[No surviving envelope]
Your lettertravels, trips and plansEH's 1934–5 year in Europe;b4EH in Florence;c6 from Florence was very welcome, I assure you; but as I had written you a long letter last night to ROME, it means that I must sit down and write again to Florence. (I always seem to follow you to the wrong place at the wrong time). I shall not repeat what I put into that letter, exceptScripps College, Claremontdespite TSE forswearing;e3 that I hope I am wrong about the desirability of Scripps, because if you go there I shall never see you except when you come to Europe, whereas if you are really in the East there is a possibility that I may be excused for coming to see you on my next visit to America, which I am naturally postponing till after your return there. To understand this you will have to wait till you get my Rome letter.
Well, I hope that the voyage did you good – you say nothing about that, but I hope that when you get settled in Rome you will let me have some News of yourself – and that you are thoroughly enjoying Italy and Florence. AsItalyFlorence;b2TSE's prejudices against;a1 for my not wanting to visit that city – you are taking up a petulant remark which was meant to be passed over lightly – ILubbock, Lady Marjorie (née Cuffe)totem of expatriate decadence;a1 associateBerenson, Bernardtotem of expatriate decadence;a1 FlorenceActon, Sir Haroldtotem of expatriate decadence;a1 with a useless Anglo-American riffraff like Lady Sibyl Lubbock1 and Berenson2 and Harold Acton3 and idle worthless hangers on of Art, abdicated aristocrats and decayed bourgeoisie; not that one doesn’t have to scrutinise carefully all English and Americans who live abroad; andEnglandChipping Campden, Gloucestershire;e1likened to Florence;a4 after all Florence cannot stink of social decay any more than Chipping Campden; if my words were too heavy for just Florence, although it has too many good paintings and although Elizabeth Barrett Browning lived there, nevertheless my words did point towards something serious not yet clearly formulable to those who haven’t experienced the feelings themselves; and I do pay you a compliment in not sparing you from my more violent exasperations and my chief interest in the world is in the people who live in it rats and pigs as they may be and in trying to write plays about them and to excite them. If I can. YeatsYeats, William Butler ('W. B.')and abortive Mercury Theatre season;a7 cameMercury Theatre, LondonYeats proposes season at;a1 to lunch and is keen about organising in the Mercury Theatre whichDukes, Ashleydescribed by Yeats to TSE;a1 is run by one Ashley Dukes4 who (or so he says) is a man who makes money by writing bad plays and would like to spend some of it on producing good ones. HeAshton, Frederickto produce Yeats;a1 isde Valois, Ninetteto assist Ashton in Mercury Theatre season;a1 toDulac, Edmundto assist Ashton's production of Yeats;a1 be produced by a man named Ashton5 aided by Ninette de Valois6 and Dulac;7 andDoone, Rupertand Yeats's Mercury Theatre season;a9 heAuden, Wystan Hugh ('W. H.')and Yeats's Mercury Theatre plans;a6 wants to arrange for Auden and me to be produced by Doone in the same place. They want to open about Easter, and he wants to be sure of enough new plays by that time. IMurder in the Cathedralabandoned Mercury Theatre premiere;d6suggested by Yeats and Doone;a1 told him I felt sure Auden would be ready with his; and that I should like the complete version of my St. Thomas to be done – though it might not be possible to do it until after Canterbury.
ICanterbury Cathedral Festival, 1935unremunerative;a2 am not yet certain whether the Canterbury deal will go through; but the subject is so good that I may take it anyway; and Canterbury won’t bring me in any money, and money is the most important consideration.
There, that is about all. DinedSmyth, Revd CharlesTSE's ambitions for;a6 with Charles Smyth and his wife – he is a curate in Lennox Gardens now, but I want to make him a bishop in twenty years – and got home at 11.15; andBrowne, Elliott Martin1935 Canterbury Murder in the Cathedral;a5approached by TSE to 'produce';a1 now must go to bed and get up early to pack to go to Brighton on the Brighton Belle to stay with Martin Browne at Rottingdean.
Please don’t think I want to dampen your enjoyment of Florence – I should enjoy it as much as you if I was suddenly taken there.
IHale, Philipdies;a2 had not heard of your uncle’s death knowing nothing of him, except his public works and reputation.8 I do not know, from what you say, whether to be glad or sorry; but I know that the death of a near relative, when one has not many, is always saddening. I feel that one should accept death calmly but not wish for it. ButBirrell, Franciswishes for death;a5 Francis Birrell cannot be blamed for wishing for it (see Rome letter).
1.LadyLubbock, Lady Marjorie (née Cuffe) Marjorie Cuffe (1879–1943) was married first to William Bayard Cutting (1878–1910), by whom she had one daughter, the writer Iris Origo (1902–88). Her second husband was Geoffrey Scott (1884–1929), an architectural historian who worked as secretary to Bernard Berenson. Her third and final husband was Percy Lubbock (1879–1965).
2.BernardBerenson, Bernard Berenson (1865–1959), American art critic, connoisseur and collector, born in Lithuania and educated at Harvard. An expert on Renaissance art and a knowledgeable and influential adviser to the worlds of art dealership and gallery acquisition, he lived for most of his life at ‘I Tatti’, a splendid villa just outside Florence. His works include The Venetian Painters of the Renaissance (1894); The Drawings of the Florentine Painters (1938); Aesthetics and History in the Visual Arts (1948); Italian Painters of the Renaissance (1952).
3.HaroldActon, Sir Harold Acton (1904–94), British historian, writer, poetaster and aesthete; son of a successful British art dealer and an American heiress; was educated at Eton College (where contemporaries included Cyril Connolly, Robert Byron, Ian Fleming, Anthony Powell, Steven Runciman, and Henry York (the novelist Henry Green) and at Christ Church, Oxford, where he was a friend of Evelyn Waugh. He lived for some time in Paris and in Beijing, and for many years at his childhood home, ‘La Pietra’ (just outside Florence). His writings include Peonies and Ponies (verse, 1941); Memoirs of an Aesthete (1948); The Bourbons of Naples (1734–1825) (1956); Nancy Mitford: A Memoir (1975); and The Last Medici (F&F, 1932).
4.AshleyDukes, Ashley Dukes (1885–1959), theatre manager, playwright, critic, translator, adapter, author; from 1933, owner of the Mercury Theatre, London: see Biographical Register.
5.FrederickAshton, Frederick Ashton (1904–88), British ballet dancer and choreographer; trained by Léonide Massine and Marie Rambert, he was chief choreographer for Ninette de Valois at the Vic-Wells Ballet, Sadler’s Wells and the Royal Ballet. Works include Façade (1931), Symphonic Variations (1946) and Enigma Variations (1968). Knighted in 1962; CH, 1970; OM, 1977.
6.Ninettede Valois, Ninette de Valois (1898–2001), Irish-born British dancer and choreographer; soloist in the early 1920s with Serge Diaghilev’s Ballets Russes. In 1931 she founded, in association with Lilian Baylis, the Vic-Wells Ballet Company and the Sadler’s Wells School: the company was to become the Royal Ballet in 1956. Her publications include Invitation to the Ballet (1937); Come Dance with Me (1957). Created DBE in 1951; CH, 1980.
7.EdmundDulac, Edmund Dulac (1882–1953), French-born British book and magazine illustrator; designer.
8.EH’s uncle, the celebrated Boston music critic Philip Hale, had died on 30 Nov. 1934.
3.HaroldActon, Sir Harold Acton (1904–94), British historian, writer, poetaster and aesthete; son of a successful British art dealer and an American heiress; was educated at Eton College (where contemporaries included Cyril Connolly, Robert Byron, Ian Fleming, Anthony Powell, Steven Runciman, and Henry York (the novelist Henry Green) and at Christ Church, Oxford, where he was a friend of Evelyn Waugh. He lived for some time in Paris and in Beijing, and for many years at his childhood home, ‘La Pietra’ (just outside Florence). His writings include Peonies and Ponies (verse, 1941); Memoirs of an Aesthete (1948); The Bourbons of Naples (1734–1825) (1956); Nancy Mitford: A Memoir (1975); and The Last Medici (F&F, 1932).
5.FrederickAshton, Frederick Ashton (1904–88), British ballet dancer and choreographer; trained by Léonide Massine and Marie Rambert, he was chief choreographer for Ninette de Valois at the Vic-Wells Ballet, Sadler’s Wells and the Royal Ballet. Works include Façade (1931), Symphonic Variations (1946) and Enigma Variations (1968). Knighted in 1962; CH, 1970; OM, 1977.
10.W. H. AudenAuden, Wystan Hugh ('W. H.') (1907–73), poet, playwright, librettist, translator, essayist, editor: see Biographical Register.
2.BernardBerenson, Bernard Berenson (1865–1959), American art critic, connoisseur and collector, born in Lithuania and educated at Harvard. An expert on Renaissance art and a knowledgeable and influential adviser to the worlds of art dealership and gallery acquisition, he lived for most of his life at ‘I Tatti’, a splendid villa just outside Florence. His works include The Venetian Painters of the Renaissance (1894); The Drawings of the Florentine Painters (1938); Aesthetics and History in the Visual Arts (1948); Italian Painters of the Renaissance (1952).
4.FrancisBirrell, Francis Birrell (1889–1935), critic; owner with David Garnett of a Bloomsbury bookshop. He wrote for New Statesman and Nation, and published two biographies: his life of Gladstone came out in 1933.
4.E. MartinBrowne, Elliott Martin Browne (1900–80), English director and producer, was to direct the first production of Murder in the Cathedral: see Biographical Register.
6.Ninettede Valois, Ninette de Valois (1898–2001), Irish-born British dancer and choreographer; soloist in the early 1920s with Serge Diaghilev’s Ballets Russes. In 1931 she founded, in association with Lilian Baylis, the Vic-Wells Ballet Company and the Sadler’s Wells School: the company was to become the Royal Ballet in 1956. Her publications include Invitation to the Ballet (1937); Come Dance with Me (1957). Created DBE in 1951; CH, 1980.
2.RupertDoone, Rupert Doone (1903–66), dancer, choreographer and producer, founded the Group Theatre, London, in 1932: see Biographical Register.
4.AshleyDukes, Ashley Dukes (1885–1959), theatre manager, playwright, critic, translator, adapter, author; from 1933, owner of the Mercury Theatre, London: see Biographical Register.
7.EdmundDulac, Edmund Dulac (1882–1953), French-born British book and magazine illustrator; designer.
6.PhilipHale, Philip Hale (1854–1934), journalist, celebrated as the prolific and influential music critic of the Boston Herald, 1903–33, who also wrote a multitude of programme notes for the Boston Symphony Orchestra, 1901–34: see Jon Ceander Mitchell, Trans-Atlantic Passages: Philip Hale on the Boston Symphony Orchestra 1889–1933 (New York, 2014).
1.LadyLubbock, Lady Marjorie (née Cuffe) Marjorie Cuffe (1879–1943) was married first to William Bayard Cutting (1878–1910), by whom she had one daughter, the writer Iris Origo (1902–88). Her second husband was Geoffrey Scott (1884–1929), an architectural historian who worked as secretary to Bernard Berenson. Her third and final husband was Percy Lubbock (1879–1965).
9.RevdSmyth, Revd Charles Charles Smyth (1903–87), ecclesiastical historian; Fellow of Corpus Christi College, Cambridge: see Biographical Register.
4.W. B. YeatsYeats, William Butler ('W. B.') (1865–1939), Irish poet and playwright: see Biographical Register.