[22 Paradise Rd., Northampton, Mass.]
I must write a rather brief letter, I fear, to thank you for yours of the 4th and catch the Bremen on the way back. This is the first good boat this week. TheFamily Reunion, Thepossible John Gielgud production;e5 businessGielgud, Johnsubsequent negotiations with;a3 over the play – to me the tedious side, but necessary – takes toll of evenings now: IBrowne, Elliott Martin1939 production of The Family Reunion;c1mediates between Gielgud and TSE;b5 had to see Gielgud and Browne again on Wednesday, haveDukes, Ashleyconsulted over Gielgud contract;e7 to see Browne and Dukes this evening for a preliminary discussion about terms of possible contract; andThorndike, Sybilcourted by TSE;a2 having been to see Sibyl Thorndike last week, Martin wants me to come on Tuesday night to see Gielgud himself and a young woman in the play who might do for Mary. Martin and I both formed the opinion that Gielgud might want to get too many stars; and for a play of this sort you do not get, I am sure, a perfect company simply by adding stars together. I rather DON’T want stars for the choral aunts and uncles. I don’t think people like Gielgud have much understanding for choral work.
AnywayFamily Reunion, Thewith the printers;e8, the text has now gone to the printers, so that is one stage. IHale, Emilygiven Family Reunion draft with her comments;l3 haveFamily Reunion, Thefirst draft promised to EH;c7 the first draft for you! but I don’t mean to let you have it until I can send you a proof of the final version, so that you can observe all the changes. IEliot, Henry Ware, Jr. (TSE's brother)given draft of Family Reunion;d9 thinkFamily Reunion, TheHenry loaned draft;e9 that I will give my brother the text in which you made your comments – the most interesting stage: asEliot Houserepository for Eliotana;b8 he is already clamouring for a manuscript for Eliot House!
Yourdogs'Boerre' (Norwegian Elkhound);b7;a6 account of Boerre is extremely amusing, and I shall read that bit of the letter to the Perkins’s when I dine with them on Monday. ISecond World WarBritain's preparations for;a3 wish I could agree with Dr. Perkins in his optimistic view of the international situation, but I can’t. The exhumation of the state of British defences which is now going on (andHart, Basil Henry ('B. H.') Liddelland the case for appeasement;a2 I should trust Liddell Hart 1 on that) seems to show that the real reason for yielding to Germany was our weakness. IfChamberlain, Nevillerumoured rationale for appeasement;a4 that is true, Chamberlain deserves credit for having made the best of a bad job, but he cannot at the same time deserve the credit for magnanimous peace-making. If our military preparation was wholly inadequate, you may be sure the Germans knew all about that, and have taken the measure of the Government’s reasons for mildness.
OtherJanes, W. L.dying in hospital;b6 distractions at the moment: Janes in hospital in Fulham, I suspect very grave stomach trouble. I dashed down to see him yesterday afternoon, having secured a special permission from the hospital; but found him asleep, so came away again. EzraPound, Ezra;c2 Pound is here for the next three weeks, asShakespear, Oliviadies;b1 DorothyPound, Dorothy Shakespearill and stuck in Rapallo;a8 was ill in Rapallo and somebody had to come over to clear up the effects of her mother, Mrs. Shakespear.2 I did not hear of her death till Sunday when I met Daphne Johnson, and on Tuesday Ez arrived. So he will have to be seen as often as possible. AndMorley, Frank Vigorvisiting dying mother;h8 oneMorley, Christina (née Innes)accompanies TSE to Bulgakov's White Guard;b9 ofPhoenix Theatre, LondonSaint-Denis's White Guard;a1 mySaint-Denis, Michelhis White Guard;a6 responsibilitiesBulgakov, MikhailThe White Guard;a1 is to take Christina Morley to the theatre once or twice while Frank is in America: the ‘White Guard’ is said to be beautifully produced by Michel St. Denis.3
ItNeilson, Elizabeth Muser;a2 was nice to hear of your new relations with Mrs. Neilson. IEliot, Margaret Dawes (TSE's sister);c5 am sure that you will be of help to Margaret!
Did I never refer to your steamer letters? It may have been that they arrived simultaneously, or only just before, your first letter on arrival – but I am sorry (they are locked up in my box at Russell Square) because they were very good letters. Somehow, last summer was so especially good, and seemed to mark such an advance, that letter writing has been a less satisfactory form of expression ever since: it is hard to remember that I shall not see you for some months – even if I come over in the spring – because it still seems that you have just left, and consequently that I shall be seeing you again in a few weeks.
1.B. H. LiddellHart, Basil Henry ('B. H.') Liddell Hart (1895–1970), soldier, journalist and influential military historian.
2.Olivia Shakespear died on 3 Oct. 1938.
3.Michel Saint-Denis’s production of Mikhail Bulgakov’s The White Guard, at the Phoenix Theatre, starred Michael Redgrave, Peggy Ashcroft and Marius Goring.
4.E. MartinBrowne, Elliott Martin Browne (1900–80), English director and producer, was to direct the first production of Murder in the Cathedral: see Biographical Register.
4.AshleyDukes, Ashley Dukes (1885–1959), theatre manager, playwright, critic, translator, adapter, author; from 1933, owner of the Mercury Theatre, London: see Biographical Register.
3.HenryEliot, Henry Ware, Jr. (TSE's brother) Ware Eliot (1879–1947), TSE’s older brother: see Biographical Register.
6.MargaretEliot, Margaret Dawes (TSE's sister) Dawes Eliot (1871–1956), TSE's second-oldest sister sister, resident in Cambridge, Mass. In an undated letter (1952) to his Harvard friend Leon M. Little, TSE wrote: ‘Margaret is 83, deaf, eccentric, recluse (I don’t think she has bought any new clothes since 1900).’
2.JohnGielgud, John Gielgud (1904–2000), distinguished actor and theatre director. Knighted in 1953; awarded Legion of Honour, 1960; created Companion of Honour, 1977; Order of Merit, 1996.
1.B. H. LiddellHart, Basil Henry ('B. H.') Liddell Hart (1895–1970), soldier, journalist and influential military historian.
4.W. L. JanesJanes, W. L. (1854–1939), ex-policeman who worked as handyman for the Eliots. Having been superannuated from the police force early in the century, he worked for a period (until about 1921) as a plain-clothes detective in the General Post Office. TSE reminisced to Mary Trevelyan on 2 Apr. 1951: ‘If I ever write my reminiscences, which I shan’t, Janes would have a great part in them’ (‘The Pope of Russell Square’). TSE to Adam Roberts (b. 1940; godson of TSE), 12 Dec. 1955: ‘I … knew a retired police officer, who at one period had to snoop in plain clothes in the General Post Office in Newgate Street – he caught several culprits, he said’ (Adam Roberts). HisJanes, Ada wife was Ada Janes (d. 1935).
4.FrankMorley, Frank Vigor Vigor Morley (1899–1980), American publisher and author; a founding editor of F&F, 1929–39: see Biographical Register.
4.DorothyPound, Dorothy Shakespear Shakespear Pound (1886–1973), artist and book illustrator, married Ezra Pound (whom she met in 1908) in 1914: see Biographical Register.
3.Ezra PoundPound, Ezra (1885–1972), American poet and critic: see Biographical Register.
2.CompagnieSaint-Denis, Michel des Quinze: theatre production company organised by Michel Saint-Denis (nephew of Jacques Copeau), together with the playwright André Obey, at the Théatre du Vieux-Colombier, Paris, 1929–34.
6.OliviaShakespear, Olivia Shakespear (1863–1938), novelist and playwright; mother of Dorothy Pound, made an unhappy marriage in 1885 with Henry Hope Shakespear (1849–1923), a solicitor. She published novels including Love on a Mortal Lease (1894) and The Devotees (1904). Through a cousin, the poet Lionel Johnson (1867–1902), she arranged a meeting with W. B. Yeats, which resulted in a brief affair and a lifetime’s friendship. Yeats wrote at least two poems for her, and she was the ‘Diana Vernon’ of his Memoirs (ed. Denis Donoghue, 1972). See Ezra Pound and Dorothy Shakespear: Their Letters 1909–1914, ed. Omar S. Pound and A. Walton Litz (1984), 356–7.
9.SybilThorndike, Sybil Thorndike (1882–1976): acclaimed British actor of stage and screen, she was a dominant presence in productions of Shakespeare and the Classics – arguably the greatest tragedienne of the twentieth century. George Bernard Shaw felt such a regard for her talent that he wrote Saint Joan (1924) specifically for her. In 1938–9 there were discussions with a view to staging the premiere of The Family Reunion, to be directed by John Gielgud (who was eager to play the hero, the tormented Harry), with Thorndike as Agatha. But Thorndike is reported to have advised Gielgud, ‘You know, Eliot’s not going to let you have his play – he says you have no faith.’ In Peter Brooks’s revival of the play at the Phoenix Theatre, London, in June 1956, she was the matriarch Amy (with Paul Scofield as Harry). Thorndike to TSE, 8 June 1956: ‘My ambition is fulfilled – to be in one of your plays …’ Created a Dame of the British Empire in 1931, in 1970 she was appointed as a Companion of Honour.