[35A School St., Andover, Mass.]
I have not written for some little time, but I have no recent news from you either. I hope that by now you have settled your summer plans: I am sorry that you should be staying in Andover through July; and I trust that you made at least provisional reservations for August and late September, before letting your house definitely. I do hope that the good person will stay on with your aunt at least through the summer – and I hope you will not be spending most of your time in July at Commonwealth Avenue. IPerkins, Edith (EH's aunt);n4 did write to Aunt Edith, by the way, a week or two ago.
I have no news of myself, except that my doctor is satisfied with my progress. MarianEliot, Marion Cushing (TSE's sister)1954 trip to England with Dodo;h5;a1 and TheodoraSmith, Theodora ('Dodo') Eliot (TSE's niece)1954 visit to England;d7;a1 arrive tomorrow. I shall be greatly relieved if I find that the flight was no great strain: but if it was unpleasant for her I shall be anxious all summer about the return flight – and that will much abate the satisfaction of having her here. WeTennyson, Alfred, 1st BaronTSE's pilgrimage to Farringford;a5 go to Farringford1 on either the 1st or the 5th July, whichever suits her and Theodora best (Theodora is supposed to be going to Norway for that period of three weeks). I think they are here until the end of August – nottravels, trips and plansTSE's 1954 Geneva rest cure;i5;a2 all of August in London, and when they leave I propose to get a week with the Clements in Geneva.
As you may suppose, I have had no public or social engagements (by social meaning parties of more than one or two people) and of course have dined out only on my housekeeper’s two evenings a week out. I have just been to the oculist, and have to have all new lenses after only seven months of the last set. One of my eyes seems to have got stronger, and I need not be dependent upon distance lenses now.
SherekSherek, Henrytakes Confidential Clerk to Paris;b7 has advertised that heConfidential Clerk, The1954 Paris International Theatre Festival production;b5;a1 is taking the Clerk to the newly instituted Paris International Theatre Festival,2 but goodness knows how he is to assemble a company in the time. His notion was that he could get good people with the inducement of a week’s engagement in Paris, but that he would book them for a provincial tour in England as well.
TheThorndike, SybilTSE apologises to;a6 50th anniversary of Sybil Thorndike’s stage career has been celebrated – IGarrick Club, Londonhosts supper honouring Sybil Thorndike;a9 have had an exchange of letters with her for the reason that I wanted to apologise and explain my absence from a supper in her honour at the Garrick Club, of which I was one of the promotors – Also apologised on discovering that in speaking of her in an essay in ‘The Sacred Wood’ thirty-five years ago I had spelt her name wrong, and nobody had ever corrected it.3 (I didn’t put it quite as badly as that!)
1.Farringford House, Freshwater Bay, Isle of Wight: home to Alfred Tennyson, 1853–92.
2.See ‘British Play For The Paris Festival’, The Times, 14 June 1954, 5. Sherek undertook to present a production of The Confidential Clerk at the Théâtre Sarah-Bernhardt, 19–23 July. The full festival, running from 10 June to 24 July, was to include contributions by companies from Italy, Norway, Denmark, Yugoslavia, Ireland, Germany, Spain, Belgium, Poland, Britain, Israel and Spain; and various French companies, including the Comédie Française, were to mount special performances of a Molière programme including L’Impromptu de Versailles and George Dandin, as well as Pirandello’s Six Characters in Search of an Author.
3.TSEThorndike, Sybilpraised in The Sacred Wood;a7n spelt the surname ‘Thorndyke’ in his review-essay ‘Euripides and Professor Murray’, The Sacred Wood (1920); first published as ‘Euripides and Gilbert Murray: A Performance at the Holborn Empire’, Arts & Letters 3 (Spring 1920), 36–8: CProse 2, 195–201.
The ‘performance’ was Thorndike’s appearance in Murray’s translation of Euripides’ Medea, which TSE eagerly applauded: ‘To have held the centre of the stage for two hours in a role which requires both extreme violence and restraint, a role which requires simple force and subtle variation; to have sustained so difficult a role almost without support; this was a legitimate success. The audience, or what could be seen of it from one of the cheaper seats, was serious and respectful and perhaps inclined to self-approval at having attended the performance of a Greek play; but Miss Thorndyke’s acting might have held almost any audience. It employed all the conventions, the theatricalities, of the modern stage; yet her personality triumphed over not only Professor Murray’s verse but her own training.’
1.Marian/MarionEliot, Marion Cushing (TSE's sister) Cushing Eliot (1877–1964), fourth child of Henry Ware Eliot and Charlotte Eliot: see Biographical Register.
4.HenrySherek, Henry Sherek (1900–1967), theatre producer: see Biographical Register.
2.TheodoraSmith, Theodora ('Dodo') Eliot (TSE's niece) Eliot Smith (1904–92) – ‘Dodo’ – daughter of George Lawrence and Charlotte E. Smith: see Biographical Register. Theodora’sSmith, Charlotte ('Chardy') Stearns (TSE's niece) sister was Charlotte Stearns Smith (b. 1911), known as ‘Chardy’.
9.SybilThorndike, Sybil Thorndike (1882–1976): acclaimed British actor of stage and screen, she was a dominant presence in productions of Shakespeare and the Classics – arguably the greatest tragedienne of the twentieth century. George Bernard Shaw felt such a regard for her talent that he wrote Saint Joan (1924) specifically for her. In 1938–9 there were discussions with a view to staging the premiere of The Family Reunion, to be directed by John Gielgud (who was eager to play the hero, the tormented Harry), with Thorndike as Agatha. But Thorndike is reported to have advised Gielgud, ‘You know, Eliot’s not going to let you have his play – he says you have no faith.’ In Peter Brooks’s revival of the play at the Phoenix Theatre, London, in June 1956, she was the matriarch Amy (with Paul Scofield as Harry). Thorndike to TSE, 8 June 1956: ‘My ambition is fulfilled – to be in one of your plays …’ Created a Dame of the British Empire in 1931, in 1970 she was appointed as a Companion of Honour.