[240 Crescent St., Northampton, Mass.]

T. S.Eliot
EmilyHale
TS
The Criterion
30 October 1936
My dearest Girl,

I am grateful for your letter of the 19th, and I hope that your next letter will report that you have heard from me. It seems a very long time, but I did take a very slow boat, and I did not write at once when I got to London. I am glad to feel from the tone of your letter that you are feeling a little more settled at Northampton, and hope that that is growing every week. I am pleased to think that you have been taking enough interest in yourself to make some needed purchases – is it possible to get good clothes in Northampton? It ought to be, because I imagine that there must be many girls there from pretty prosperous families. Of course I wish that the celebrations at Chestnut Hill might have come in the spring, rather than now when you need all of your energies, and I realise how tiring it must have been for you (don’t go by bus again) in more ways than one: yet I would not have tried to dissuade you from such an expedition, had I been on hand, for I know how much it would mean to you to be there. And I was pleased to learn that you had worn the blue earrings with the blue dress! I suppose the new dress, being seasonable, is not one that I am likely to see next summer?

I am in the thick of things again. (I hope those flowers were delivered on the 27th, and please tell me what they sent: I ordered roses if sweet peas were unobtainable). ICambridge Literary Society'The Idiom of Modern Verse';a2 have been writing a paper (on ‘The Idiom of Modern Verse’) for the Cambridge Literary Society, (to be read on the 13th) andSt. Catherine's College, Cambridgeand 'The Need for Poetic Drama';a2 directly that is done I must write another for the Shirley Society of St. Catherine’s College, whichBritish Broadcasting Corporation (BBC)'The Need for Poetic Drama';a8 will then have to be cut down and improved for the B.B.C. for their series to the Sixth Form of schools, on Modern Poetic Drama.1 (IHale, Emilylectures at Concord;i9 hope you will let me know the gist of your lecture at Concord – if it is to be written out I should love to read it).2 OnWhitworth, Phyllisfundraising for the Group Theatre;a1 MondayGroup TheatreTSE speaks at fundraiser for;b1 afternoonDoone, Rupertand troupe bemoaned;b8 I have to speak a few words at a tea party to be given to raise money for the Group Theatre (Rupert Doone & Co.) by Mrs. Geoffrey Whitworth.3 (I do wish Doone and his troupe were better, but I should like them to get enough money to go on). ThisIremonger, Revd F. A.;a2 afternoonOldham, Josephputs TSE up to BBC talk;b6 IMoberley, Sir Walterfellow contributor to BBC series;a2 hadToynbee, Arnoldfellow contributor to BBC series;a1 aWood, Herbert George ('H. G.');a1 chatKerr, Philip, 11th Marquess of Lothian;a2 with the Revd. Mr. Iremonger, religious director of the B.B.C. about a talk that Joe Oldham wants me to give in February, one of a series (Sir W. Moberly [sc. Moberley], Arnold Toynbee, Jessop, H. G. Wood and Lord Lothian are the other speakers) to drum up interest in the world of the Conference on Church Community and State in July.4 But after the end of this month (November) I shall have a breathing spell, and except for this talk in February and one at Kings College Cambridge in March, IFamily Reunion, Theprogress stalled;a4 shall be able to spend my time trying to work out another play – is it [sc. it is] vexing to think that a year and a half has gone by without my having the time to get to work on it. TheMurder in the Cathedral1937 Duchess Theatre West End transfer;e8dress-rehearsal attended;a3 first night of the Murder at the Duchess Theatre is tonight. I went last night to the dress rehearsal. The theatre is a very nice one and just the right size, but has of course the old-fashioned flat proscenium, instead of the apron stage which is what we need; andMitchelhill, J. P.quintessential West End proprietor;a1 the proprietor, a City man (smoking a cigar, of course) by the odd name of Mitchellhill [sc. Mitchelhill] (spelt just like that, it sounds bogus)5 had spent some money on new costumes (but the same old designs!) and a much more elaborate setting for the sermon scene. OneSpeaight, Robertsermon reblocked for Duchess Theatre;c6 considerable change is that Speaight delivers the sermon, not from a pulpit, but from beside the altar steps, which is liturgically correct. I did not expect to be pleased by this, but I came to the conclusion that it was the best thing, because the effect of looking almost straight down on a man in a pulpit, from the balcony, would have been unpleasant; and as the seating is more than half balcony, that is important. So it is the best possible arrangement in a theatre like this. I cannot guess whether it will be a success or a complete failure, or what sort of an audience it will get (the theatre is just off the Strand, near Covent Garden); I will send you any newspaper notices that I see tomorrow. If it succeeds, then the chances of bringing it to New York in the winter are much stronger.6

I am going to my doctor on Tuesday to start inoculations against colds.

The blue tie has been worn, and with the right shade of blue shirt, it is quite successful! I shall continue to wear it.

I must end this rather dull letter, my darling, and get on with my Cambridge lecture. And I hope in a few days to write a letter which will give my dear a little more spiritual nourishment than this!

My beloved Emilie from her
Tom

1.‘The Need for Poetic Drama’, Listener, 25 Nov. 1936, 994–5: CProse 5, 401–6.

2.Not found.

3.PhyllisWhitworth, Phyllis Whitworth, née Bell (1884–1964), theatrical producer and manager; married in 1910 to Geoffrey Whitworth (1883–1951), dramatist; founder of the British Drama League.

4.TSE, ‘Church Community and State’: no. VI: ‘The Church’s Message to the World’, The Listener 17: 423 (17 Feb. 1937), 293–4, 326; repr. as App. to The Idea of a Christian Society: CProse 5, 424–9. ‘Here is the perpetual message of the Church: to affirm, to teach and to apply, true theology … The Church has perpetually to answer this question: to what purpose were we born? What is the end of Man?’ (326).

5.J. P. MitchelhillMitchelhill, J. P. (1879–1966), an estate agent who in 1930, at the age of fifty, purchased the Duchess Theatre as part of a big property deal, with two associates. Built in 1929, the little Duchess Theatre had a seating capacity of 494. On top of his presentation of Murder in the Cathedral – TSE’s first West End success – Mitchelhill had successes throughout the 1930s, notably with plays by J. B. Priestley (including Time and the Conways (1937). The Duchess’s production of Night Must Fall (1935), by the thirty-year-old Emlyn Williams, was another hit.

6.TheMurder in the Cathedral1937 Duchess Theatre West End transfer;e8reviewed;a4n production ofEdward VIIIand the Abdication Crisis;a3 Murder in the Cathedral coincided with the King Edward VIII Abdication Crisis of 11 Dec. 1936, announced on 10 Dec., whichDukes, Ashleyon Murder's Abdication Crisis resonance;c4n as Ashley Dukes pointed out (‘Poet into successful dramatist’, New York Times, 20 Feb. 1938) ‘gave awkward point’ to such lines as

King is forgotten when another shall come.

and

If the Archbishop cannot trust the Throne

He has good cause to trust none but God alone.

GeoffreyFaber, Geoffreyon Edward VIII's abdication;e7n Faber’s diary, 10 Dec.: ‘The King’s abdication announced – I am able to tell myself “I told you so!” For at the funeral in Jan. I said “I don’t believe he’ll last”, and when this Simpson business blew up I said that abdication was the only way out. The suspense of the last week has been very bad for our West End trade.’ On Fri., 11 Dec.: ‘Took T.S.E. back to lunch … Edward’s broadcast was received in complete silence, & I think most of the audience felt embarrassed by it. TSE thought it wld. have been in better taste if he had said nothing.’

G. W. B., ‘“Murder in the Cathedral”: A Play’, Sunday Times, 1 Nov. 1936: ‘Having run for the best part of a year at the Mercury Theatre, Mr T. S. Eliot’s magnificent play in verse about the murder of Thomas Becket has reached the West End. It will be interesting to see if it will appeal to the ordinary playgoer; perhaps, however, there are still plenty of extraordinary playgoers left to support a piece which treats a great subject with dignity and vision. At the Duchess it is possible to hear beautiful words finely spoken, a rare event on the modern stage.

‘Mr Robert Speaight’s performance as Becket is something so unusual that one feels it should be seen again and again. The actor has fire and passion and intellect and the power of moving an audience. The Christmas day sermon held a first-night audience spell-bound on Friday.’

British Broadcasting Corporation (BBC), TSE's committee service for, its future discussed, TSE working on autumn programme for, TSE on educational broadcasting in general, Barbara Burnham production of Murder, lobbies TSE for next play, 'The Need for Poetic Drama', Metaphyical poet broadcasts for, 'The Church's Message to the World', Christmas Day 'Cats' broadcast, dramatic Waste Land adaptation, which is censored for broadcast, repeats 'Cats', plays Parsifal on Good Friday, broadcasts Hawkins interview with TSE, 'Towards a Christian Britain', 1941 production of Murder, Eastern Service broadcasts East Coker, broadcasts Webster talk, Tennyson talk, Dry Salvages, Poe talk, Dryden talk, Joyce talk, European Service broadcasts TSE's talk, TSE declines Christmas broadcast for, wants to record 'Milton II', broadcasts TSE's personal poetry selection, broadcasts Gielgud's Family Reunion, marks TSE's 60th birthday, Gielgud Family Reunion repeated, solicits TSE post-Nobel Prize, TSE's EP broadcast for, records TSE reading Ash-Wednesday, floats Reith Lectures suggestion, approaches Marilyn Monroe to star in Fitts's Lysistrata,
Cambridge Literary Society, 'The Idiom of Modern Verse', TSE's lecture to,
Doone, Rupert, approaches TSE with Aristophanes commission, at TSE's theatrical Ritz tea-party, pitches the Group Theatre to TSE, discusses Sweeney Agonistes with TSE, TSE on his Sweeney, his own interpretation of Sweeney Agonistes, and Yeats's Mercury Theatre season, dismissed by Yeats, on Margot Collis, possible Mercury Murder premiere, dismayed by prose of Murder, resigns from Mercury Theatre season, resigns from Mercury Theatre season, offers Westminster Theatre production instead, craves TSE's next play, and troupe bemoaned, producing The Ascent of F6, surpasses himself with Spender, and his illustrious housekeeper,
see also Group Theatre

2.RupertDoone, Rupert Doone (1903–66), dancer, choreographer and producer, founded the Group Theatre, London, in 1932: see Biographical Register.

Dukes, Ashley, described by Yeats to TSE, approaches Doone over Mercury Theatre season, lines up Mercury Murder revival, with which he is pleased, his ambitions for Murder, which Brace upsets, instructed as to Murder New York negotiations, hustling in New York, from where he reports, agrees about Speaight's decline, explains miscarriage of 1936 American production, at 100th performance of Murder, latest plans for Murder, revised plans for New York, dares to call TSE in morning, TSE's royalty arrangement with, policing pirate productions of Murder, discusses Murder's America rights, full of grand desgins, takes Browne into partnership, on Murder's Abdication Crisis resonance, among Family Reunion's first readers, plans for Murder, American Murder tour, against Family Reunion as title, pleased with Family Reunion fragment, sent full Family Reunion draft, lets EH down, consulted over Gielgud contract, on Gielgud and Family Reunion, negotiating with Saint-Denis, less persuaded by Family Reunion, optimistic on Family Reunion transfer, instructed on Family Reunion licensing, fields Orson Welles enquiry, suggests wartime Murder revival, which he mounts without consulting TSE, attempting season of miniature operas, submits theatrical reminiscences to TSE, and Murder film rights, book launch for memoirs, reports on TSE's continental productions, gives Garrick Club dinner for TSE, takes full control of Mercury, accompanies TSE to Germany, La Mandragola, The Scene is Changed, Too Many Twins,
see also Dukes, the

4.AshleyDukes, Ashley Dukes (1885–1959), theatre manager, playwright, critic, translator, adapter, author; from 1933, owner of the Mercury Theatre, London: see Biographical Register.

Edward VIII, mysteriously unmarried, apparently partial to NEW, and the Abdication Crisis,
Faber, Geoffrey, made TSE's literary executor, described for EH, as friend, overawed by Joyce, recounts the Eliots' dinner-party, discusses international situation with TSE, his annual effort to diet, introduced to TSE by Whibley, favours TSE taking Norton Professorship, suggests garden-party for TSE, mislays key to Hale correspondence, writes to TSE about separation, which he helps TSE over, blesses Scotland tour with whisky, victim of Holmesian prank, favours 'The Archbishop Murder Case', Times articles on Newman, Russell Square proclaims his gentlemanly standards, forgives TSE and Morley's prank, as tennis-player, champion of Haig biography, social insecurities, and the Faber family fortune, advertises 'Pollicle Dogs and Jellicle Cats', at lavish lunch for Dukes, relieved that 'Work in Progress' progresses, and JDH, needs persuading over Nightwood, on Edward VIII's abdication, Old Buffer's Dinner for, wins at Monopoly, and the Anglo-Saxon Chronicle, thrilled by complimentary tickets, The Family Reunion described to, in line to read Family Reunion, has mumps, composes Alcaics from sickbed, at TSE and JDH's dinner, shares EH's Family Reunion criticism, on TSE's dinner-party bearing, discusses F&F's wartime plans, on meeting Ralph Hodgson, asks TSE to stay on during war, takes TSE to Oxford, argues with Major-General Swinton, and Purchase Tax exertions, and Literary Society membership, TSE's wartime intimacy with, drops teeth on beach, offers criticisms of 'Rudyard Kipling', falsely promised Literary Society membership, but eventually elected, helps revise TSE's Classical Association address, reports to Conversative Education Committee, deputed to America on publishing business, returned from America, Ada too ill to see, discusses National Service on BBC, depended on for breakfast, as fire-watching companion, and TSE rearrange attic at 23 Russell Square, recommends blind masseuse to TSE, in nursing home, and the Spender–Campbell spat, on TSE's Order of Merit, approached for essay on TSE, seeks to protect TSE's serenity, as Captain Kidd, wins fancy-dress prize, TSE's trip to Spain with, and National Book League, receives knighthood, on TSE's paroxysmal tachycardia, dies, his death,
see also Fabers, the

11.GeoffreyFaber, Geoffrey Faber (1889–1961), publisher and poet: see Biographical Register.

Family Reunion, The, and TSE as Orestes, plot sought for, progress stalled, referred to as 'Orestes play', written against countdown to war, should be artistically a stretch, plot still not settled on, begun, compared to Murder, TSE on writing, described (mid-composition), and Gunn's Carmina Gadelica, described to GCF, EH questions Harry's entrance, draft read to Martin Brownes, projected autumn 1938 production, depletes TSE, and Mourning Becomes Electra, its Greek inheritance, alternatively 'Follow the Furies', first draft promised to EH, as inspired by Tenebrae, being rewritten, work suspended till summer, fair copy being typed, waiting on Browne and Dukes, 'Follow the Furies' quashed by EH, aspires to be Chekhovian, Dukes keen to produce, criticised by Martin Browne, under revision, submitted to EH's theatrical wisdom, for which TSE credits her, possible John Gielgud production, Gielgud-level casting, Browne's final revisions, with the printers, Henry loaned draft, Donat and Saint-Denis interested, in proof, progress towards staging stalled, Saint-Denis interest tempered, possible Tyrone Guthrie production, possible limited Mercury run, its defects, publication scheduled, first draft sent to EH, Michael Redgrave interested in, March 1939 Westminster Theatre production, waits on terms, rehearsals for, which are photographed, opening night contemplated without EH, last-minute flutters, opening night, reception, coming off, TSE's final visit to, Dukes bullish on New York transfer, EH spurs TSE's reflections on, and Otway's Venice Preserv'd, American reception, and Orson Welles, F&F's sales, 1940 American production, Henry harps on the personal aspect, its cheerfulness, EH acknowledges part in, 1943 ADC production, in Dadie Rylands's hands, described, certain lines expressing TSE's frustrations, EH discusses with pupils, plays in Zurich, 1946 Birmingham production, 1946 Mercury revival, rehearsals for, opening night, TSE attends again in company, Spanish translation of, VHE's death calls to mind, its deficiencies, BBC Gielgud broadcast version, first aired, to be repeated, goes nominally with The Cocktail Party, Swedish National Theatre production, compared to Cocktail Party, EH's response to, more 'personal' than Cocktail Party, performed in Göttingen, 1950 Düsseldorf production, 1953 New York production vetoed, 1956 Phoenix Theatre revival, described, Peter Brook congratulated on, Martin Browne seeks MS of,
Group Theatre, and Auden, as pitched to TSE, and Spender, angling for Yeats's plays, 'The Chorus in Modern Drama', TSE satirises, and OM, to produce Timon of Athens, autumn 1935 season announced, TSE speaks at fundraiser for, its clichés, surpass themselves, and Sweeney Agonistes,
Hale, Emily, visits the Eliots for tea, returns to Boston, likened to TSE's mother, TSE identifies with her 'reserve', encouraged to write for periodicals, visits West Rindge, summers in Seattle, presents herself as cossetted, blames herself for an unfulfilled life, returns to Boston, consulted over TSE's Norton Professorship, holidays in Castine, vacations in New Bedford, TSE fears accident befalling, travels to stay in Seattle, Frank Morley on Ada on, arrives in California, brought to tears by music, goes horse-riding, baited over how to boil an egg, TSE passes old school of, takes motoring holiday via San Francisco, summers in Seattle, TSE composes squib for, takes TSE's hand in dream, returned to California, TSE sends Harvard Vocarium record, holidays in West Rindge, returns to Boston before embarking for England, arrives in England, to travel to Paris, returns to London, feels inferior to 'brilliant society', invited to Sweeney Agonistes rehearsal, attends Richard II with TSE, attends Sweeney Agonistes, takes TSE to Gielgud's Hamlet, taken to see Stravinsky conducting, leaves for Italy, takes tea at OM's before leaving, mistaken for TSE's sister, returns to Florence, sails for the Riviera, returns from France, returns to Chipping Campden, to Guernsey with Jeanie McPherrin, taken to Henry IV on return, shares open taxi with TSE through Parks and Whitehall, and TSE attend The Gondoliers, visit to the Russian ballet, invited to Murder in Canterbury, and TSE attend 1066 And All That, taken to Tovaritch, and Morleys set for ballet, which she excuses herself from, criticised for flower-arranging, and TSE walk in the Cotswolds, feels inferior to Margaret Thorp, and TSE theatre-going with Thorps, taken to Timon of Athens, taken to Peer Gynt, visited at Campden for TSE's birthday, takes lodgings in Oxford, lodges at 19 Rosary Gardens, watches TSE read to Student Christian Movement, and TSE visit Kenwood House, dines with the Maritains, describes tea with the Woolfs, returns to America, visits Ada on Boston homecoming, possible career-move into politics, pays winter visit to Rindge, and Eleanor Hinkley attend New York Murder, moves to 154 Riverway with Perkinses, considers volunteering for charity, living at 5 Clement Circle, holidays in Cataumet, returns abruptly to Cambridge, recuperates in New Hampshire, moves to 240 Crescent St., Northampton, Mass., lectures at Concord, returns to Brimmer Street, returns to Boston during vacation, sails for England, in residence at Chipping Campden, travels to Yorkshire, returned to Chipping Campden, returns and moves to 22 Paradise Road, Northampton, Mass., spends Thanksgiving in Boston, stays at Hotel Lincolnshire with the Perkinses, vacations at New Bedford, visits New York, holidays in Charleston, as patron of school, returns to Northampton, sails for England, day at Windsor with TSE, fortnight at Campden with TSE, at Campden with TSE again, returns to America with 'Boerre', ordered to stay in America in case of war, given Family Reunion draft with her comments, encouraged to write drama criticism, vacations in New Bedford, advises TSE against Tewkesbury choruses, holidays with the Havenses, sails for England, at Chipping Campden, stays with the Adam Smiths in Scotland, returns to America with Perkinses, safely returned, sent copy of TSE's daily prayers, sent first CNL, sends TSE selected American plays, holidays in New Bedford, spends Easter in Harwichport, holiday destinations, holidays in Cape Cod, returns to the Perkinses at 90 Commonwealth Avenue, stays with Elsmiths in Woods Hole, holidays on Grand Manan, visits Perkinses in Boston, returns to 90 Commonwealth Avenue, holidays in Madison, Wisc., travels on to Maine, holidays on Grand Manan, holidays in Bangor, Maine, as president of S. P. C. A., spends Christmas holiday in New Bedford, holidays in Woods Hole, loans out her Eliotana, removes from Smith to the Perkinses, spends time in Maine, repairs to New Bedford, spends time in Tryon, N. C., returned to Boston, spends three days in New York, shares details of will, holidays on Grand Manan, leaves TSE portrait in event of predeceasing him, late summer in New Brunswick, vacations in New Bedford, repairs to New Bedford, resident in Millbrook, takes short holiday at 'Bleak House', holidays on Grand Manan, visits Woods Hole, visits New Bedford, holidays in New Bedford, spends holiday at Sylvia Knowles's, holidays in Dorset, Vt., holidays briefly in Farmington, holidaying on Grand Manan, TSE seeks Trojan Women translation for, moves to 9 Lexington Road, gives Christmas readings, congratulates TSE on OM, urges TSE not to despair at honours, spends Easter in Boston, race-relations and the WPA, sings Bach's B Minor Mass, removes from Concord to Andover, on life in Grand Manan, congratulates TSE on Nobel Prize, resident at 35 School Street, Andover, summers between Boston, Woods Hole, New Bedford and Grand Manan, recounts journey to Grand Manan, takes The Cocktail Party personally, then repents of doing so, post-Christmas stay in New Bedford, reports on Cocktail Party's opening, summers between Chocorua and Campobello, tours westward to California during summer holiday, attends British Drama League summer school, holidays in Grand Manan, asks TSE for occasional poem, week in the Virgin Islands, summers between Mount Desert and California, spends holidays in New Bedford, recuperates in New Bedford, returns, briefly to Chipping Campden, Eleanor Hinkley reports on, writes to EVE, sends EVE photograph of TSE, makes tour of Scandinavia, approaches TSE on Smith's behalf, which approach TSE declines, writes to TSE on GCF's death, moves back to Concord, pays visit to Seattle, reacts to TSE's death, writes to EVE, meets EVE, dies, appearance and characteristics, her shapely neck, TSE's memory for certain of her old dresses, particularly four dresses, which TSE then describes, TSE begs EH to describe her clothing, in silk, autumn 1930, costumed in a 'Titian wig', EH encouraged to gain weight, EH encouraged to tan, her Jantzen suit, TSE begs a slip of hair from, her gold-and-green tea gown, her Praxitelean nose, EH congratulated on 'perm', EH refuses TSE lock of hair, her voice, Guardsman dress, as a Botticelli Madonna, her hands, recommended skin-cream, 'new goldy dress', TSE inquires after, in TSE's dreams, 'new and nuder' swimsuit demanded, her black dress/red jacket outfit, dressed in blue, in charming black dress, her sense of humour, her New England conscience, the famous apricot dress, her hair, various dresses, EH's idea of new dresses, EH hair cut in the new style, blue dress worn following masque, as actor, as Olivia in Twelfth Night, in the Cambridge Dramatic club, as Roxane in Cyrano in 1915/16, as Judith Bliss in Hay Fever, EH considers giving up for teaching, in the 'stunt show' with TSE, as Beatrice, TSE hopes, in The Footlight Club, in Berkeley Square, in The Yellow Jacket, EH praised over Ruth Draper, under Ellen van Volkenburg, cast as an octogenarian, in The Old Lady Shows Her Medals, TSE speculates as to her future in, and teaching, as Lady Bracknell, TSE begs to write part for, in The Footlight Club, potentially in summer theatre company, as the Duchess of Devonshire, potentially in The Family Reunion, Cambridge Dramatic club reunion, The Wingless Victory, in masque with TSE, in a Van Druten play, as Lodovico Sforza, in play by Laurence Housman, as Madame Arcati in Blithe Spirit, with Paul Stephenson, in Kind Lady, joins the Dorset Players, as director ('producer'), La Locandiera, Lady Gregory's The Dragon, Dust of the Road, Comus, possibly temporarily at St. Catherine's, Va., chorus work at Smith, Electra, Quality Street, The Merchant of Venice, Dear Brutus, Christmas play, Richard II, Hay Fever, Christmas pantomime, The Dorset Players, a reading of Outward Bound, Molnár's The Swan, Dulcy, The School for Scandal, Fanny and the Servant Problem, Dear Brutus again, Twelfth Night, Prunella, Christmas play, Antigone, The Merry Wives of Windsor, As You Like It, The Admirable Crichton, Holy Night, The Tempest, as teacher, EH lectures on 'Modern British Verse', as a career, at Milwaukee-Downer College, Mich., at Simmons College, Boston, EH considers post at Scripps, which she accepts, arrives at Scripps, establishes drama workshop at Scripps, EH lectures on TSE, EH's advice that TSE lecture less slowly, as described by Scripps student, and being admired by students, TSE sees her teaching as a kind of acting, requests year's leave from Scripps, resigns position at Scripps, declares intention to teach again, possibly, temporarily, at St. Catherine's, Va., possibly at Smith, post at St. Catherine's rejected, appointed to position at Smith, is installed at Smith, reappointed with pay-rise, reappointed again for two years, her work at Smith, unsettled at Smith, in time of war, insecure over job at Smith, from which EH takes 'sabbatical', let go by Smith, takes job at Concord Academy, appointed to post at Bennett Junior College, Millbrook, appointment to permanent Concord position, EH thinks of giving up, lectures on Family Reunion, her work at Concord Academy, resignation from Concord Academy, takes permanent position at Abbot, EH admits to being sheltered by, retirement from Abbot, according to Abbot Academy tribute, birthdays, presents and love-tokens, EH's birthday compared to TSE's, TSE sends Terry–Shaw correspondence for EH's birthday, EH sends TSE pomme purée, present from EH, flowers for EH's birthday arrive too soon, EH wearing TSE's ring, two rings bought for EH, EH bought typewriter, TSE 'cables' EH roses, TSE consults EH over potential present, TSE's second 'sapphire' ring for, EH refits new rings from TSE, TSE receives flowers for Christmas, EH given 'powder box' for Christmas, EH's present to TSE goes amiss, missing present (calendar) explained, EH left cigarettes by TSE, EH gives TSE cigarette case, TSE necklace-hunting for EH, pearls suggested for EH, EH bought sapphire bracelet, EH gives TSE a signet ring, EH bought blue-gray scarf, EH gives TSE silk handkerchiefs, TSE has signet ring engraved, further ring sought for EH, EH with TSE on his birthday, EH gives TSE initialled leather portfolio, TSE given ashtrays and matchbox, furs sought for EH, EH gives TSE stool, roses sent to EH on birthday, TSE given diary and hairbrush box, TSE given rosary and print, EH buys TSE towel rails, TSE receives diary for Christmas, 1810 ring bought for EH, EH buys TSE various ties, war means no flowers, EH's lapis lazuli ring, TSE neglects to cable EH, EH knits socks for TSE, which turn out large, EH sends TSE 'snowflake' socks, EH remembers TSE's birthday with reference to Shakespeare, TSE sent marmalade and liver-paste, EH writes poem for TSE's birthday, EH sends TSE provisions, EH loses sapphire from ring, diamond circlet given to EH in 1939, EH gives TSE socks for Christmas, TSE gives EH 'evening bag', EH unthanked for Christmas present, correspondence with TSE, TSE petitions EH to bestow on the Bodleian, TSE exalts as authoritative, TSE envisions as reading-group, the only writing TSE enjoys, TSE as Cyrano to EH's Roxane, TSE's dependence on, TSE's nights spent planning, TSE rereads with pleasure, the strain of interruption, switches to Air Mail, TSE on his decision to renew, TSE marks first anniversary of, keeps TSE sane, TSE hopes to telephone, TSE wishes to maintain when in America, EH would withhold from the Bodleian bequest, from which TSE tries to dissuade her, TSE violently dependent on, TSE begs EH that it be preserved, less exciting to EH than at first, TSE's horror of sounding sermonic, if such a correspondence were profitable, and TSE's respectful reticence, EH suggests entrusting to Willard Thorp, but subsequently explains she meant Margaret Thorp, EH's to do with as pleases, and the prospect of TSE writing every night, TSE still rereads with pleasure, excites TSE too much to write smoothly, compared with talking, phone call finally arranged, which finally takes place, EH importuned to write more, TSE promises three letters a week, EH refuses more than one, a solitude within a solitude, EH switches to typewriter, which TSE offers to buy, observed weekly by EH's students, flatters TSE most when EH writes undutifully, TSE's dread of EH rationing, TSE's efforts to moderate himself within, TSE imagines the unsealing of, TSE offers to cease, a place to vent one's feelings, TSE rebuked for 'intolerance' within, EH learns to type, hinders TSE from work, TSE on life before, third anniversary marked, thwarted by TSE's self-loathing, TSE doubts having pursued, restraints on TSE's ardour lifted, more constrained by day, TSE worries about burdening EH with, worth TSE getting home early for, by day, by night, TSE specially treasures recent 'love letters', more delightful since EH's reciprocation, and TSE's diminished ardour, switches to transatlantic airmail, constrained by war, opened by censor, and Shamley Green post-office, TSE apologises for, EH free to dispose of, within limits, particularly constrained by EH's letter of 1939, and the experience of delay, TSE equivocates on preserving, varied with airgraph, again, EH's to do with as she pleases, still intended for Bodleian, TSE chastened for short cables, TSE's letters 'undemonstrative and impersonal', post-war frequency, being and not being loving by letter, EH asks TSE to reduce, TSE criticised for following monthly injunction, TSE rebuked for impersonality, EH formally bequeaths to Princeton, TSE unfussed as to repository, TSE reiterates 50-year prohibition, TSE's worries as to future appearances, EH promises Princeton her statement on, promises letters with ten-year seal, attempts to shorten TSE's moratorium, which TSE refuses, which forces EH to relent, TSE encouraged to return EH's letters, EH deposits further material with Princeton, EH makes 'recording' for Princeton, EH renews plea to shorten moratorium, and is again refused, TSE destroys EH's letters, TSE repents of severe letter, which EH never receives, EH suspects TSE of destroying her letters, EH instructs Princeton to discard 'recording', EH ultimately respects TSE's wishes, EH on TSE's destruction of her letters, family, her father, her childhood compared to TSE's, TSE desires family history of, EH encouraged to keep younger company, EH's unity with parents, EH's relations with aunt and uncle, EH's relations with aunt and uncle, EH photographed with parents, and EH's obligations to, finances, health, physical and mental, admits to breakdown, TSE compares 'nightmares' with, TSE's desire to nurse, suffers neuritis, then neuralgia, recommended suncream, suffers arthritis, suffers with sinuses, her teeth, experiences insomnia, suffers 'hives', suffers crisis body and soul, feels depressed over Christmas, suffers neuralgia, suffers intestinal flu, has shingles, admitted to hospital, convalesces on Grand Manan, recuperates in Washington, Conn., photographs of, as a child, Edith Sitwellesque photograph, in 18th-century costume, in 18th-century French costume, in broad-brimmed 'picture' hat, TSE buys Kodak, in deck-chair, eating sandwich, in a car, 'the Beautiful one', which TSE has enlarged for his dressing-table, painful, because taken in the 'interim', in bacchanalian pose, 'Semitic', among young people, set 'Elizabeth' giggling, Diana Mannersesque, are mnemonic aids to TSE, kneeling beside can of flowers, TSE's favourite, with ordinarily sized hands, smoking in chair, as child with big ears, taken on TSE's arrival in Claremont, in Jane Austen fashion, in unfamiliar jacket, taken in autumn, with mother and father, as a child, in TSE's note-case throughout Blitz, in Wingless Victory, as child, in gold frame, in familiar jacket, taken with Boerre, surround TSE at Shamley, with baby, in a group, of EH's portrait, in sailor suit, all inadequate, carrying lamp, with Rag Doll, at Campobello, reading, Henry James, Letters from Baron Friedrich von Hügel to a Niece, All Passion Spent, Bubu de Montparnasse, F&F thriller, Eyeless in Gaza, Dante, Hopkins and Roosevelt, Henry Irving: The Actor and His World, relationship with TSE, TSE's first acquaintance with, its abnormality, runs to admiration from EH, and TSE's habitual reserve, its morality under examination, defended by TSE, its susceptibilities envisaged by TSE, EH admits estrangement within, and TSE's desire for intimacies, provokes sorrow and fury in TSE, confided to the Perkinses, Miss Ware and Father Underhill, TSE's chance to be frivolous, and the prospect of TSE's Harvard year, TSE dates first meeting to 1905, whereas EH dates to 1915, TSE's terror of renewing in California, teaches TSE true companionship, runs to a 'kiss', as perpetual progress and revelation, EH offered manumission from, if TSE were not married, seems more real for TSE's American year, TSE's reasons against marrying, TSE fears having misled over, EH again offered manumission from, EH writes to Ada concerning, EH blames TSE for his ardour, then apologises for blaming TSE, leads to unhappiness in EH, possible drain on EH's health, its perceived inequalities, pity and gratitude would corrupt, TSE conditionally promises marriage, TSE sees as an imposition on EH, potentially richer for meeting TSE's friends, EH 'kisses' TSE, EH rests head on TSE's shoulder, EH strokes TSE's face, as consubstantial union, TSE's love finally reciprocated, mutual embraces, EH kissed on the right foot, TSE favoured with birthday kiss, exhausting, should proceed without hope of marriage, TSE again regrets misleading EH, as one of mutual dependence, its unsatisfactions, its seasonal rhythm, but for VHE would be marriage, EH seeks post-war clarity on, and the prospect of VHE's death, following VHE's death, TSE reflects on the deterioration of, TSE reflects generally on, and men and women generally, according to Theresa Eliot, EH reflects on, since TSE discounted marriage, had TSE behaved differently in 1914, its new dispensation, source of mutual anguish, apropos of TSE's second marriage, EH's marriage regret, EH recoils from publicising, TSE re-evaluates, EH writes to EVE about, religious beliefs and practices, claims experience of 'vision', admits suffering spiritual crisis, goes on retreat, and TSE's definition of sainthood, compared to TSE's, professes to resent the Church, makes retreat to Senexet, the issue of communion, the possibility of confirmation, source of worry to EH, confronts TSE on religious differences, TSE on her 'Christian spirit', fears TSE considers her damned, TSE pointedly refrains from criticising, unclear to TSE, TSE's love for, and their conversation in Eccleston Square, declared, in 1915, and TSE's desire to be EH's spiritual possession, source of serenity to TSE, the strangeness of not broadcasting, first felt in 1913, recognised by TSE the night of Tristan und Isolde, TSE's reasons for not declaring in 1913, what TSE said instead of declaring, a pain of sorts, unconfided to friends, not immune to jealousy of EH's male friends, its passion tempered by religion, and the torment of resignation, defiled by possessiveness and anger, and a particular journey back from Pasadena, in light of California stay, increases his desire to quarrel with EH, TSE doubts decision to declare, eternally unconditional, shows TSE true meaning of tenderness, defined by TSE, violent, clarified and strengthened by Chipping Campden reunion, disquiets EH, obstructive to EH loving another, TSE initially relieved to find unrequited, queered by inexperience, TSE repents of over-prizing, startles TSE, like 'a burglar', strengthened and deepened, irrespective of physical beauty, finally reciprocated, ideal when unreciprocated, relieved only by poetry, as against love's travesties, as expressed in Burnt Norton, over time, apparently undimmed but dwarfed by war, and the first time TSE spoke EH's name, thwarted by question of divorce, EH questions, now better adjusted to reality, argument over communion challenges, would run to jealously but not marriage, as expressed in 1914 on Chestnut Hill, TSE's names, nicknames and terms of endearment for, 'Lady', 'Dove', 'My saint', 'Bienaimée', TSE's reason for calling her 'Dove', 'Isolde', 'My Lady', 'Emilie', 'Princess', 'Lady bird', 'Birdie', 'riperaspberrymouth', 'Emily of Fire & Violence', 'Bouche-de-Fraise', 'Bouch-de-Framboise', 'Raspberrymouth', not 'Wendy', 'Nightingale', 'Mocking Bird', 'Love', 'My true love', 'my Self', 'Emilia' and Shelley's Epipsychidion, 'my Own', 'Girl', 'Western Star', 'Darling', 'My Life', 'My Lamb', 'Beloved my Female', 'My own Woman', writings, an article on 'Weimar', letter to The Times about King's jubilee, account of communion at Beaulieu, EH asks to write about TSE, review of La Machine infernale, review of Dangerous Corner, a note for S. P. C. A., an 'epigram', 'Actors at Alnwick', 'An Etching', 'The Giocanda Smile', 'The Personal Equation in Spoken English', 'A Play from Both Sides of the Footlights', 'Summer Sunshine: A Memory of Miss Minna Hall', 'They flash upon the inward eye',
Iremonger, Revd F. A.,

2.RevdIremonger, Revd F. A. F. A. Iremonger (1878–1952); Anglican priest; Religious Director, BBC, 1932–9.

Kerr, Philip, 11th Marquess of Lothian, rumoured to be pro-German,

3.PhilipKerr, Philip, 11th Marquess of Lothian Kerr, 11th Marquess of Lothian (1882–1940), politician, diplomat, newspaper editor; Private Secretary to P.M. David Lloyd George, 1916–21. Advocate during the 1930s of appeasement of Nazi Germany (which he claimed did not harbour expansionist ambitions).

Mitchelhill, J. P., quintessential West End proprietor,

5.J. P. MitchelhillMitchelhill, J. P. (1879–1966), an estate agent who in 1930, at the age of fifty, purchased the Duchess Theatre as part of a big property deal, with two associates. Built in 1929, the little Duchess Theatre had a seating capacity of 494. On top of his presentation of Murder in the Cathedral – TSE’s first West End success – Mitchelhill had successes throughout the 1930s, notably with plays by J. B. Priestley (including Time and the Conways (1937). The Duchess’s production of Night Must Fall (1935), by the thirty-year-old Emlyn Williams, was another hit.

Moberley, Sir Walter, at anti-totalitarian church meeting, fellow contributor to BBC series, at TSE's Maritain dinner, writes CNL,

2.SirMoberley, Sir Walter Walter Moberley (1881–1974), Professor of Philosophy, University of Birmingham, 1921–4; Principal of the University College of the South West of England, 1925–6; Vice-Chancellor, University of Manchester, 1926–34; Chairman of the University Grants Committee, 1935–49. Keith Clements, Faith on the Frontier, 367: ‘Combining the academic and man of affairs, (Sir) Walter Moberley was perhaps the nearest anyone ever attained to Oldham’s ideal of the theologically aware and responsible Christian layperson … Since 1935 he had been chairman of the University Grants Committee, the most powerful and politically influential position in higher education in England. His close association with Oldham already long-standing …’

Murder in the Cathedral, idea for initially suggested by Laurence Irving, offered to Martin Browne, St. Thomas as TSE's muse, TSE on writing, tentatively, 'The Archbishop Murder Case', uncertainties over title, currently 'Fear in the Way', which proves unpopular, TSE on rewriting, title settled on, final revisions for printer, tentatively critiqued by EH, and EH on TSE as dramatist, chorus copied for EH, Virginia Woolf's aspersions on, the form of its choruses, defended from obscurity, did not test TSE's plotting, book-sales to-date, $1,000 offered for American rights, pays for 1936 American trip, Italian and Hungarian rights sold, and Whiggery, Savile Club dinner to celebrate, compared to next play, discrepancies of Canterbury Text, Martin Browne's initial response to, TSE recognised as author of, TSE on its cheerful title, EH on, abandoned Mercury Theatre premiere, suggested by Yeats and Doone, in the offing, and Doone's response to first draft, EH requested at, imperilled, text copied for Yeats, 1935 Canterbury Festival production, in rehearsal, opening night, reception, final performance, and EH's response, 1935–6 Mercury Theatre revival, Martin Browne pushing for, in rehearsal, which EH attends, compared to Canterbury original, at the box-office, its 100th performance, still running, proposed tour to end, 1936 BBC radio version, BBC bid to produce, broadcast fixed, BBC memo on, in rehearsal, TSE on, abortive 1936 New York transfer, Dukes visits America to arrange, blighted by Brace's actions, quashed by Federal Theatre production, its usurper founders, deferred to autumn, unsolicited 1936 New York production, licensed by Brace, to be directed by Rice, seemingly withdrawn, Rice resigns from, delights EH and Eleanor Hinkley, TSE sent press-cuttings for, EH reports on, TSE speculates as to textual discrepancies, attended by Eleanor Roosevelt, extended and potentially expanded, TSE to the Transcript on, may predispose immigration authorities favourably in future, royalties from, 1936 University College, Dublin student production, described by TSE, rumoured Australian and American productions, 1936 Gate Theatre touring production, TSE's long-held wish, scheduled, 1936 touring production, due at the Arts Theatre, Cambridge, as it was played in Cambridge, 1936 America pirate production, 1937 Duchess Theatre West End transfer, date fixed for, announced in Times, dress-rehearsal attended, reception, reviewed, royalties, still playing, ticket sales pick up, coming to an end, receives royal visit, 1937 touring production, scheduled post-Duchess, beginning in Leeds, then Manchester, going strong, 1937 Harvard University production, 1937 Amherst College production, singled out for praise, 1937 Old Vic production, touring production arrived at, in rehearsal, 1937 Tewkesbury Drama Festival production, 1938 American tour, projected for January 1937, said date seconded by Dukes, deferred to September 1937, confirmed again by Dukes, pre-tour dates in Golders Green, then Liverpool, opening in Boston in January, over which EH is consulted, tour itinerary, Family Reunion keeps TSE from, preparatory re-rehearsal for, pre-crossing Liverpool dates, EH's judgement desired, EH reports on first night, reviewed in The Times, EH sends New York cuttings, prematurely transferred to New York, Dukes reports on, Westminster Cathedral Hall charity performance, 1940 Latham Mercury revival, revival suggested in rep with Family Reunion, wartime modern-dress production suggested, ambushes TSE, in rehearsal, first night, reviewed, Browne's wartime Pilgrim Players' adaptation, Hoellering film, Hoellering's initial approach made, Hoellering's vision for, TSE adapting for screen, reconnoitre of Canterbury for, casting Becket, recording made for, development process described to NYT, non-actor found for Becket, screenings of Groser, set-dressing, screening, approaching release, still in the edit, final screening, and Venice Film Festival, seeking distribution, soon to premiere, opens, initial reception, circulating in shortened version, 1945 Théâtre du Vieux Colombier production, compared to Martin Browne's, royalties, apparently a hit, reviewed, reaches 150 performances, Fluchère's involvement, 1946 German production, 1947 Edinburgh Festival production, 1948 Milton Academy production, 1949 broadcast, 1949 Berlin production, politically resonant, 1952 University of Rennes, Grand Théâtre abridgment, 1952 Théatre National Populaire production, 1953 Old Vic revival, waiting on Donat, TSE on, 1954 Harvard production,
Oldham, Joseph, lunches with TSE, convenes discussion of contemporary Christianity, at the Unemployment Conference, éminence grise in Council for Life and Work, hearing improved, spearheading anti-Nazi Church movement, puts TSE up to BBC talk, sent TSE's Revelation contribution, which he prizes, organises Lambeth Council, initiates 'Moot', and the Moot, first Moot meeting, bewails mankind, anointed reader of Boutwood Lectures, founds new wartime committee, which meets, sent drafts for CNL, as editor of CNL, views diverge from those of TSE, pleased with TSE's education supplement, needs holiday, convenes education group meeting, propagates yet another religious body, his style, to meet Michael Roberts, Church, Community and State,
see also Oldhams, the

8.JosephOldham, Joseph (‘Joe’) Houldsworth Oldham (1874–1969), missionary, adviser, organiser: see Biographical Register.

St. Catherine's College, Cambridge, engages TSE to speak, and 'The Need for Poetic Drama', TSE's Shirley Society address,
Speaight, Robert, singled out as Malvolio, chats to TSE at OM's, talked through part of Becket by TSE, excited at TSE's dramatic ambitions, never happier on stage, committed to Mercury Murder revival, unimprovable as Becket, in Mercury Theatre production, issues TSE with Irish introductions, his performance agreed to be going stale, at 100th performance of Murder, cast in Williams's Cranmer, his Becket critiqued by Tandy, as Becket, records Becket's sermon, which TSE is against, at post-performance feast in Cambridge, better as Cranmer than Becket, sermon reblocked for Duchess Theatre, at Savile Club Murder dinner, and the royal visit, becoming conceited, performance pruned in re-rehearsal, problems with his performance persist, in EH's report, compared to Robert Sansom, broadcasts East Coker, gives small dinner at Garrick, swoops on Shamley to record TSE, discounted from film of Murder, complains and is disingenuously soothed, as Elijah in Nicholson's debut, attends Family Reunion with TSE, still playing Becket, misrepresents TSE's views, in Belgium, ruined by Becket, in The Confidential Clerk,

2.RobertSpeaight, Robert Speaight (1904–77), actor, producer and author, was to create the role of Becket in Murder in the Cathedral in 1935: see Biographical Register.

Toynbee, Arnold, fellow contributor to BBC series,
Whitworth, Phyllis, fundraising for the Group Theatre,

3.PhyllisWhitworth, Phyllis Whitworth, née Bell (1884–1964), theatrical producer and manager; married in 1910 to Geoffrey Whitworth (1883–1951), dramatist; founder of the British Drama League.

Wood, Herbert George ('H. G.'),