[35A School St., Andover, Mass.]
I have written no letters for a fortnight, as I have been again in the Clinic, but this time for – athlete’s foot! LetBartók, PéterTSE records poems for;a1 me begin the story on the Monday on which I recorded some poems for Mr. Bartok (son of the composer)1 forAiken, Conrad;a3 anMoore, Marianne;a6 American firm named ‘Caedmon’ which is highly recommended by Conrad Aiken and Marianne Moore for verse recordings.2 ThisHoellering, George M.;c4 took place in George Hoellering’s film studio, which is, as you know, a disused church in Avenue Road St. John’s Wood. The day was fine and warm, but the studio was cold and damp. If I had been able to rest at once I should have got over it; butMirrlees, Hope;d7 I had two dinner engagements, on Tuesday and Thursday, withBelgion, Montgomery;c9 Montgomery Belgion & Hope Mirrlees respectively, another recording appointment on the Wednesday, and a television appointment on the Thursday. SoFabers, the;j1 when I saw my doctor (a regular appointment, not because of the cold) on Friday, he said I should go to bed instead of going to the Fabers for the week end. NowMme Amery;a7 the19 Carlyle Mansions, Londonredecorated;b5 bathroom at Carlyle Mansions was having some repairs, Madame’s bedroom was being redecorated (badly needed, but against her protests, because she dislikes the smell of paint and says she won’t be able to sleep there for two months[,] the place was in confusion with paintpots, cloths, testles [sc. trestles], and the usual coming and going of men in long white coats, so I went to a Clinic. And as I was there, my cotor [sc. doctor] seized the opportunity of giving me intensive treatment for this athlete’s foot, which I contracted 21 months ago at a chiropodist’s (which means that one cannot be too careful about chiropodists – you are warned) and which had responded to ordinary treatment up to a point, but had returned worse than ever this summer. And that took two weeks! And the cortisone (I don’t remember how to spell it – it’s not in the dictionary) produced a boil on one toe, and then that had to be treated. However, here I am again with clean feet: but an uneventful life for the past two weeks.
TelevisionMcKnight Kauffer, Edwardwhich involves television appearance;a8 is unpleasant, I would never have done it for any reason but a sense of duty. But I was to open this Kauffer exhibition; and they begged me to do a short (5 minute) chat about Kauffer in this medium, beforehand, as they said that it would bring three times as many people to the exhibition. It’s far worse than broadcasting, first, because you have to think of your expression of face, as on the stage; and second, because you have to memorise (as on the stage). Fortunately, this one was filmed, in order to be presented some days later: so that I was able to memorise each paragraph one at a time, and they put the bits of film together afterwards. If I had had to memorise all at once it would have been indeed an ordeal. One point that was rather amusing: when I had got through very successful [sic], as I thought, the man said ‘Mr. Eliot, would you mind – I’m afraid I shall have to ask you to take the last paragraph again: when you got to the last sentence, your face began to show such evident relief.’3
I was on [sc. in] the Clinic on the day the exhibition opened: but they sent a man with a recording machine and I made my opening speech onto the tape! I gather that the speech went down very well (I began by saying ‘this is my first experience of opening an exhibition in my own absence’) but I haven’t yet seen the exhibition.
Well, this is all I have to say about myself. ICrane, Mary Hinckley;a1 was happy to hear from you that Mrs. Crane4 is handling her job well. It must be much more pleasant for you in that respect. CuriousHearsey, Dr Marguerite Capen;a5 that Miss Hersey [sc. Hearsey] should immediately be dropped into oblivion! But it’s only when the successor is unpopular that the late Head is venerated; and the less popular the new one is, the more the late one is idolised. WhenApthorp, Harrison Otis;a1 I was at Milton, everyone said what a wonderful Headmaster Mr. Apthorp had been. PoorCobb, Richardas TSE's Milton headmaster;a1 Richard Cobb!5
IPerkins, Edith (EH's aunt);o2 will write to Aunt Edith soon.
MyTalcott, Priscilla Stearnsspeaks of 'dates';a4 grandniece is a very odd girl: I can’t make her out. And do well-bred young women nowadays refer to young men as dates? It sounds so very vulgar.
I hope I may soon have more news of the way this term is developing for you.
1.PéterBartók, Péter Bartók (1924–2020) – son of the Hungarian composer Béla Bartók – was a recording and sound engineer.
2.Caedmon Records was set up in New York City in 1952 by Barbara Ann Cohen (later Holdridge) and her college friend Marianne Roney (later Mantell): their hugely successful enterprise started with the recording of Dylan Thomas reading his story ‘A Child’s Christmas in Wales’, at Steinway Hall in Feb. 1952. Other authors they recorded over the years included Thomas Mann, E. E. Cummings, Ernest Hemingway and Marianne Moore.
3.See further headnote to ‘Address at the E. McKnight Kauffer Memorial Exhibition’, CProse 8, 101–3.
4.MaryCrane, Mary Hinckley Hinckley Crane (Mrs Alexander): Headmistress of Abbot Academy, 1955–66.
5.RichardCobb, Richard Cobb was Head of Milton Academy, 1904–10. HisApthorp, Harrison Otis immediate predecessor was Harrison Otis Apthorp (1857–1905), Head of Milton, 1887–1904.
1.ConradAiken, Conrad Aiken (1889–1973), American poet and critic: see Biographical Register.
5.RichardCobb, Richard Cobb was Head of Milton Academy, 1904–10. HisApthorp, Harrison Otis immediate predecessor was Harrison Otis Apthorp (1857–1905), Head of Milton, 1887–1904.
1.PéterBartók, Péter Bartók (1924–2020) – son of the Hungarian composer Béla Bartók – was a recording and sound engineer.
4.MontgomeryBelgion, Montgomery (‘Monty’) Belgion (1892–1973), author and journalist: see Biographical Register.
5.RichardCobb, Richard Cobb was Head of Milton Academy, 1904–10. HisApthorp, Harrison Otis immediate predecessor was Harrison Otis Apthorp (1857–1905), Head of Milton, 1887–1904.
4.MaryCrane, Mary Hinckley Hinckley Crane (Mrs Alexander): Headmistress of Abbot Academy, 1955–66.
1.DrHearsey, Dr Marguerite Capen Marguerite Capen Hearsey (1893–1990) was 14th Principal of Abbot Academy, Andover, Massachusetts, 1936–55. Educated at Hollins College, Roanoke, Virginia, and at Radcliffe College, she taught French and English at Georgetown College in Kentucky; and English at both Bryn Mawr College, Pennsylvania, and Wellesley College, 1924–5, 1927–9. In 1929 she earned a PhD at Yale, where she was a Sterling Fellow and specialised in Elizabethan literature; she studied too at the Sorbonne. Before moving on to Andover, she taught at Hollins, 1929–36. She served, too, as President of the National Association of Principals of Schools for Girls.
3.GeorgeHoellering, George M. M. Hoellering (1898–1980), Austrian-born filmmaker and cinema manager: see Biographical Register.
2.EdwardMcKnight Kauffer, Edward McKnight Kauffer (1890–1954), American artist and illustrator: see Biographical Register. His partner was Marion Dorn (1896–1964), textile designer.
2.HopeMirrlees, Hope Mirrlees (1887–1978), British poet, novelist, translator and biographer, was to become a close friend of TSE: see Biographical Register.
1.MadameMme Amery Amery: housekeeper at 19 Carlyle Mansions, Chelsea.
6.MarianneMoore, Marianne Moore (1887–1972) contributed to The Egoist from 1915. She went on to become in 1925 acting editor of The Dial, editor, 1927–9, and an influential modern poet. Eliot found her ‘an extremely intelligent person, very shy … One of the most observant people I have ever met.’ Writing to her on 3 April 1921, he said her verse interested him ‘more than that of anyone now writing in America’. And in his introduction to Selected Poems (1935), which he brought out from Faber & Faber, he stated that her ‘poems form part of the small body of durable poetry written in our time’. TSE told Marion Dorn, 3 Jan. 1944, that he met Marianne Moore ‘once … in New York, but I took a great fancy to her: she and Bunny Wilson were the two people I liked best of those whom I met in New York in 1933. She is a very unusual person, as well as a good poet.’