[35A School St., Andover, Mass.]
I was glad to get your letter of November 3, announcing the receipt of my cable.1 I had intended to follow up the cable with a letter. But I had lost two weeks of October through being sent to the Clinic for treatment for athlete’s foot, and was in confusion of arrears. That seems to be cured for some time to come, at least, and also I feel cheered to be told by my present doctor that a recurrent discomfort and pain, which I have had every few weeks for the last five years, and had understood just had to put up with, had been wrongly diagnosed by the specialist to whom I had then been taken, and that it can be dealt with. If the treatment doesn’t do it, there is a small operation possible; but he prefers treatment. On the other hand I am having somewhat to ‘favour’ my eyes at the moment, until I get some new spectacles: as it is the lenses that help one eye, make the other still more blurred, so that whether I have my reading glasses on or not, one eye is doing all the work.
NoEliot, Theresa Garrett (TSE's sister-in-law)custodian of Henry's collection;g9, the postal card of Hamburg was not meant to keep; but I am fearful of Theresa putting too much junk into the Collection. There is too much already, and anything she gets her hands on goes in, so I no longer send her small items of the sort that do to amuse a few people who know one well and then should be destroyed.
DidWorth, Irenein The Queen and the Rebels;a9 IBetti, UgoThe Queen and the Rebels;a1 tell you what a good job Irene Worth made of Ugo Betti’s play (now at the Haymarket) ‘The Queen and the Rebels’?2 It’s too difficult a part for young amateurs, I fear, but the play is very interesting.
I was very happy to hear about your birthday celebrations and friends’ reminders of themselves on that day. AsHale, Emilyasks TSE for occasional poem;t6 for the poem, my dear! YesBurnt Norton'about' EH;b4, I remember very well indeed your previous wish – and I must confess that at the time I was a little hurt – because it seems to me that the poems among my published work in which you are involved, are so much more serious a tribute than anything that could be done as vers d’occasion that I thought, well, for Emily I am a good prose writer but of no great interest as a poet. Perhaps that was an exaggeration.
The weather here still mild and an unusual number of sunny days, for London and for the time of year. I hope that your winter too will be postponed as long as ever it is.
1.Cable not found.
2.Ugo Betti’s The Queen and the Rebels (1949), in a translation by Henry Reed, was staged by the Midland Theatre Company at the College Theatre, Coventry, in Mar. 1955. The production, directed by Frank Hauser, was transferred by Henry Sherek to the Haymarket Theatre, Haymarket, London, 26 Oct. 1955–14 Jan. 1956. Irene Worth was the leading actor of the acclaimed production, which also featured Leo McKern and Patrick Magee.
6.IreneWorth, Irene Worth (1916–2002), hugely talented American stage and screen actor, was to progress from TSE’s play to international stardom on stage and screen. She joined the Old Vic company in 1951, as a leading actor under Tyrone Guthrie; and in 1953 she appeared at the Shakespeare Festival in Stratford, Ontario, where her appearances included a further partnership with Alec Guinness (Hotel Paradiso). In 1962 she joined the Royal Shakespeare Company at the Aldwych Theatre, London, where her roles included a remorseless Goneril to Paul Scofield’s Lear in Peter Brook’s production of King Lear. In 1968 she played a dynamic Jocasta in Brook’s production of Seneca’s Oedipus (trans. Ted Hughes) – featuring a huge golden phallus – alongside John Gielgud. Numerous acting awards fell to her remarkable work: a BAFTA, and three Tony Awards including the award for Best Actress in a Play for Tiny Alice (1965), and yet another Tony for Best Featured Actress in Lost in Yonkers (1991).