[5 Clement Circle, Cambridge, Mass.]
Your letter of June 12th arrived on Friday, the 19th: thatCatholic Literature Associationat Pusey House, Oxford;a2 was a rather busy day, as I had to go to Oxford after lunch for a meeting of my Book Committee at Pusey House: it was rather tiring, as the day was excessively sultry in spite of a good deal of rain – even during the rain it was as oppressive as at any other time. AndBeachcroft, Thomas Owen ('T. O.')accompanies TSE to Cranmer;a4 onBelgion, Montgomeryaccompanies TSE to Cranmer;b4 Saturday I had to take the office in the morning – with two interviews – and was then motored down to Canterbury by Mr. & Mrs. Tom Beachcroft, and Montgomery Belgion. Saturday also very hot, but fine. It seemed very odd, you can imagine, to be going to Canterbury just a year late, simply as a spectator, and with you not there – it was not exhilarating. (ButBabington, Margaret A.greets TSE as of old;a3 Miss Babington greeted me, of course, at the door of the chapter house). WeWilliams, Charlesdescribed for EH;a2 went in to the Royal Fountain Hotel first, to greet the author, Charles Williams, whom I have known off and on for some years: a queer, likeable, rather pathetic fellow, a very humble person, very radiant and excited over it all, and the prospect of being presented to the Archbishop. TheWilliams, CharlesCranmer;b4 play is very good, I think: though the verse is only first-rate journeyman’s work, it is quite fresh and good; and though there is no plot beyond a sequence of events and very little action or really dramatic dialogue, the final impression of Cranmer going off to be burnt was very intense. IHayward, Johnlent Williams's Cranmer;e9 will send you the text: at the moment I have lent text and programme to John Hayward, to enable him to write a note for the New York Sun. TheSpeaight, Robertbetter as Cranmer than Becket;c5 play was enormously helped by Speaight as Cranmer: he got everything out of the part that there was: I thought indeed that he was a more perfect Cranmer than Becket. AndBrowne, Elliott Martinin which he plays 'the Skeleton';b1 Martin Browne as the Skeleton (you can imagine Martin as a very good skeleton) had just as big a part as Speaight, and did beautifully with that. TheIrving, Laurence;a3 costumes were done by Lawrence Irving, and I thought them better on the whole than Miss Pearce’s costumes for me. If there is a review in this morning’s Times I will send it to you.1
Itravels, trips and plansTSE's 1936 American trip;c4efforts to coordinate with EH;a8 amAmericaRandolph, New Hampshire;g9the Eliot siblings return to;a2 verySheffields, theon second Randolph family holiday;c2 glad of your practical suggestions for September. Even if you did come to Randolph, I should not consider that as in the least a substitute for seeing you in some other way, and the obligatory division of attention would be a strain.2 Though of course, if I could have that as well, I should not want to do without it! ButEliot, Margaret Dawes (TSE's sister)unwanted presence on holiday;b8 I think now that it will be better to collect my whole family (with the exception of Margaret, whose presence I am sorry to say would make it difficult for anyone else to get any rest or refreshment) in the mountains: andWare, Mary Lee;c2 if Miss Ware would have us – if no more suitable asylum presents itself – I should be very glad. I had much rather be with you at West Rindge than in Cambridge, where as you suggest, one would be, even in September, a little exposed – IEliot, Margaret Dawes (TSE's sister)reason for avoiding Boston;b9 shouldSpencer, Theodore;c2 haveLittles, the Leon;a6 to see something of Margaret, and if Theodore Spencer knew I was about he would want me to come to Manchester, and I suppose the Leon Littles would be at Marblehead, and so on.
Itravels, trips and plansTSE's 1936 American trip;c4TSE's itinerary;b1 ought to arrive about the 1st of September. We should, I presume, go to Randolph from the 7th or 8th to the 15th, when Sheff must come back to prepare for Wellesley. I am enquiring about a boat as soon after my birthday (do you remember what day that is?); so that there would be nearly a week before we go to the mountains, and nine days after we come back until you start at Smith. So if Miss Ware would have us at either end, I should still be able to have your company (though less exclusively) during the other part of my stay. I have just looked again and you say that Smith probably opens the 22nd – instead of the 24th as I thought – and perhaps you would want to be there a few days ahead? In that case, perhaps it would be most satisfactory for me if we could be at Miss Ware’s directly I arrive, and make certain of a week then; and hope for as much time with you as possible during the week before you went to Smith; when I suppose the Perkins’s might still be in Cambridge.
PleaseWare, Mary LeeTSE disclaims dislike for;c3 don’t think that I dislike Miss Ware! and if she showed me such kindness I should certainly appreciate it! but I thought when I met her that she did not take to me, or perhaps had some prejudice which I could not divine. But you may be sure I should do my best to be as agreeable and charming as possible.
I become more and more restless and excited as the time approaches.
Andtravels, trips and plansEH's 1937 summer in England;c7;a1 is there really a chance that you may be in Campden next summer? Please tell me as soon as you can that you WILL: and I think with a job to come from and to go back to, and perhaps with help from the experience you have had of it, you may find it less fatiguing and exasperating than before. AdaSheffield, Ada Eliot (TSE's sister)reports improvement in EH's spirits;g3 mentioned in a recent letter having seen you, and said that you seemed worlds better for your success in getting the post at Smith.
And for your sound advice meanwhile, I thank you. O my dear.
1.‘TheWilliams, CharlesCranmer;b4 Canterbury Festival: Mr Charles Williams’s “Cranmer”’, The Times, 22 June 1936, 10: ‘The originality of the play is to be found in the nature of Cranmer’s spiritual antagonist. This figure, represented on the stage as a skeleton, symbolizes the bare bone of fact behind ideas … When the pure desire of the Cambridge scholar is put to the test in a world of shifting values the skeleton is always at hand not only to explain to the audience the spiritual realities of the situation but to see to it that the test of character has the utmost possible sincerity. The spirit itself plays destiny by tightening the bonds of circumstance that torture Cranmer …
‘The piece is written in verse which disappoints the reader, but in performance its internal rhyming and alliteration proved unexpectedly effective. Much of the credit for this effectiveness must be given to Mr Robert Speaight and Mr Martin Browne, whose delivery consistently drew from the verse all of beauty and lucidity that it possesses … Consequently the action, though largely analytical, holds attention from the beginning and in the final scenes of recantation and withdrawal, gains a genuine dramatic momentum […] and Mr Laurence Irving’s simple Gothic setting suited every scene to perfection.’
2.The Eliot family was to gather at Mount Crescent Hotel, Randolph, New Hampshire.
1.MargaretBabington, Margaret A. A. Babington was from 1928 Hon. Steward and Treasurer, Friends of Canterbury Cathedral; Hon. Festival Manager for the Festival of Music and Drama, 15–22 June 1935. See The Canterbury Adventure: An Account of the Inception and Growth of the Friends of Canterbury Cathedral 1928–1959 (1960): Canterbury Papers no. 10. She negotiated with F&F the terms of the production of the first (abbreviated) performance of Murder in the Cathedral in the Chapter House, June 1935, and the publication of the theatre edition.
2.T. O. BeachcroftBeachcroft, Thomas Owen ('T. O.') (1902–88), author and critic. A graduate of Balliol College, Oxford, he joined the BBC in 1924 but then worked for Unilevers Advertising Service until 1941. He was Chief Overseas Publicity Officer, BBC, 1941–61; General Editor of the British Council series ‘Writers and Their Work’, 1949–54. His writings include Collected Stories (1946).
4.MontgomeryBelgion, Montgomery (‘Monty’) Belgion (1892–1973), author and journalist: see Biographical Register.
4.E. MartinBrowne, Elliott Martin Browne (1900–80), English director and producer, was to direct the first production of Murder in the Cathedral: see Biographical Register.
6.MargaretEliot, Margaret Dawes (TSE's sister) Dawes Eliot (1871–1956), TSE's second-oldest sister sister, resident in Cambridge, Mass. In an undated letter (1952) to his Harvard friend Leon M. Little, TSE wrote: ‘Margaret is 83, deaf, eccentric, recluse (I don’t think she has bought any new clothes since 1900).’
11.JohnHayward, John Davy Hayward (1905–65), editor and critic: see Biographical Register.
1.LaurenceIrving, Laurence Irving (1897–1988) – theatre designer and author; grandson of the legendary actor-manager Sir Henry Irving – served with distinction as a pilot during WW1 (Croix de Guerre, 1916) before spending a period in Hollywood as art director to Douglas Fairbanks Sr. From 1931 he worked in London and elsewhere – designing among other plays the first production of Murder in the Cathedral in 1935 – and in film. His writings include Henry Irving: The Actor and His World (1951), The Successors (1967), The Precarious Crust (1971); he was a director of the Times Publishing Company, 1946–62, and he campaigned for the establishment of the British Theatre Museum.
2.AdaSheffield, Ada Eliot (TSE's sister) Eliot Sheffield (1869–1943), eldest of the seven Eliot children; author of The Social Case History: Its Construction and Content (1920) and Social Insight in Case Situations (1937): see Biographical Register.
2.RobertSpeaight, Robert Speaight (1904–77), actor, producer and author, was to create the role of Becket in Murder in the Cathedral in 1935: see Biographical Register.
2.TheodoreSpencer, Theodore Spencer (1902–48), writer, poet and critic, taught at Harvard, 1927–49: see Biographical Register.
3.MaryWare, Mary Lee Lee Ware (1858–1937), independently wealthy Bostonian, friend and landlady of EH at 41 Brimmer Street: see Biographical Register.
5.CharlesWilliams, Charles Williams (1886–1945), novelist, poet, playwright, writer on religion and theology; biographer; member of the Inklings: see Biographical Register.