[No surviving envelope]
I have been a very poor correspondent – butHale, Emilyas director ('producer');v9Lady Gregory's The Dragon;a2 Emily is none too good, I hope the Dragon is not too formidable opponent [sic] – and shall be until the middle of May. IAmericaNew York (N.Y.C.);g1;a1 have to go to New York tomorrow – then'Tendency of Some Modern Poetry, The'again at Bryn Mawr College;a4 toBryn Mawr College, PennsylvaniaTSE lectures and reads at;a1 Bryn Mawr – backBaillie, Very Revd Johnand Union Theological Seminary discussion;a3 to New York to join in a theological discussion at John Baillie’s on Saturday. TheSweeney AgonistesHallie Flanagan's Vassar production;a7 following SaturdayVassar Collegeand Sweeney Agonistes;a1 – after winding up my course here – to Vassar to witness their performance of SWEENEY AGONISTES – thenPage-Barbour Lectures, The (afterwards After Strange Gods)as yet unwritten;a2 toAmericaVirginia;h7and the Page-Barbour Lectures;a2 Virginia to deliver three lectures not yet written: can it be done? Oh yes, I know I am an Ass to have taken on so much – if I get through it creditably I shall sing a new song.1 I wish I might have a line to say whether you are well or not.
1.‘O sing unto the Lord a new song: sing unto the Lord, all the earth’ (Psalm 96: 1).
3.VeryBaillie, Very Revd John Revd John Baillie (1886–1960), distinguished Scottish theologian; minister of the Church of Scotland; Roosevelt Professor of Systematic Theology at Union Seminary, New York, 1930–4; and was Professor of Divinity at Edinburgh University, 1934–59. In 1919 he married Florence Jewel Fowler (1893–1969), whom he met in service in France during WW1. Author of What is Christian Civilization? (lectures, 1945). See Keith Clements, ‘John Baillie and “the Moot”’, in Christ, Church and Society: Essays on John Baillie and Donald Baillie, ed. D. Fergusson (Edinburgh, 1993); Clements, ‘Oldham and Baillie: A Creative Relationship’, in God’s Will in a Time of Crisis: A Colloquium Celebrating the 50th Anniversary of the Baillie Commission, ed. A. R. Morton (Edinburgh, 1994).