[No surviving envelope]

T. S.Eliot
EmilyHale
TS
Faber & Faber Ltd
Letter 17.
25 June 1945
Dearest Emily,

Itravels, trips and plansTSE's June 1945 trip to Paris;f5recounted;a2 got back from my second visit to Paris late on Friday afternoon (having left at midnight the night before) so only came to Shamley on Saturday morning. For the first twentyfour hours I did nothing – happily the weather was such that I was able to lie out and bask in the sun; andMelcher, Frederic G.;a1 now I can only write briefly, becauseBooks Across the Sea;b7 my mind is tormented by the prospect of having to introduce Mr. Fred Falconer [sc. Melcher], editor of the Publishers’ Weekly of New York, to a meeting of Books Across the Sea in his honour, to be held tomorrow afternoon.1 You know what the anticipation of a public occasion always is to me. I don’t know Mr Melcher and can’t think what I am to say. This visit was less fatiguing in itself than the last: I did not have to make any speech or talk on the radio, and I was very well looked after and fed in black-market restaurants: but I had not had much time to rest after the first visit, and the fatigue is cumulative. Now I hope I shall not have to go abroad again (buttravels, trips and planspossible post-war American visit;f6;a4 would that I could come to America, just for a visit, but until the end of the Japanese War, I see no prospect of being allowed to spend my money that way). FredaLovingbird, Freda;a1 Lovingbird has found an excellent house of furnished lodgings, only the one man who wants to leave it can’t go until his own flat is vacant. In the end, I shall probably camp out at Russell Square for some months.

AsMurder in the Cathedral1945 Théâtre du Vieux Colombier production;g2compared to Martin Browne's;a4 for ‘Meurtre dans la Cathédral[e]’ I shall write more fully next weekend: meanwhile I will only say that the production and acting were excellent. In some respects, better than Martin Browne’s, notably in respect of the choruses. Whether it will succeed or not I cannot tell, but it deserves to; and if it doesn’t, it will be because the French don’t care for that sort of play. SeveralFluchère, Henrihis translation of Murder;a2 passages which tended to have rather too comic a tone in the English, became rather terrifyingly serious in French. The translation is admirable, and Henri Fluchère, the little professor from Aix who made the translation, is a Pet. I have a programme to send you, but alas no photographs of the actors in costume. TheDoat, Janand the Vilar Meurtre;a1 chorus was beautifully trained, by a little man named Jan Doat, who is rather a Pet.2 ItMercury Theatre, Londonits French equivalent;c6 was my first plunge into the French theatrical world (that is, into the theatrical world which corresponds to that of the Mercury) and I enjoyed it.3

On returning I find your dear letter of June 10th. Perhaps you have not said all that you have to say (you were writing to catch the post), so there may be a fuller letter from you this week. I am sorry that your house plans fell through. You do not say when the term ends, but I think it must certainly be over by now, so I will address this to Commonwealth Avenue.

Also in haste,

Your loving
Tom.

1.FredericMelcher, Frederic G. G. Melcher (1879–1963): American publisher, bookseller, editor; promoter of literature for children (he set up the Newbery Medal and the Caldecott Medal). He was for forty years editor of Publishers’ Weekly, and chair of R. R. Bowker (proprietor of the paper). By 1945, when he had worked as a bookman for half a century, celebrations were held in his honour. He was awarded a medal from the American Institute of Graphic Arts, and Hon. Membership of the American Library Association. See further Frederic G. Melcher: Friendly Reminiscences of a Half Century Among Books and Bookmen, ed. Mildred Smith (1945).

2.JanDoat, Jan Doat (1909–88): celebrated French theatre, opera and TV director; actor and writer.

3.JeanMurder in the Cathedral1945 Théâtre du Vieux Colombier production;g2 Vilar’s production of Murder in the Cathedral opened at the Vieux-Colombier Theatre on 18 June 1945. VilarVilar, Jean (1912–71), actor-producer and administrator, who founded his acting company in 1943, was awarded in 1945 the Prix du Théâtre for his outstanding work on Murder and on Strindberg’s Dance of Death. In 1947 he founded the Avignon Festival, the first drama festival in France; and he was appointed director of the prestigious state-owned Théâtre National Populaire, 1947–63. His acting roles included Macbeth, Don Juan and the gangster in Brecht’s Arturo Ui; and his productions extended from French plays to Aristophanes, Shakespeare, Beckett and Robert Bolt.

TSE to Frank Morley, 21 July 1945: ‘The production of Meurtre dans la Cathédrale at the Vieux Colombier was very good indeed: in respect of costume, and of chorus, much better than the London–Canterbury production; the total effect much more professional than Martin Browne’s (or Elsie Fogarty’s [sc. Fogerty’s]) and Jean Vilar looking much more like a dominating ecclesiastic than Robert Speaight.’

Books Across the Sea, TSE unwillingly president of, AGM, letter to The Times for, exhibition, reception for Beatrice Warde, The Times reports on, TSE trumpets in TES, 'Bridgebuilders', TLS reports on, and South Audley Street library, absorbed into English Speaking Union, final meeting of,
Doat, Jan, and the Vilar Meurtre, as chorus-master,

2.JanDoat, Jan Doat (1909–88): celebrated French theatre, opera and TV director; actor and writer.

Fluchère, Henri, mourns The Criterion, his translation of Murder, TSE takes to, translating Aix lecture, lectures on Apollinaire, as TSE's companion in Aix, TSE's debt to, promised foreword by TSE, on Cocktail Party in Paris, hosts TSE in France, Shakespeare,
Lovingbird, Freda,
Melcher, Frederic G.,

1.FredericMelcher, Frederic G. G. Melcher (1879–1963): American publisher, bookseller, editor; promoter of literature for children (he set up the Newbery Medal and the Caldecott Medal). He was for forty years editor of Publishers’ Weekly, and chair of R. R. Bowker (proprietor of the paper). By 1945, when he had worked as a bookman for half a century, celebrations were held in his honour. He was awarded a medal from the American Institute of Graphic Arts, and Hon. Membership of the American Library Association. See further Frederic G. Melcher: Friendly Reminiscences of a Half Century Among Books and Bookmen, ed. Mildred Smith (1945).

Mercury Theatre, London, Yeats proposes season at, from the outside, possible Murder premiere at, season in financial straits, stage too small for Doone, to stage Murder revival, rehearsal at, Murder coming off at, hard to imagine Murder beyond, Dukes proposes new Mercury Theatre, Martin Browne's York Nativity Play, presents The Ascent of F6, Murder in re-rehearsal at, possible venue for Family Reunion, Dukes's La Mandragola, new Murder revival at, attempts season of miniature operas, 'initimate opera' at, its French equivalent, hosts New Plays by Poets, and 1946 Family Reunion revival, Martin Browne's proposal to stage revue at, presents Saroyan play, graced with royal visit, staging Playboy of the Western World, possible destination for Cocktail Party,
Murder in the Cathedral, idea for initially suggested by Laurence Irving, offered to Martin Browne, St. Thomas as TSE's muse, TSE on writing, tentatively, 'The Archbishop Murder Case', uncertainties over title, currently 'Fear in the Way', which proves unpopular, TSE on rewriting, title settled on, final revisions for printer, tentatively critiqued by EH, and EH on TSE as dramatist, chorus copied for EH, Virginia Woolf's aspersions on, the form of its choruses, defended from obscurity, did not test TSE's plotting, book-sales to-date, $1,000 offered for American rights, pays for 1936 American trip, Italian and Hungarian rights sold, and Whiggery, Savile Club dinner to celebrate, compared to next play, discrepancies of Canterbury Text, Martin Browne's initial response to, TSE recognised as author of, TSE on its cheerful title, EH on, abandoned Mercury Theatre premiere, suggested by Yeats and Doone, in the offing, and Doone's response to first draft, EH requested at, imperilled, text copied for Yeats, 1935 Canterbury Festival production, in rehearsal, opening night, reception, final performance, and EH's response, 1935–6 Mercury Theatre revival, Martin Browne pushing for, in rehearsal, which EH attends, compared to Canterbury original, at the box-office, its 100th performance, still running, proposed tour to end, 1936 BBC radio version, BBC bid to produce, broadcast fixed, BBC memo on, in rehearsal, TSE on, abortive 1936 New York transfer, Dukes visits America to arrange, blighted by Brace's actions, quashed by Federal Theatre production, its usurper founders, deferred to autumn, unsolicited 1936 New York production, licensed by Brace, to be directed by Rice, seemingly withdrawn, Rice resigns from, delights EH and Eleanor Hinkley, TSE sent press-cuttings for, EH reports on, TSE speculates as to textual discrepancies, attended by Eleanor Roosevelt, extended and potentially expanded, TSE to the Transcript on, may predispose immigration authorities favourably in future, royalties from, 1936 University College, Dublin student production, described by TSE, rumoured Australian and American productions, 1936 Gate Theatre touring production, TSE's long-held wish, scheduled, 1936 touring production, due at the Arts Theatre, Cambridge, as it was played in Cambridge, 1936 America pirate production, 1937 Duchess Theatre West End transfer, date fixed for, announced in Times, dress-rehearsal attended, reception, reviewed, royalties, still playing, ticket sales pick up, coming to an end, receives royal visit, 1937 touring production, scheduled post-Duchess, beginning in Leeds, then Manchester, going strong, 1937 Harvard University production, 1937 Amherst College production, singled out for praise, 1937 Old Vic production, touring production arrived at, in rehearsal, 1937 Tewkesbury Drama Festival production, 1938 American tour, projected for January 1937, said date seconded by Dukes, deferred to September 1937, confirmed again by Dukes, pre-tour dates in Golders Green, then Liverpool, opening in Boston in January, over which EH is consulted, tour itinerary, Family Reunion keeps TSE from, preparatory re-rehearsal for, pre-crossing Liverpool dates, EH's judgement desired, EH reports on first night, reviewed in The Times, EH sends New York cuttings, prematurely transferred to New York, Dukes reports on, Westminster Cathedral Hall charity performance, 1940 Latham Mercury revival, revival suggested in rep with Family Reunion, wartime modern-dress production suggested, ambushes TSE, in rehearsal, first night, reviewed, Browne's wartime Pilgrim Players' adaptation, Hoellering film, Hoellering's initial approach made, Hoellering's vision for, TSE adapting for screen, reconnoitre of Canterbury for, casting Becket, recording made for, development process described to NYT, non-actor found for Becket, screenings of Groser, set-dressing, screening, approaching release, still in the edit, final screening, and Venice Film Festival, seeking distribution, soon to premiere, opens, initial reception, circulating in shortened version, 1945 Théâtre du Vieux Colombier production, compared to Martin Browne's, royalties, apparently a hit, reviewed, reaches 150 performances, Fluchère's involvement, 1946 German production, 1947 Edinburgh Festival production, 1948 Milton Academy production, 1949 broadcast, 1949 Berlin production, politically resonant, 1952 University of Rennes, Grand Théâtre abridgment, 1952 Théatre National Populaire production, 1953 Old Vic revival, waiting on Donat, TSE on, 1954 Harvard production,
travels, trips and plans, EH's 1930 trip to England, EH's proposed 1931 England visit, called off, EH's 1932 summer holidays, the Eliots' Derby Day excursion, related, the Eliots' July 1932 Hindhead visit, the Eliots' August 1932 Eastbourne holiday, described, TSE's 1932–3 year in America, Norton Professorship offered to TSE, and the prospect of reunion with EH, which TSE refuses to see as decisive, which angers EH, who writes and destroys a response, TSE's financial imperatives, TSE's itinerary, and the question of discretion, opportunity for adventurous lecture-tours, TSE speculates on attendant feelings, TSE on the voyage over, TSE reflects on, TSE's return from, the Eliot family's Randolph holiday, TSE's 1933 westward tour to Scripps, proposed to EH, and TSE's need to lecture, possibly via St. Louis, TSE's itinerary, possible stopover in Seattle, a shameful source of happiness, still a happy thought, described by Havens and others, TSE reflects on, TSE's return from, TSE wonders at after-effect on EH, EH urged to reflect honestly on, Ada on, and a conversation about divorce, in EH's recollection, possible EH 1933 summer in England, TSE's 1933 Faber summer holiday, set for mid-August, postponed, rearranged, TSE buys summer outfits for, described, TSE's 1933 tour of Scotland, possible itinerary, Morley's preparations for, described for EH, TSE's 1933 trip to Paris, mooted, described, EH's 1934–5 year in Europe, TSE delighted at the prospect, attempts to coordinate with TSE's 1934 summer plans, the Perkinses due in Chipping Camden, EH's itinerary, TSE's initial weekend at Chipping Campden, TSE books rooms in Lechlade, TSE visits Campden again with family, and again alone, which visit TSE reflects on, TSE's plans to entertain EH en route to Europe, EH's continental itinerary, VHE and propriety inhibit pre-Paris arrangements, L'Escargot lunch, weekend in Sussex for EH's birthday, possible London tea-party, second lunch at L'Escargot, EH and TSE's November excursions, a month which TSE reflects happily on, EH's summer 1935 plans, EH departs England, EH in Florence, arrived in Rome, TSE coordinating with EH's return, TSE recommends Siena, EH returns to Florence, EH sails for Riviera, EH returns from France, L'Escargot lunch on EH's return, EH sails for Guernsey, May 1935, EH's June 1935 London sortie, TSE attends Dr Perkins's birthday, TSE's July 1935 Campden week, TSE offers to fund EH in London, where EH joins Jeanie McPherrin, TSE's Campden birthday weekend, prospect of EH spending month at Blomfield Terrace, Thorp theatre outing, TSE's 6–8 September Campden weekend, EH staying at 19 Rosary Gardens, EH to Campden for 15–17 November, EH sails for Boston, EH and TSE's final farewell, TSE and EH's final weeks in London, their excursion to Finchampstead, TSE reflects on, excursion to Greenwich, EH reflects on the final weeks of, TSE's 1934 Faber summer holiday, described, TSE's dream of Cairo, TSE's invitation to Finland, palmed off on Robert Nichols, TSE's 1935 tour of Scotland, proposed by Blake, attempts to coordinate with EH, TSE's itinerary, TSE's 1935 Faber summer holiday, TSE writes from, described, TSE's 1936 visit to Ireland, TSE's itinerary, recounted, TSE's spring/summer 1936 trip to Paris, first contemplated, date fixed, Morleys invited, TSE's itinerary, recounted, TSE's 1936 Faber summer holiday, TSE writes from, TSE's 1936 American trip, spring arrival dependent on New York Murder, if not spring, then autumn, possible excursions, autumn better for seeing EH, and possible Princeton offer, and possible Smith visit, efforts to coordinate with EH, passage on Alaunia booked, TSE's itinerary, Murder to pay for, coordinating with Eliot Randolph holiday, the moment of parting from EH, TSE's birthday during, TSE reflects on, TSE's 1937 tour of Scotland, itinerary, recounted, the Morley–Eliot 1937 trip to Salzburg, contemplated, itinerary, EH receives postcard from, described, as relayed to OM, EH's 1937 summer in England, and Mrs Seaverns, EH accompanies TSE to Edinburgh, itinerary coordinated with EH, dinner at L'Escargot, TSE's 10–11 July Campden visit, TSE's 17–22 July Campden visit, TSE's 21 August Campden visit, EH travels to Yorkshire, TSE reminisces about, TSE's 1937 Faber summer holiday, TSE reports from, leaves TSE sunburnt, TSE's 1938 trip to Lisbon, outlined to EH, TSE advised on, travel arrangements, the voyage out, described, EH's 1938 summer in England, and whether EH should spend it at Campden, EH's arrival confirmed, TSE's July Campden visit, EH's late-July London stay, TSE's 5–21 August Campden fortnight, TSE's 3–6 September Campden visit, EH's September London stay, TSE reflects on, TSE's 1938 Faber summer holiday, TSE's preparations for, TSE reports from, possible EH England Christmas 1938 visit, possible TSE 1939 visit to America, mooted for spring, complicated by Marion and Dodo's trip, shifted to autumn, threatened by war, made impossible, EH's 1939 England visit, TSE's efforts to coordinate with, threatened by war, complicated by Marion's arrival, EH's itinerary, EH's initial London stay, TSE's 7–20 July Campden visit, TSE's 22–30 August Campden visit, TSE's 2–4 September Campden visit, EH again London, EH and TSE's parting moments, in TSE's memory, memory vitiated by EH's subsequent letter, TSE's 1939 Faber summer holiday, TSE writes from, possible wartime transatlantic crossings, contingencies, in case of EH being ill, TSE's reasons for and against, and TSE's New York proposition, following invasion Denmark and Norway, impossible for TSE unless official, TSE's desire to remain in England, TSE's reasons for and against accepting lectureship, given Ada's impending death, TSE's abortive 1940 Italian mission, possible but confidential, lectures prepared for, and the prospect of seeing EP, might include Paris, itinerary, in jeopardy, final preparations for, cancelled, TSE's 1940 visit to Dublin, approved by Foreign Office, in national interest, itinerary, recounted, involves TSE's first plane-journey, TSE's 1940 Faber summer holiday, TSE reports from, TSE's 1941 Faber summer holiday, Kipling and fishing-rod packed for, TSE reports from, TSE's 1941 Northern tour, proposed by the Christendom group, arranged with Demant, itinerary, recounted, TSE's 1942 British Council mission to Sweden, TSE makes cryptic allusion to, as recounted to EH, as recounted to JDH, return leg in London, as war-work, TSE's 1942 New Forest holiday, described, TSE's 1942 week in Scotland, recounted, TSE's abortive 1942 Iceland mission, TSE's 1943 trip to Edinburgh, recounted, TSE's abortive 1943 Iceland mission, TSE's 1943 New Forest holiday, TSE's 1944 trip to Edinburgh, TSE's abortive 1944 North Africa mission, TSE's May 1945 trip to Paris, described, TSE's June 1945 trip to Paris, recounted, possible post-war American visit, and Henry's impending death, ideally ancillary to work, possibly as F&F's representative, waits on TSE's health and Carlyle Mansions, TSE's 1945 September fortnight in Lee, described, TSE's 1945 Christmas in Lee, described, TSE's 1946 summer in America, date for passage fixed, paperwork for, TSE's itinerary, its aftermath, recounted, TSE's 1947 summer in America, dependent on lecture engagements, TSE seeks to bring forward, Henry's condition brings further forward, set for April, itinerary, EH reflects on, TSE's scheduled December 1947 visit to Marseilles and Rome, itinerary, TSE's preparations for, dreaded, Roman leg described by Roger Hinks, EH's hypothetical March 1948 visit to England, TSE's postponed 1948 trip to Aix, itinerary, recounted, home via Paris, TSE's 1948 trip to America, itinerary, TSE's visit to EH in Andover, disrupted by Nobel Prize, TSE's 1948 Nobel Prize visit to Stockholm, itinerary, recounted, TSE's 1949 family motor-tour of Scotland, described, TSE's October–November 1949 trip to Germany, possible itinerary, preparations for, final itinerary, TSE's account of, the return via Belgium, TSE's January 1950 voyage to South Africa, all but fixed, itinerary, described by TSE, recounted by Faber, EH's 1950 summer in England, TSE books EH's hotel room for, TSE's efforts to coordinate with EH's movements, EH in Campden, TSE reports to Aunt Edith on, TSE's 1950 visit to America, and TSE's possible Chicago post, the Chicago leg, November itinerary, TSE's spring 1951 trip to Spain, itinerary, recounted, TSE's September 1951 Geneva stay, itinerary, recounted, TSE's 1951 British Council mission to Paris, recounted, TSE's second 1951 British Council mission to Paris, recounted, TSE's 1952 visit to Rennes and the Riviera, itinerary, recounted, TSE's 1952 visit to America, itinerary, efforts to coordinate with EH's summer, TSE on meeting with EH, TSE's 1952 rest cure in Switzerland, TSE's 1953 visit to St. Louis and America, set for June, to include fortnight in Cambridge, itinerary, EH's 1953 trip to England, EH's Alnwick plans, TSE books hotel for EH, and EH's ticket to Confidential Clerk, TSE's 1953 visit to Geneva, TSE's 1953–4 trip to South Africa, itinerary, described, arrival described to JDH, GCF on, TSE's 1954 Geneva rest cure, Geneva preferred to Paris, TSE's deferred 1955 visit to Hamburg, prospect inspires reluctance in TSE, proposed for spring 1955, dreaded, TSE now returned from, TSE's 1955 visit to America, and contingent speaking engagements, foreshortened, itinerary, Washington described, TSE's return from, TSE's 1955 Geneva rest cure, TSE's 1956 visit to America, passage fixed for April, itinerary, TSE in the midst of, TSE reflects on, TSE's 1956 Geneva rest cure, itinerary, recounted, illness during, EH's 1957 visit to England, TSE and EVE invited to Campden, TSE reciprocates with London invitation, but EH leaves England abruptly, which TSE consults Eleanor Hinkley over, who duly explains, TSE and EVE's 1958 trip to America, as rumoured to EH, EH's 1959 tour of Scandinavia, funded by bequest from cousin, TSE and EVE's 1959 trip to America, TSE and EVE's 1963 trip to America,
Vilar, Jean, as Becket in Meurtre, acclaimed with Prix du Théâtre, revives Meurtre,

3.JeanMurder in the Cathedral1945 Théâtre du Vieux Colombier production;g2 Vilar’s production of Murder in the Cathedral opened at the Vieux-Colombier Theatre on 18 June 1945. VilarVilar, Jean (1912–71), actor-producer and administrator, who founded his acting company in 1943, was awarded in 1945 the Prix du Théâtre for his outstanding work on Murder and on Strindberg’s Dance of Death. In 1947 he founded the Avignon Festival, the first drama festival in France; and he was appointed director of the prestigious state-owned Théâtre National Populaire, 1947–63. His acting roles included Macbeth, Don Juan and the gangster in Brecht’s Arturo Ui; and his productions extended from French plays to Aristophanes, Shakespeare, Beckett and Robert Bolt.