[No surviving envelope]

T. S.Eliot
EmilyHale
TS
Shamley.
Letter 12, I think:
I lost count one week
16 September 1942
Dearest Emily,

I hope that you received my cable in good time, because, after a month in town, I am taking a week at the re-opened Shamley Wood, to rest from my wanderings and to get some jobs done. I wanted to be sure that if you had any news to cable, it would come to me direct. It seems possible, of course, that it may be some days before your doctors have anything to report, or you any reassurance to convey: meanwhile, you are of course unable to write letters, and I must hope that Mrs. Perkins would have sent me a cable were there any news to give. I wait very restlessly, controlling my fears by occupation as best I can. If I were near enough at hand to get full up-to-date reports continually, I should find it easier to write: but my own news seems too trivial, my thoughts impertinent, and I have not the heart to write simply to attempt to amuse or divert. I had a very busy week with meetings and conferences, ending with a weekend conference at Jordan’s, which left me very tired and with a violent but purely local cold in the nose: but after a day in bed on my return I feel perfectly well again. And to have recovered from a cold so quickly gives me more confidence for what must be the coldest, darkest and most uncomfortable winter of the war. ILittle Giddingin which JDH proved indispensable;b8 have also, I think, finishedHayward, Johnhelps TSE finish Little Gidding;k9 ‘Little Gidding’, largely with the assistance of John Hayward, who is an invaluable critic for calling attention to minor but still important flaws. IfMurder in the CathedralHoellering film;g1TSE adapting for screen;a3 so, I shall be able to turn again, with less unwillingness, to the extra dialogue for the film: an interesting task, perhaps, when there is nothing that one wants to write more urgently, but an intolerable one when it appears as an interference with something else. ButRaynes Park County Schoolinvites TSE to give talk;a2 first I have to go next Tuesday to talk to a small selection of upper boys at Raynes Park County School – the headmaster is a former young man of mine in Criterion days.

TheFabers, themove to Minsted;f2 Fabers hope to move to Sussex next week: nothing more can be done to put the flat in running order until that move is over; andde la Mares, thegive TSE wartime refuge;a6 as I do not feel inclined to camp out in it, and go out to Southampton Row for breakfast, I shall put in my London nights, for the next fortnight or so, at the De la Mares. IfSecond World WarOperation Barbarossa;c8 the coming of winter means less anxiety on some fronts, it may mean more on others: but as Russia appears to be the most important area at present, we are only anxious to see October well in.1 And I have bought some long winter underwear, such as I have not worn for a good many years.

Every time the telephone rings I listen to hear whether it is a cable for me. I wonder constantly whether, in the uncertainty in which you have been living, you have not felt very very lonely. I am sure that I should. At such a time nearly everyone, however loving, seems a long way off, and their lives immensely separate and distinct from one’s own; and I know that at such times words, though one would not be without them, are almost a barrier – certainly no substitute for a presence. I should want you to be near me; and what you said or did not say would not matter.

Most devotedly
Tom

1.By the late summer of 1942, the German forces on the Eastern Front had made big advances in the Caucasus and were seemingly closing in on Stalingrad. TSE was right to be less concerned about North Africa. Rommel’s drive into Egypt had been stopped for good in battles at the end of Aug.

de la Mares, the, TSE forgoes EH's invitation for, TSE's dread of visiting, give dinner for the Morleys, give TSE wartime refuge, the children, teach TSE vingt-et-un,
Fabers, the, model of happiness and respectability, their domestic situation, Faber children to tea chez Eliot, visit TSE at Pike's Farm, compared to the Morleys, closer to TSE than to VHE, 1933 summer holiday with, Ty Glyn Aeron described, request TSE to write play, too absorbed in their children, at the Morleys' party, give anti-Nazi party for author, host poker party, 1934 summer holiday with, take TSE to lunch in Oxford, 1935 summer holiday with, for which the children are bought tent, give party, 1936 summer holiday with, at Morleys' Thanksgiving Day party, sail model boats with TSE, and TSE's foggy adventure, cinema-going with TSE, take TSE to Witch of Edmonton, and Morleys take TSE to pantomime, and TSE attend opening of Ascent of F6, 1937 summer holiday with, and the Bradfield Greek play, School for Scandal with, take TSE to pantomime again, 1938 summer holiday with, 1939 summer holiday with, offer possible wartime refuge, 1940 summer holiday with, host TSE in Hampstead during war, TSE makes bread sauce for, brought vegetables from Shamley, move to Minsted, and TSE attend musical revue, 1941 summer holiday with, Minsted as substitute for nursing-home, trying to sell Welsh home, take TSE to International Squadron, invite TSE to Wales for Christmas, host TSE at Minsted, away fishing in Scotland, mourn TSE's post-war independence, 1947 Minsted summer stay, 1948 Minsted summer stay, host TSE for weekend, on 1950 South Africa trip, on TSE's 1951 Spain trip, 1951 Minsted summer stay, 1952 Minsted summer stay, 1953 Minsted summer stay, on 1953–4 South Africa trip, 35th wedding anniversary weekend,
Hayward, John, in TSE's thumbnail description, his condition and character, what TSE represents to, VHE complains about TSE to, TSE's new chess-playing neighbour, meets EH over tea, hosts TSE, GCF and de la Mare, on EH, on EH (to TSE), gives TSE cigars for Christmas, calls EH TSE's 'sister', and the Dobrées on Boxing Day, and TSE play a prank on guests, backstage at The Times, taken for walk, on Jenny de Margerie, Empson, TSE and Sansoms call on, evening with Spender, Jennings and, exchanges Christmas presents with TSE, exchanges rare books with TSE, sends luxuries to convalescent TSE, TSE's only regular acquaintance, dines with TSE and Camerons, lent Williams's Cranmer, accompanied to the Fabers' party, hosts discussion about Parisian Murder, inspects French translation of Murder, and TSE's Old Buffers' Dinner, gives TSE bath-mitts, given wine for Christmas, one of TSE's dependents, at Savile Club Murder dinner, Empson takes TSE on to see, possible housemate, in second line of play-readers, walked round Earl's Court, and Bradfield Greek play, and TSE drive to Tandys, and TSE give another party, corrects TSE's Anabase translation, watches television with TSE, Christmas Day with, introduced to Djuna Barnes, meets Christina Morley, walk round Brompton Cemetery with, Hyde Park excursion with, moving house, at his birthday-party, honoured at F&F, displaced to the Rothschilds, where TSE visits him, among TSE's closest friends, his conversation missed, the prospect of Christmas without, excursions to Cambridge to visit, 'my best critic', gives TSE American toilet-paper, helps TSE finish Little Gidding, possible post-war housemate, protector of TSE's literary remains, foreseeably at Merton Hall, discusses plays with TSE, flat-hunting with, and Carlyle Mansions, his furniture, installed at Carlyle Mansions, further handicapped without telephone, undermines TSE's aura of poetic facility, irritates except in small doses, helps with adjustment of TSE's OM medal, at the Brighton Cocktail Party, hounded by Time, quid pro quo with TSE, arranges first-night party for Cocktail Party, arranges Confidential Clerk cast dinner, and TSE's Selected Prose, and TSE entertained by Yehudi Menuhin,

11.JohnHayward, John Davy Hayward (1905–65), editor and critic: see Biographical Register.

Little Gidding, things 'done to others' harm', and TSE's St. Kevin's cave excursion, TSE's pilgrimage to the eponymous, and John Inglesant, in the Four Quartets scheme, as TSE's war work, latent within TSE, being drafted, first draft finished, suspended, to be taken up again, partly redrafted at Buckler's Hard, further redrafting, seven lines from completion, redrafting finished, in which JDH proved indispensable, NEW version sent to EH, published, sales, ends hopefully,
Murder in the Cathedral, idea for initially suggested by Laurence Irving, offered to Martin Browne, St. Thomas as TSE's muse, TSE on writing, tentatively, 'The Archbishop Murder Case', uncertainties over title, currently 'Fear in the Way', which proves unpopular, TSE on rewriting, title settled on, final revisions for printer, tentatively critiqued by EH, and EH on TSE as dramatist, chorus copied for EH, Virginia Woolf's aspersions on, the form of its choruses, defended from obscurity, did not test TSE's plotting, book-sales to-date, $1,000 offered for American rights, pays for 1936 American trip, Italian and Hungarian rights sold, and Whiggery, Savile Club dinner to celebrate, compared to next play, discrepancies of Canterbury Text, Martin Browne's initial response to, TSE recognised as author of, TSE on its cheerful title, EH on, abandoned Mercury Theatre premiere, suggested by Yeats and Doone, in the offing, and Doone's response to first draft, EH requested at, imperilled, text copied for Yeats, 1935 Canterbury Festival production, in rehearsal, opening night, reception, final performance, and EH's response, 1935–6 Mercury Theatre revival, Martin Browne pushing for, in rehearsal, which EH attends, compared to Canterbury original, at the box-office, its 100th performance, still running, proposed tour to end, 1936 BBC radio version, BBC bid to produce, broadcast fixed, BBC memo on, in rehearsal, TSE on, abortive 1936 New York transfer, Dukes visits America to arrange, blighted by Brace's actions, quashed by Federal Theatre production, its usurper founders, deferred to autumn, unsolicited 1936 New York production, licensed by Brace, to be directed by Rice, seemingly withdrawn, Rice resigns from, delights EH and Eleanor Hinkley, TSE sent press-cuttings for, EH reports on, TSE speculates as to textual discrepancies, attended by Eleanor Roosevelt, extended and potentially expanded, TSE to the Transcript on, may predispose immigration authorities favourably in future, royalties from, 1936 University College, Dublin student production, described by TSE, rumoured Australian and American productions, 1936 Gate Theatre touring production, TSE's long-held wish, scheduled, 1936 touring production, due at the Arts Theatre, Cambridge, as it was played in Cambridge, 1936 America pirate production, 1937 Duchess Theatre West End transfer, date fixed for, announced in Times, dress-rehearsal attended, reception, reviewed, royalties, still playing, ticket sales pick up, coming to an end, receives royal visit, 1937 touring production, scheduled post-Duchess, beginning in Leeds, then Manchester, going strong, 1937 Harvard University production, 1937 Amherst College production, singled out for praise, 1937 Old Vic production, touring production arrived at, in rehearsal, 1937 Tewkesbury Drama Festival production, 1938 American tour, projected for January 1937, said date seconded by Dukes, deferred to September 1937, confirmed again by Dukes, pre-tour dates in Golders Green, then Liverpool, opening in Boston in January, over which EH is consulted, tour itinerary, Family Reunion keeps TSE from, preparatory re-rehearsal for, pre-crossing Liverpool dates, EH's judgement desired, EH reports on first night, reviewed in The Times, EH sends New York cuttings, prematurely transferred to New York, Dukes reports on, Westminster Cathedral Hall charity performance, 1940 Latham Mercury revival, revival suggested in rep with Family Reunion, wartime modern-dress production suggested, ambushes TSE, in rehearsal, first night, reviewed, Browne's wartime Pilgrim Players' adaptation, Hoellering film, Hoellering's initial approach made, Hoellering's vision for, TSE adapting for screen, reconnoitre of Canterbury for, casting Becket, recording made for, development process described to NYT, non-actor found for Becket, screenings of Groser, set-dressing, screening, approaching release, still in the edit, final screening, and Venice Film Festival, seeking distribution, soon to premiere, opens, initial reception, circulating in shortened version, 1945 Théâtre du Vieux Colombier production, compared to Martin Browne's, royalties, apparently a hit, reviewed, reaches 150 performances, Fluchère's involvement, 1946 German production, 1947 Edinburgh Festival production, 1948 Milton Academy production, 1949 broadcast, 1949 Berlin production, politically resonant, 1952 University of Rennes, Grand Théâtre abridgment, 1952 Théatre National Populaire production, 1953 Old Vic revival, waiting on Donat, TSE on, 1954 Harvard production,
Raynes Park County School, TSE's prize-day appearance at, invites TSE to give talk,
Second World War, the prospect of, F&F plans in the event of, Britain's preparations for, prognostications as to its outbreak, and The Family Reunion, and the policy of appeasement, and transatlantic tourism, evacuation imminent, TSE discusses its outbreak with Dutchman, TSE refrains from commenting on, TSE's thoughts on, its effect on TSE, the 'Winter War', the 'Phoney War', Molotov–Ribbentrop pact, rationing, evacuation, seems continuous with First World War, invasion of Poland, invasion of Denmark and Norway, Chamberlain's resignation, Italy's declaration of war, Dunkirk, The Blitz, Battle of Cape Matapan, Operation Barbarossa, Greece enters war, Pearl Harbor, the Pacific War, Libyan campaign, North African campaign, and TSE's decision to remain in England, in relation to the First, prospect of its end unsettles, and returning to London, bombing of German cities, its effect on TSE's work, prognostications as to its end, the Little Blitz, Operation Overlord, V-1 Cruise Missile strikes, Operation Market Garden, and continental privations, and post-war European prospects, The Battle of the Bulge, possibility of post-war pandemic, V-2 Bombs, concentration camps, Germany's surrender, VE Day, and post-war Anglo-American relations, VJ Day, atomic bomb, its long-term economic consequences,