[No surviving envelope]
Letter 10.
I did not write any letters at all last weekend. Aappearance (TSE's)teeth;c2state of;b1 tooth which my dentist had killed and filled a few weeks ago, blew up with an abscess directly I had got down to the country. The dentist isn’t in London on Tuesdays, so I had to wait until Wednesday afternoon to see him, when he immediately pulled two teeth out. Anaesthetists are very few now, as most of them are of course working for military hospitals; so he used a local anaesthetic, which at least was a quicker business. I now am without two lower front teeth, having lost all my back ones three years ago. So in this respect, I am now pretty decrepit, and in a few more years will no doubt have some very good looking teeth: for my present plates have to carry only back teeth. However, the point is that I had five days of violent and increasing toothache, and could not eat much either: I managed to sleep pretty well, with aspirin. And of course afterwards one feels pretty languid for a bit because of the poison released.
WellCzecho-Slovak Institute, LondonTSE's address to;a1, that’s over, and I now go up to town for three nights, as'Cultural Diversity and European Unity'as it was delivered;a4 I have to talk to the Czechs on Thursday evening. ShamleyShamley Wood, Surreyits melodramas;b2 Wood is more hopeful, asMirrlees, Emily Lina ('Mappie', née Moncrieff);f3 Mrs. M.’s new gardener, though somewhat neurotic, is very skilled and very hardworking; and a possible housemaid is expected to present herself for interview tomorrow. ICheetham, Revd Eric;f9 have had no reply from Cheetham, who is I believe taking a week in bed (only getting up to say mass in the morning and going to bed again) in lieu of an after-Lent holiday; but I still want to have the pied-a-terre where I could be for the whole week, for the interim period. IHayward, Johnpossible post-war housemate;l5 don’t know how a flat is eventually to be found, but I am pinning my hopes on John’s numerous and devoted lady friends. What he wants is a top floor, with a lift big enough for his pram, such as he had at Swan Court. IRobertses, the;a5 look forward to Michael and Janet Roberts setting up in London in the autumn: they have a house, fortunately, which goes with his position as head of the Seminary of SS. Mark & John.
Itravels, trips and plansTSE's May 1945 trip to Paris;f4;a4 shan’t be able to settle down to anything until this Paris visit is accomplished (I promise myself a week away from London, doing nothing, when I get back). IBritish Councilwartime trip to Paris;a8 have to see two men at dinner, tomorrow and Wednesday evenings, who can tell me something about Paris: the British Council people here are never very well informed about the places they send you to, but I believe they have a good man in Paris. AndWilson, Edmund 'Bunny'TSE gives lunch for;a5 on Thursday I have to have a few people to lunch to meet Edmund Wilson, the literary critic, as I was once his guest in New York.1
IHale, Emilyas director ('producer');v9Dear Brutus;b1 was glad to get your letter of the 7th March, to know that Dear Brutus was such a terrific success.2 But I thought they wanted you to stay anyway: however, I am very glad if this makes them appreciate you better. People’s opinion of one depends so much on other people’s opinion: few will back anybody on their own judgment alone. Perhaps, in that case, they will either find you lodgings, or (better) increase your salary so that you can house yourself suitably. But in any case I am very happy to think your production was a triumph. IPerkins, Edith (EH's aunt)sight failing;g8 was distressed, however, to learn that Aunt Edith is suffering so severe a disability. I hope that she does not cut herself off from all social activity. I always think of her as so ideally situated in Campden, in the rôle of hostess which she so enjoyed and performed so beautifully, that I grieve to think of her under any other conditions. AndPerkins, Dr John Carroll (EH's uncle)ailing;f3 if your uncle is feeble, the situation must be very trying for them both.
IBrocklebank, Lt.-Col. Richard Hugh Roydshis catalogue of paintings;a1 wrote to Col. B. to ask exactly what he had in mind – something to be sold, or to be distributed privately; and how much illustration he wanted etc., but he doesn’t seem to know himself what he wants. He asked me to have tea with him at his club, as he was up for the day last week: but it would have meant stopping an extra night, and as I had just had my teeth out, I did not feel called upon to do that: but I expect I shall have to see him before I can do anything for him. He will probably appear very aged since I saw him last. I should like to do what I can for them. IClark, Kenneth;a3 offered to put him in touch with Kenneth Clark, the Director of the National Gallery, if he does not know him.
ISpeaight, Robertas Becket;c1 hope I did not seem unappreciative of Bobbie Speaight. No, the development of character is not imposed by my text: I should have had to have much more technical skill than I had or have, to have done it in the space (for the time limit at Canterbury was strict). But I think that to a Catholic, the idea might have occurred, that if Thomas had already arrived at holiness the temptations would not have been tempting, and that it is only after them that he understands himself, and in his sermon is recognising the impurity of his previous mind, in its love of power. I have tried, in the bits I have written in, to precede the play, to present him rather as the statesman, hot-tempered and somewhat arrogant. And I am sure that for a first production, Speaight, because of his sympathy with the subject, and because of his magnificent voice command, was the best person I could have had; and that the success of the play is largely due to him.
TheMurder in the CathedralHoellering film;g1TSE adapting for screen;a3 work on the film recording has been interrupted, but this week I take a morning to hear it complete (heretofore, I have been listening to bits at a time) and finally decide what lines I want to do over again.
I had thought that your ‘portrait’ (which Uncle J. said isn’t a portrait) was either in your possession or that of the Perkins’s. Though dissatisfied with it as a likeness, I am vexed that it has vanished.
DidWhat is a Classic?sent to EH;a9 you ever get the copy of ‘What is a Classic?’ DesmondMacCarthy, Desmonddislikes What is a Classic?;b3 MacCarthy didn’t like it very much,3 but the Polish Minister of Education likes it.
1.Edmund Wilson (1895–1972): influential literary critic, social commentator and cultural historian; worked in the 1920s as managing editor of Vanity Fair; later as associate editor of the New Republic and as a prolific book reviewer. Major publications include Axel’s Castle: A Study in the Imaginative Literature of 1870–1930 (1931) – which includes a chapter on TSE’s work, sources and influence – The Triple Thinkers: Ten Essays on Literature (1938) and The Wound and the Bow: Seven Studies in Literature (1941). TSE to Geoffrey Curtis, 20 Oct. 1943: ‘Edmund Wilson is a very good critic except that, like most of his generation in America, he has mixed his literary criticism with too much political ideology of a Trotskyite variety and perhaps he is also too psychological, but I have a great respect for him as a writer and like him as a man.’
2.See ‘On the Record’, The Chameleon (literary/news magazine of Concord Academy), Mar. 1945, 2: ‘We worked and we worried. We postponed and we hoped. We presented Barrie’s Dear Brutus on March 3. It was a benefit performance for the American Red Cross and was a success. We relaxed. […]
‘Miss Emily Hale coached and coaxed our play into being, assisted by Sally Hill as prompter and general manager.’
3.Desmond MacCarthy, ‘Changing the Name’, Sunday Times, 8 Apr. 1945, 3. ‘In his address as the first president of the Virgil Society, Mr Eliot sought for a new answer to an old question, What is a classic? He had not much to impart, and he expressed it with cautious elaboration – a mistake: when one has little to say it is best to be blunt …
‘Mr Eliot set out to show that “our classic, the classic of all Europe, is Virgil,” and read as a tribute to Virgil few would find fault with that statement. Unfortunately, the rest of his address was given up to arguing that, with the exception of Dante, Virgil is the only “classic” … Well, it certainly follows from Mr Eliot’s definition of “a classic,” but why should we adopt that? Words, words, words. And yet there is no finer critic alive, when he writes from his sensibility.’
4.RevdCheetham, Revd Eric Eric Cheetham (1892–1957): vicar of St Stephen’s Church, Gloucester Road, London, 1929–56 – ‘a fine ecclesiastical showman’, as E. W. F. Tomlin dubbed him. TSE’s landlord and friend at presbytery-houses in S. Kensington, 1934–9. See Letters 7, 34–8.
4.KennethClark, Kenneth Clark (1903–83), patron, collector, historian of the arts. Educated at Winchester and Trinity College, Oxford, he was Director of the National Gallery, 1934–45; Chairman of the Arts Council, 1953–60. He won honours including a life peerage (1969) and the Order of Merit (1976). Writings include Landscape into Art (1949); The Nude: A Study in Ideal Form (1956); Civilisation: a Personal View (1969), based on his TV series Civilisation (1966–9).
11.JohnHayward, John Davy Hayward (1905–65), editor and critic: see Biographical Register.
1.DesmondMacCarthy, Desmond MacCarthy (1877–1952), literary and dramatic critic, was intimately associated with the Bloomsbury Group. Literary editor of the New Statesman, 1920–7; editor of Life and Letters, 1928–33; he moved in 1928 to the Sunday Times, where he was the chief reviewer for many years. See Desmond MacCarthy: The Man and His Writings (1984); Hugh and Mirabel Cecil, Clever Hearts: Desmond and Molly MacCarthy: A Biography (1990).
3.HopeMirrlees, Emily Lina ('Mappie', née Moncrieff) Mirrlees’s mother was Emily Lina Mirrlees, née Moncrieff (1862–1948) – known as ‘Mappie’ or ‘Mappy’ – see Biographical Register.
3.DrPerkins, Dr John Carroll (EH's uncle) John Carroll Perkins (1862–1950), Minister of King’s Chapel, Boston: see Biographical Register.
2.RobertSpeaight, Robert Speaight (1904–77), actor, producer and author, was to create the role of Becket in Murder in the Cathedral in 1935: see Biographical Register.
3.EdmundWilson, Edmund 'Bunny' ‘Bunny’ Wilson (1895–1972), influential literary critic, cultural commentator and memoirist, worked in the 1920s as managing editor of Vanity Fair; later as associate editor of The New Republic and as a prolific book reviewer. Works include Axel’s Castle: A Study in the Imaginative Literature of 1870–1930 (1931) – which includes a chapter on TSE – The Wound and the Bow: Seven Studies in Literature (1941); and the posthumous Letters on Literature and Politics 1912–1972 (ed. Elena Wilson, 1977).