pleased with draft, quizzed on fire-safety, typescript prepared for, new draft submitted to, rewrite waits on, receives new draft, criticisms thereof, reports John Gielgud interest, mediates between Gielgud and TSE, TSE throws over Gielgud for, secures Westminster Theatre production, steps into company breach, then into still-greater breach, and the play's weaknesses, direction of Family Reunion, receives TSE's Shakespeare lectures, 1938 American Murder tour, re-rehearsing actors for, suffers fit of pre-tour gloom, yet to report from Boston, and Tewkesbury pageant, accompanies TSE to La Mandragola, on Family Reunion's future prospects, and possible Orson Welles interest, war leaves at loose end, advises TSE over next play, war work with Pilgrim Players, unavailable for modern-dress Murder, compared to tempter/knight successor, requests Pilgrim Players' play from TSE, New Plays by Poets series, as director, and This Way to the Tomb, and Family Reunion revival, urges TSE to concentrate on theatre, 1946 Mercury Family Reunion revival, in rehearsal, possible revue for Mercury Theatre, and The Lady's Not for Burning, Chairman of the Drama League, 1949 Edinburgh Cocktail Party, to produce, TSE's intended first reader for, receives beginning, approves first act, receives TSE's revisions, communciates Alec Guinness's enthusiasm, arranges reading, surpasses himself with production, in Florence, EH suggests moving on from, and the Poets' Theatre Guild, 1950 Cocktail Party New York transfer, compares Rex Harrison and Alec Guinness, TSE debates whether to continue collaboration with, suggests three-play TSE repertory, 1953 Edinburgh Confidential Clerk, receives first two acts, designing sets, 1953 Lyric Theatre Confidential Clerk, attends with TSE, 1954 American Confidential Clerk, 1954 touring Confidential Clerk, TSE and Martin Browne catch in Golders Green, seeks Family Reunion MS from EH,
see also Brownes, the Martin

4.E. MartinBrowne, Elliott Martin Browne (1900–80), English director and producer, was to direct the first production of Murder in the Cathedral: see Biographical Register.

communism, TSE's fantasy political party conceived against, communists satirised in The Rock, communists known to TSE, essentially antagonistic to Christianity, discussed with Bunny Wilson, and unemployment, as against fascism, the church's case against, preferred to conservatism, TSE asked to sign Christian manifesto against, as inspiration for Auden and Isherwood's collaboration, preached by Cecil Day Lewis, and Middleton Murry, during the Cold War, Margaret Thorp's liberal hypocrises over,
Darwin, Bernard, at The Literary Society,
Dawson, Bertrand, 1st Viscount Dawson of Penn,
Dawson, Geoffrey, and Credit Reform letter to The Times, at The Literary Society, rumoured to be pro-German,

9.GeoffreyDawson, Geoffrey Dawson (1874–1944), editor of The Times, 1912–19, 1922–41.

Doone, Rupert, approaches TSE with Aristophanes commission, at TSE's theatrical Ritz tea-party, pitches the Group Theatre to TSE, discusses Sweeney Agonistes with TSE, TSE on his Sweeney, his own interpretation of Sweeney Agonistes, and Yeats's Mercury Theatre season, dismissed by Yeats, on Margot Collis, possible Mercury Murder premiere, dismayed by prose of Murder, resigns from Mercury Theatre season, resigns from Mercury Theatre season, offers Westminster Theatre production instead, craves TSE's next play, and troupe bemoaned, producing The Ascent of F6, surpasses himself with Spender, and his illustrious housekeeper,
see also Group Theatre

2.RupertDoone, Rupert Doone (1903–66), dancer, choreographer and producer, founded the Group Theatre, London, in 1932: see Biographical Register.

Dukes, Ashley, described by Yeats to TSE, approaches Doone over Mercury Theatre season, lines up Mercury Murder revival, with which he is pleased, his ambitions for Murder, which Brace upsets, instructed as to Murder New York negotiations, hustling in New York, from where he reports, agrees about Speaight's decline, explains miscarriage of 1936 American production, at 100th performance of Murder, latest plans for Murder, revised plans for New York, dares to call TSE in morning, TSE's royalty arrangement with, policing pirate productions of Murder, discusses Murder's America rights, full of grand desgins, takes Browne into partnership, on Murder's Abdication Crisis resonance, among Family Reunion's first readers, plans for Murder, American Murder tour, against Family Reunion as title, pleased with Family Reunion fragment, sent full Family Reunion draft, lets EH down, consulted over Gielgud contract, on Gielgud and Family Reunion, negotiating with Saint-Denis, less persuaded by Family Reunion, optimistic on Family Reunion transfer, instructed on Family Reunion licensing, fields Orson Welles enquiry, suggests wartime Murder revival, which he mounts without consulting TSE, attempting season of miniature operas, submits theatrical reminiscences to TSE, and Murder film rights, book launch for memoirs, reports on TSE's continental productions, gives Garrick Club dinner for TSE, takes full control of Mercury, accompanies TSE to Germany, La Mandragola, The Scene is Changed, Too Many Twins,
see also Dukes, the

4.AshleyDukes, Ashley Dukes (1885–1959), theatre manager, playwright, critic, translator, adapter, author; from 1933, owner of the Mercury Theatre, London: see Biographical Register.

Egoist, The, its aetiology,
Eliot, Samuel Atkins, Jr. (TSE's cousin), unknown to TSE, apparently disliked, critical of TSE as playwright, dominates theatre at Smith,

2.SamuelEliot, Samuel Atkins, Jr. (TSE's cousin) Atkins Eliot, Jr. (1893–1984), author, translator of works by Frank Wedekind, Professor at Smith College, Northampton; son of the Unitarian clergyman Samuel Atkins Eliot (1862–1950) and grandson of Charles W. Eliot, President of Harvard. Works include Little Theatre Classics (3 vols, 1918–21); Erdgeist, by Wedekind (trans., 1914); and Tragedies of Sex, by Wedekind (trans., 1923).

England, TSE as transatlantic cultural conduit for, discomforts of its larger houses, and Henry James, at times unreal, TSE's patriotic homesickness for, which is not a repudiation of America, TSE's want of relations in, encourages superiority in Americans familiar with, reposeful, natural ally of France, compared to Wales, much more intimate with Europe than America, TSE on his 'exile' in, undone by 'Dividend morality', in wartime, war binds TSE to, post-war, post-war privations, the English, initially strange to TSE, contortions of upward mobility, comparatively rooted as a people, TSE more comfortable distinguishing, the two kinds of duke, TSE's vision of wealthy provincials, its Tories, more blunt than Americans, as congregants, considered racially superior, a relief from the Scottish, don't talk in poetry, compared to the Irish, English countryside, around Hindhead, distinguished, the West Country, compared to New England's, fen country, in primrose season, the English weather, cursed by Joyce, suits mistiness, preferred to America's, distinguished for America's by repose, relaxes TSE, not rainy enough, English traditions, Derby Day, Order of Merit, shooting, Varsity Cricket Match, TSE's dislike of talking cricket, rugby match enthralls, the death of George V, knighthood, the English language, Adlestrop, Gloucestershire, visited by EH and TSE, Amberley, West Sussex, ruined castle at, Arundel, West Sussex, TSE's guide to, Bath, Somerset, TSE 'ravished' by, EH visits, Bemerton, Wiltshire, visited on Herbert pilgrimage, Blockley, Gloucestershire, tea at the Crown, Bosham, West Sussex, EH introduced to, Bridport, Dorset, Tandys settled near, Burford, Oxfordshire, EH staying in, too hallowed to revisit, Burnt Norton, Gloucestershire, TSE remembers visiting, and the Cotswolds, its imagined fate, Cambridge, Cambridgeshire, less oppressive than Oxford, TSE's vision of life in, possible refuge during Blitz, Charlbury, Oxfordshire, visited by EH and TSE, Chester, Cheshire, TSE's plans in, TSE on, Chichester, West Sussex, the Perkinses encouraged to visit, EH celebrates birthday in, TSE's guide to, 'The Church and the Artist', TSE gives EH ring in, Chipping Campden, Gloucestershire, Perkinses take house at, shockingly remote, TSE's first weekend at, likened to Florence, TSE jealous of memories associated with, its Arts & Crafts associations, its attractions to Dr Perkins, forever associated with TSE and EH, sound of the Angelus, without EH, treasured in TSE's memory, excursions from, EH on 'our' garden at, Stamford House passes into new hands, EH's fleeting return to, Cornwall, TSE's visit to, compared to North Devon, Cotswolds, sacred in TSE's memory, Derbyshire, as seen from Swanwick, Devon ('Devonshire'), likened to American South, the Eliots pre-Somerset home, its scenery, Dorset, highly civilised, TSE feels at home in, TSE's Tandy weekend in, Durham, TSE's visit to, East Anglia, its churches, TSE now feels at home in, East Coker, Somerset, visited by Uncle Chris and Abby, TSE conceives desire to visit, reasons for visiting, described, visited again, and the Shamley Cokers, now within Father Underhill's diocese, photographs of, Finchampstead, Berkshire, visited by TSE and EH, specifically the Queen's Head, Framlingham, Suffolk, visited, Garsington, Oxfordshire, recalled, Glastonbury, Somerset, Gloucester, Gloucestershire, Gloucestershire, highly civilised, its beautiful edge, its countryside associated with EH, TSE at home in, its domestic architecture, Hadsleigh, Suffolk, visited, Hampshire, journey through, TSE's New Forest holiday, Hereford, highly civilised, Hull, Yorkshire, and 'Literature and the Modern World', Ilfracombe, Devon, and the Field Marshal, hideous, Knole Park, Kent, Lavenham, Suffolk, visited, Leeds, Yorkshire, TSE lectures in, touring Murder opens in, the Dobrées visited in, home to EVE's family, Lincoln, Lincolnshire, TSE's visit to, especially the Bishop's Palace, Lincolnshire, arouses TSE's curiosity, unknown to EH, Lingfield, Surrey, Little Gidding, Cambridgeshire, TSE's long-intended expedition to, London, in TSE's experience, TSE's isolation within, affords solitude and anonymity, contrasted to country life, its fogs, socially freer than Boston and Paris, eternally misty, its lionhunters, rain preferable in, more 'home' to TSE than America, socially more legible than Boston, its society compared to Boston's, TSE's desire to live among cockneys, South Kensington too respectable, Clerkenwell, Camberwell, Blackheath, Greenwich scouted for lodging, its comparatively vigorous religious life, Camberwell lodging sought, Clerkenwell lodging sought, and music-hall nostalgia, abandoned by society in August, the varieties of cockney, TSE's East End sojourn, South Kensington grows on TSE, prepares for Silver Jubilee, South Kensington street names, Dulwich hallowed in memory, so too Greenwich, during 1937 Coronation, preparing for war, Dulwich revisited with family, in wartime, TSE as air-raid warden in, Long Melford, Suffolk, Lowestoft, Suffolk, Lyme Regis, Dorset, with the Morleys, Marlborough, Wiltshire, scene of a happy drink, Needham Market, Suffolk, Newcastle, Northumberland, TSE's visit to, Norfolk, appeals to TSE, Nottingham, Nottinghamshire, dreary, Nottinghamshire, described for EH, Oxford, Oxfordshire, as recollected by TSE, past and present, EH takes lodgings in, haunted for TSE, in July, compared to Cambridge, Peacehaven, Sussex, amazing sermon preached in, Penrith, TSE's visit to, Rochester, as Dickens described, Salisbury, Wiltshire, in the Richmonds' company, Shamley Green, Surrey, TSE's ARP work in, its post office, Pilgrim Players due at, Somerset, highly civilised, TSE at home in, Southwold, Suffolk, TSE visits with family, Stanton, Gloucestershire, on TSE and EH's walk, Stanway, Gloucestershire, on EH and TSE's walk, Suffolk, TSE visits with family, Surrey, Morley finds TSE lodging in, evening bitter at the Royal Oak, TSE misses, as it must have been, Sussex, commended to EH, TSE walking Stane Street and downs, EH remembers, Walberswick, Suffolk, Wells, Somerset, TSE on visiting, Whipsnade, Bedfordshire, EH and TSE visit, Whitchurch Canonicorum, Dorset, delightful name, Wiltshire, highly civilised, TSE at home in, Winchelsea, East Sussex, visited, Winchester, TSE on, Wisbech, Lincolnshire, TSE on visiting, Worcestershire, TSE feels at home in, Yeovil, Somerset, visited en route to East Coker, York, TSE's glimpse of, Yorkshire,
see also British General Election
Evans, Edith, as Viola in Twelfth Night, unmissable even when playing Bernard Shaw, compared to Athene Seyler, TSE would endure Evensong for, in voice and in person, 'Acting Shakespeare' sent to EH, considered for The Family Reunion,

2.EdithEvans, Edith Evans (1888–1976), versatile stage and screen actor; enduringly celebrated for her appearance as Lady Bracknell in the film of Oscar Wilde’s The Importance of Being Earnest (1952). Evans won her reputation during her long association (from 1925) with the Old Vic, London: her other notable roles included Judith Bliss in Noel Coward’s Hay Fever on the stage and the movie Tom Jones (1963). DBE, 1946.

Fabers, the, model of happiness and respectability, their domestic situation, Faber children to tea chez Eliot, visit TSE at Pike's Farm, compared to the Morleys, closer to TSE than to VHE, 1933 summer holiday with, Ty Glyn Aeron described, request TSE to write play, too absorbed in their children, at the Morleys' party, give anti-Nazi party for author, host poker party, 1934 summer holiday with, take TSE to lunch in Oxford, 1935 summer holiday with, for which the children are bought tent, give party, 1936 summer holiday with, at Morleys' Thanksgiving Day party, sail model boats with TSE, and TSE's foggy adventure, cinema-going with TSE, take TSE to Witch of Edmonton, and Morleys take TSE to pantomime, and TSE attend opening of Ascent of F6, 1937 summer holiday with, and the Bradfield Greek play, School for Scandal with, take TSE to pantomime again, 1938 summer holiday with, 1939 summer holiday with, offer possible wartime refuge, 1940 summer holiday with, host TSE in Hampstead during war, TSE makes bread sauce for, brought vegetables from Shamley, move to Minsted, and TSE attend musical revue, 1941 summer holiday with, Minsted as substitute for nursing-home, trying to sell Welsh home, take TSE to International Squadron, invite TSE to Wales for Christmas, host TSE at Minsted, away fishing in Scotland, mourn TSE's post-war independence, 1947 Minsted summer stay, 1948 Minsted summer stay, host TSE for weekend, on 1950 South Africa trip, on TSE's 1951 Spain trip, 1951 Minsted summer stay, 1952 Minsted summer stay, 1953 Minsted summer stay, on 1953–4 South Africa trip, 35th wedding anniversary weekend,
Family Reunion, The, and TSE as Orestes, plot sought for, progress stalled, referred to as 'Orestes play', written against countdown to war, should be artistically a stretch, plot still not settled on, begun, compared to Murder, TSE on writing, described (mid-composition), and Gunn's Carmina Gadelica, described to GCF, EH questions Harry's entrance, draft read to Martin Brownes, projected autumn 1938 production, depletes TSE, and Mourning Becomes Electra, its Greek inheritance, alternatively 'Follow the Furies', first draft promised to EH, as inspired by Tenebrae, being rewritten, work suspended till summer, fair copy being typed, waiting on Browne and Dukes, 'Follow the Furies' quashed by EH, aspires to be Chekhovian, Dukes keen to produce, criticised by Martin Browne, under revision, submitted to EH's theatrical wisdom, for which TSE credits her, possible John Gielgud production, Gielgud-level casting, Browne's final revisions, with the printers, Henry loaned draft, Donat and Saint-Denis interested, in proof, progress towards staging stalled, Saint-Denis interest tempered, possible Tyrone Guthrie production, possible limited Mercury run, its defects, publication scheduled, first draft sent to EH, Michael Redgrave interested in, March 1939 Westminster Theatre production, waits on terms, rehearsals for, which are photographed, opening night contemplated without EH, last-minute flutters, opening night, reception, coming off, TSE's final visit to, Dukes bullish on New York transfer, EH spurs TSE's reflections on, and Otway's Venice Preserv'd, American reception, and Orson Welles, F&F's sales, 1940 American production, Henry harps on the personal aspect, its cheerfulness, EH acknowledges part in, 1943 ADC production, in Dadie Rylands's hands, described, certain lines expressing TSE's frustrations, EH discusses with pupils, plays in Zurich, 1946 Birmingham production, 1946 Mercury revival, rehearsals for, opening night, TSE attends again in company, Spanish translation of, VHE's death calls to mind, its deficiencies, BBC Gielgud broadcast version, first aired, to be repeated, goes nominally with The Cocktail Party, Swedish National Theatre production, compared to Cocktail Party, EH's response to, more 'personal' than Cocktail Party, performed in Göttingen, 1950 Düsseldorf production, 1953 New York production vetoed, 1956 Phoenix Theatre revival, described, Peter Brook congratulated on, Martin Browne seeks MS of,
Gallup, Donald, object of pity, gives TSE creeps, wins East Coker MS auction,

3.DonaldGallup, Donald Gallup (1913–2000), curator, bibliographer and editor: see Biographical Register.

Hale, Emily, visits the Eliots for tea, returns to Boston, likened to TSE's mother, TSE identifies with her 'reserve', encouraged to write for periodicals, visits West Rindge, summers in Seattle, presents herself as cossetted, blames herself for an unfulfilled life, returns to Boston, consulted over TSE's Norton Professorship, holidays in Castine, vacations in New Bedford, TSE fears accident befalling, travels to stay in Seattle, Frank Morley on Ada on, arrives in California, brought to tears by music, goes horse-riding, baited over how to boil an egg, TSE passes old school of, takes motoring holiday via San Francisco, summers in Seattle, TSE composes squib for, takes TSE's hand in dream, returned to California, TSE sends Harvard Vocarium record, holidays in West Rindge, returns to Boston before embarking for England, arrives in England, to travel to Paris, returns to London, feels inferior to 'brilliant society', invited to Sweeney Agonistes rehearsal, attends Richard II with TSE, attends Sweeney Agonistes, takes TSE to Gielgud's Hamlet, taken to see Stravinsky conducting, leaves for Italy, takes tea at OM's before leaving, mistaken for TSE's sister, returns to Florence, sails for the Riviera, returns from France, returns to Chipping Campden, to Guernsey with Jeanie McPherrin, taken to Henry IV on return, shares open taxi with TSE through Parks and Whitehall, and TSE attend The Gondoliers, visit to the Russian ballet, invited to Murder in Canterbury, and TSE attend 1066 And All That, taken to Tovaritch, and Morleys set for ballet, which she excuses herself from, criticised for flower-arranging, and TSE walk in the Cotswolds, feels inferior to Margaret Thorp, and TSE theatre-going with Thorps, taken to Timon of Athens, taken to Peer Gynt, visited at Campden for TSE's birthday, takes lodgings in Oxford, lodges at 19 Rosary Gardens, watches TSE read to Student Christian Movement, and TSE visit Kenwood House, dines with the Maritains, describes tea with the Woolfs, returns to America, visits Ada on Boston homecoming, possible career-move into politics, pays winter visit to Rindge, and Eleanor Hinkley attend New York Murder, moves to 154 Riverway with Perkinses, considers volunteering for charity, living at 5 Clement Circle, holidays in Cataumet, returns abruptly to Cambridge, recuperates in New Hampshire, moves to 240 Crescent St., Northampton, Mass., lectures at Concord, returns to Brimmer Street, returns to Boston during vacation, sails for England, in residence at Chipping Campden, travels to Yorkshire, returned to Chipping Campden, returns and moves to 22 Paradise Road, Northampton, Mass., spends Thanksgiving in Boston, stays at Hotel Lincolnshire with the Perkinses, vacations at New Bedford, visits New York, holidays in Charleston, as patron of school, returns to Northampton, sails for England, day at Windsor with TSE, fortnight at Campden with TSE, at Campden with TSE again, returns to America with 'Boerre', ordered to stay in America in case of war, given Family Reunion draft with her comments, encouraged to write drama criticism, vacations in New Bedford, advises TSE against Tewkesbury choruses, holidays with the Havenses, sails for England, at Chipping Campden, stays with the Adam Smiths in Scotland, returns to America with Perkinses, safely returned, sent copy of TSE's daily prayers, sent first CNL, sends TSE selected American plays, holidays in New Bedford, spends Easter in Harwichport, holiday destinations, holidays in Cape Cod, returns to the Perkinses at 90 Commonwealth Avenue, stays with Elsmiths in Woods Hole, holidays on Grand Manan, visits Perkinses in Boston, returns to 90 Commonwealth Avenue, holidays in Madison, Wisc., travels on to Maine, holidays on Grand Manan, holidays in Bangor, Maine, as president of S. P. C. A., spends Christmas holiday in New Bedford, holidays in Woods Hole, loans out her Eliotana, removes from Smith to the Perkinses, spends time in Maine, repairs to New Bedford, spends time in Tryon, N. C., returned to Boston, spends three days in New York, shares details of will, holidays on Grand Manan, leaves TSE portrait in event of predeceasing him, late summer in New Brunswick, vacations in New Bedford, repairs to New Bedford, resident in Millbrook, takes short holiday at 'Bleak House', holidays on Grand Manan, visits Woods Hole, visits New Bedford, holidays in New Bedford, spends holiday at Sylvia Knowles's, holidays in Dorset, Vt., holidays briefly in Farmington, holidaying on Grand Manan, TSE seeks Trojan Women translation for, moves to 9 Lexington Road, gives Christmas readings, congratulates TSE on OM, urges TSE not to despair at honours, spends Easter in Boston, race-relations and the WPA, sings Bach's B Minor Mass, removes from Concord to Andover, on life in Grand Manan, congratulates TSE on Nobel Prize, resident at 35 School Street, Andover, summers between Boston, Woods Hole, New Bedford and Grand Manan, recounts journey to Grand Manan, takes The Cocktail Party personally, then repents of doing so, post-Christmas stay in New Bedford, reports on Cocktail Party's opening, summers between Chocorua and Campobello, tours westward to California during summer holiday, attends British Drama League summer school, holidays in Grand Manan, asks TSE for occasional poem, week in the Virgin Islands, summers between Mount Desert and California, spends holidays in New Bedford, recuperates in New Bedford, returns, briefly to Chipping Campden, Eleanor Hinkley reports on, writes to EVE, sends EVE photograph of TSE, makes tour of Scandinavia, approaches TSE on Smith's behalf, which approach TSE declines, writes to TSE on GCF's death, moves back to Concord, pays visit to Seattle, reacts to TSE's death, writes to EVE, meets EVE, dies, appearance and characteristics, her shapely neck, TSE's memory for certain of her old dresses, particularly four dresses, which TSE then describes, TSE begs EH to describe her clothing, in silk, autumn 1930, costumed in a 'Titian wig', EH encouraged to gain weight, EH encouraged to tan, her Jantzen suit, TSE begs a slip of hair from, her gold-and-green tea gown, her Praxitelean nose, EH congratulated on 'perm', EH refuses TSE lock of hair, her voice, Guardsman dress, as a Botticelli Madonna, her hands, recommended skin-cream, 'new goldy dress', TSE inquires after, in TSE's dreams, 'new and nuder' swimsuit demanded, her black dress/red jacket outfit, dressed in blue, in charming black dress, her sense of humour, her New England conscience, the famous apricot dress, her hair, various dresses, EH's idea of new dresses, EH hair cut in the new style, blue dress worn following masque, as actor, as Olivia in Twelfth Night, in the Cambridge Dramatic club, as Roxane in Cyrano in 1915/16, as Judith Bliss in Hay Fever, EH considers giving up for teaching, in the 'stunt show' with TSE, as Beatrice, TSE hopes, in The Footlight Club, in Berkeley Square, in The Yellow Jacket, EH praised over Ruth Draper, under Ellen van Volkenburg, cast as an octogenarian, in The Old Lady Shows Her Medals, TSE speculates as to her future in, and teaching, as Lady Bracknell, TSE begs to write part for, in The Footlight Club, potentially in summer theatre company, as the Duchess of Devonshire, potentially in The Family Reunion, Cambridge Dramatic club reunion, The Wingless Victory, in masque with TSE, in a Van Druten play, as Lodovico Sforza, in play by Laurence Housman, as Madame Arcati in Blithe Spirit, with Paul Stephenson, in Kind Lady, joins the Dorset Players, as director ('producer'), La Locandiera, Lady Gregory's The Dragon, Dust of the Road, Comus, possibly temporarily at St. Catherine's, Va., chorus work at Smith, Electra, Quality Street, The Merchant of Venice, Dear Brutus, Christmas play, Richard II, Hay Fever, Christmas pantomime, The Dorset Players, a reading of Outward Bound, Molnár's The Swan, Dulcy, The School for Scandal, Fanny and the Servant Problem, Dear Brutus again, Twelfth Night, Prunella, Christmas play, Antigone, The Merry Wives of Windsor, As You Like It, The Admirable Crichton, Holy Night, The Tempest, as teacher, EH lectures on 'Modern British Verse', as a career, at Milwaukee-Downer College, Mich., at Simmons College, Boston, EH considers post at Scripps, which she accepts, arrives at Scripps, establishes drama workshop at Scripps, EH lectures on TSE, EH's advice that TSE lecture less slowly, as described by Scripps student, and being admired by students, TSE sees her teaching as a kind of acting, requests year's leave from Scripps, resigns position at Scripps, declares intention to teach again, possibly, temporarily, at St. Catherine's, Va., possibly at Smith, post at St. Catherine's rejected, appointed to position at Smith, is installed at Smith, reappointed with pay-rise, reappointed again for two years, her work at Smith, unsettled at Smith, in time of war, insecure over job at Smith, from which EH takes 'sabbatical', let go by Smith, takes job at Concord Academy, appointed to post at Bennett Junior College, Millbrook, appointment to permanent Concord position, EH thinks of giving up, lectures on Family Reunion, her work at Concord Academy, resignation from Concord Academy, takes permanent position at Abbot, EH admits to being sheltered by, retirement from Abbot, according to Abbot Academy tribute, birthdays, presents and love-tokens, EH's birthday compared to TSE's, TSE sends Terry–Shaw correspondence for EH's birthday, EH sends TSE pomme purée, present from EH, flowers for EH's birthday arrive too soon, EH wearing TSE's ring, two rings bought for EH, EH bought typewriter, TSE 'cables' EH roses, TSE consults EH over potential present, TSE's second 'sapphire' ring for, EH refits new rings from TSE, TSE receives flowers for Christmas, EH given 'powder box' for Christmas, EH's present to TSE goes amiss, missing present (calendar) explained, EH left cigarettes by TSE, EH gives TSE cigarette case, TSE necklace-hunting for EH, pearls suggested for EH, EH bought sapphire bracelet, EH gives TSE a signet ring, EH bought blue-gray scarf, EH gives TSE silk handkerchiefs, TSE has signet ring engraved, further ring sought for EH, EH with TSE on his birthday, EH gives TSE initialled leather portfolio, TSE given ashtrays and matchbox, furs sought for EH, EH gives TSE stool, roses sent to EH on birthday, TSE given diary and hairbrush box, TSE given rosary and print, EH buys TSE towel rails, TSE receives diary for Christmas, 1810 ring bought for EH, EH buys TSE various ties, war means no flowers, EH's lapis lazuli ring, TSE neglects to cable EH, EH knits socks for TSE, which turn out large, EH sends TSE 'snowflake' socks, EH remembers TSE's birthday with reference to Shakespeare, TSE sent marmalade and liver-paste, EH writes poem for TSE's birthday, EH sends TSE provisions, EH loses sapphire from ring, diamond circlet given to EH in 1939, EH gives TSE socks for Christmas, TSE gives EH 'evening bag', EH unthanked for Christmas present, correspondence with TSE, TSE petitions EH to bestow on the Bodleian, TSE exalts as authoritative, TSE envisions as reading-group, the only writing TSE enjoys, TSE as Cyrano to EH's Roxane, TSE's dependence on, TSE's nights spent planning, TSE rereads with pleasure, the strain of interruption, switches to Air Mail, TSE on his decision to renew, TSE marks first anniversary of, keeps TSE sane, TSE hopes to telephone, TSE wishes to maintain when in America, EH would withhold from the Bodleian bequest, from which TSE tries to dissuade her, TSE violently dependent on, TSE begs EH that it be preserved, less exciting to EH than at first, TSE's horror of sounding sermonic, if such a correspondence were profitable, and TSE's respectful reticence, EH suggests entrusting to Willard Thorp, but subsequently explains she meant Margaret Thorp, EH's to do with as pleases, and the prospect of TSE writing every night, TSE still rereads with pleasure, excites TSE too much to write smoothly, compared with talking, phone call finally arranged, which finally takes place, EH importuned to write more, TSE promises three letters a week, EH refuses more than one, a solitude within a solitude, EH switches to typewriter, which TSE offers to buy, observed weekly by EH's students, flatters TSE most when EH writes undutifully, TSE's dread of EH rationing, TSE's efforts to moderate himself within, TSE imagines the unsealing of, TSE offers to cease, a place to vent one's feelings, TSE rebuked for 'intolerance' within, EH learns to type, hinders TSE from work, TSE on life before, third anniversary marked, thwarted by TSE's self-loathing, TSE doubts having pursued, restraints on TSE's ardour lifted, more constrained by day, TSE worries about burdening EH with, worth TSE getting home early for, by day, by night, TSE specially treasures recent 'love letters', more delightful since EH's reciprocation, and TSE's diminished ardour, switches to transatlantic airmail, constrained by war, opened by censor, and Shamley Green post-office, TSE apologises for, EH free to dispose of, within limits, particularly constrained by EH's letter of 1939, and the experience of delay, TSE equivocates on preserving, varied with airgraph, again, EH's to do with as she pleases, still intended for Bodleian, TSE chastened for short cables, TSE's letters 'undemonstrative and impersonal', post-war frequency, being and not being loving by letter, EH asks TSE to reduce, TSE criticised for following monthly injunction, TSE rebuked for impersonality, EH formally bequeaths to Princeton, TSE unfussed as to repository, TSE reiterates 50-year prohibition, TSE's worries as to future appearances, EH promises Princeton her statement on, promises letters with ten-year seal, attempts to shorten TSE's moratorium, which TSE refuses, which forces EH to relent, TSE encouraged to return EH's letters, EH deposits further material with Princeton, EH makes 'recording' for Princeton, EH renews plea to shorten moratorium, and is again refused, TSE destroys EH's letters, TSE repents of severe letter, which EH never receives, EH suspects TSE of destroying her letters, EH instructs Princeton to discard 'recording', EH ultimately respects TSE's wishes, EH on TSE's destruction of her letters, family, her father, her childhood compared to TSE's, TSE desires family history of, EH encouraged to keep younger company, EH's unity with parents, EH's relations with aunt and uncle, EH's relations with aunt and uncle, EH photographed with parents, and EH's obligations to, finances, health, physical and mental, admits to breakdown, TSE compares 'nightmares' with, TSE's desire to nurse, suffers neuritis, then neuralgia, recommended suncream, suffers arthritis, suffers with sinuses, her teeth, experiences insomnia, suffers 'hives', suffers crisis body and soul, feels depressed over Christmas, suffers neuralgia, suffers intestinal flu, has shingles, admitted to hospital, convalesces on Grand Manan, recuperates in Washington, Conn., photographs of, as a child, Edith Sitwellesque photograph, in 18th-century costume, in 18th-century French costume, in broad-brimmed 'picture' hat, TSE buys Kodak, in deck-chair, eating sandwich, in a car, 'the Beautiful one', which TSE has enlarged for his dressing-table, painful, because taken in the 'interim', in bacchanalian pose, 'Semitic', among young people, set 'Elizabeth' giggling, Diana Mannersesque, are mnemonic aids to TSE, kneeling beside can of flowers, TSE's favourite, with ordinarily sized hands, smoking in chair, as child with big ears, taken on TSE's arrival in Claremont, in Jane Austen fashion, in unfamiliar jacket, taken in autumn, with mother and father, as a child, in TSE's note-case throughout Blitz, in Wingless Victory, as child, in gold frame, in familiar jacket, taken with Boerre, surround TSE at Shamley, with baby, in a group, of EH's portrait, in sailor suit, all inadequate, carrying lamp, with Rag Doll, at Campobello, reading, Henry James, Letters from Baron Friedrich von Hügel to a Niece, All Passion Spent, Bubu de Montparnasse, F&F thriller, Eyeless in Gaza, Dante, Hopkins and Roosevelt, Henry Irving: The Actor and His World, relationship with TSE, TSE's first acquaintance with, its abnormality, runs to admiration from EH, and TSE's habitual reserve, its morality under examination, defended by TSE, its susceptibilities envisaged by TSE, EH admits estrangement within, and TSE's desire for intimacies, provokes sorrow and fury in TSE, confided to the Perkinses, Miss Ware and Father Underhill, TSE's chance to be frivolous, and the prospect of TSE's Harvard year, TSE dates first meeting to 1905, whereas EH dates to 1915, TSE's terror of renewing in California, teaches TSE true companionship, runs to a 'kiss', as perpetual progress and revelation, EH offered manumission from, if TSE were not married, seems more real for TSE's American year, TSE's reasons against marrying, TSE fears having misled over, EH again offered manumission from, EH writes to Ada concerning, EH blames TSE for his ardour, then apologises for blaming TSE, leads to unhappiness in EH, possible drain on EH's health, its perceived inequalities, pity and gratitude would corrupt, TSE conditionally promises marriage, TSE sees as an imposition on EH, potentially richer for meeting TSE's friends, EH 'kisses' TSE, EH rests head on TSE's shoulder, EH strokes TSE's face, as consubstantial union, TSE's love finally reciprocated, mutual embraces, EH kissed on the right foot, TSE favoured with birthday kiss, exhausting, should proceed without hope of marriage, TSE again regrets misleading EH, as one of mutual dependence, its unsatisfactions, its seasonal rhythm, but for VHE would be marriage, EH seeks post-war clarity on, and the prospect of VHE's death, following VHE's death, TSE reflects on the deterioration of, TSE reflects generally on, and men and women generally, according to Theresa Eliot, EH reflects on, since TSE discounted marriage, had TSE behaved differently in 1914, its new dispensation, source of mutual anguish, apropos of TSE's second marriage, EH's marriage regret, EH recoils from publicising, TSE re-evaluates, EH writes to EVE about, religious beliefs and practices, claims experience of 'vision', admits suffering spiritual crisis, goes on retreat, and TSE's definition of sainthood, compared to TSE's, professes to resent the Church, makes retreat to Senexet, the issue of communion, the possibility of confirmation, source of worry to EH, confronts TSE on religious differences, TSE on her 'Christian spirit', fears TSE considers her damned, TSE pointedly refrains from criticising, unclear to TSE, TSE's love for, and their conversation in Eccleston Square, declared, in 1915, and TSE's desire to be EH's spiritual possession, source of serenity to TSE, the strangeness of not broadcasting, first felt in 1913, recognised by TSE the night of Tristan und Isolde, TSE's reasons for not declaring in 1913, what TSE said instead of declaring, a pain of sorts, unconfided to friends, not immune to jealousy of EH's male friends, its passion tempered by religion, and the torment of resignation, defiled by possessiveness and anger, and a particular journey back from Pasadena, in light of California stay, increases his desire to quarrel with EH, TSE doubts decision to declare, eternally unconditional, shows TSE true meaning of tenderness, defined by TSE, violent, clarified and strengthened by Chipping Campden reunion, disquiets EH, obstructive to EH loving another, TSE initially relieved to find unrequited, queered by inexperience, TSE repents of over-prizing, startles TSE, like 'a burglar', strengthened and deepened, irrespective of physical beauty, finally reciprocated, ideal when unreciprocated, relieved only by poetry, as against love's travesties, as expressed in Burnt Norton, over time, apparently undimmed but dwarfed by war, and the first time TSE spoke EH's name, thwarted by question of divorce, EH questions, now better adjusted to reality, argument over communion challenges, would run to jealously but not marriage, as expressed in 1914 on Chestnut Hill, TSE's names, nicknames and terms of endearment for, 'Lady', 'Dove', 'My saint', 'Bienaimée', TSE's reason for calling her 'Dove', 'Isolde', 'My Lady', 'Emilie', 'Princess', 'Lady bird', 'Birdie', 'riperaspberrymouth', 'Emily of Fire & Violence', 'Bouche-de-Fraise', 'Bouch-de-Framboise', 'Raspberrymouth', not 'Wendy', 'Nightingale', 'Mocking Bird', 'Love', 'My true love', 'my Self', 'Emilia' and Shelley's Epipsychidion, 'my Own', 'Girl', 'Western Star', 'Darling', 'My Life', 'My Lamb', 'Beloved my Female', 'My own Woman', writings, an article on 'Weimar', letter to The Times about King's jubilee, account of communion at Beaulieu, EH asks to write about TSE, review of La Machine infernale, review of Dangerous Corner, a note for S. P. C. A., an 'epigram', 'Actors at Alnwick', 'An Etching', 'The Giocanda Smile', 'The Personal Equation in Spoken English', 'A Play from Both Sides of the Footlights', 'Summer Sunshine: A Memory of Miss Minna Hall', 'They flash upon the inward eye',
Isherwood, Christopher, responsible for the best of F6, should pursue prose plays alone, neglects to thank Keynes, puts TSE off American expedition, post-exodus drollery on,
see also Auden, Wystan Hugh ('W. H.')
Literary Society, The, TSE's reasons for joining, comical evening with, TSE's efforts to elect GCF to, finally admits GCF,
Lucas, Edward Verrall ('E. V.'), at The Literary Society,
Maclagan, Eric, contrasts Chicago and Boston society, preferred to his Charles Eliot Norton successor, at The Literary Society,
see also Maclagans, the

3.EricMaclagan, Eric Maclagan (1879–1951), Director of the Victoria and Albert Museum, London, 1924–45, had been Charles Eliot Norton Lecturer at Harvard, 1927–8. Distinguished as scholar and lecturer, and an expert on early Christian and Italian Renaissance art, his works include Catalogue of Italian Sculpture (with Margaret Longhurst, 1932) and The Bayeux Tapestry (1943), translations from poets including Rimbaud and Valéry, and editions of the works of William Blake. His offices included Vice-President of the Society of Antiquaries, 1932–6; President of the Museums Association, 1935–6. A devout Anglo-Catholic, he served too on the Cathedrals Advisory Council and the Central Council for the Care of Churches, and as a member of the Church Assembly. Knighted in 1933, he was appointed KCVO in 1945. In 1913 he married Helen Elizabeth Lascelles.

Malcolm, Dougal,
Mann, Erika,
Mercury Theatre, London, Yeats proposes season at, from the outside, possible Murder premiere at, season in financial straits, stage too small for Doone, to stage Murder revival, rehearsal at, Murder coming off at, hard to imagine Murder beyond, Dukes proposes new Mercury Theatre, Martin Browne's York Nativity Play, presents The Ascent of F6, Murder in re-rehearsal at, possible venue for Family Reunion, Dukes's La Mandragola, new Murder revival at, attempts season of miniature operas, 'initimate opera' at, its French equivalent, hosts New Plays by Poets, and 1946 Family Reunion revival, Martin Browne's proposal to stage revue at, presents Saroyan play, graced with royal visit, staging Playboy of the Western World, possible destination for Cocktail Party,
'Mr Reckitt, Mr Tomlin, and the Crisis', Mairet appreciates,
Murder in the Cathedral, idea for initially suggested by Laurence Irving, offered to Martin Browne, St. Thomas as TSE's muse, TSE on writing, tentatively, 'The Archbishop Murder Case', uncertainties over title, currently 'Fear in the Way', which proves unpopular, TSE on rewriting, title settled on, final revisions for printer, tentatively critiqued by EH, and EH on TSE as dramatist, chorus copied for EH, Virginia Woolf's aspersions on, the form of its choruses, defended from obscurity, did not test TSE's plotting, book-sales to-date, $1,000 offered for American rights, pays for 1936 American trip, Italian and Hungarian rights sold, and Whiggery, Savile Club dinner to celebrate, compared to next play, discrepancies of Canterbury Text, Martin Browne's initial response to, TSE recognised as author of, TSE on its cheerful title, EH on, abandoned Mercury Theatre premiere, suggested by Yeats and Doone, in the offing, and Doone's response to first draft, EH requested at, imperilled, text copied for Yeats, 1935 Canterbury Festival production, in rehearsal, opening night, reception, final performance, and EH's response, 1935–6 Mercury Theatre revival, Martin Browne pushing for, in rehearsal, which EH attends, compared to Canterbury original, at the box-office, its 100th performance, still running, proposed tour to end, 1936 BBC radio version, BBC bid to produce, broadcast fixed, BBC memo on, in rehearsal, TSE on, abortive 1936 New York transfer, Dukes visits America to arrange, blighted by Brace's actions, quashed by Federal Theatre production, its usurper founders, deferred to autumn, unsolicited 1936 New York production, licensed by Brace, to be directed by Rice, seemingly withdrawn, Rice resigns from, delights EH and Eleanor Hinkley, TSE sent press-cuttings for, EH reports on, TSE speculates as to textual discrepancies, attended by Eleanor Roosevelt, extended and potentially expanded, TSE to the Transcript on, may predispose immigration authorities favourably in future, royalties from, 1936 University College, Dublin student production, described by TSE, rumoured Australian and American productions, 1936 Gate Theatre touring production, TSE's long-held wish, scheduled, 1936 touring production, due at the Arts Theatre, Cambridge, as it was played in Cambridge, 1936 America pirate production, 1937 Duchess Theatre West End transfer, date fixed for, announced in Times, dress-rehearsal attended, reception, reviewed, royalties, still playing, ticket sales pick up, coming to an end, receives royal visit, 1937 touring production, scheduled post-Duchess, beginning in Leeds, then Manchester, going strong, 1937 Harvard University production, 1937 Amherst College production, singled out for praise, 1937 Old Vic production, touring production arrived at, in rehearsal, 1937 Tewkesbury Drama Festival production, 1938 American tour, projected for January 1937, said date seconded by Dukes, deferred to September 1937, confirmed again by Dukes, pre-tour dates in Golders Green, then Liverpool, opening in Boston in January, over which EH is consulted, tour itinerary, Family Reunion keeps TSE from, preparatory re-rehearsal for, pre-crossing Liverpool dates, EH's judgement desired, EH reports on first night, reviewed in The Times, EH sends New York cuttings, prematurely transferred to New York, Dukes reports on, Westminster Cathedral Hall charity performance, 1940 Latham Mercury revival, revival suggested in rep with Family Reunion, wartime modern-dress production suggested, ambushes TSE, in rehearsal, first night, reviewed, Browne's wartime Pilgrim Players' adaptation, Hoellering film, Hoellering's initial approach made, Hoellering's vision for, TSE adapting for screen, reconnoitre of Canterbury for, casting Becket, recording made for, development process described to NYT, non-actor found for Becket, screenings of Groser, set-dressing, screening, approaching release, still in the edit, final screening, and Venice Film Festival, seeking distribution, soon to premiere, opens, initial reception, circulating in shortened version, 1945 Théâtre du Vieux Colombier production, compared to Martin Browne's, royalties, apparently a hit, reviewed, reaches 150 performances, Fluchère's involvement, 1946 German production, 1947 Edinburgh Festival production, 1948 Milton Academy production, 1949 broadcast, 1949 Berlin production, politically resonant, 1952 University of Rennes, Grand Théâtre abridgment, 1952 Théatre National Populaire production, 1953 Old Vic revival, waiting on Donat, TSE on, 1954 Harvard production,
O'Donovan, Brigid, succeeds Tacon Gilbert, TSE's first impressions of, instructed how to deal with VHE, whom she deflects, books TSE tickets to Gondoliers, mislays correspondence, approaches TSE with spiritual difficulties, on holiday in Spain, whence she returns by destroyer, considers career move, moves to the BBC, supplanted in role at F&F, TSE in bad odour with, 'pugnacious',

3.BrigidO'Donovan, Brigid O’Donovan, TSE’s secretary from Jan. 1935 to Dec. 1936: see Biographical Register.

Ridler, Anne (née Bradby), already favoured for F&F promotion, greatly preferred to O'Donovan, her secretarial duties, impresses TSE, her impending marriage, ill and engaged, invites TSE to be godfather, TSE writes preface for, TSE's blurb for, writes letter of condolence to GCF, presented to Edith Sitwell, 'une âme pure', Little Book of Modern Verse, The Shadow Factory,

3.AnneRidler, Anne (née Bradby) (Bradby) Ridler (30 July 1912–2001), poet, playwright, editor; worked as TSE’s secretary, 1936–40: see Biographical Register.

Smith College, TSE's speaking engagement at, which proves luxurious, EH considers matronship at, offers EH job, appoints EH assistant professor, in TSE's recollection, EH installed at, TSE's response to EH's initial response, EH unhappy with work at, reappoints EH, reappoints EH again for two years, compared to Scripps, EH encouraged to stick at, despite feeling unsettled, reappoints and promotes EH again, EH's employment insecurities at, EH considers leaving for war-work, appoints Hallie Flanagan, places staff under assessment, does not renew EH's contract, TSE reflects on EH's time at, EH visits, EH invites TSE to speak at, which TSE declines, EH approaches Marianne Moore for,
Times Literary Supplement, The, 'Thomas Heywood', TSE on, TSE arranges EH's subscription to, intrigue over Richmond's successor,
Yale University, and 'English Poets as Letter Writers', more like Oxford than Harvard, compared to Princeton, negotiates amateur production of Murder, exhibits first editions of TSE, superior cadre of university, and George P. Baker's theatre-group, Herbert Read to lecture at, poetry reading at, confers degree on TSE, potential place of deposit for correspondence,
Yeats, William Butler ('W. B.'), known to TSE from 1916, at OM's tea-party, TSE to lunch with, TSE lectures on, gets away with more 'poetic' prose, discusses theatre companies, and abortive Mercury Theatre season, on Sweeney Agonistes, on Rupert Doone, TSE loyal to despite Doone, who records antipathy between TSE and, Murder copied out for, meeting up with TSE, and TSE discuss 'modern' poetry, presses Dorothy Wellesley on TSE, defended at UCD, qua writer of prose, in TSE's view, yet to master dramatic verse, TSE wonders how to mourn, stimulates East Coker, and 'Yeats', TSE unveils Woburn Walk plaque, At the Hawk's Well, Purgatory, Resurrection,

4.W. B. YeatsYeats, William Butler ('W. B.') (1865–1939), Irish poet and playwright: see Biographical Register.