[35 School St., Andover, Mass.]

T. S.Eliot
EmilyHale
TS
19 Carlyle Mansions,
Cheyne Walk,
London S.W.3
24 January 1951
My Dear,

I have been slow in answering your letter of the 8th, which I was very glad to get. I am at least glad that you had friends to take you in, in Boston, and that you were well looked after there; but at best, the end, coming just at that moment, must have subjected you to much more strain than at some other moment. Though perhaps it would have been still more difficult had you been in the last stages of preparing a play. What I want now is a letter from you after a couple of weeks of the winter term, to know how you are bearing up, and how much continued responsibility you are carrying in respect of your aunt. IEliot, Marion Cushing (TSE's sister)reports on Dr Perkins's funeral;g6 thinkPerkins, Dr John Carroll (EH's uncle)obituary and funeral;j2 I wrote you that Marian had sent me the cutting from the Boston paper with the obituary;1 but I have seen no report of the funeral itself, except Marian’s brief account of its dignity and beauty.

I am progressing slowly, and go to see a doctor only about once a fortnight. This man (who impresses me favourably – my usual doctor has gone to Italy for the winter, to recover from the sudden and tragic death of his wife, and I dare say that now he will be retiring from practice anyway) urges me to take a month in the South (Sicily, he suggests) as early in the spring as I can, to get my bronchial passages into perfect condition before coming back to have the operation for hemorrhoid – a small operation in itself, involving only about ten days, but which he thinks I should be very much better for. But I rather shrink from the prospect of going off by myself to a remote foreign hotel.

AndConfidential Clerk, Thefirst sketches towards;a1 I am fiddling with the plot of a new play: this time I want to have a pretty clear design of the whole thing, and especially of the final act, before I begin to write.2 TheCocktail Party, The1950 New Theatre production;e1to close with provinicial tour;a4 Cocktail Party comes to an end here on Feb. 10th, after which it concludes with a provincial tour, beginning at Golder’s [sc. Golders] Green: somehow that seems more of an anti-climax than just closing altogether! TheMurder in the CathedralHoellering film;g1approaching release;b5 film has approached completion, and should be possible for release in May. On the whole, I think it is very good indeed.

Lovingly
Tom

1.SeePerkins, Dr John Carroll (EH's uncle)obituary;j3n ‘Ex-Pastor of King’s Chapel, Boston, Dies’, Schenectady Gazette, 25 Dec. 1950, 13: ‘BOSTON, Dec 24 (AP) – Rev. John Carroll Perkins, minister-emeritus of King’s Chapel, died yesterday at his home. He was 88.

‘Ordained to the Unitarian ministry in 1891, he became minister of King’s Chapel in 1927. He retired in 1933 as minister-emeritus.

‘A native of Auburn, Me., he graduated from Bates College in 1882 and later attended the Universities of Berlin and Marburg, Germany, Harvard and Bowdoin College.

‘He was principal of the West Lebanon, Me., academy in 1882 and 1883. He also taught at Roxbury Latin School, Boston.

‘From 1890–1913, he was pastor of the First Parish, Portland, Me., and pastor of the University Unitarian Church, Seattle, Wash., from 1914 to 1926.

‘He was the author of Annals of King’s Chapel.’

Since this brief item was syndicated by Associated Press, it is probably the same wording as the obituary notice that TSE’s sister had sent him.

2.The Confidential Clerk: to be premièred in 1953; published in 1954.

Cocktail Party, The, copy inscribed to Miss Swan, Martin Browne's preference for a popular play, plot ruminated, still a distant prospect, deferred by war, at last begun, being written, EH begs TSE to continue, stimulated by the Martin Brownes, titled and nearly drafted, interrupted, attempts to reconcile EH to title, to be discussed with Brownes, to be continued in Princeton, end in prospect, TSE rewriting, alternative titles, its star appeal, 1949 Edinburgh Festival production, Martin Browne to produce, production schedule, the Martin Browne collaboration, 'reading' for, reviewed, cuts made during rehearsal, TSE's opening-night impressions, stage-set for, copy to be sent to EH, EH on, TSE disavows autobiographical basis, post-Edinburgh prospects, 1949 Theatre Royal, Brighton run, its fate, closing, 1950 New York transfer, TSE skeptical of, its fate, being negotiated, fixed, revisions made in mind of, alarmingly successful, royalties from, prospects beyond 1 June 1950, final act still being rewritten, its reception, EH's second opinion on, 1950 New Theatre production, preliminary week in Southsea, its fate, opening night, to close with provinicial tour, comes off at New Theatre, Mrs Nef's reading-group reading, in which TSE reads Reilly, and casting for Confidential Clerk, its first draft, difficult to produce in France, 1954 Théâtre du Vieux-Colombier production, reception, Muriel Spark on, EH detects hidden meaning in,
Confidential Clerk, The, first sketches towards, intended for 1952 Edinburgh Festival, being written, draft complete, which TSE rewrites, now intended for 1953 Edinburgh Festival, and Sherek's lordly conduct, EVE typing up, TSE finalising, 1953 Edinburgh production, negotiations over, casting for, may prompt further revision, stage-sets for, EH's ticket arranged for, dress rehearsal, 1953 Lyric Theatre production, first night, full house, soon to come off, 1954 American production, Sherek to negotiate, schedule for, EH encouraged to report on, reception, 1954 Paris International Theatre Festival production, reception, 1954 Ruhrfestspiele production, reception, 1954 post-Paris English touring production, Muriel Spark on, EH requests signed copy of,
Eliot, Marion Cushing (TSE's sister), described, her reading habits, not a suitable confidant, TSE reflects on reunion with, Symphony concerts with TSE, to the cinema with TSE, delighted with first Norton lecture, recommends TSE hairdresser for baldness, attends second Norton lecture, hosts birthday party for Margaret, remembered in St. Louis, worried by Dodo's manner, TSE's pride in, vigilant on TSE's health, on Randolph family holiday, congratulates TSE on separation, 1934 summer in England with Dodo, July arrival anticipated, arrangements for, visit to Chipping Campden, off to Salisbury, walks to Kelmscott, returns from Winchester, forces Regent's Park on TSE, excessively humble, next to Ada in TSE's affections, protects TSE from overbearing Hinkleys, supported Landon over FDR, co-hosts Murder party, 1939 summer in England with Dodo, trip in doubt, Southwold week planned, due 19 June, taken to Dulwich, ballet and dinner with, Southwold holiday with, given to post-lunch naps, sends Christmas supplies to Shamley, as correspondent, easiest Eliot in Ada's absence, experiences crisis, importance as sister, Henry's fondness for, devoutly Unitarian, ignorant of Henry's true condition, undernourished, abortive 1948 summer in England, cancelled, which comes as relief, hosts family dinner-party, letter about Nobel Prize to, TSE leaves money with, 1949 visit to England with Dodo, June arrival anticipated, plans for, EH bids 'bon voyage', visit to Cambridge, return from Southwold, Borders tour, Basil Street Hotel stay, Thanksgiving with, reports on Dr Perkins's funeral, efforts to support financially, tethered to Margaret, joins TSE in St. Louis, 1954 trip to England with Dodo, visit to Ely and Cambridge, in light of Margaret's death, invoked against EH, TSE to Theresa on,

1.Marian/MarionEliot, Marion Cushing (TSE's sister) Cushing Eliot (1877–1964), fourth child of Henry Ware Eliot and Charlotte Eliot: see Biographical Register.

Murder in the Cathedral, idea for initially suggested by Laurence Irving, offered to Martin Browne, St. Thomas as TSE's muse, TSE on writing, tentatively, 'The Archbishop Murder Case', uncertainties over title, currently 'Fear in the Way', which proves unpopular, TSE on rewriting, title settled on, final revisions for printer, tentatively critiqued by EH, and EH on TSE as dramatist, chorus copied for EH, Virginia Woolf's aspersions on, the form of its choruses, defended from obscurity, did not test TSE's plotting, book-sales to-date, $1,000 offered for American rights, pays for 1936 American trip, Italian and Hungarian rights sold, and Whiggery, Savile Club dinner to celebrate, compared to next play, discrepancies of Canterbury Text, Martin Browne's initial response to, TSE recognised as author of, TSE on its cheerful title, EH on, abandoned Mercury Theatre premiere, suggested by Yeats and Doone, in the offing, and Doone's response to first draft, EH requested at, imperilled, text copied for Yeats, 1935 Canterbury Festival production, in rehearsal, opening night, reception, final performance, and EH's response, 1935–6 Mercury Theatre revival, Martin Browne pushing for, in rehearsal, which EH attends, compared to Canterbury original, at the box-office, its 100th performance, still running, proposed tour to end, 1936 BBC radio version, BBC bid to produce, broadcast fixed, BBC memo on, in rehearsal, TSE on, abortive 1936 New York transfer, Dukes visits America to arrange, blighted by Brace's actions, quashed by Federal Theatre production, its usurper founders, deferred to autumn, unsolicited 1936 New York production, licensed by Brace, to be directed by Rice, seemingly withdrawn, Rice resigns from, delights EH and Eleanor Hinkley, TSE sent press-cuttings for, EH reports on, TSE speculates as to textual discrepancies, attended by Eleanor Roosevelt, extended and potentially expanded, TSE to the Transcript on, may predispose immigration authorities favourably in future, royalties from, 1936 University College, Dublin student production, described by TSE, rumoured Australian and American productions, 1936 Gate Theatre touring production, TSE's long-held wish, scheduled, 1936 touring production, due at the Arts Theatre, Cambridge, as it was played in Cambridge, 1936 America pirate production, 1937 Duchess Theatre West End transfer, date fixed for, announced in Times, dress-rehearsal attended, reception, reviewed, royalties, still playing, ticket sales pick up, coming to an end, receives royal visit, 1937 touring production, scheduled post-Duchess, beginning in Leeds, then Manchester, going strong, 1937 Harvard University production, 1937 Amherst College production, singled out for praise, 1937 Old Vic production, touring production arrived at, in rehearsal, 1937 Tewkesbury Drama Festival production, 1938 American tour, projected for January 1937, said date seconded by Dukes, deferred to September 1937, confirmed again by Dukes, pre-tour dates in Golders Green, then Liverpool, opening in Boston in January, over which EH is consulted, tour itinerary, Family Reunion keeps TSE from, preparatory re-rehearsal for, pre-crossing Liverpool dates, EH's judgement desired, EH reports on first night, reviewed in The Times, EH sends New York cuttings, prematurely transferred to New York, Dukes reports on, Westminster Cathedral Hall charity performance, 1940 Latham Mercury revival, revival suggested in rep with Family Reunion, wartime modern-dress production suggested, ambushes TSE, in rehearsal, first night, reviewed, Browne's wartime Pilgrim Players' adaptation, Hoellering film, Hoellering's initial approach made, Hoellering's vision for, TSE adapting for screen, reconnoitre of Canterbury for, casting Becket, recording made for, development process described to NYT, non-actor found for Becket, screenings of Groser, set-dressing, screening, approaching release, still in the edit, final screening, and Venice Film Festival, seeking distribution, soon to premiere, opens, initial reception, circulating in shortened version, 1945 Théâtre du Vieux Colombier production, compared to Martin Browne's, royalties, apparently a hit, reviewed, reaches 150 performances, Fluchère's involvement, 1946 German production, 1947 Edinburgh Festival production, 1948 Milton Academy production, 1949 broadcast, 1949 Berlin production, politically resonant, 1952 University of Rennes, Grand Théâtre abridgment, 1952 Théatre National Populaire production, 1953 Old Vic revival, waiting on Donat, TSE on, 1954 Harvard production,
Perkins, Dr John Carroll (EH's uncle), wished speedy recovery, Perkins household apparently restored, and TSE's King's Chapel address, at first Norton lecture, writes about second Norton lecture, supplied with tobacco, unused to intelligent opposition, suggests title for Murder, recommended Endless Adventure, TSE on, novelty birthday-present suggested for, comes by The Achievement of T. S. Eliot, once again preaching, his accent, his versus Eliot-family Unitarianism, reports on TSE from Aban Court, remarks on photograph of TSE, his Pastor Emeritus position endangered, starved of male company, more remote with age, donates Eliotana to Henry's collection, relations with Aunt Edith, ailing, altered with age, and Campden memories, sends photograph of EH portrait, on 1946 reunion with TSE, withdrawn, according to EH, honoured by bas-relief, celebrates 86th birthday, feared for, celebrates 87th birthday, thanks EH for her help, his final illness, dies, elegised by TSE, funeral, obituary and funeral, obituary, TSE receives old clothes of, Miss Lavorgna on, apparently communicated in Anglican churches, Annals of King's Chapel,
see also Perkinses, the

3.DrPerkins, Dr John Carroll (EH's uncle) John Carroll Perkins (1862–1950), Minister of King’s Chapel, Boston: see Biographical Register.