[Grace Toll Hall, Scripps College, Claremont]

T. S.Eliot
EmilyHale
TS
Faber & Faber Ltd
16 February 1934
Dearest Lady,

Sinceanti-Semitism;a7 I last wrote I have pursued my investigation of the cinema, with still discouraging results. TheMarx Brothers, theDuck Soup;a2 Marx Brothers this time.1 They left me quite unamused; there are a few pleasant and ingenious surprises in detail; but the humour in general is crude, the construction does not exist, instead of a cutting satire they give the effect only of the low envious snarl of the degraded classes, through the medium of three especially low class Jews. Mae West at least is harmless; but these ‘comedians’ have something sickeningly repulsive about them. There was a very clever French marionette film and a Silly Symphony, which is always good.

YesterdayAuden, Wystan Hugh ('W. H.')The Dance of Death;d4 morningDoone, Rupertapproaches TSE with Aristophanes commission;a1 I interviewed one Rupert Doone,2 whoGroup Theatreand Auden;a1 is producing Auden’s ‘Dance of Death’ for a private society called the ‘Group Theatre’ on Sunday week. I will send you the Dance of Death – it is not a really first rate piece of work, and much feebler than Auden is capable of, but, with music, it may act well.3 DooneAristophanesEirene;a1 wants me to do a paraphrase and adaptation of an Aristophanes play (Eirene)4 for this group to act; I should be very glad to turn my hand to such a task when the pageant business is over, but as he wants to produce it at Cambridge during the Michaelmas term I shall not have the time. It is a pity, because Aristophanes is congenial,5 andRock, Theas TSE's theatrical apprenticeship;a3 I feel the great advantage of having these jobs to do to order, as theatrical apprenticeship, rather than just sitting down and writing probably unactable verse plays without experience of the stage. Dialoguewritingdialogue;b1 is the very devil. In the afternoon IBrowne, Elliott Martinproduction of The Rock;a2discusses unwritten pageant scenes with TSE;a5 hadBrowne, Henzie (née Raeburn)discusses unwritten pageant scenes;a3 a long discussion with Martin Browne and his wife about details of some of the unwritten pageant scenes, andSadler's Wells TheatreThe Friends of Sadler's Wells;b3;a4 went on to another meeting of the Sadlers’ Wells Committee. The Secretary, oneRowe, Sir Reginald Percy Pfeiffermeddles with Russian ballet;a1 Sir Reginald Rowe,6 whoever he is, is a most irritating fellow, and had been interviewing the Ministry of Labour to get them to limit the length of time which the Russian Ballet should be allowed to play in London, so that it should not compete with the Vic-Wells ballet! which seems to me unscrupulous. OnMorley, Christina (née Innes)taken to theatre in Morley's absence;a3 WednesdayBergner, ElizabethTSE and Christina Morley watch;a1 I am to take Christina Morley to see Elizabeth Bergner, a famous German actress (apparently no longer persona grata in Germany).7 I rather dread that, because Christina’s conversational powers are limited; but she has a rather dull time in the country while Frank is away.

So you see I am having a deal of the theatre at present. Have you got to tackle some other big production this term? AndHale, Emilyhealth, physical and mental;w6suffers arthritis;a7 has the arthritis been troubling you? I am steadily worried about this overwork.

I9 Grenville Place, Londondescribed for EH;a3 must say that ICheetham, Revd Ericas landlord at 9 Grenville Place;a2 am extremely comfortable in my new abode with the vicar.8 I have a nicely furnished self-contained flat, except that the bath is outside and I share that with the vicar, the curate and a young lodger whom I never see. I have my meals served in my own room, the food is good, and the servants are well-trained. It is in every way a great improvement over Miss Bevan’s, and I feel that I ought to be paying more rent. The District Railway does not really disturb me, and is better than most other kinds of noise, as soon as one gets used to the vibration when the train passes. It is satisfactory also to have a landlord to whom I can explain my circumstances – which are certainly peculiar – frankly. IEliot, Vivien (TSE's first wife, née Haigh-Wood)haunts TSE in London;d5 confess that there is still a great deal of strain, which only time can relax; I still have a hunted feeling in the streets, and at my office; and I have nightmare dreams. But people still tell me how well I look.

And this, I think, is all my news of any interest. I should just like to know that you are well, and whether you are having to undertake any extra work at present.

Your
Tom

OhRichardses, thehost TSE for Cambridge weekend;a4 yes, a very pleasant and satisfactory weekend at Cambridge with the Richards’s.9

1.Presumably Duck Soup (1933), the last film to feature four of the brothers including Zeppo. In later years TSE was to become an unqualified fan, and he even dined Groucho in London.

2.RupertDoone, Rupert Doone (1903–66), dancer, choreographer and producer, founded the Group Theatre, London, in 1932: see Biographical Register.

3.The Dance of Death was performed by the Group Theatre at the Westminster Theatre in two ‘club performances’, 25 Feb. and 4 Mar.; it had been published by F&F on 9 Nov. 1933. The music was by Herbert Murrill.

4.Eirene (Gr.: ‘Peace’): satirical comedy by Aristophanes, first staged in 421 BC.

TSE sent this undated snippet to EH on printed notepaper headed ‘The Vestry, St Stephen’s Church, Gloucester Road, S.W.7’:

ἰὼ βροτοὶ βροτοὶ βροτοὶ πολυτλήμονες,
ὡς αὐτίκα μάλα τὰς γνάθους ἀλγήσετε

TRANSLATION:
O mortals, mortals, mortals many suffering,
 HOW you are going to have the jawache.
EIPHNH l. 24–25.

5.See Sweeney Agonistes: Fragments of an Aristophanic Melodrama (1932).

6.SirRowe, Sir Reginald Percy Pfeiffer Reginald Percy Pfeiffer (‘P.P.’) Rowe (1868–1945), barrister, philanthropist, poet and novelist; Under Treasurer of Lincoln’s Inn; Chairman, since 1910, of the Improved Tenements Association (he was knighted in 1934 for this important social work); founder and Hon. Treasurer of the Sadler’s Wells Fund; President of National Federation of Housing Societies.

7.ElizabethBergner, Elizabeth Bergner (1897–1986), Austrian-born British actor, established her career as stage and screen actor in Germany before emigrating to Britain after the rise of Nazism in 1933. In 1934 she played the part of Gemma Jones in Escape Me Never, by Margaret Kennedy, and she was nominated for an Academy Award for the film version. She was to play Rosalind opposite Laurence Olivier’s Orlando in the 1936 film of As You Like It.

8.99 Grenville Place, Londondescribed by Virginia Woolf;b3n Grenville Place, Kensington, London S.W.7. Virginia Woolf went to tea at TSE’s lodgings on 30 Mar. 1935: ‘A small angular room, with the district railway on one side, Cornwall Gardens on the other […] A dark green blotting paper wall paper, & books rather meagre, stood on top of each other; bookcases with shelves missing. Not a lovely room. A coloured print from an Italian picture. Nothing nice to look at. Purple covers. Respectable china. […] A pallid very cold experience. He stood on the steps – it is the Kensington rectory & he shared a bath with curates. The hot water runs very slowly. Sometimes he takes the bath prepared for the curates. A large faced pale faced man – our great poet […] But the decorous ugliness, the maid in cap & apron, the embroidered cloth, the ornamental kettle on the mantelpiece all somehow depressed me […] How heavenly to sleep over the fire! Tom’s was a gas fire’ (Diary 4, 294).

9.RichardsRichardses, theon TSE's stay;a5nRichards, Dorothy (née Pilley)Richardses, theRichards, Ivor Armstrong ('I. A.')Richardses, the' diary (primarily penned by Dorothy Richards), Sat., 10 Feb. 1934: ‘T. S. Eliot … Talking partly about English teaching & then about T.S.’s “play”. He is enjoying working to a set task – having to make, as a craftsman, verses of the right kind with an immediate popular appeal & taking the opportunity to learn about the theatre, Said he would have been too lazy, otherwise, to write more poetry …

‘Sun., 11 Feb. … 3.15 off to Ely. D & I perched in the dickey … Cathedral … Eliot better than most, but bows to the High Altar every time he goes by … Eliot very annoyed at having been caught at the Church with only a shilling which he had to put in the Collecting Box for the Codex. After Hall, very interesting talk about Belief & Politics. Instead of making T.S.E. miserable he came back glowing. Drank several whiskies with gusto. Types all his writings direct (except verse) hates writing even a cheque, says he gets writers cramp. Said he once diagnosed a man as being in an emotional upheaval from his handwriting who killed himself soon after. Didn’t want to go to bed 1.0. Said he could make up sleep next night. Very easy guest.’

9 Grenville Place, London, compared to Courtfield Road, TSE's rent for, described for EH, delights TSE, as refuge, and Burnt Norton, tea-party for Perkinses at, TSE's practical jokes at, in winter, as repository for TSE's books, EH's sojourns at, described by Virginia Woolf, sanctified by EH's presence, offered to Jeanie, adorned with photos of EH, evokes memories of childhood homecomings, likely to be sold,
anti-Semitism, and Marie von Moritz, and Mosley, within TSE's racial hierarchy, in After Strange Gods, and Mosley's Albert Hall rally, and Nazi persecution in Vienna, and the prospect of immigration, and EP, in South Africa,
Aristophanes, Eirene, Frogs, Lysistrata,
Auden, Wystan Hugh ('W. H.'), and EP's 'Seafarer', TSE sends EH Poems, TSE recites 'To Gabriel Carritt', remembered by Ethel Swan, as dramatist, and Yeats's Mercury Theatre plans, Holmesian prank devised for, Doone wants for Westminster Theatre, collaborative efforts lamented by TSE, talks films at JDH's, strays from F&F, preoccupied with Byron and Barcelona, TSE on 'Letter to Lord Byron', as verse dramatist, away in Aragon for premiere, and Isherwood's plays versus Spender's, forgets to thank Keynes, TSE on his Isherwood plays, condoles TSE over Sandburg accusation, in bad odour, in America, circulating drollery on latest book-title, as pictured by TSE in America, Journey to a War (with Isherwood), Letters from Iceland (with MacNeice), New Year Letter, On the Frontier (with Isherwood), Paid on Both Sides, The Ascent of F6 (with Isherwood), The Dance of Death, The Dog Beneath the Skin (with Isherwood),

10.W. H. AudenAuden, Wystan Hugh ('W. H.') (1907–73), poet, playwright, librettist, translator, essayist, editor: see Biographical Register.

Bergner, Elizabeth, TSE and Christina Morley watch, in The Constant Nymph, thought to lack the voice for Shakespeare,

7.ElizabethBergner, Elizabeth Bergner (1897–1986), Austrian-born British actor, established her career as stage and screen actor in Germany before emigrating to Britain after the rise of Nazism in 1933. In 1934 she played the part of Gemma Jones in Escape Me Never, by Margaret Kennedy, and she was nominated for an Academy Award for the film version. She was to play Rosalind opposite Laurence Olivier’s Orlando in the 1936 film of As You Like It.

Browne, Elliott Martin, meets TSE at Chichester, production of The Rock, meets TSE over possible collaboration, talks over outline of play, meets TSE with Martin Shaw, delighted with Rock choruses, discusses unwritten pageant scenes with TSE, predicament as The Rock's director, well connected in amateur circles, revising into the night with TSE, argues with Shaw at dress-rehearsal, presented to Prince Arthur, honoured by Rock cast-supper, producing Gordon Bottomley's play, speaks at Londonderry House with TSE, 1935 Canterbury Murder in the Cathedral, approached by TSE to 'produce', consulted throughout composition, goes silent, lunches with TSE and Speaight, directs and acts despite illness, pursues London Murder revival, 1935–6 Mercury Theatre Murder revival, engaged as producer by Dukes, keen that EH attend rehearsals, simultaneously part of BBC production, agrees about Speaight's decline, preferred as producer for TSE's next play, and Charles Williams's Cranmer, in which he plays 'the Skeleton', and TSE attend Tenebrae, taken to Cambridge after-feast, producing York Nativity Play, which TSE thinks Giottoesque, at Savile Club Murder dinner, producing Shakespeare's Dream, and Ascent of F6, and Tewkesbury Festival Murder confusion, 1939 production of The Family Reunion, due to be sent script, weighing TSE's proposal that he produce, enthused by script, suggests TSE see Mourning Becomes Electra, against Family Reunion as title, pleased with draft, quizzed on fire-safety, typescript prepared for, new draft submitted to, rewrite waits on, receives new draft, criticisms thereof, reports John Gielgud interest, mediates between Gielgud and TSE, TSE throws over Gielgud for, secures Westminster Theatre production, steps into company breach, then into still-greater breach, and the play's weaknesses, direction of Family Reunion, receives TSE's Shakespeare lectures, 1938 American Murder tour, re-rehearsing actors for, suffers fit of pre-tour gloom, yet to report from Boston, and Tewkesbury pageant, accompanies TSE to La Mandragola, on Family Reunion's future prospects, and possible Orson Welles interest, war leaves at loose end, advises TSE over next play, war work with Pilgrim Players, unavailable for modern-dress Murder, compared to tempter/knight successor, requests Pilgrim Players' play from TSE, New Plays by Poets series, as director, and This Way to the Tomb, and Family Reunion revival, urges TSE to concentrate on theatre, 1946 Mercury Family Reunion revival, in rehearsal, possible revue for Mercury Theatre, and The Lady's Not for Burning, Chairman of the Drama League, 1949 Edinburgh Cocktail Party, to produce, TSE's intended first reader for, receives beginning, approves first act, receives TSE's revisions, communciates Alec Guinness's enthusiasm, arranges reading, surpasses himself with production, in Florence, EH suggests moving on from, and the Poets' Theatre Guild, 1950 Cocktail Party New York transfer, compares Rex Harrison and Alec Guinness, TSE debates whether to continue collaboration with, suggests three-play TSE repertory, 1953 Edinburgh Confidential Clerk, receives first two acts, designing sets, 1953 Lyric Theatre Confidential Clerk, attends with TSE, 1954 American Confidential Clerk, 1954 touring Confidential Clerk, TSE and Martin Browne catch in Golders Green, seeks Family Reunion MS from EH,
see also Brownes, the Martin

4.E. MartinBrowne, Elliott Martin Browne (1900–80), English director and producer, was to direct the first production of Murder in the Cathedral: see Biographical Register.

Browne, Henzie (née Raeburn), meets TSE at Chichester, and initial discussions of The Rock with TSE, discusses unwritten pageant scenes, in Family Reunion, asks after EH, looking after her two boys, in Old Man of the Mountains, stands in for Henrietta Watson in Family Reunion, marks TSE's OM with party, as Cocktail Party understudy, as actress,
see also Brownes, the Martin
Cheetham, Revd Eric, TSE's rent to, as landlord at 9 Grenville Place, asks TSE to be churchwarden, to which TSE agrees, invited to Sweeney Agonistes, taken ill, offers prayers for EH's passage, his pageant for Mothers' Union, on London colds, given wine for Christmas, possible flatmate, pleased to welcome EH, advice in case of fire, unfolds tale of French holiday, and St. Stephen's wartime finances, remembers TSE's birthday, indifferent to rationing, during Blitz, paid to house TSE's books, starts lending library in tube, living in modern penthouse, TSE drafts testimonial letter for, hosts TSE in penthouse, his testimonial, requests TSE's presence for Bishop of London, by whom he is chastened, and Elvaston Place, exhausted by war, prevented from giving TSE customary birthday greeting, one of TSE's few intimates, TSE on, hounded by Time, and the Bishop of Tokyo, retires under doctor's orders, TSE's outgoing tribute and succession, apparently in Hong Kong, leaves affairs in a mess, insouciant letter to parishioners,

4.RevdCheetham, Revd Eric Eric Cheetham (1892–1957): vicar of St Stephen’s Church, Gloucester Road, London, 1929–56 – ‘a fine ecclesiastical showman’, as E. W. F. Tomlin dubbed him. TSE’s landlord and friend at presbytery-houses in S. Kensington, 1934–9. See Letters 7, 34–8.

Doone, Rupert, approaches TSE with Aristophanes commission, at TSE's theatrical Ritz tea-party, pitches the Group Theatre to TSE, discusses Sweeney Agonistes with TSE, TSE on his Sweeney, his own interpretation of Sweeney Agonistes, and Yeats's Mercury Theatre season, dismissed by Yeats, on Margot Collis, possible Mercury Murder premiere, dismayed by prose of Murder, resigns from Mercury Theatre season, resigns from Mercury Theatre season, offers Westminster Theatre production instead, craves TSE's next play, and troupe bemoaned, producing The Ascent of F6, surpasses himself with Spender, and his illustrious housekeeper,
see also Group Theatre

2.RupertDoone, Rupert Doone (1903–66), dancer, choreographer and producer, founded the Group Theatre, London, in 1932: see Biographical Register.

Eliot, Vivien (TSE's first wife, née Haigh-Wood), takes a liking to EH, EH urged not to blame, relations with Charles Buckle, unbearable to holiday with, takes to Margaret Thorp, accompanies TSE to Poetry Bookshop, and 57 Chester Terrace, on TSE's religion, TSE declines invitations excluding, her driving, hosts various writers to tea, considers flat in Gordon Square, arranges large tea-party, as theatregoer, declares desire to make confession, taken to Eastbourne, recalls the Eliots' visit to Rodmell, Alida Monro reports on, in Alida Monro's opinion, falls out with Lucy Thayer, meets TSE for last time at solicitors, seeks TSE's whereabouts, haunts TSE in London, such that he forgoes the theatre, news of, inquires after Man Ray portrait, harries F&F office, on Mosley Albert Hall rally, dies, her funeral, Requiem Mass for, Theresa remembers, marriage to, TSE on entering into, alleged affair with Bertrand Russell, sexual relations, its morbidity, TSE on his own incapacity, its torments providential on reflection, in OM's opinion, its lessons, humiliating, TSE's father's reaction, unrecognised by TSE, to outsiders, TSE reflects on, painful yet stimulating, as an act of self-rupture, drug habits, sleeping draughts, in TSE's absence, 1926 bromidia delusions, mental state, childlike, benefits from active social life, compared to EH's mother's, at the Malmaison sanatorium, and dining in public, TSE's influence on, post-separation, the prospect of institutionalising, prompts institutionalisation crisis-meeting, and TSE's departure for America, against TSE going, adjusting to the prospect, might coordinate with a return to Malmaison, in denial as to, threatens to come, from which TSE tries to dissuade her, aggrieved at being left, possible arrangements in TSE's absence, still in denial as to, TSE dreads scene of departure, possibly beneficial to VHE, TSE describes the moment of departure, separation from, TSE, for and against, out of the question, obstructed by self-deception and responsibility, reasons for not having happened, Dr Miller's opinion on, contemplated, plotted, would necessitate TSE's sequestration, TSE encouraged in his determination, Alida Monro independently suggests, communication with solicitors on, TSE describes going through with, VHE's response before and after meeting at solicitors, impasse over financial settlement, which VHE misrepresents to friends, VHE in denial over, separation deed drawn up, which is yet unsigned, delayed by death of lawyer, general impasse, financial settlement put into force, complicated by VHE renewing lease on flat, efforts to retrieve TSE's property, which is eventually recovered, financial consequences, the possibility of divorcing, TSE's objections to, against what TSE symbolises, likened to Newman's conversion, in common and canon law, in Ada's opinion, how TSE's attitude might seem, would involve permanent division from Church, inimical to future TSE's happiness, her death, and Theresa on TSE remarrying, TSE's shifting response to, formerly wished for, EH reflects on,
see also Eliots, the T. S.
Group Theatre, and Auden, as pitched to TSE, and Spender, angling for Yeats's plays, 'The Chorus in Modern Drama', TSE satirises, and OM, to produce Timon of Athens, autumn 1935 season announced, TSE speaks at fundraiser for, its clichés, surpass themselves, and Sweeney Agonistes,
Hale, Emily, visits the Eliots for tea, returns to Boston, likened to TSE's mother, TSE identifies with her 'reserve', encouraged to write for periodicals, visits West Rindge, summers in Seattle, presents herself as cossetted, blames herself for an unfulfilled life, returns to Boston, consulted over TSE's Norton Professorship, holidays in Castine, vacations in New Bedford, TSE fears accident befalling, travels to stay in Seattle, Frank Morley on Ada on, arrives in California, brought to tears by music, goes horse-riding, baited over how to boil an egg, TSE passes old school of, takes motoring holiday via San Francisco, summers in Seattle, TSE composes squib for, takes TSE's hand in dream, returned to California, TSE sends Harvard Vocarium record, holidays in West Rindge, returns to Boston before embarking for England, arrives in England, to travel to Paris, returns to London, feels inferior to 'brilliant society', invited to Sweeney Agonistes rehearsal, attends Richard II with TSE, attends Sweeney Agonistes, takes TSE to Gielgud's Hamlet, taken to see Stravinsky conducting, leaves for Italy, takes tea at OM's before leaving, mistaken for TSE's sister, returns to Florence, sails for the Riviera, returns from France, returns to Chipping Campden, to Guernsey with Jeanie McPherrin, taken to Henry IV on return, shares open taxi with TSE through Parks and Whitehall, and TSE attend The Gondoliers, visit to the Russian ballet, invited to Murder in Canterbury, and TSE attend 1066 And All That, taken to Tovaritch, and Morleys set for ballet, which she excuses herself from, criticised for flower-arranging, and TSE walk in the Cotswolds, feels inferior to Margaret Thorp, and TSE theatre-going with Thorps, taken to Timon of Athens, taken to Peer Gynt, visited at Campden for TSE's birthday, takes lodgings in Oxford, lodges at 19 Rosary Gardens, watches TSE read to Student Christian Movement, and TSE visit Kenwood House, dines with the Maritains, describes tea with the Woolfs, returns to America, visits Ada on Boston homecoming, possible career-move into politics, pays winter visit to Rindge, and Eleanor Hinkley attend New York Murder, moves to 154 Riverway with Perkinses, considers volunteering for charity, living at 5 Clement Circle, holidays in Cataumet, returns abruptly to Cambridge, recuperates in New Hampshire, moves to 240 Crescent St., Northampton, Mass., lectures at Concord, returns to Brimmer Street, returns to Boston during vacation, sails for England, in residence at Chipping Campden, travels to Yorkshire, returned to Chipping Campden, returns and moves to 22 Paradise Road, Northampton, Mass., spends Thanksgiving in Boston, stays at Hotel Lincolnshire with the Perkinses, vacations at New Bedford, visits New York, holidays in Charleston, as patron of school, returns to Northampton, sails for England, day at Windsor with TSE, fortnight at Campden with TSE, at Campden with TSE again, returns to America with 'Boerre', ordered to stay in America in case of war, given Family Reunion draft with her comments, encouraged to write drama criticism, vacations in New Bedford, advises TSE against Tewkesbury choruses, holidays with the Havenses, sails for England, at Chipping Campden, stays with the Adam Smiths in Scotland, returns to America with Perkinses, safely returned, sent copy of TSE's daily prayers, sent first CNL, sends TSE selected American plays, holidays in New Bedford, spends Easter in Harwichport, holiday destinations, holidays in Cape Cod, returns to the Perkinses at 90 Commonwealth Avenue, stays with Elsmiths in Woods Hole, holidays on Grand Manan, visits Perkinses in Boston, returns to 90 Commonwealth Avenue, holidays in Madison, Wisc., travels on to Maine, holidays on Grand Manan, holidays in Bangor, Maine, as president of S. P. C. A., spends Christmas holiday in New Bedford, holidays in Woods Hole, loans out her Eliotana, removes from Smith to the Perkinses, spends time in Maine, repairs to New Bedford, spends time in Tryon, N. C., returned to Boston, spends three days in New York, shares details of will, holidays on Grand Manan, leaves TSE portrait in event of predeceasing him, late summer in New Brunswick, vacations in New Bedford, repairs to New Bedford, resident in Millbrook, takes short holiday at 'Bleak House', holidays on Grand Manan, visits Woods Hole, visits New Bedford, holidays in New Bedford, spends holiday at Sylvia Knowles's, holidays in Dorset, Vt., holidays briefly in Farmington, holidaying on Grand Manan, TSE seeks Trojan Women translation for, moves to 9 Lexington Road, gives Christmas readings, congratulates TSE on OM, urges TSE not to despair at honours, spends Easter in Boston, race-relations and the WPA, sings Bach's B Minor Mass, removes from Concord to Andover, on life in Grand Manan, congratulates TSE on Nobel Prize, resident at 35 School Street, Andover, summers between Boston, Woods Hole, New Bedford and Grand Manan, recounts journey to Grand Manan, takes The Cocktail Party personally, then repents of doing so, post-Christmas stay in New Bedford, reports on Cocktail Party's opening, summers between Chocorua and Campobello, tours westward to California during summer holiday, attends British Drama League summer school, holidays in Grand Manan, asks TSE for occasional poem, week in the Virgin Islands, summers between Mount Desert and California, spends holidays in New Bedford, recuperates in New Bedford, returns, briefly to Chipping Campden, Eleanor Hinkley reports on, writes to EVE, sends EVE photograph of TSE, makes tour of Scandinavia, approaches TSE on Smith's behalf, which approach TSE declines, writes to TSE on GCF's death, moves back to Concord, pays visit to Seattle, reacts to TSE's death, writes to EVE, meets EVE, dies, appearance and characteristics, her shapely neck, TSE's memory for certain of her old dresses, particularly four dresses, which TSE then describes, TSE begs EH to describe her clothing, in silk, autumn 1930, costumed in a 'Titian wig', EH encouraged to gain weight, EH encouraged to tan, her Jantzen suit, TSE begs a slip of hair from, her gold-and-green tea gown, her Praxitelean nose, EH congratulated on 'perm', EH refuses TSE lock of hair, her voice, Guardsman dress, as a Botticelli Madonna, her hands, recommended skin-cream, 'new goldy dress', TSE inquires after, in TSE's dreams, 'new and nuder' swimsuit demanded, her black dress/red jacket outfit, dressed in blue, in charming black dress, her sense of humour, her New England conscience, the famous apricot dress, her hair, various dresses, EH's idea of new dresses, EH hair cut in the new style, blue dress worn following masque, as actor, as Olivia in Twelfth Night, in the Cambridge Dramatic club, as Roxane in Cyrano in 1915/16, as Judith Bliss in Hay Fever, EH considers giving up for teaching, in the 'stunt show' with TSE, as Beatrice, TSE hopes, in The Footlight Club, in Berkeley Square, in The Yellow Jacket, EH praised over Ruth Draper, under Ellen van Volkenburg, cast as an octogenarian, in The Old Lady Shows Her Medals, TSE speculates as to her future in, and teaching, as Lady Bracknell, TSE begs to write part for, in The Footlight Club, potentially in summer theatre company, as the Duchess of Devonshire, potentially in The Family Reunion, Cambridge Dramatic club reunion, The Wingless Victory, in masque with TSE, in a Van Druten play, as Lodovico Sforza, in play by Laurence Housman, as Madame Arcati in Blithe Spirit, with Paul Stephenson, in Kind Lady, joins the Dorset Players, as director ('producer'), La Locandiera, Lady Gregory's The Dragon, Dust of the Road, Comus, possibly temporarily at St. Catherine's, Va., chorus work at Smith, Electra, Quality Street, The Merchant of Venice, Dear Brutus, Christmas play, Richard II, Hay Fever, Christmas pantomime, The Dorset Players, a reading of Outward Bound, Molnár's The Swan, Dulcy, The School for Scandal, Fanny and the Servant Problem, Dear Brutus again, Twelfth Night, Prunella, Christmas play, Antigone, The Merry Wives of Windsor, As You Like It, The Admirable Crichton, Holy Night, The Tempest, as teacher, EH lectures on 'Modern British Verse', as a career, at Milwaukee-Downer College, Mich., at Simmons College, Boston, EH considers post at Scripps, which she accepts, arrives at Scripps, establishes drama workshop at Scripps, EH lectures on TSE, EH's advice that TSE lecture less slowly, as described by Scripps student, and being admired by students, TSE sees her teaching as a kind of acting, requests year's leave from Scripps, resigns position at Scripps, declares intention to teach again, possibly, temporarily, at St. Catherine's, Va., possibly at Smith, post at St. Catherine's rejected, appointed to position at Smith, is installed at Smith, reappointed with pay-rise, reappointed again for two years, her work at Smith, unsettled at Smith, in time of war, insecure over job at Smith, from which EH takes 'sabbatical', let go by Smith, takes job at Concord Academy, appointed to post at Bennett Junior College, Millbrook, appointment to permanent Concord position, EH thinks of giving up, lectures on Family Reunion, her work at Concord Academy, resignation from Concord Academy, takes permanent position at Abbot, EH admits to being sheltered by, retirement from Abbot, according to Abbot Academy tribute, birthdays, presents and love-tokens, EH's birthday compared to TSE's, TSE sends Terry–Shaw correspondence for EH's birthday, EH sends TSE pomme purée, present from EH, flowers for EH's birthday arrive too soon, EH wearing TSE's ring, two rings bought for EH, EH bought typewriter, TSE 'cables' EH roses, TSE consults EH over potential present, TSE's second 'sapphire' ring for, EH refits new rings from TSE, TSE receives flowers for Christmas, EH given 'powder box' for Christmas, EH's present to TSE goes amiss, missing present (calendar) explained, EH left cigarettes by TSE, EH gives TSE cigarette case, TSE necklace-hunting for EH, pearls suggested for EH, EH bought sapphire bracelet, EH gives TSE a signet ring, EH bought blue-gray scarf, EH gives TSE silk handkerchiefs, TSE has signet ring engraved, further ring sought for EH, EH with TSE on his birthday, EH gives TSE initialled leather portfolio, TSE given ashtrays and matchbox, furs sought for EH, EH gives TSE stool, roses sent to EH on birthday, TSE given diary and hairbrush box, TSE given rosary and print, EH buys TSE towel rails, TSE receives diary for Christmas, 1810 ring bought for EH, EH buys TSE various ties, war means no flowers, EH's lapis lazuli ring, TSE neglects to cable EH, EH knits socks for TSE, which turn out large, EH sends TSE 'snowflake' socks, EH remembers TSE's birthday with reference to Shakespeare, TSE sent marmalade and liver-paste, EH writes poem for TSE's birthday, EH sends TSE provisions, EH loses sapphire from ring, diamond circlet given to EH in 1939, EH gives TSE socks for Christmas, TSE gives EH 'evening bag', EH unthanked for Christmas present, correspondence with TSE, TSE petitions EH to bestow on the Bodleian, TSE exalts as authoritative, TSE envisions as reading-group, the only writing TSE enjoys, TSE as Cyrano to EH's Roxane, TSE's dependence on, TSE's nights spent planning, TSE rereads with pleasure, the strain of interruption, switches to Air Mail, TSE on his decision to renew, TSE marks first anniversary of, keeps TSE sane, TSE hopes to telephone, TSE wishes to maintain when in America, EH would withhold from the Bodleian bequest, from which TSE tries to dissuade her, TSE violently dependent on, TSE begs EH that it be preserved, less exciting to EH than at first, TSE's horror of sounding sermonic, if such a correspondence were profitable, and TSE's respectful reticence, EH suggests entrusting to Willard Thorp, but subsequently explains she meant Margaret Thorp, EH's to do with as pleases, and the prospect of TSE writing every night, TSE still rereads with pleasure, excites TSE too much to write smoothly, compared with talking, phone call finally arranged, which finally takes place, EH importuned to write more, TSE promises three letters a week, EH refuses more than one, a solitude within a solitude, EH switches to typewriter, which TSE offers to buy, observed weekly by EH's students, flatters TSE most when EH writes undutifully, TSE's dread of EH rationing, TSE's efforts to moderate himself within, TSE imagines the unsealing of, TSE offers to cease, a place to vent one's feelings, TSE rebuked for 'intolerance' within, EH learns to type, hinders TSE from work, TSE on life before, third anniversary marked, thwarted by TSE's self-loathing, TSE doubts having pursued, restraints on TSE's ardour lifted, more constrained by day, TSE worries about burdening EH with, worth TSE getting home early for, by day, by night, TSE specially treasures recent 'love letters', more delightful since EH's reciprocation, and TSE's diminished ardour, switches to transatlantic airmail, constrained by war, opened by censor, and Shamley Green post-office, TSE apologises for, EH free to dispose of, within limits, particularly constrained by EH's letter of 1939, and the experience of delay, TSE equivocates on preserving, varied with airgraph, again, EH's to do with as she pleases, still intended for Bodleian, TSE chastened for short cables, TSE's letters 'undemonstrative and impersonal', post-war frequency, being and not being loving by letter, EH asks TSE to reduce, TSE criticised for following monthly injunction, TSE rebuked for impersonality, EH formally bequeaths to Princeton, TSE unfussed as to repository, TSE reiterates 50-year prohibition, TSE's worries as to future appearances, EH promises Princeton her statement on, promises letters with ten-year seal, attempts to shorten TSE's moratorium, which TSE refuses, which forces EH to relent, TSE encouraged to return EH's letters, EH deposits further material with Princeton, EH makes 'recording' for Princeton, EH renews plea to shorten moratorium, and is again refused, TSE destroys EH's letters, TSE repents of severe letter, which EH never receives, EH suspects TSE of destroying her letters, EH instructs Princeton to discard 'recording', EH ultimately respects TSE's wishes, EH on TSE's destruction of her letters, family, her father, her childhood compared to TSE's, TSE desires family history of, EH encouraged to keep younger company, EH's unity with parents, EH's relations with aunt and uncle, EH's relations with aunt and uncle, EH photographed with parents, and EH's obligations to, finances, health, physical and mental, admits to breakdown, TSE compares 'nightmares' with, TSE's desire to nurse, suffers neuritis, then neuralgia, recommended suncream, suffers arthritis, suffers with sinuses, her teeth, experiences insomnia, suffers 'hives', suffers crisis body and soul, feels depressed over Christmas, suffers neuralgia, suffers intestinal flu, has shingles, admitted to hospital, convalesces on Grand Manan, recuperates in Washington, Conn., photographs of, as a child, Edith Sitwellesque photograph, in 18th-century costume, in 18th-century French costume, in broad-brimmed 'picture' hat, TSE buys Kodak, in deck-chair, eating sandwich, in a car, 'the Beautiful one', which TSE has enlarged for his dressing-table, painful, because taken in the 'interim', in bacchanalian pose, 'Semitic', among young people, set 'Elizabeth' giggling, Diana Mannersesque, are mnemonic aids to TSE, kneeling beside can of flowers, TSE's favourite, with ordinarily sized hands, smoking in chair, as child with big ears, taken on TSE's arrival in Claremont, in Jane Austen fashion, in unfamiliar jacket, taken in autumn, with mother and father, as a child, in TSE's note-case throughout Blitz, in Wingless Victory, as child, in gold frame, in familiar jacket, taken with Boerre, surround TSE at Shamley, with baby, in a group, of EH's portrait, in sailor suit, all inadequate, carrying lamp, with Rag Doll, at Campobello, reading, Henry James, Letters from Baron Friedrich von Hügel to a Niece, All Passion Spent, Bubu de Montparnasse, F&F thriller, Eyeless in Gaza, Dante, Hopkins and Roosevelt, Henry Irving: The Actor and His World, relationship with TSE, TSE's first acquaintance with, its abnormality, runs to admiration from EH, and TSE's habitual reserve, its morality under examination, defended by TSE, its susceptibilities envisaged by TSE, EH admits estrangement within, and TSE's desire for intimacies, provokes sorrow and fury in TSE, confided to the Perkinses, Miss Ware and Father Underhill, TSE's chance to be frivolous, and the prospect of TSE's Harvard year, TSE dates first meeting to 1905, whereas EH dates to 1915, TSE's terror of renewing in California, teaches TSE true companionship, runs to a 'kiss', as perpetual progress and revelation, EH offered manumission from, if TSE were not married, seems more real for TSE's American year, TSE's reasons against marrying, TSE fears having misled over, EH again offered manumission from, EH writes to Ada concerning, EH blames TSE for his ardour, then apologises for blaming TSE, leads to unhappiness in EH, possible drain on EH's health, its perceived inequalities, pity and gratitude would corrupt, TSE conditionally promises marriage, TSE sees as an imposition on EH, potentially richer for meeting TSE's friends, EH 'kisses' TSE, EH rests head on TSE's shoulder, EH strokes TSE's face, as consubstantial union, TSE's love finally reciprocated, mutual embraces, EH kissed on the right foot, TSE favoured with birthday kiss, exhausting, should proceed without hope of marriage, TSE again regrets misleading EH, as one of mutual dependence, its unsatisfactions, its seasonal rhythm, but for VHE would be marriage, EH seeks post-war clarity on, and the prospect of VHE's death, following VHE's death, TSE reflects on the deterioration of, TSE reflects generally on, and men and women generally, according to Theresa Eliot, EH reflects on, since TSE discounted marriage, had TSE behaved differently in 1914, its new dispensation, source of mutual anguish, apropos of TSE's second marriage, EH's marriage regret, EH recoils from publicising, TSE re-evaluates, EH writes to EVE about, religious beliefs and practices, claims experience of 'vision', admits suffering spiritual crisis, goes on retreat, and TSE's definition of sainthood, compared to TSE's, professes to resent the Church, makes retreat to Senexet, the issue of communion, the possibility of confirmation, source of worry to EH, confronts TSE on religious differences, TSE on her 'Christian spirit', fears TSE considers her damned, TSE pointedly refrains from criticising, unclear to TSE, TSE's love for, and their conversation in Eccleston Square, declared, in 1915, and TSE's desire to be EH's spiritual possession, source of serenity to TSE, the strangeness of not broadcasting, first felt in 1913, recognised by TSE the night of Tristan und Isolde, TSE's reasons for not declaring in 1913, what TSE said instead of declaring, a pain of sorts, unconfided to friends, not immune to jealousy of EH's male friends, its passion tempered by religion, and the torment of resignation, defiled by possessiveness and anger, and a particular journey back from Pasadena, in light of California stay, increases his desire to quarrel with EH, TSE doubts decision to declare, eternally unconditional, shows TSE true meaning of tenderness, defined by TSE, violent, clarified and strengthened by Chipping Campden reunion, disquiets EH, obstructive to EH loving another, TSE initially relieved to find unrequited, queered by inexperience, TSE repents of over-prizing, startles TSE, like 'a burglar', strengthened and deepened, irrespective of physical beauty, finally reciprocated, ideal when unreciprocated, relieved only by poetry, as against love's travesties, as expressed in Burnt Norton, over time, apparently undimmed but dwarfed by war, and the first time TSE spoke EH's name, thwarted by question of divorce, EH questions, now better adjusted to reality, argument over communion challenges, would run to jealously but not marriage, as expressed in 1914 on Chestnut Hill, TSE's names, nicknames and terms of endearment for, 'Lady', 'Dove', 'My saint', 'Bienaimée', TSE's reason for calling her 'Dove', 'Isolde', 'My Lady', 'Emilie', 'Princess', 'Lady bird', 'Birdie', 'riperaspberrymouth', 'Emily of Fire & Violence', 'Bouche-de-Fraise', 'Bouch-de-Framboise', 'Raspberrymouth', not 'Wendy', 'Nightingale', 'Mocking Bird', 'Love', 'My true love', 'my Self', 'Emilia' and Shelley's Epipsychidion, 'my Own', 'Girl', 'Western Star', 'Darling', 'My Life', 'My Lamb', 'Beloved my Female', 'My own Woman', writings, an article on 'Weimar', letter to The Times about King's jubilee, account of communion at Beaulieu, EH asks to write about TSE, review of La Machine infernale, review of Dangerous Corner, a note for S. P. C. A., an 'epigram', 'Actors at Alnwick', 'An Etching', 'The Giocanda Smile', 'The Personal Equation in Spoken English', 'A Play from Both Sides of the Footlights', 'Summer Sunshine: A Memory of Miss Minna Hall', 'They flash upon the inward eye',
Marx Brothers, the, TSE's only inducement for moviegoing, Duck Soup,
Morley, Christina (née Innes), and country life, at Joyce dinner in Paris, taken to theatre in Morley's absence, again to Love for Love, knits TSE socks, her Celtic temperament, therefore special affinity with Donald, sleeping at Donald's school, as tennis-player, falls asleep at wheel, entertained at The Berkeley, accompanies TSE to Three Sisters, taken to meet JDH, accompanies TSE to Bulgakov's White Guard, brings Morley boys along to Shakespeare, faced with departure for America, America's effect on, sends Ada's New York Times obituary, TSE writes letter of condolence to, for which she thanks him, in Cambridge,
see also Morleys, the
Richardses, the, at the Eliots' tea-party, compared to the Pickthorns, host TSE for Cambridge weekend, on TSE's stay, treat TSE to G. C. Coulton and Shakespeare, TSE rewatches The Rock with, leaving England for Harvard, host TSE before departing Magdalene, wartime dinner with,
Rock, The, TSE invited to write, outlined to the Martin Brownes, as TSE's theatrical apprenticeship, outlined for EH, TSE's motivation in undertaking, four choruses drafted, from which TSE quotes approvingly, TSE busy on the prose, its political, anti-Blackshirt scene, and its censors, its 'bastard' cockney, 'Rahere' scene sent to EH, its production, difficulties of composition, and Patricia Shaw-Page's 'prologue', awaiting final chorus, on the point of completion, cockney dialogue revised, Lord Chamberlain's Office pronounces on, its anti-fascism, in rehearsal, the dress-rehearsal, opening night and reception, cuts pondered, Tandy on cuts to, approaching finale, reception, two connected supper-parties, its choruses, Cornish schoolgirl recites chorus from, quoted by EH, EH on,
Rowe, Sir Reginald Percy Pfeiffer, meddles with Russian ballet,

6.SirRowe, Sir Reginald Percy Pfeiffer Reginald Percy Pfeiffer (‘P.P.’) Rowe (1868–1945), barrister, philanthropist, poet and novelist; Under Treasurer of Lincoln’s Inn; Chairman, since 1910, of the Improved Tenements Association (he was knighted in 1934 for this important social work); founder and Hon. Treasurer of the Sadler’s Wells Fund; President of National Federation of Housing Societies.

Sadler's Wells Theatre, Twelfth Night at, Hamlet at, Midsummer Night's Dream at, produces The Cherry Orchard, to produce Henry VIII, presents Love for Love, The Friends of Sadler's Wells, how TSE became involved with, Lilian Baylis impresses at,
writing, and routine, to EH, like talking to the deaf, development and development in the writer, and 're-creative thought', TSE's pace of working, correspondence, and Beethoven, and whether to keep a notebook, dialogue, and loving one's characters, and the necessity for reinvention, to someone as against speaking, plays written chiefly for EH, prose between poems, poetry versus prose, and originality, poetry three hours every morning, plot, and obscurity, blurbs, letters of rejection, requires periods of fruitful latency, on new typewriter, TSE's 'old Corona', the effect of war on, and reading, as taught by the book, prize-day addresses, weekly articles, concisely, from imagination, from experience, for broadcast, out of doors, rewriting old work, and public-speaking, by hand,