[240 Crescent St., Northampton, Mass.]

T. S.Eliot
EmilyHale
TS
The Criterion
4 February 1937
My dearest Girl,

It seems ever such a long time since I wrote last, and I hope the gap will not be tiresomely great. After the middle of the month – that'Church's Message to the World, The'revised in light of criticisms;a4 is'Introduction' (to Revelation);a7, after I have polished off my BBC speech and my Revelation contribution1 – I hope to have real leisure for work and letter writing. Somehow the work one doesn’t want to do, always takes more time and interferes more with other important things, than the work one does want to do. The last week has been full. OnHoskyns, Edwyn Clementand the Anglo-Saxon Chronicle;a4 SaturdayFaber and Faber (F&F)and the Anglo-Saxon Chronicle;d5 I hadCorpus Christi College, Cambridgeand the Anglo-Saxon Chronicle;b1 to go with the Fabers to Cambridge, to stay with the Master of Corpus, to discuss the possibility of a new translation of the best text of the Anglo-Saxon Chronicle (which belongs to Corpus). This time, we did arrive, in spite of a snowstorm the day before (London was covered in snow) and a melting fog on the Saturday – arrived in time for tea with the Revd. Sir Edwyn Hoskyns (Lady Hoskyns in bed with a cold, which was a little difficult as the Fabers were staying with them) and then a meeting at Corpus. Afterwards, a large mixed dinner party in our honour – very tiring – I could hear myself at the end of the evening talking like automatism to a young lady who had taken her degree in theology, but who did not have much conversation. Early chapel, a walk with the Master, discussing the project of publishing a series of Divinity Books for schools – lunch with the Master and his wife (a terribly efficient woman, like the wife of a headmaster of a school) and three undergraduates, one of whom from Princeton. Asked about the American floods. Neither I nor the undergraduate from Princeton knew the flood districts. ThenPickthorns, the;a2Pickthorn, KennethPickthorns, the I managed to get a nap, and woke up just in time to go to tea with the Pickthorns; then back to dress and Evensong in the Chapel (aSpens, Will;a5 sermon delivered by someone called the Master of the Charterhouse, with which Spens – the Master – disagreed violently[)]; and then the long ceremony of dinner in Hall. ThereMurder in the CathedralSavile Club dinner to celebrate;c8 wasBelgion, Montgomeryarranges dinner for Murder;b7 noSpeaight, Robertat Savile Club Murder dinner;c7 restHayward, Johnat Savile Club Murder dinner;g3 on returning on Monday, because this ‘Murder in the Cathedral’ Dinner, which Montgomery Belgion, with the connivance of Bobby Speaight, had arranged at the Savile Club, took place. I went, and went away, with John Hayward. ApparentlyCriterion, Theits gatherings dreaded;b2 it was considered a success: but to me such dinners, like Criterion evenings, always seem incredibly dreary, and I find it hard to believe that others are enjoying them. I was suddenly struck with the pathos of all the men present, and could hardly bear it; but apparently they bore it themselves. AndEmpson, Williamtakes TSE for Chinese meal;a4 lastRichards, Ivor Armstrong ('I. A.')Empson's mentor;b2 nightTrevelyan, Julian;a1 I had to dine with one of my young men (more correctly, one of Ivor Richards’s young men, Bill Empson, and two friends of his, Mr. and Mrs. Julian Trevelyan2 – rather frowsy and tedious young people – andHayward, JohnEmpson takes TSE on to see;g4 then Empson took us on to John Hayward’s (not realising how frequently I see John, but it was better than spending the rest of the evening with them alone). And we dined at a Chinese Restaurant (which is cheap) and I detest Chinese food, and the tedium of eating with chopsticks. And I am thankful that I don’t have to see anyone until Monday: exceptMorley, Christina (née Innes);b3 that I have to (when I say have I mean that Frank rather suggested it) take Christina Morley to tea somewhere on Sunday, becauseMorley, Donald;a6 Donald has been stricken with Scarlet Fever and taken from his school to the London Fever Hospital, and he can only be visited on Wednesday and Sunday afternoons, and so Christina is to be in town on Sunday. And I have just had to write Donald a letter.

That covers, sketchily, the small chat of the moment, of the past week. I was happy to get your letter of the 26th, and to know that you had just received two letters from me. (BySacred Wood, TheEH discovers inscribed copy of;a1 the way, my curiosity would love to know to whom that inscribed copy of The Sacred Wood was inscribed!) … Wetravels, trips and plansEH's 1937 summer in England;c7and Mrs Seaverns;a5 shall both, I hope, be dining with Mrs. Seaverns again if I can be asked to Camden [sc. Campden] when she is staying there – but I confess, as time is so precious, that I had rather be asked to Camden during the space when there are NO other visitors. (Buttravels, trips and plansEH's 1934–5 year in Europe;b4TSE reflects on;f5 do you think I don’t remember that afternoon when I waited craning my neck for you at the Albert Hall, and saw you arriving, and then we went out into the pouring rain (’eavens ’ard it was) and I found a taxi by luck, and we went on to tea with Mrs. Seaverns?).

ItSmith CollegeEH unhappy with work at;b5 is quite natural and right that you should feel dissatisfied with your teaching during the first term – for it is on the whole a new work for you, and one ought to feel dissatisfied with what one does at first – not that it is not galling to receive hints that one might do better. But I know that it is work that you can do almost better than anybody, when you master the technique of it. And it is not good to be depressed about it, and I hope you are really ceasing to be. Once you consider it really worth your while to do, you will do it as well as anyone could. And even if you would rather find a place elsewhere, I believe that two years at Smith will stand you in better stead than one. There are a good many people who can produce plays more or less, and there is no absolute criterion for it. But there are very few people in America who speak as good English as you do; and therefore – as you have a gift for teaching what you care about to the girls who care – very few who can teach it so well as you can. Not that I don’t want for you what you want for yourself!

I nowFamily Reunion, Theshould be artistically a stretch;a9 mean to throw myself in a fury at finishing this essay on Secularism for ‘Revelation’ – and get rid of it – so as to be free to try to do what I want to do – though not what I know I can do. That is part of the excitement, as it always has been: trying something in the direct line of what I know I can do, but possibly just a little beyond my powers.

Dear my Love, I don’t want you to give up wanting any of the things you do want, but I do want you to be able to do to your very high best the things that you can do that lie immediately before you.

To my beloved Emilie
from her Tom

[‘MarchingOld Possum’s Book of Practical Cats'Marching Song of the Pollicle Dogs';e1 SongOld Possum’s Book of Practical Catsindividual poems sent to EH;a4 of the Pollicle Dogs’ enclosed]

1.TSE, ‘Revelation I by T. S. Eliot’, in Revelation, by Hustaf Aulén, Karl Barth, T. S. Eliot et al., ed. John Baillie and Hugh Martin (F&F, 1937), 1–39: CProse 5, 472–96.

2.JulianTrevelyan, Julian Trevelyan (1910–88) – son of the classical scholar and poet Robert Calverley Trevelyan, grandson of the Liberal politician and writer Sir George Trevelyan, nephew of the historian George Macaulay Trevelyan – went up to Trinity College, Cambridge, to read English in 1928. After training under Stanley William Hayter at the printmaking workshop at the ‘Atelier Dix-Sept’ in Paris, where he worked with Max Ernst, Oskar Kokoshka, Joan Miró and Pablo Picasso, he took to Surrealism and exhibited at the International Exhibition of Surrealism in 1936. Also in 1936 he participated, with Tom Harrisson, Humphrey Jennings and Charles Madge, in the Mass-Observation project in Bolton, Lancashire. He was a founder-member of the Printmakers’ Council. In later years he specialised in etching and taught at the Chelsea College of Art and at the Royal College of Art (where he became Head of the Etching Department). In 1986 he was awarded a senior Fellowship of the Royal College of Art, and in 1987 he was elected an Academician of the Royal College of Art. He was married first to Ursula Darwin (divorced 1950), and then to the painter Mary Fedden. See further Julian Trevelyan: Catalogue raisonné of prints, ed. Silvie Turner (1999).

Belgion, Montgomery, and Alida Monro dine chez Eliot, expensive club dinner with, accompanies TSE to Othello, and Charles Williams dine with TSE, accompanies TSE to Henry IV, Part II, to Garrigou-Lagrange lecture, takes TSE and Saurat to the Ivy, weekend's walking in Sussex with, in Criterion inner-circle, drink with Tom Burns and, accompanies TSE to Cranmer, and Mairet to lunch, accompanies TSE to Witch of Edmonton, arranges dinner for Murder, accompanies TSE to Uncle Vanya, to Measure for Measure, to Richard III, to Volpone, lonely, hosts dinner at Chinese restaurant, reviews Christian Society, on leave in London,

4.MontgomeryBelgion, Montgomery (‘Monty’) Belgion (1892–1973), author and journalist: see Biographical Register.

'Church's Message to the World, The', commissioned by BBC, submitted to D'Arcy, Every and Mairet, revised in light of criticisms, fee donated to St. Stephen's, broadcast, moves George Barnes,
Corpus Christi College, Cambridge, TSE's friends at, honorary fellowship coveted at, TSE's favourite Oxbridge college, TSE twice guest at, and the Anglo-Saxon Chronicle, awards TSE degree, and the Boutwood Lectures, and Tom Faber,
Criterion, The, its monthly meetings fatigue TSE, introduced TSE to Whibley, arrangements in TSE's absence, first contributors' meeting since Monro's death, 1932 contributors' gathering, first contributors' gathering of 1934, Russell Square gathering for, particularly heavy gathering, its gatherings dreaded, to be wound up, reflections on ending, shut up against contributions, lamented even in Brno, letters of condolence, reading poetry submissions for, July 1931, 'Commentary', April 1932, laborious 'Commentary', July 1932, 'Commentary', October 1932, 'Commentary', October 1933, 'Commentary' on Irving Babbitt, prepared on holiday, July 1934, 'Commentary', January 1935, TSE ordering, October 1935, 'Commentary', 'Commentary', which TSE regrets as too personal, July 1936, possibilities for 'Commentary', October 1936, being made up, being finalised, to be ordered, January 1937, prepared in August 1936, April 1937, 'Commentary', July 1937, 'Commentary', January 1938, 'Commentary' on Nuffield endowments, which is sparsely well received, April 1938, 'Commentary', July 1938, 'Commentary', January 1939, to be final issue, 'Last Words',
Empson, William, invited to Criterion monthly meeting, TSE dines in company with, rakish appearance at Criterion gathering, takes TSE for Chinese meal, lunch on return from China, recommended for EH's 'criticism' course, gives small dinner, reads 'Bacchus', TSE reads poetry alongside,

4.WilliamEmpson, William Empson (1906–84), poet and critic: see Biographical Register.

Faber and Faber (F&F), TSE's office in, the garrulousness of publishing, refuge from home, in financial straits, future feared for, tranquil Saturday mornings at, TSE disenchanted with, hosts summer garden-party, as part of Bloomsbury, TSE considers 'home', VHE intrusion dreaded at, robbed, increases TSE's workload, TSE's editorial beat at, negotiate over Murder in the Cathedral, pay advance for Murder, VHE's appearances at, and Duff Cooper's Haig, 'blurbs' for, commission new letterhead from Eric Gill, give Ivy lunch for Dukes, TSE as talent-spotter and talent-counsellor, and the Anglo-Saxon Chronicle, mark TSE's 50th birthday, and the prospect of war, and closing The Criterion, lose Morley to America, on war footing, war ties TSE to, fire-watching duties at, wartime bookbinding issues, advertisements to write for, Picture Post photographs boardroom, offices damaged by V-1, consider moving to Grosvenor Place, lunch at Wednesday board-meetings, Christmas staff party,
Family Reunion, The, and TSE as Orestes, plot sought for, progress stalled, referred to as 'Orestes play', written against countdown to war, should be artistically a stretch, plot still not settled on, begun, compared to Murder, TSE on writing, described (mid-composition), and Gunn's Carmina Gadelica, described to GCF, EH questions Harry's entrance, draft read to Martin Brownes, projected autumn 1938 production, depletes TSE, and Mourning Becomes Electra, its Greek inheritance, alternatively 'Follow the Furies', first draft promised to EH, as inspired by Tenebrae, being rewritten, work suspended till summer, fair copy being typed, waiting on Browne and Dukes, 'Follow the Furies' quashed by EH, aspires to be Chekhovian, Dukes keen to produce, criticised by Martin Browne, under revision, submitted to EH's theatrical wisdom, for which TSE credits her, possible John Gielgud production, Gielgud-level casting, Browne's final revisions, with the printers, Henry loaned draft, Donat and Saint-Denis interested, in proof, progress towards staging stalled, Saint-Denis interest tempered, possible Tyrone Guthrie production, possible limited Mercury run, its defects, publication scheduled, first draft sent to EH, Michael Redgrave interested in, March 1939 Westminster Theatre production, waits on terms, rehearsals for, which are photographed, opening night contemplated without EH, last-minute flutters, opening night, reception, coming off, TSE's final visit to, Dukes bullish on New York transfer, EH spurs TSE's reflections on, and Otway's Venice Preserv'd, American reception, and Orson Welles, F&F's sales, 1940 American production, Henry harps on the personal aspect, its cheerfulness, EH acknowledges part in, 1943 ADC production, in Dadie Rylands's hands, described, certain lines expressing TSE's frustrations, EH discusses with pupils, plays in Zurich, 1946 Birmingham production, 1946 Mercury revival, rehearsals for, opening night, TSE attends again in company, Spanish translation of, VHE's death calls to mind, its deficiencies, BBC Gielgud broadcast version, first aired, to be repeated, goes nominally with The Cocktail Party, Swedish National Theatre production, compared to Cocktail Party, EH's response to, more 'personal' than Cocktail Party, performed in Göttingen, 1950 Düsseldorf production, 1953 New York production vetoed, 1956 Phoenix Theatre revival, described, Peter Brook congratulated on, Martin Browne seeks MS of,
Hayward, John, in TSE's thumbnail description, his condition and character, what TSE represents to, VHE complains about TSE to, TSE's new chess-playing neighbour, meets EH over tea, hosts TSE, GCF and de la Mare, on EH, on EH (to TSE), gives TSE cigars for Christmas, calls EH TSE's 'sister', and the Dobrées on Boxing Day, and TSE play a prank on guests, backstage at The Times, taken for walk, on Jenny de Margerie, Empson, TSE and Sansoms call on, evening with Spender, Jennings and, exchanges Christmas presents with TSE, exchanges rare books with TSE, sends luxuries to convalescent TSE, TSE's only regular acquaintance, dines with TSE and Camerons, lent Williams's Cranmer, accompanied to the Fabers' party, hosts discussion about Parisian Murder, inspects French translation of Murder, and TSE's Old Buffers' Dinner, gives TSE bath-mitts, given wine for Christmas, one of TSE's dependents, at Savile Club Murder dinner, Empson takes TSE on to see, possible housemate, in second line of play-readers, walked round Earl's Court, and Bradfield Greek play, and TSE drive to Tandys, and TSE give another party, corrects TSE's Anabase translation, watches television with TSE, Christmas Day with, introduced to Djuna Barnes, meets Christina Morley, walk round Brompton Cemetery with, Hyde Park excursion with, moving house, at his birthday-party, honoured at F&F, displaced to the Rothschilds, where TSE visits him, among TSE's closest friends, his conversation missed, the prospect of Christmas without, excursions to Cambridge to visit, 'my best critic', gives TSE American toilet-paper, helps TSE finish Little Gidding, possible post-war housemate, protector of TSE's literary remains, foreseeably at Merton Hall, discusses plays with TSE, flat-hunting with, and Carlyle Mansions, his furniture, installed at Carlyle Mansions, further handicapped without telephone, undermines TSE's aura of poetic facility, irritates except in small doses, helps with adjustment of TSE's OM medal, at the Brighton Cocktail Party, hounded by Time, quid pro quo with TSE, arranges first-night party for Cocktail Party, arranges Confidential Clerk cast dinner, and TSE's Selected Prose, and TSE entertained by Yehudi Menuhin,

11.JohnHayward, John Davy Hayward (1905–65), editor and critic: see Biographical Register.

Hoskyns, Edwyn Clement, among TSE's Corpus 'friends', and the Anglo-Saxon Chronicle, talks cheese, cricket, theology,

8.EdwynHoskyns, Edwyn Clement Clement Hoskyns, 13th Baronet (1884–1937), theologian; Fellow of Corpus Christi College, Cambridge, where he was successively Dean of Chapel, Librarian and President. His works in biblical theology include The Fourth Gospel (1940) and Crucifixion-Resurrection (1981); and he published an English translation of Karl Barth’s Epistle to the Romans (1933). See Gordon S. Wakefield, ‘Hoskyns and Raven: The Theological Issue’, Theology, Nov. 1975, 568–76; Wakefield, ‘Edwyn Clement Hoskyns’, in E. C. Hoskyns and F. N. Davey, Crucifixion-Resurrection (1981); and R. E. Parsons, Sir Edwyn Hoskyns as Biblical Theologian (1985).

'Introduction' (to Revelation),
Morley, Christina (née Innes), and country life, at Joyce dinner in Paris, taken to theatre in Morley's absence, again to Love for Love, knits TSE socks, her Celtic temperament, therefore special affinity with Donald, sleeping at Donald's school, as tennis-player, falls asleep at wheel, entertained at The Berkeley, accompanies TSE to Three Sisters, taken to meet JDH, accompanies TSE to Bulgakov's White Guard, brings Morley boys along to Shakespeare, faced with departure for America, America's effect on, sends Ada's New York Times obituary, TSE writes letter of condolence to, for which she thanks him, in Cambridge,
see also Morleys, the
Morley, Donald, TSE on, model yacht sought for, pleased with TSE's present, after a term of school, close to mother's Celtic soul, masters his urge to pester TSE, given tennis-racket, improved by school, bought model car for Christmas, treated in Ramsgate, taken to Shakespeare, wants to be a pilot,
see also Morleys, the

2.JohnMorley, Donald Donald Innes Morley (b. 15 Mar. 1926).

Murder in the Cathedral, idea for initially suggested by Laurence Irving, offered to Martin Browne, St. Thomas as TSE's muse, TSE on writing, tentatively, 'The Archbishop Murder Case', uncertainties over title, currently 'Fear in the Way', which proves unpopular, TSE on rewriting, title settled on, final revisions for printer, tentatively critiqued by EH, and EH on TSE as dramatist, chorus copied for EH, Virginia Woolf's aspersions on, the form of its choruses, defended from obscurity, did not test TSE's plotting, book-sales to-date, $1,000 offered for American rights, pays for 1936 American trip, Italian and Hungarian rights sold, and Whiggery, Savile Club dinner to celebrate, compared to next play, discrepancies of Canterbury Text, Martin Browne's initial response to, TSE recognised as author of, TSE on its cheerful title, EH on, abandoned Mercury Theatre premiere, suggested by Yeats and Doone, in the offing, and Doone's response to first draft, EH requested at, imperilled, text copied for Yeats, 1935 Canterbury Festival production, in rehearsal, opening night, reception, final performance, and EH's response, 1935–6 Mercury Theatre revival, Martin Browne pushing for, in rehearsal, which EH attends, compared to Canterbury original, at the box-office, its 100th performance, still running, proposed tour to end, 1936 BBC radio version, BBC bid to produce, broadcast fixed, BBC memo on, in rehearsal, TSE on, abortive 1936 New York transfer, Dukes visits America to arrange, blighted by Brace's actions, quashed by Federal Theatre production, its usurper founders, deferred to autumn, unsolicited 1936 New York production, licensed by Brace, to be directed by Rice, seemingly withdrawn, Rice resigns from, delights EH and Eleanor Hinkley, TSE sent press-cuttings for, EH reports on, TSE speculates as to textual discrepancies, attended by Eleanor Roosevelt, extended and potentially expanded, TSE to the Transcript on, may predispose immigration authorities favourably in future, royalties from, 1936 University College, Dublin student production, described by TSE, rumoured Australian and American productions, 1936 Gate Theatre touring production, TSE's long-held wish, scheduled, 1936 touring production, due at the Arts Theatre, Cambridge, as it was played in Cambridge, 1936 America pirate production, 1937 Duchess Theatre West End transfer, date fixed for, announced in Times, dress-rehearsal attended, reception, reviewed, royalties, still playing, ticket sales pick up, coming to an end, receives royal visit, 1937 touring production, scheduled post-Duchess, beginning in Leeds, then Manchester, going strong, 1937 Harvard University production, 1937 Amherst College production, singled out for praise, 1937 Old Vic production, touring production arrived at, in rehearsal, 1937 Tewkesbury Drama Festival production, 1938 American tour, projected for January 1937, said date seconded by Dukes, deferred to September 1937, confirmed again by Dukes, pre-tour dates in Golders Green, then Liverpool, opening in Boston in January, over which EH is consulted, tour itinerary, Family Reunion keeps TSE from, preparatory re-rehearsal for, pre-crossing Liverpool dates, EH's judgement desired, EH reports on first night, reviewed in The Times, EH sends New York cuttings, prematurely transferred to New York, Dukes reports on, Westminster Cathedral Hall charity performance, 1940 Latham Mercury revival, revival suggested in rep with Family Reunion, wartime modern-dress production suggested, ambushes TSE, in rehearsal, first night, reviewed, Browne's wartime Pilgrim Players' adaptation, Hoellering film, Hoellering's initial approach made, Hoellering's vision for, TSE adapting for screen, reconnoitre of Canterbury for, casting Becket, recording made for, development process described to NYT, non-actor found for Becket, screenings of Groser, set-dressing, screening, approaching release, still in the edit, final screening, and Venice Film Festival, seeking distribution, soon to premiere, opens, initial reception, circulating in shortened version, 1945 Théâtre du Vieux Colombier production, compared to Martin Browne's, royalties, apparently a hit, reviewed, reaches 150 performances, Fluchère's involvement, 1946 German production, 1947 Edinburgh Festival production, 1948 Milton Academy production, 1949 broadcast, 1949 Berlin production, politically resonant, 1952 University of Rennes, Grand Théâtre abridgment, 1952 Théatre National Populaire production, 1953 Old Vic revival, waiting on Donat, TSE on, 1954 Harvard production,
Old Possum’s Book of Practical Cats, conceived as money-spinner, written as jeu d'esprit, individual poems sent to EH, early fragment of 'Rumpuscat', as outlined to GCF, and 'the Heaviside layer', TSE despairs of finishing, provisionally Mr Eliot's Book of Pollicle Dogs and Jellicle Cats and Other Birds & Beasts, as advertised by GCF, delayed by Milton and Byron essays, written to relieve political gloom, written in tours de force, written occasionally, and Children's Hour, TSE asked to recite, TSE at leisure to write, Hodgson promises to illustrate, Hodgson as 'the Man in White Spats', to appear autumn 1939, TSE to design cover, published, read in the Roberts household, sent to EH, reception, selling strongly, being reprinted, published in America, EH receives, the illustrations, the original Cat Morgan, read to the Roberts children, 'Bustopher Jones: The St. James's Street Cat', 'Gus: The Theatre Cat', 'Marching Song of the Pollicle Dogs', 'Old Deuteronomy', 'Song of the Jellicles', 'The Naming of Cats', 'The Old Gumbie Cat', 'The Practical Cat', 'The Rum Tum Tugger',
Pickthorns, the, host TSE in Cambridge, visited, walk on the Backs with,
Richards, Ivor Armstrong ('I. A.'), indebted to Hulme, his admiration for Hopkins, in TSE's assessment, consulted on Harvard living arrangements, his character and background, invites TSE to Antony and Cleopatra, telegrams praise for Murder, likes 'Cape Ann', Empson's mentor, invites TSE to Pepys Dinner, and TSE's honorary fellowship, vacillating on Harvard position, which he commits to, extends TSE 1940 American invitation, recommended for EH's 'criticism' course, has appendicitis, and TSE's honorary Harvard degree, invited for Institute for Advanced Study discussion, and Lewis's portrait of TSE,
see also Richardses, the

4.I. A. RichardsRichards, Ivor Armstrong ('I. A.') (1893–1979), theorist of literature, education and communication studies: see Biographical Register.

Sacred Wood, The, EH discovers inscribed copy of,
Smith College, TSE's speaking engagement at, which proves luxurious, EH considers matronship at, offers EH job, appoints EH assistant professor, in TSE's recollection, EH installed at, TSE's response to EH's initial response, EH unhappy with work at, reappoints EH, reappoints EH again for two years, compared to Scripps, EH encouraged to stick at, despite feeling unsettled, reappoints and promotes EH again, EH's employment insecurities at, EH considers leaving for war-work, appoints Hallie Flanagan, places staff under assessment, does not renew EH's contract, TSE reflects on EH's time at, EH visits, EH invites TSE to speak at, which TSE declines, EH approaches Marianne Moore for,
Speaight, Robert, singled out as Malvolio, chats to TSE at OM's, talked through part of Becket by TSE, excited at TSE's dramatic ambitions, never happier on stage, committed to Mercury Murder revival, unimprovable as Becket, in Mercury Theatre production, issues TSE with Irish introductions, his performance agreed to be going stale, at 100th performance of Murder, cast in Williams's Cranmer, his Becket critiqued by Tandy, as Becket, records Becket's sermon, which TSE is against, at post-performance feast in Cambridge, better as Cranmer than Becket, sermon reblocked for Duchess Theatre, at Savile Club Murder dinner, and the royal visit, becoming conceited, performance pruned in re-rehearsal, problems with his performance persist, in EH's report, compared to Robert Sansom, broadcasts East Coker, gives small dinner at Garrick, swoops on Shamley to record TSE, discounted from film of Murder, complains and is disingenuously soothed, as Elijah in Nicholson's debut, attends Family Reunion with TSE, still playing Becket, misrepresents TSE's views, in Belgium, ruined by Becket, in The Confidential Clerk,

2.RobertSpeaight, Robert Speaight (1904–77), actor, producer and author, was to create the role of Becket in Murder in the Cathedral in 1935: see Biographical Register.

Spens, Will, among TSE's Corpus 'friends', described for EH, hosts TSE for degree, and the Boutwood Lectures, and 'A Liberal Manifesto',

7.WillSpens, Will Spens (1882–1962), educator and scientist; Master of Corpus Christi College, Cambridge: see Biographical Register.

travels, trips and plans, EH's 1930 trip to England, EH's proposed 1931 England visit, called off, EH's 1932 summer holidays, the Eliots' Derby Day excursion, related, the Eliots' July 1932 Hindhead visit, the Eliots' August 1932 Eastbourne holiday, described, TSE's 1932–3 year in America, Norton Professorship offered to TSE, and the prospect of reunion with EH, which TSE refuses to see as decisive, which angers EH, who writes and destroys a response, TSE's financial imperatives, TSE's itinerary, and the question of discretion, opportunity for adventurous lecture-tours, TSE speculates on attendant feelings, TSE on the voyage over, TSE reflects on, TSE's return from, the Eliot family's Randolph holiday, TSE's 1933 westward tour to Scripps, proposed to EH, and TSE's need to lecture, possibly via St. Louis, TSE's itinerary, possible stopover in Seattle, a shameful source of happiness, still a happy thought, described by Havens and others, TSE reflects on, TSE's return from, TSE wonders at after-effect on EH, EH urged to reflect honestly on, Ada on, and a conversation about divorce, in EH's recollection, possible EH 1933 summer in England, TSE's 1933 Faber summer holiday, set for mid-August, postponed, rearranged, TSE buys summer outfits for, described, TSE's 1933 tour of Scotland, possible itinerary, Morley's preparations for, described for EH, TSE's 1933 trip to Paris, mooted, described, EH's 1934–5 year in Europe, TSE delighted at the prospect, attempts to coordinate with TSE's 1934 summer plans, the Perkinses due in Chipping Camden, EH's itinerary, TSE's initial weekend at Chipping Campden, TSE books rooms in Lechlade, TSE visits Campden again with family, and again alone, which visit TSE reflects on, TSE's plans to entertain EH en route to Europe, EH's continental itinerary, VHE and propriety inhibit pre-Paris arrangements, L'Escargot lunch, weekend in Sussex for EH's birthday, possible London tea-party, second lunch at L'Escargot, EH and TSE's November excursions, a month which TSE reflects happily on, EH's summer 1935 plans, EH departs England, EH in Florence, arrived in Rome, TSE coordinating with EH's return, TSE recommends Siena, EH returns to Florence, EH sails for Riviera, EH returns from France, L'Escargot lunch on EH's return, EH sails for Guernsey, May 1935, EH's June 1935 London sortie, TSE attends Dr Perkins's birthday, TSE's July 1935 Campden week, TSE offers to fund EH in London, where EH joins Jeanie McPherrin, TSE's Campden birthday weekend, prospect of EH spending month at Blomfield Terrace, Thorp theatre outing, TSE's 6–8 September Campden weekend, EH staying at 19 Rosary Gardens, EH to Campden for 15–17 November, EH sails for Boston, EH and TSE's final farewell, TSE and EH's final weeks in London, their excursion to Finchampstead, TSE reflects on, excursion to Greenwich, EH reflects on the final weeks of, TSE's 1934 Faber summer holiday, described, TSE's dream of Cairo, TSE's invitation to Finland, palmed off on Robert Nichols, TSE's 1935 tour of Scotland, proposed by Blake, attempts to coordinate with EH, TSE's itinerary, TSE's 1935 Faber summer holiday, TSE writes from, described, TSE's 1936 visit to Ireland, TSE's itinerary, recounted, TSE's spring/summer 1936 trip to Paris, first contemplated, date fixed, Morleys invited, TSE's itinerary, recounted, TSE's 1936 Faber summer holiday, TSE writes from, TSE's 1936 American trip, spring arrival dependent on New York Murder, if not spring, then autumn, possible excursions, autumn better for seeing EH, and possible Princeton offer, and possible Smith visit, efforts to coordinate with EH, passage on Alaunia booked, TSE's itinerary, Murder to pay for, coordinating with Eliot Randolph holiday, the moment of parting from EH, TSE's birthday during, TSE reflects on, TSE's 1937 tour of Scotland, itinerary, recounted, the Morley–Eliot 1937 trip to Salzburg, contemplated, itinerary, EH receives postcard from, described, as relayed to OM, EH's 1937 summer in England, and Mrs Seaverns, EH accompanies TSE to Edinburgh, itinerary coordinated with EH, dinner at L'Escargot, TSE's 10–11 July Campden visit, TSE's 17–22 July Campden visit, TSE's 21 August Campden visit, EH travels to Yorkshire, TSE reminisces about, TSE's 1937 Faber summer holiday, TSE reports from, leaves TSE sunburnt, TSE's 1938 trip to Lisbon, outlined to EH, TSE advised on, travel arrangements, the voyage out, described, EH's 1938 summer in England, and whether EH should spend it at Campden, EH's arrival confirmed, TSE's July Campden visit, EH's late-July London stay, TSE's 5–21 August Campden fortnight, TSE's 3–6 September Campden visit, EH's September London stay, TSE reflects on, TSE's 1938 Faber summer holiday, TSE's preparations for, TSE reports from, possible EH England Christmas 1938 visit, possible TSE 1939 visit to America, mooted for spring, complicated by Marion and Dodo's trip, shifted to autumn, threatened by war, made impossible, EH's 1939 England visit, TSE's efforts to coordinate with, threatened by war, complicated by Marion's arrival, EH's itinerary, EH's initial London stay, TSE's 7–20 July Campden visit, TSE's 22–30 August Campden visit, TSE's 2–4 September Campden visit, EH again London, EH and TSE's parting moments, in TSE's memory, memory vitiated by EH's subsequent letter, TSE's 1939 Faber summer holiday, TSE writes from, possible wartime transatlantic crossings, contingencies, in case of EH being ill, TSE's reasons for and against, and TSE's New York proposition, following invasion Denmark and Norway, impossible for TSE unless official, TSE's desire to remain in England, TSE's reasons for and against accepting lectureship, given Ada's impending death, TSE's abortive 1940 Italian mission, possible but confidential, lectures prepared for, and the prospect of seeing EP, might include Paris, itinerary, in jeopardy, final preparations for, cancelled, TSE's 1940 visit to Dublin, approved by Foreign Office, in national interest, itinerary, recounted, involves TSE's first plane-journey, TSE's 1940 Faber summer holiday, TSE reports from, TSE's 1941 Faber summer holiday, Kipling and fishing-rod packed for, TSE reports from, TSE's 1941 Northern tour, proposed by the Christendom group, arranged with Demant, itinerary, recounted, TSE's 1942 British Council mission to Sweden, TSE makes cryptic allusion to, as recounted to EH, as recounted to JDH, return leg in London, as war-work, TSE's 1942 New Forest holiday, described, TSE's 1942 week in Scotland, recounted, TSE's abortive 1942 Iceland mission, TSE's 1943 trip to Edinburgh, recounted, TSE's abortive 1943 Iceland mission, TSE's 1943 New Forest holiday, TSE's 1944 trip to Edinburgh, TSE's abortive 1944 North Africa mission, TSE's May 1945 trip to Paris, described, TSE's June 1945 trip to Paris, recounted, possible post-war American visit, and Henry's impending death, ideally ancillary to work, possibly as F&F's representative, waits on TSE's health and Carlyle Mansions, TSE's 1945 September fortnight in Lee, described, TSE's 1945 Christmas in Lee, described, TSE's 1946 summer in America, date for passage fixed, paperwork for, TSE's itinerary, its aftermath, recounted, TSE's 1947 summer in America, dependent on lecture engagements, TSE seeks to bring forward, Henry's condition brings further forward, set for April, itinerary, EH reflects on, TSE's scheduled December 1947 visit to Marseilles and Rome, itinerary, TSE's preparations for, dreaded, Roman leg described by Roger Hinks, EH's hypothetical March 1948 visit to England, TSE's postponed 1948 trip to Aix, itinerary, recounted, home via Paris, TSE's 1948 trip to America, itinerary, TSE's visit to EH in Andover, disrupted by Nobel Prize, TSE's 1948 Nobel Prize visit to Stockholm, itinerary, recounted, TSE's 1949 family motor-tour of Scotland, described, TSE's October–November 1949 trip to Germany, possible itinerary, preparations for, final itinerary, TSE's account of, the return via Belgium, TSE's January 1950 voyage to South Africa, all but fixed, itinerary, described by TSE, recounted by Faber, EH's 1950 summer in England, TSE books EH's hotel room for, TSE's efforts to coordinate with EH's movements, EH in Campden, TSE reports to Aunt Edith on, TSE's 1950 visit to America, and TSE's possible Chicago post, the Chicago leg, November itinerary, TSE's spring 1951 trip to Spain, itinerary, recounted, TSE's September 1951 Geneva stay, itinerary, recounted, TSE's 1951 British Council mission to Paris, recounted, TSE's second 1951 British Council mission to Paris, recounted, TSE's 1952 visit to Rennes and the Riviera, itinerary, recounted, TSE's 1952 visit to America, itinerary, efforts to coordinate with EH's summer, TSE on meeting with EH, TSE's 1952 rest cure in Switzerland, TSE's 1953 visit to St. Louis and America, set for June, to include fortnight in Cambridge, itinerary, EH's 1953 trip to England, EH's Alnwick plans, TSE books hotel for EH, and EH's ticket to Confidential Clerk, TSE's 1953 visit to Geneva, TSE's 1953–4 trip to South Africa, itinerary, described, arrival described to JDH, GCF on, TSE's 1954 Geneva rest cure, Geneva preferred to Paris, TSE's deferred 1955 visit to Hamburg, prospect inspires reluctance in TSE, proposed for spring 1955, dreaded, TSE now returned from, TSE's 1955 visit to America, and contingent speaking engagements, foreshortened, itinerary, Washington described, TSE's return from, TSE's 1955 Geneva rest cure, TSE's 1956 visit to America, passage fixed for April, itinerary, TSE in the midst of, TSE reflects on, TSE's 1956 Geneva rest cure, itinerary, recounted, illness during, EH's 1957 visit to England, TSE and EVE invited to Campden, TSE reciprocates with London invitation, but EH leaves England abruptly, which TSE consults Eleanor Hinkley over, who duly explains, TSE and EVE's 1958 trip to America, as rumoured to EH, EH's 1959 tour of Scandinavia, funded by bequest from cousin, TSE and EVE's 1959 trip to America, TSE and EVE's 1963 trip to America,
Trevelyan, Julian,

2.JulianTrevelyan, Julian Trevelyan (1910–88) – son of the classical scholar and poet Robert Calverley Trevelyan, grandson of the Liberal politician and writer Sir George Trevelyan, nephew of the historian George Macaulay Trevelyan – went up to Trinity College, Cambridge, to read English in 1928. After training under Stanley William Hayter at the printmaking workshop at the ‘Atelier Dix-Sept’ in Paris, where he worked with Max Ernst, Oskar Kokoshka, Joan Miró and Pablo Picasso, he took to Surrealism and exhibited at the International Exhibition of Surrealism in 1936. Also in 1936 he participated, with Tom Harrisson, Humphrey Jennings and Charles Madge, in the Mass-Observation project in Bolton, Lancashire. He was a founder-member of the Printmakers’ Council. In later years he specialised in etching and taught at the Chelsea College of Art and at the Royal College of Art (where he became Head of the Etching Department). In 1986 he was awarded a senior Fellowship of the Royal College of Art, and in 1987 he was elected an Academician of the Royal College of Art. He was married first to Ursula Darwin (divorced 1950), and then to the painter Mary Fedden. See further Julian Trevelyan: Catalogue raisonné of prints, ed. Silvie Turner (1999).