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To-dayJames, HenryThe Aspern Papers;b3taught in English 26;a2 IJames, HenryThe Turn of the Screw;b5taught in English 26;a2 have been busy – mostlyConrad, JosephThe Heart of Darkness;a1 with The Aspern Papers and with The Turn of the Screw and Conrad’s Heart of Darkness; to try to give a good lecture tomorrow morning. The Aspern Papers is not so difficult; thoughJames, HenryThe Aspern Papers;b3and 'Burbank with a Baedeker';a3 I can’t expect these boys to get the intensity that I get and have got (I'Burbank with a Baedeker: Bleistein with a Cigar'and The Aspern Papers;a1 shall try to explain how, as a mathematical problem, Burbank with a Baedeker issues out of the Aspern Papers in its way): this quite apart from the personal and private significance which The Aspern Papers has come to have for me: but I was fascinated by it long before that. ThePrichard, MatthewTSE's formative experience with;a3 collocation of Heart of Darkness andJames, HenryThe Turn of the Screw;b5reminds TSE of Prichard;a1 The Turn of the Screw set me pondering on Matt Prichard again. I don’t think I have ever quite told you about Matt Prichard. IFranceParis;b7TSE's 1910–11 year in;a1 came across him at a most susceptible period: when I went to Paris in 1910. He was perhaps the only Evil influence that I have ever known; though I have known quite enough of Bad: I have known others, of both sexes, who wanted my body, and that is vile enough <when, I might add, they are people towards whom one feels spiritual aversion. The only shameful thing is that all this left me still so terribly, tragically (for I can regard it as if another person) immature.>;1 but I don’t think I have ever known anybody who wanted my Soul like Matt Prichard. He was, I believe, a restrained and almost ascetic pervert: he had conquered the body, but not the soul. He wanted to dominate, to possess, a young man as no one I have ever known has wanted to possess a young man’s soul. AndChristianityhell;b8TSE's 1910 vision of;a1 then there were, I estimate, about twenty seconds when I was alone in my room in a Paris boarding house, when I just was sure that I had gone over the edge: and I had a vision of hell which I must believe few people ever get: I just hung on, but thinking that I was completely gone, blown to pieces. It was going back about fifty thousand years in evolution, and down into the uttermost abyss. AndFrancethe South;b9Limoges in 1910;a2 the odd thing is that after that, at Christmas 1910, I went with this man for a fortnight’s tour of southern France; and I didn’t mind; it was all over, the struggle, for me; something had won. I think that he got his revelation during the tour: one night in Limoges, when I heard him moving about in the next room.2 The reality, the absurdity, of the expedition, was provided by his brother who accompanied us: the brother was a most conventional Colonel, who became a General later, a typical British Army Officer, good as gold. TheyGardner, Isabella Stewartfriend to Matt Prichard;a3 were an excellent county family in Wales. And Matt had been Director of the Boston Art Museum and a friend of Mrs. Jack Gardner; and the drawings he made of romanesque details of architecture in southern France and Italy were wonderful. He was a great man, in his way, and I have never seen him since Munich 1911.
ISpencer, TheodoreTSE shares homosexual experiences with;b5 don’t know however why I should have told Theodore Spencer about this, this morning; without mentioning names, to be sure. Perhaps, it was because I remembered a man who had meant so much to me in my youth; and I thought, here is a young man who is terribly susceptible to my influence and perhaps slightly more homosexual than the ‘normal’, but with a wife and child; and damn it when you have somebody under your influence that person is at least as much under your bad and good influence – you can affect them quite as easily through vanity, snobism [sc. snobbism] and bad motives as through good: and that frightful responsibility I have taken upon myself, and there’s his wife and son too. But do you, I wonder, grasp the compliment of my drivelling on to you in this way instead of talking sense? That is perhaps the one thing that matters. The compliment, if it be a compliment, and not merely an impertinence, is deserved.3
1.Insert written by hand in the margin.
2.‘Gerontion’:
In depraved May, dogwood and chestnut, flowering judas,
To be eaten, to be divided, to be drunk
Among whispers; by Mr Silvero
With caressing hands, at Limoges
Who walked all night in the next room …
3.Sentence added by hand.
9.IsabellaGardner, Isabella Stewart Stewart Gardner (1840–1924), socialite, art collector, philanthropist; friend of artists and writers including John Singer Sargent, James McNeill Whistler and Henry James; wife of John Lowell Gardner II (1837–98), businessman and patron of the arts. Founder of the Isabella Stewart Gardner Museum, Boston (modelled after a Venetian palazzo), which opened in 1903. TSE came to know her well enough to exchange a few letters with her, written from England in 1915–17: see Letters 1, 100–3.
1.MatthewPrichard, Matthew Prichard (1865–1936), charismatic English aesthete who had served as Assistant Director of the Boston Museum of Fine Arts, 1904–7, where he met the collector Isabella Stewart Gardner, the artist and curator Okakura Kakuzo (1862–1913), and the critic Roger Fry (who was then working at the Metropolitan Museum of Art, New York). A devotee of Henri Bergson, Prichard advocated a non-representational theory of aesthetics; and while living in Paris in 1908–14 introduced Henri Matisse to Byzantine art. TSE fell under the influence of Prichard after being introduced to him by his brother Henry. From 1918 until his death on 15 Oct. 1936, Prichard lived in London, where he attracted a group of staunch admirers at the Gargoyle Club (including John Pope-Hennessy and the club’s owner).
2.TheodoreSpencer, Theodore Spencer (1902–48), writer, poet and critic, taught at Harvard, 1927–49: see Biographical Register.