[22 Paradise Rd., Northampton, Mass.]
I had hoped to hear from you again, before writing for the last time before Christmas, but I suppose the boats are delayed, or else the mails are already so heavy that they are not delivered promptly. You said that you were to be with Miss King for Christmas, but I have no record of Miss King’s address, so I must write to Northampton though I know you will not receive it till after Christmas. Also, I cannot cable you direct, but must content myself with a cable to the Perkins’s at Marlborough Street. Idogs'Boerre' (Norwegian Elkhound);b7;b1 imagineAmericaConnecticut;e2and Boerre;a2 you first going down to Connecticut to deposit Boerre with your friend who keeps the dog farm; but I very much hope that you will not be the whole time in Boston. IHale, Emily Jose Milliken (EH's mother)business relating to;c3 trust that the affairs of your mother’s, of which you spoke, are not such as to take all of your time, or give you much anxiety, and I hope that the reference does not indicate a diminishing income.
Christmas comes with the usual petty worries and fatigues of cards and presents. I have done most of my cards, but have still most of my presents (nearly all for children, of course) to buy, and still at a loss to know what to get. ThereSwan, Ethel;a7 is also Miss Swan. There are also various minor formal engagements: tomorrowStewart, Charlesand wife give tea-party;a3 I have to go to a tea party given by the Stewarts (my more obscure co-director – special duty as I don’t think any of the other directors or their wives will be there – EnidFaber, Enid Eleanor;a9 Faber is in bed with three broken ribs); SundayCheetham, Revd Eric;d6 lunch with Cheetham and a Fr. Passmore, teaUnderhill, Evelyn;b8 with the Stuart Moores, andWoolfs, the;d5 supper with the Woolves;1 TuesdaySeaverns, Helen;c4 night dine with Mrs. Seaverns. LastMirrlees, Hopeexhausting but pitiable;b4 night had to go to a small Christmas dinner of Hope Mirrlees – I wish I did not always feel sorry for her, because I find her so tiring. Crackers, which I thought might have better have been [sic] given to poor children, but that is perhaps puritanical. People look one up at Christmas, just as they do at the beginning of the summer. OnJanes, W. L.Christmas Day hospital visit to;b7 Christmas day I shall probably go to see Janes in his hospital – he was very much more chipper the last time I went: it is surprising that he has lasted so long – he thinks he will be out in January, but it would be very surprising. I do not know whether I shall be having Christmas dinner with anyone – I would as soon have it alone, as I cannot have it with you, though the club will be closed that day and I shall have to go to the Travellers’ – butHayward, John;j1 if I have to dine with anyone, I hope it will be alone with John, asRoberts, Richard Ellis;a6 IBeerbohm, Florence, Lady (née Kahn);a3 have aBeerbohm, MaxTSE invited to dine with;a1 tentativeRoberts, Harriet Ide Keen;a2 invitation to dine with the Ellis Roberts’ and the Max Beerbohms,2 but Mrs. Roberts hasn’t confirmed it, so I hope she doesn’t want me – I think both Mrs. Roberts and Mrs Beerbohm come from Tennessee.3 OnEvery, George;a9 the next night George Every dines with me; andBoutwood Lectures (afterwards The Idea of a Christian Society)being prepared;a2 after that I shall try to keep my time very clear, so as to concentrate on the lectures.
ISaint-Denis, Michelhis Family Reunion interest checked;b1 amFamily Reunion, TheSaint-Denis interest tempered;f4 sorry that I cannot still say anything definite about the play. TheSaint-Denis, Michelhis White Guard;a6 situationSaint-Denis, Michelhis Twelfth Night;a9 isPhoenix Theatre, LondonSaint-Denis's Twelfth Night;a2 thatPhoenix Theatre, LondonSaint-Denis's White Guard;a1 StShakespeare, WilliamTwelfth Night;d3. Denis would like to do it, but as he has had two failures in succession – The White Guard and Twelfth Night (always a mistake for foreigners to try to produce Shakespeare in London, it was as out of key in its way as Komisarjevsky’s Merry Wives which you remember)4 and is uncertain whether he can get the money. MartinGielgud, Johnrenews interest in Family Reunion;a5 thereforeThorndike, Sybilexerts influence on Gielgud;a4 isBrowne, Elliott Martin1939 production of The Family Reunion;c1mediates between Gielgud and TSE;b5 renewingFamily Reunion, Thepossible John Gielgud production;e5 discussions, at the same time, with John Gielgud, who, he says, under the influence of Sybil Thorndike, has repented of his insistence on producing, and now would be willing to act in it under another producer, and could do it as matinées in March; andGuthrie, Tyroneconsiders Old Vic Family Reunion;a4 alsoOld Vic, Theconsiders Family Reunion;b5 withOlivier, Laurenceconsidered for Family Reunion;a2 TyroneFamily Reunion, Thepossible Tyrone Guthrie production;f5 Guthrie, as a possibility for the Old Vic with Laurence Olivier. But I doubt if it is the right thing for the Old Vic audience at this stage, though it would be an advantage to have the best seats cheap – because, except for the crowd of society intellectuals who go on the first night, I haven’t much of a 12s. 6d. audience.
ICriterion, TheJanuary 1939;d8to be final issue;a1 canCriterion, Thereflections on ending;b4 inform you now that I have decided to put an end to the Criterion with the December number. I did not let you know before, because it was not a situation of asking advice, though of course, I should have discussed it with you had you been here. I have kept it very quiet, and up to now nobody outside of Russell Square knows – unless it has leaked out. I did not want the fact to be known until the December number appears, in which I have set forth my reasons; but by the time you get this letter the number will be within a few days of appearance. No one but yourself will know until they read my statement in the Criterion itself. I was afraid that rumours would get about, either that I had quarrelled with the firm, or that the firm was financially weak. MyFaber and Faber (F&F)and closing The Criterion;d9 reasons are, primarily, that my work on the publishing side has so much increased in the last few years – both dealing with manuscripts and with authors – that it is impossible for me to get through all my Russell Square work in the afternoon, and consequently my private work in the mornings is constantly interrupted. Second, I think that the Criterion has done its work, and that it is better to end before people begin to say that it has gone on too long and that I am getting stale. And I should not want it to pass into the hands of another editor, because there is no possible person in view; and I had rather it ended with my editorship than changed its character. Were it profitable financially I should find it more difficult to give up; but as it loses the firm two or three hundred pounds a year there is no difficulty. Of course, I could have told you all this before: but when people cannot do anything about it, why burden them with temporary secrets to keep? Anyway, I hope you will approve, because to me it is a great relief. I shall have more time and energy for my own writing, and I shall be less exposed to what is the most tiring part of my routine work: the personal responsibility of nursing young writers who may but probably will not become of importance. It is the afternoons when I have to interview a succession of two or three feckless young people with little talent, that I find most fatiguing. Of course I shall not be able to detach myself from most of the small foundlings whom I have already taken on; I shall simply not go on acquiring them at such an alarming rate.
Of course I realise that the Criterion has in the past been extremely useful to me in my own development, and has brought me most pleasant and valuable contacts; but I think that chapter is closed.
So now I wish we might be sitting together in a little drawing room somewhere in England – without company or the danger of company – planning each other’s Christmas; and that we might have breakfast on Christmas morning as we once did on your birthday in Rosary Gardens when I surprised you by being invited to breakfast. It is a very modest wish, I think, although it is impossible. This alternation of seasons, with nine months of the year living on one’s own resources, and less – indeed less – than three months of depending on someone else, is a very queer way to live, I sometimes think. And yet, such as it is, it has brought me some very strange and rich happiness.
I shall of course go on writing to Northampton regularly, against your return. And I shall think of you specially with prayer, at the midnight Mass on Christmas Eve, Saturday night.
1.Woolf, Virginiarecords TSE on Family Reunion;c9nVirginia Woolf's diary, Mon. 19 Dec.: 192–3: ‘The last dinner of the year was to Tom Eliot last night. Physically he is a little muffin faced; sallow & shadowed; but intent (as I am) on the art of writing. His play – Family Reunion? – was the staple of the very bitter cold evening […] It has taken him off & on 2 years to write, is an advance upon Murder; in poetry; a new line, with 3 stresses; “I don’t seem very popular this evening”; “What for do we talk of cancer again” (no: this is not accurate). When the crisis came, his only thought was annoyance that now his play would not be acted […]
‘Tom said the young don’t take art or politics seriously enough. Disappointed in the Auden-Ish[erwoo]d. He has his grandeur. He said that there are flaws in the new play that are congenital; inalterable. I suspect in the department of humour. He defined the different kinds of influence: a subtle, splitting mind: a man of simple integrity, & the artists ingenuous egotism. Dines out & goes to musical teas; reads poems at Londonderry house; has a humorous sardonic gift which mitigates his egotism; & is on the side of authority. A nice old friends evening’ (Diary 5, 192–3).
2.Sir Maximilian ‘Max’ Beerbohm (1872–1956), dandy and aesthete; essayist; parodist and caricaturist; broadcaster. Drama critic for the Saturday Review, 1898–1910. Works include Zuleika Dobson (1911), A Christmas Garland (1912), and The Incomparable Max (1962).
3.Beerbohm’s first wife was Florence Kahn (1878–1951), actor, born in Memphis, Tenn.
4.Theodore Komisarjevsky had directed The Merry Wives of Windsor at the Memorial Theatre, Stratford-on-Avon, in 1935.
4.E. MartinBrowne, Elliott Martin Browne (1900–80), English director and producer, was to direct the first production of Murder in the Cathedral: see Biographical Register.
4.RevdCheetham, Revd Eric Eric Cheetham (1892–1957): vicar of St Stephen’s Church, Gloucester Road, London, 1929–56 – ‘a fine ecclesiastical showman’, as E. W. F. Tomlin dubbed him. TSE’s landlord and friend at presbytery-houses in S. Kensington, 1934–9. See Letters 7, 34–8.
4.GeorgeEvery, George Every, SSM (1909–2003), historian and poet: see Biographical Register.
1.TSE was mistaken here. EnidFaber, Enid Eleanor Eleanor Faber (1901–95) was the daughter of Sir Henry Erle Richards (1861–1922), Fellow of All Souls College and Chichele Professor of International Law and Diplomacy at Oxford University, and Mary Isabel Butler (1868–1945).
2.JohnGielgud, John Gielgud (1904–2000), distinguished actor and theatre director. Knighted in 1953; awarded Legion of Honour, 1960; created Companion of Honour, 1977; Order of Merit, 1996.
10.TyroneGuthrie, Tyrone Guthrie (1900–71), theatre and opera director; later instrumental in the founding of the Stratford Festival of Canada and the Guthrie Theater in Minneapolis, Minnesota.
11.JohnHayward, John Davy Hayward (1905–65), editor and critic: see Biographical Register.
4.W. L. JanesJanes, W. L. (1854–1939), ex-policeman who worked as handyman for the Eliots. Having been superannuated from the police force early in the century, he worked for a period (until about 1921) as a plain-clothes detective in the General Post Office. TSE reminisced to Mary Trevelyan on 2 Apr. 1951: ‘If I ever write my reminiscences, which I shan’t, Janes would have a great part in them’ (‘The Pope of Russell Square’). TSE to Adam Roberts (b. 1940; godson of TSE), 12 Dec. 1955: ‘I … knew a retired police officer, who at one period had to snoop in plain clothes in the General Post Office in Newgate Street – he caught several culprits, he said’ (Adam Roberts). HisJanes, Ada wife was Ada Janes (d. 1935).
2.HopeMirrlees, Hope Mirrlees (1887–1978), British poet, novelist, translator and biographer, was to become a close friend of TSE: see Biographical Register.
2.LaurenceOlivier, Laurence Olivier (1907–89), English actor and director; many of his most notable successes in the 1930s and 1940s were in Shakespearian roles.
1.RichardRoberts, Richard Ellis Ellis Roberts (1879–1953), author and critic; literary editor of the New Statesman & Nation, 1932–4; Life and Letters Today, 1934; biographer of Stella Benson (1939).
2.CompagnieSaint-Denis, Michel des Quinze: theatre production company organised by Michel Saint-Denis (nephew of Jacques Copeau), together with the playwright André Obey, at the Théatre du Vieux-Colombier, Paris, 1929–34.
3.HelenSeaverns, Helen Seaverns, widow of the American-born businessman and Liberal MP, Joel Herbert Seaverns: see Biographical Register.
2.EthelSwan, Ethel Swan, a Faber & Gwyer ‘pioneer’, joined the firm on 12 Oct. 1925, as telephonist and receptionist, retiring in 1972 after 47 years. PeterSwan, EthelPeter du Sautoy's tribute to;a2n du Sautoy reported in 1971: ‘These duties she still performs with admirable skill and charm … SheJoyce, Jameson the phone to the F&F receptionist;c1n has an amazing memory for voices and it is certain that if James Joyce were to return to earth to telephone a complaint (he called us “Feebler and Fumbler”) she would say “Good morning, Mr Joyce” before he could introduce himself, as if he had previously been telephoning only yesterday. Many a visiting author or publisher from overseas has felt more kindly towards Faber & Faber as a result of Miss Swan’s friendly recognition’ (‘Farewell, Russell Square’, The Bookseller no. 3410 [1 May 1971], 2040).
9.SybilThorndike, Sybil Thorndike (1882–1976): acclaimed British actor of stage and screen, she was a dominant presence in productions of Shakespeare and the Classics – arguably the greatest tragedienne of the twentieth century. George Bernard Shaw felt such a regard for her talent that he wrote Saint Joan (1924) specifically for her. In 1938–9 there were discussions with a view to staging the premiere of The Family Reunion, to be directed by John Gielgud (who was eager to play the hero, the tormented Harry), with Thorndike as Agatha. But Thorndike is reported to have advised Gielgud, ‘You know, Eliot’s not going to let you have his play – he says you have no faith.’ In Peter Brooks’s revival of the play at the Phoenix Theatre, London, in June 1956, she was the matriarch Amy (with Paul Scofield as Harry). Thorndike to TSE, 8 June 1956: ‘My ambition is fulfilled – to be in one of your plays …’ Created a Dame of the British Empire in 1931, in 1970 she was appointed as a Companion of Honour.
1.EvelynUnderhill, Evelyn Underhill (1875–1941), spiritual director and writer on mysticism and the spiritual life: see Biographical Register.
1.VirginiaWoolf, Virginia Woolf (1882–1941), novelist, essayist and critic: see Biographical Register.