[41 Brimmer St., Boston]
I want to get a letter off to you to-day, though it is Monday, and usually I wait to post till Tuesday, the mail-day; because to-day and yesterday are anniversaries for me; andHale, Emilycorrespondence with TSE;w3TSE marks first anniversary of;b3 I shall never forget my first letter from you on All Saints’ Day a year ago, and my reply of this anniversary.1 I am vexed that you have had one letter from me in the week of your letter this morning (Oct. 26th) because I have written regularly twice a week every week but last week. It was partly business and partly my own fault: I had a very busy day on Thursday last (the 29th) and did not struggle out of bed till 10 a.m.! AfterRees, Sir Richard;a1 morning here, I had Sir Richard Rees2 to lunch – a nice young man who has taken on the Adelphi to run because he wants to do something, butMurry, John Middleton;a3 who has not yet quite made up his mind what he thinks of Murry’s ideas), [sic] then back to the office, thenMonro, Haroldobliged with Poetry Bookshop reading;a5 home early to fetch VivienneEliot, Vivien (TSE's first wife, née Haigh-Wood)accompanies TSE to Poetry Bookshop;a6 and go to the Poetry Bookshop to give a reading. I have to do this, out of friendship for Harold Monro, whose hobby it is, about once in two years; and I loathe it. HaroldMonro, Haroldnow in hospital;a6 being in hospital at the moment, hisMonro, Alida (née Klementaski)deputises for husband at Poetry Bookshop;a1 wife, Alida Klementaski, took charge, and managed very well.3 But it is a small room, and I was squeezed against a wall at the back, able to see nothing but the spot of light from a reading lamp, and crowded by the front row of elderly ladies. IHerbert, Georgerecited at Poetry Bookshop;a1 read them some George Herbert andRossetti, Christinarecited at Poetry Bookshop;a2 some Christina Rossetti; whether they got their sixpennyworth I do not know; then came the worst. The moment I finished I saw a large moon face rise over the top of the reading desk – the only object visible in the general obscurity; it surmounted an obese female form, and a voice declared ‘How do you do. I’m an American, And I’m a friend of Richard and Sally Cobden-Sanderson’. A hand the size of a ham was projected at the same moment. There was no means of escape until the whole audience had vacated the room, so this lady delayed me about ten minutes; after which I had to refuse several young people of Jewish and Hindoo appearance who wanted books signed, and then interview a young man who wanted me to come to look at his paintings somewhere. IThorps, theattend TSE's Poetry Bookshop reading;a6 was pleased however to find that the Thorps had discovered the reading and had come; that was the pleasantest item. ThenPound, Dorothy Shakespeardines with the Eliots;a1 home, whereEliots, the T. S.host Dorothy Pound to supper;b6 Dorothy Pound, in England for a short time, was waiting to have supper with us.4 But all this was to explain why I slept late on Friday.
I have thought of so much to say on this anniversary: but perhaps it is enough to say this; that looking back over the year, there is nothing I have said, and no word I have used, that I would not repeat always with increasing (if that is possible) ardour and devotion.
ICharles Eliot Norton Professorship of Poetrywhich TSE cannot afford to refuse;a2 hopefinances (TSE's)Norton Professorship;a4 you understand my hesitations about America; I mean about the Charles Eliot Norton appointment. Itravels, trips and plansTSE's 1932–3 year in America;a7and the prospect of reunion with EH;a2 feel that probably, so far as I am concerned, I could adjust myself to the situation – and indeed must, for after all it is a detail to the general situation – and that it would be only the beginning, the first meeting or two, that I should find required all my self-control. As for other considerations, I feel more that if the offer is made definitely, I simply cannot afford financially to reject it. (ForEliot, Vivien (TSE's first wife, née Haigh-Wood)and 57 Chester Terrace;a7 two57 Chester Terrace, Londonas a financial burden;a1 years I have had to pay the rent of a small house which V. thought she liked, and which proved uninhabitable, and which no one else will take – I get rid of that a year hence).5 More of this again.
AboutHale, Emily Jose Milliken (EH's mother)her state of mind;a4 your mother: are you sure, my dear, that she really suffers so acutely? It may be so; but my own experience of the mentally deranged – and it is observation of several cases – leads me to believe that in general the people who are suffering from unreal thoughts, who have confused fact and fancy to that point, do not suffer so much as those who see things sanely as they really are. This is true at least in cases, and I do not know what proportion is otherwise, where the ailment itself is a kind of refuge from reality. To us, the ailment seems far worse than any reality; but many invalids prefer even a terrible malady to quite an ordinary facing of life. Please please do not think me impertinent; I am quite aware how little I know, and that one is unwise to generalise; but still, my observation may have some general value. And even so, believe that I can imagine the agony it must be to you.
1.The first letter in the sequence here, dated 17 Sept. 1930, is clearly a reply to a letter from EH, which therefore must have arrived much earlier than All Saints 1930.
2.SirRees, Sir Richard Richard Rees, 2nd Baronet (1900–70) – diplomat, writer, artist – the original of Ravelston in George Orwell’s Keep the Aspidistra Flying – was editor of The Adelphi, 1930–6. His works include Brave Men: A Study of D. H. Lawrence and Simone Weil (1958), George Orwell: Fugitive from the Camp of Victory (1961) and Simone Weil: A Sketch for a Portrait (1966).
3.AlidaMonro, Alida (née Klementaski) Klementaski (1892–1969) married Harold Monro on 27 Mar. 1920: see Alida Monro in Biographical Register.
4.DorothyPound, Dorothy Shakespear Shakespear Pound (1886–1973), artist and book illustrator, married Ezra Pound (whom she met in 1908) in 1914: see Biographical Register.
5.57 Chester Terrace, London S.W.1, to which the Eliots had moved in Mar. 1926.
3.AlidaMonro, Alida (née Klementaski) Klementaski (1892–1969) married Harold Monro on 27 Mar. 1920: see Alida Monro in Biographical Register.
6.Harold MonroMonro, Harold (1879–1932), poet, editor, publisher, bookseller: see Biographical Register.
1.JohnMurry, John Middleton Middleton Murry (1889–1957), English writer and critic; editor of the Athenaeum, 1919–21; The Adelphi, 1923–48. In 1918, he married Katherine Mansfield. He was friend and biographer of D. H. Lawrence. His first notable critical work was Dostoevsky (1916); his most influential study, The Problem of Style (1922). Though as a Romanticist he was an intellectual opponent of the avowedly ‘Classicist’ Eliot, Murry offered Eliot in 1919 the post of assistant editor on the Athenaeum (which Eliot had to decline); in addition, he recommended him to be Clark Lecturer at Cambridge in 1926, and was a steadfast friend to both TSE and his wife Vivien. See F. A. Lea, The Life of John Middleton Murry (1959); David Goldie, A Critical Difference: T. S. Eliot and John Middleton Murry in English Literary Criticism, 1919–1928 (1998).
4.DorothyPound, Dorothy Shakespear Shakespear Pound (1886–1973), artist and book illustrator, married Ezra Pound (whom she met in 1908) in 1914: see Biographical Register.
2.SirRees, Sir Richard Richard Rees, 2nd Baronet (1900–70) – diplomat, writer, artist – the original of Ravelston in George Orwell’s Keep the Aspidistra Flying – was editor of The Adelphi, 1930–6. His works include Brave Men: A Study of D. H. Lawrence and Simone Weil (1958), George Orwell: Fugitive from the Camp of Victory (1961) and Simone Weil: A Sketch for a Portrait (1966).