[No surviving envelope]
This is just to say, first, that I had an easy trip in the aeroplane – a little uncomfortable in mind at finding myself treated, at La Guardia, on the plane, and even at Heath Row on arrival, as an important person, and being given every advantage over other travellers – and am less tired than I should have expected from previous experience. I shall be busy enough for the next three days preparing for my departure to Stockholm; and shall refrain from either thinking or feeling until after my return on the 13th. IHale, Emilyas director ('producer');v9Dulcy;b9 thought of ‘Dulcie’1 at bedtime (before it had begun) and on waking (after it was all over); and I pray that it had a good success, and that full credit for its success was given to the person to whom it was due. (I thought that the girl who took the part of the scenario writer showed the nearest approach to theatrical gifts, and was the most inside her part: otherwise I was not much impressed by any innate talent, and I think I see what hard work you must have put in to bringing them up to the point at which I saw them). I was so very tired when I came, and it seemed to me that I did not read very well. I am afraid that I must have struck you as very dead: I was, by all the peculiar circumstances, semi-anaesthetised – and yet in spite of the curious numbed pain, I was also at moments happy being with you. I will write on my return, to Commonwealth Avenue.
1.EH was directing an Abbot Academy production of a comedy entitled Dulcy (1921) – the name of the title character, Dulcinea Smith, is taken from Cervantes’ Don Quixote – by George S. Kaufman and Marc Connelly.