[No surviving envelope]
Letter 10.
I have no news from you to comment upon, and no news of myself worth mention. Having had a short weekend, from Friday night to Tuesday morning, I have been occupied with odds and ends: the letters which my secretary did not have time to take down, aGeorge, Robert Esmonde Gordon ('Robert Sencourt')The Life of Newman;d1 long manuscript which had to be read in a hurry, andHart, Basil Henry ('B. H.') LiddellThe Revolution in Warfare;a3 a book about which I had to write the advertising matter. IRidler, Anne (née Bradby)The Shadow Factory;b9 have also had to read a play by a poet, about which I shall have to think of something to say. The book was about Cardinal Newman, the book which I had to advertise is about military strategy, the play is about a factory.1 This makes an indigestible muddle not favourable to thought and expression. ITrevelyan, Maryreturns to London;a7 am only hoping that I shall not have to stay an extra night in London to see Mary Trevelyan, who is back from Brussels for a few days: soCzecho-Slovak Institute, LondonTSE's address to;a1 that'Cultural Diversity and European Unity';a2 Itravels, trips and plansTSE's May 1945 trip to Paris;f4;a2 can get to work and think out a talk for the Czechs on April 19, which will also do for a lecture to the French on May 9 – and will have to be translated into French for me. Nothing that I prepared for Morocco now seems to me suitable for Paris. And by the time this visit is over, I hope to begin to think of a holiday somewhere, before I return to the work which I am unwillingly interrupting. MeanwhileShamley Wood, Surreyits melodramas;b2 the future of Shamley Wood remains unsettled, with at best the prospect of a series of unsatisfactory maids, or of maids with whom they will not be satisfied: for the house-keeper has not allowed the war, and the fact of the scarcity of domestic help, to relax her standards for inferior servants in the very least. The daughter of the late gardener was considered a paragon; andMirrlees, Emily Lina ('Mappie', née Moncrieff)frustrations with gardener;f1 it might have been wiser of Mrs. M. to have put up with bad gardening for the sake of the gardener’s wife and daughter being useful members of the staff: though it was certainly maddening for Mrs. M., with a large garden, and two men working in it, to have to buy vegetables simply because the crops never got planted at the right time. And all this has made her rather ill, so that the house is rather depressed at present.
So now you are unsettled, and I am feeling unsettled. One doesn’t see any farther ahead than one did in 1940; but when one lived merely from week to week the future did not seem so oppressive.
IEliot, Henry Ware, Jr. (TSE's brother)his archaeological endeavours;i9 hear that Henry is home again; there seems to have been a very wintry spell just then. The worry at the moment is whether the University Press will publish the charts on which he has been working so long, and whether the people in the archaeology department are not rather cold-shouldering him. It would have done him so much good to receive a little success and recognition now, and he was always a very poor one for blowing his own horn. I hope there will be a letter from you this week.
1.AnneRidler, Anne (née Bradby)The Shadow Factory;b9 Ridler, The Shadow Factory (1946): ‘Mrs Ridler has already written one verse play – Cain – but The Shadow Factory is her first play to be written with a direct view to production, being the third play to appear in Mr Martin Browne’s series of Plays by Poets. Those who admire a poet’s previous verse often fear that if he writes a good play, it will be lacking in the qualities they admire in his poems. The prejudice against “plays by poets”, which is one which Mr Browne’s season should dispel, has been found as much among lovers of poetry as among play-goers. A shadow factory is not the place in which Mrs Ridler’s admirers would expect to find her; but she makes herself quite at home in it and with the human types she finds there; and towards the end she contrives, by a surprise which is also very good theatre, to provide a scene which is one of the kinds of thing that she can do better than anyone else.’
TSE to Ridler, 16 Apr. 1945: ‘I don’t think I have any criticisms to make of The Shadow Factory, except such general ones as may have occurred to you anyway. I think it is a better play than Cain –the extempore performance of the Nativity is a very good notion indeed – and for that very reason is almost inevitably (at this stage) not so good as poetry. It is only, I feel, in that Nativity scene that you get a chance to play the strokes at which you are already skilled: and I am sure you make the most of the opportunity. But the verse elsewhere does tend to fall into one style or another, according to the situation, and there is consequently a lack of poetic unity. All this, as I have suggested, seems to me inevitable at this stage. One simply can’t attend to everything at once, while learning to write plays. It is only, probably, when you begin to feel a little more confidence in the stage métier, that you can get down to working out the problem of a proper stage idiom in verse, which will be everywhere your own, but elastic enough to be adequate for a variety of characters and situations. In the beginning, one has to exploit, as one can, the things that one is good at: which was, I think, the personal reason for my use of choruses.
‘The interesting thing that I seem to myself to have found, is that while, for a play, I have had to learn to write a different kind of verse, and write it in a different way and quite a different mood, it seems to me that the exercise (whether one will ever succeed in writing a good play or not) is one from which one returns to personal poetry with a sense of having more resources at one’s disposal, and a greater assurance that the next poems one writes will be something better than a mere imitation of the previous.’
TSE’sHart, Basil Henry ('B. H.') LiddellThe Revolution in Warfare;a3 blurb for The Revolution in Warfare, by B. H. Liddell Hart (F&F Spring & Summer Catalogue, 1946):
‘In this short book Captain Liddell Hart has concentrated his learning in the history of modern warfare and his reflections upon its tendencies. The result is a book which will challenge contemporary theory and practice, and which has a political as well as a military relevance to our designs for the future.
‘The author divides his subject into two parts. In the first, he describes the development of modern warfare in terms of the tools of war, from the growth of fire-power in the Napoleonic wars to the evolution of the tank. He corrects the impression which was formed in 1940 that the tank gives superiority always to the attack: on the one hand anti-tank technique has been evolving, and on the other hand the tank has proved its usefulness in defence. From mechanized warfare on the ground he turns to consider the value and limitations of air power: the prevailing use of which, in his view, leads to gradual attrition rather than to rapid decisions. Lastly he discusses the effect which the flying bomb and the rocket, as a part of long-range military strategy, may exert upon war in the future.
‘In the second part of the book, Captain Liddell Hart deals with the purposes of modern war. He reviews, with masterly brevity, the history of warfare from the middle ages, and the various restrictions upon warfare acknowledged in feudal times. Unlimited warfare established itself with the wars of the French Revolution: another landmark was the American Civil War, which the author considers to have been in many ways the prototype of the modern “total war”. He shows how these tendencies became accepted in military theory, by the general misinterpretation of the work of Clausewitz, and were reinforced both by mechanical invention and political and social causes. And the “total war” is not only bad in itself, because of its destructiveness, but is bad because it produces the wrong kind of peace. Total war, in the author’s words, is “the combination of an unlimited aim with an unlimited method”. He hopes for a “revival of reason, sufficient to produce self-control in war, if not the abolition of war”.’
TheGeorge, Robert Esmonde Gordon ('Robert Sencourt')The Life of Newman;d1Sencourt, Robert
‘We do not feel, however, that it is a book which absolutely imposes itself on us at a time when we are forced to think rather of every reason against publishing anything than of the arguments in a book’s favour. It is not obviously and essentially a Faber book and I should think has a strong claim on a Catholic audience. Not Burns and Oates obviously, but one of the general firms with a Roman complexion. Somebody will certainly want to publish this book, and I want to see it published, but we could not in any case bring it out in time for your centenary and I reluctantly agree that we can afford to see it appear under some other imprint.’
Sencourt’s The Life of Newman was to be published by Dacre Press in Jan. 1948.
3.HenryEliot, Henry Ware, Jr. (TSE's brother) Ware Eliot (1879–1947), TSE’s older brother: see Biographical Register.
3.RobertGeorge, Robert Esmonde Gordon ('Robert Sencourt') Esmonde Gordon George – Robert Sencourt (1890–1969) – critic, historian, biographer: see Biographical Register.
1.B. H. LiddellHart, Basil Henry ('B. H.') Liddell Hart (1895–1970), soldier, journalist and influential military historian.
3.HopeMirrlees, Emily Lina ('Mappie', née Moncrieff) Mirrlees’s mother was Emily Lina Mirrlees, née Moncrieff (1862–1948) – known as ‘Mappie’ or ‘Mappy’ – see Biographical Register.
3.AnneRidler, Anne (née Bradby) (Bradby) Ridler (30 July 1912–2001), poet, playwright, editor; worked as TSE’s secretary, 1936–40: see Biographical Register.
2.MaryTrevelyan, Mary Trevelyan (1897–1983), Warden of Student Movement House, worked devotedly to support the needs of overseas students in London (her institution was based at 32 Russell Square, close to the offices of F&F; later at 103 Gower Street); founder and first governor of International Students House, London. Trevelyan left an unpublished memoir of her friendship with TSE – ‘The Pope of Russell Square’ – whom she long desired to marry. See further Biographical Register.