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I have twenty minutes this afternoon which I did not expect to have – IMurry, John Middleton;a1 lunched with Middleton Murry,1 early, as he had to catch a train at 2:30 from Liverpool Street to Norfolk where he lives now; and my usual Thursday committee is not till 3 o’clock. I hope you may observe, my dear, though you will not have observed so clearly as I have – that I am no longer so fretful when I do not hear from you exactly on the day on which I might expect to hear from you – I feel now that we are always near together even when communication lapses – which is very glorious for me: still, I do feel a normal worry when I am not sure when [sc. where] you are – merely because you may miss your train or may be in a railway accident or subject to any of the vicissitudes of anything that may happen to a precious article in transit – so I shall emit a sigh of relief when I get a letter from you from Boston. – And now I must go to my committee – because my 15 minutes have been interrupted twice – and if I have time I shall write a little more after the committee, and finish the letter tomorrow morning.
I have five minutes more this afternoon! and hope to have time to finish this tomorrow morning – whenThorp, Willard;a3 I have no engagements except that I have asked Prof. George Williamson of the University of Washington2 and also Willard Thorp to lunch with me. ThisSaerchinger, César;a1 morning I interviewed Mr. César Saerchlinger [sc. Saerchinger] of the Columbia Broadcasting Inc.3 and after some haggling over the price – I think he got the best of it – finally agreed tentatively to broadcast for American stations on Dec. 6th at 5:30, that is 12:30 Sunday morning New York time, fifteen minutes on John Dryden at a guinea a minute – I believe that I agreed largely because it amused me to think that any of my friends in America who have radio sets will be able to hear me if they want to. Do you know anyone who has a wireless?
IMurry, John MiddletonTSE's peculiar relationship with;a2 only see Murry about once a year. We have a peculiar intimate relationship which is not exactly friendship in the ordinary sense; more a consciousness, on both our parts, that the patterns of our lives are in some inscrutable way interwoven.
FRIDAY Sept. 25.: He is a strange mixture of sincerity and insincerity, of consciousness and unconsciousness, of humility and inferiority, of envy and hero-worship. ILloyds Bank;a3 met him first in 1918-19, when I was still in Lloyds Bank; heAthenaeum, TheTSE's decision not to assist Murry;a1 wrote and asked me to be his assistant editor on ‘The Athenaeum’ which was just being revived. I almost accepted; on the whole, I am not sorry that I did not. Anyway, the Athenaeum lived only a few years; but for the most of that time I wrote regularly for it; three weeks out of every four, and saw a good deal of Murry. KatherineMansfield, Katherineas recalled by TSE;a1 Mansfield4 was very little in London; usually abroad or at sanatoriums, I think. I never saw much of her, and I do not think I liked her very much. Later, after he founded ‘The Adelphi’ and I had got involved in ‘The Criterion’, our ideas began to diverge more and more. After Katherine’s death he went to live in the country, and has never lived in London since, and I only see him two or three times a year. Hele Maistre, Violet;a1 is now again a widower, with two small children by his second wife, whom I never met.5 I do not think he has quite a firstrate [sic] mind; I never felt quite sure that his loyalty would be always unquestionable.6 ButMaritain, Jacqueson Cocteau;a3 his insight, at times, is great; andCocteau, JeanMaritain on;a3, as Maritain once said to me when speaking of Cocteau, ‘if he is not sincere, he has a sincere desire to be sincere’; and he is one of the very few people – how few there are! – who are seriously concerned about the most serious things. I sympathise very much with his preference for remote and isolated country life – he tells me that he may often see no one for a week or more at a time, to talk to, except the local vicar – though that too, like living in town, has its intellectual dangers; butEnglandLondon;h1contrasted to country life;a4 in the present state of the world there can be few lives preferable, for the person who feels, than living in an old country district and seeing children, animals, trees and vegetables grow. To be uprooted, to have no very strong ties in a place, to have only what one has managed to erect by one’s own individual skill or intellectual superiority of some kind – as one gets older this kind of life is very very tiring, exhausting. ThereAmericaNew England;f9more real to TSE than England;a2 are times when NewAmericaTSE's sense of deracination from;a4 EnglandEnglandat times unreal;a4, or my memories of it, seem more real than old England; and when I feel that if I were suddenly translated elsewhere, the whole of my life in England would become a dream: for nothing is quite real when one never quite relaxes. And the craving for one’s own flesh and blood, and a world in which one’s own people have lived, which they have helped to form, a countryside or shore steeped in ancestral lives: all this asserts itself. But I am only a case of one type; and the whole modern world, more or less, seems to suffer from displacement, restlessness. And now I must go and behave as a correct clubman.
I shall write again on Monday. God bless you, my dove. Where are you now, I wonder? 7
1.JohnMurry, John Middleton Middleton Murry (1889–1957), English writer and critic; editor of the Athenaeum, 1919–21; The Adelphi, 1923–48. In 1918, he married Katherine Mansfield. He was friend and biographer of D. H. Lawrence. His first notable critical work was Dostoevsky (1916); his most influential study, The Problem of Style (1922). Though as a Romanticist he was an intellectual opponent of the avowedly ‘Classicist’ Eliot, Murry offered Eliot in 1919 the post of assistant editor on the Athenaeum (which Eliot had to decline); in addition, he recommended him to be Clark Lecturer at Cambridge in 1926, and was a steadfast friend to both TSE and his wife Vivien. See F. A. Lea, The Life of John Middleton Murry (1959); David Goldie, A Critical Difference: T. S. Eliot and John Middleton Murry in English Literary Criticism, 1919–1928 (1998).
2.GeorgeWilliamson, George Williamson (1898–1968) taught at Pomona College, Claremont, California, 1925–7; then at Stanford University, and at the University of Chicago (1936–68), where he was Professor of English from 1940. His works include The Talent of T. S. Eliot (University of Washington Chapbooks no. 32, 1929); The Donne Tradition (1930); and A Reader’s Guide to T. S. Eliot: A Poem-by-Poem Analysis (New York, 1953). F&F was to bring out The Senecan Amble: A Study in Prose Form from Bacon to Collier (1951).
3.CésarSaerchinger, César Saerchinger (1884–1971), American broadcaster and writer; Director of European Service, Columbia Broadcasting System; author of Hello, America! Radio Adventures in Europe (1938), The Way Out of War (1940) and Artur Schnabel: A Biography (1958).
4.Katherine Mansfield (1888–1923) was born in New Zealand. Her first stories were published in A. R. Orage’s periodical The New Age and collected in In a German Pension (1911). She met John Middleton Murry in 1911, and became friends with writers including D. H. Lawrence and his wife Frieda, and Virginia Woolf (who published Prelude in 1918), and hovered on the fringes of the Bloomsbury Group. She married Murry in 1918, and went on to publish Bliss (1920) and The Garden Party (1922). After her death from TB at the Gurdjieff Institute, Fontainebleau, Murry published two collections of her stories, her Journal (1927) and Letters (1928). See Claire Tomalin, Katherine Mansfield: A Secret Life (1987).
5.Inle Maistre, Violet 1924 John Middleton Murry married Violet Le Maistre; they had two children: Katherine Middleton Murry (who was to publish Beloved Quixote: The Unknown Life of John Middleton Murry, 1986) and John Middleton Murry, Jr., who also became a writer.
6.See TSE’s Foreword to J. Middleton Murry, Katharine Mansfield and Other Literary Studies (1959).
7.Final paragraph written by hand.
2.JeanCocteau, Jean Cocteau (1889–1963), playwright, poet, librettist, novelist, film-maker, artist and designer, was born near Paris and established an early reputation with two volumes of verse, La Lampe d’Aladin (Aladdin’s Lamp) and Prince Frivole (The Frivolous Prince). Becoming associated with many of the foremost practitioners of experimental modernism, such as Gide, Picasso, Stravinsky, Satie and Modigliani, he turned his energies to modes of artistic activity ranging from ballet-scenarios to opera-scenarios, as well as fiction and drama. ‘Astonish me!’ urged Sergei Diaghilev. A quick collaborator in all fields, his works embrace stage productions such as Parade (1917, prod. by Diaghilev, with music by Satie and designs by Picasso); Oedipus Rex (1927, with music by Stravinsky); and La Machine Infernale (produced at the Comédie des Champs-Elysées, 1934); novels including Les Enfants terribles (1929); and the screenplay Le Sang d’un poète (1930; The Blood of a Poet, 1949).
5.Inle Maistre, Violet 1924 John Middleton Murry married Violet Le Maistre; they had two children: Katherine Middleton Murry (who was to publish Beloved Quixote: The Unknown Life of John Middleton Murry, 1986) and John Middleton Murry, Jr., who also became a writer.
5.JacquesMaritain, Jacques Maritain (1882–1973), philosopher and littérateur, was at first a disciple of Bergson, but revoked that allegiance (L’Evolutionnisme de M. Bergson, 1911; La Philosophie bergsonienne, 1914) and became a Roman Catholic and foremost exponent of Neo-Thomism. For a while in the 1920s he was associated with Action Française, but the connection ended in 1926. Works include Art et scolastique (1920); Saint Thomas d’Aquin apôtre des temps modernes (1923); Réflexions sur l’intelligence (1924); Trois Réformateurs (1925); Primauté du spirituel (1927), Humanisme intégral (1936), Scholasticism and Politics (1940), Creative Intuition in Art and Poetry (1953). TSE told Ranjee Shahani (John O’London’s Weekly, 19 Aug. 1949, 497–8) that Maritain ‘filled an important role in our generation by uniting philosophy and theology, and also by enlarging the circle of readers who regard Christian philosophy seriously’. See Walter Raubicheck, ‘Jacques Maritain, T. S. Eliot, and the Romantics’, Renascence 46:1 (Fall 1993), 71–9; Shun’ichi Takayanagi, ‘T. S. Eliot, Jacques Maritain, and Neo-Thomism’, The Modern Schoolman 73: 1 (Nov. 1995), 71–90; Jason Harding, ‘“The Just Impartiality of a Christian Philosopher”: Jacques Maritain and T. S. Eliot’, in The Maritain Factor: Taking Religion into Interwar Modernism, ed. J. Heynickx and J. De Maeyer (Leuven, 2010), 180–91; James Matthew Wilson, ‘“I bought and praised but did not read Aquinas”: T. S. Eliot, Jacques Maritain, and the Ontology of the Sign’, Yeats Eliot Review 27: 1–2 (Spring–Summer 2010), 21; and Carter Wood, This Is Your Hour: Christian Intellectuals in Britain and the Crisis of Europe, 1937–40 (Manchester, 2019), 69–72.
1.JohnMurry, John Middleton Middleton Murry (1889–1957), English writer and critic; editor of the Athenaeum, 1919–21; The Adelphi, 1923–48. In 1918, he married Katherine Mansfield. He was friend and biographer of D. H. Lawrence. His first notable critical work was Dostoevsky (1916); his most influential study, The Problem of Style (1922). Though as a Romanticist he was an intellectual opponent of the avowedly ‘Classicist’ Eliot, Murry offered Eliot in 1919 the post of assistant editor on the Athenaeum (which Eliot had to decline); in addition, he recommended him to be Clark Lecturer at Cambridge in 1926, and was a steadfast friend to both TSE and his wife Vivien. See F. A. Lea, The Life of John Middleton Murry (1959); David Goldie, A Critical Difference: T. S. Eliot and John Middleton Murry in English Literary Criticism, 1919–1928 (1998).
3.CésarSaerchinger, César Saerchinger (1884–1971), American broadcaster and writer; Director of European Service, Columbia Broadcasting System; author of Hello, America! Radio Adventures in Europe (1938), The Way Out of War (1940) and Artur Schnabel: A Biography (1958).
1.Margaret Thorp, née Farrand (1891–1970), contemporary and close friend of EH; noted author and biographer. WillardThorp, Willard Thorp (1899–1990) was a Professor of English at Princeton University. See Biographical Register. See further Lyndall Gordon, Hyacinth Girl, 126–8, 158–9.
2.GeorgeWilliamson, George Williamson (1898–1968) taught at Pomona College, Claremont, California, 1925–7; then at Stanford University, and at the University of Chicago (1936–68), where he was Professor of English from 1940. His works include The Talent of T. S. Eliot (University of Washington Chapbooks no. 32, 1929); The Donne Tradition (1930); and A Reader’s Guide to T. S. Eliot: A Poem-by-Poem Analysis (New York, 1953). F&F was to bring out The Senecan Amble: A Study in Prose Form from Bacon to Collier (1951).