[1418 East 63d St., Seattle]

T. S.Eliot
EmilyHale
TS
Faber & Faber Ltd
6 August 1931
MyHuxley, AldousThe World of Light;b9EH reads and comments on;a4 Emily,

ICocteau, JeanOrphée;a7 was much interested by your comments on ‘Orphée’ and ‘The World of Light’. It is of course easier for you to grasp a play from reading, than it is for me. I agree that there are, in acting, one or two tedious passages in Orphée (it was admirably done by the Pitoieff players in Paris).1 ButCocteau, JeanTSE on;a1 I think there is real beauty in the play. I doubt if Jean will ever do anything better. He is a rather pathetic figure; he has always been the brilliant young man, although I suspect he is older than I.2 Vanity, and the futile pursuit of a sincerity which he never quite attains, are his characteristics. He is in fact a very amusing talker, or rather monologuer; but he is so anxious to impress with his conversational brilliance that he becomes very fatiguing – one feels that he is making such a great effort to impress that it is very exhausting to listen to him. He is decidedly histrionic – someCocteau, Jeanhis conversion to Catholicism;a2 years ago, heMaritain, Jacquesresponsible for Cocteau's reconversion;a2 was sensationally ‘reconverted’ to Catholicism by Jacques Maritain, made retreats and so on, and it was a nine days wonder; but of course he relapsed later into opium smoking and I fear other vices; and I doubt whether he will ever accomplish anything substantial.

‘TheHuxley, AldousThe World of Light;b9TSE reflects on;a5 World of Light’ was very unpleasant to me, all the more because it was very well acted. It is all very well, I feel, to try to strip the masks of hypocrisy off of humanity, and see mankind as it is; but Aldous goes just too far; and the moment one feels that an author is deliberately selecting the baser elements, he becomes tedious, and indeed the less an artist. I wonder still whether he meant the character of the heroine to be as repellent as I found it – I had a suspicion that she was intended to be rather an admirable person. When I wrote to him I assumed that she was meant to be as bad as the rest (the father is the only respectable person in the play) – but he never answered.3 But I suggested that this was due to her Protestant upbringing, evidenced by her quoting the Apostles’ Creed instead of the Nicene Creed;4 and perhaps that did not please him. AldousHuxley, AldousTSE pronounces on;a5 has everything except genius – a great capacity of assimilating ideas, and none whatever for inventing any; and his knowledge of the world is drawn from a limited society – many figures in his novels are perfectly recognisable – I once figured in a very minor rôle – as a person who liked living in boarding houses (which I do) and kept a diary5 (which I don’t – but no doubt he knew somebody else who did keep a diary, for he would never have thought of it himself).

HaroldPeters, Haroldin London;a1 Peters6 has been about London, and although he is a little tiring, and requires an effort of adjustment, I am very happy to see him; and he is a good and kind man, with a certain immaturity of experience. TheHinkleys, the;b1 Hinkleys have been and gone but are returning for another week. MySmith, Charlotte ('Chardy') Stearns (TSE's niece)TSE's quasi-paternal affection for;a3 niecesSmith, Theodora ('Dodo') Eliot (TSE's niece)TSE's almost fatherly affection for;a4 have gone to Cambridge and will not return. I wish that I might see more of them, but I always feel a little baffled with them; perhaps I am not yet quite old enough to know how to deal with young girls; and I feel towards them something of the affection I should like to have given to children of my own, but am too shy to express it very well. Otherwise, sitting here always in London, with people coming and going, gives an effect of unreality to most visitors: they are real while they are here, and fade in unreality again.

Now I have found that when time compels me to stop writing, it is more satisfactory to me to post the letter at once; and start again another day. I wish that I might write and post a little letter every night, if just to wish good night to my dove every night.

Tom

1.Georges Pitoëff (1884–1939), Russian-born theatre director and producer. See Letters 3, 444.

2.Cocteau was younger than TSE by ten months: born on 5 July 1889.

3.TSE’s letter to Huxley not found.

4.‘He seemed so utterably [sic] dead and gone. And yet I ought to have had faith. I believe in the resurrection of the body and the life everlasting. Haven’t I been repeating that Sunday after Sunday, all my life? …’ (The World of Light: A Comedy in Three Acts [1931], II: ii, 47).

5.InHuxley, AldousThose Barren Leaves;c1;a1n Those Barren Leaves (1925), a poet, Francis Chelifer – ‘Quite the little poet’ (he likens himself to Keats, but is given to ‘alembicated’ verse) – passes his days between Gog’s Court in the City of London and Miss Carruther’s boarding-house in Chelsea. Extracts from his diary are given and he has a brief, romantically disillusioning affair with one Barbara Waters (a ‘tangible’ young woman whom he idealises), while based during the war at Bolo House. He works as editor of ‘The Rabbit Fanciers’ Gazette’, and has a ‘Sphingine smile’ (perhaps not unlike TSE).

The novel includes this parody of TSE’s early satirical verses such as ‘The Hippopotamus’:

The Holy Ghost comes sliding down

On Ilford, Golders Green and Penge.

His hosts infect him as they rot;

The victims take their just revenge.

For if of old the sons of squires

And livery stable keepers turned

To flowers and hope, to Greece and God,

We in our later age have learned

That we are native where we walk

Through the dim streets of Camden Town.

But hopeful still through twice-breathed air

The Holy Ghost comes shining down.

In Part II of the novel, ‘Autobiography of Francis Chelifer’, the eponym’s reflections include a citation of the phrase ‘defunctive music’ that TSE took from ‘The Phoenix and the Turtle’ and put to use in ‘Burbank with a Baedeker: Bleistein with a Cigar’: ‘How does it come about that a commonplace thought embodied by a poet in some abracadabrical form seems bottomlessly profound, while a positively false and stupid notion may be made by its expression to seem true? Frankly, I don’t know. And what is more, I have never found any one who could give an answer to the riddle. What is it that makes the two words “defunctive music” as moving as that dead march out of the Eroica and the close of Coriolan?’

6.HaroldPeters, Harold Peters (1888–1943), close friend of TSE at Harvard, 1906–9. After graduation, he worked in real estate, and saw active service in the Massachusetts Naval Militia during WW1, and on leaving the navy he spent most of the rest of his life at sea. Leon M. Little, ‘Eliot: A Reminiscence’, Harvard Advocate, 100: 3.4 (Fall 1966), 33: ‘[TSE’sPeters, Haroldas TSE's quondam sailing companion;a2n] really closest friend was Harold Peters, and they were an odd but a very interesting pair. Peters and Eliot spent happy hours sailing together, sometimes in thick fog, off the Dry Salvages. In 1932 Peters sailed round the world for two years as skipper of an 85-foot auxiliary schooner, Pilgrim, having previously participated in the transatlantic race from Newport to Plymouth, and in the Fastnet Race. In 1943 he died after falling from a motor-boat that was in process of being hoisted into a dry dock at Marblehead.

Peters wrote of himself in the 25th Anniversary Report of Harvard Class of 1910 (Cambridge, Mass., 1935), 596: ‘I am now what is technically known as “on the beach”.’

Rear Admiral Samuel E. Morison (sailor and historian, and TSE’s cousin) said of Peters (whom he had known slightly) in a letter to TSE of 27 Aug. 1964: ‘He was one of the best amateur sailors on the N.E. coast.’ Corresponding in the last months of his life with Morison about the meaning and history of the Dry Salvages (see ‘The Dry Salvages and the Thatcher’s Shipwreck’, American Neptune 25 [1965], 233–47), TSE was to recall something of the adventure of his youth: ‘I cruised with Harold Peters several times up and down that coast and one of the most picturesque spots I remember was Roque Island which is really two islands with a kind of lagoon in between. Harold and I were once storm-bound there for a couple of days and lived chiefly on lobster.’

Richard Walworth Hall characterised Peters and TSE, in an obituary notice for TSE, as ‘an odd pair’: ‘It was Peters who chided [Eliot] about his frail physique, which led to his regular attendance at August’s Gymnasium, which was in the basement of Apley Hall. He took this work seriously and developed into quite a muscular specimen. It also led to some boxing lessons somewhere in Boston’s South End. He took up rowing in a wherry, and finally worked up to a single shell. Peters also introduced him to small-boat cruising and they made many cruises between Marblehead and the Canadian border. On one of these trips, in a 19-foot knockabout, before the days of power, they rounded Mt. Desert Rock in a dungeon of fog, a rough sea and a two reef breeze. The log book, the next day, shows a sketch of Tom in the tender in a heavy wind unmooring from an enormous pile mooring at Duck Island. The title of the sketch is “Heroic work by a swab”, and beside this title, “Yes, and I never worked harder. T. S. E.”’

Cocteau, Jean, TSE on, his conversion to Catholicism, Maritain on, an amusing bore, as interpreter of Greek drama, La Machine infernale, Orphée,

2.JeanCocteau, Jean Cocteau (1889–1963), playwright, poet, librettist, novelist, film-maker, artist and designer, was born near Paris and established an early reputation with two volumes of verse, La Lampe d’Aladin (Aladdin’s Lamp) and Prince Frivole (The Frivolous Prince). Becoming associated with many of the foremost practitioners of experimental modernism, such as Gide, Picasso, Stravinsky, Satie and Modigliani, he turned his energies to modes of artistic activity ranging from ballet-scenarios to opera-scenarios, as well as fiction and drama. ‘Astonish me!’ urged Sergei Diaghilev. A quick collaborator in all fields, his works embrace stage productions such as Parade (1917, prod. by Diaghilev, with music by Satie and designs by Picasso); Oedipus Rex (1927, with music by Stravinsky); and La Machine Infernale (produced at the Comédie des Champs-Elysées, 1934); novels including Les Enfants terribles (1929); and the screenplay Le Sang d’un poète (1930; The Blood of a Poet, 1949).

Hinkleys, the, during TSE's student days, in London, cheerful but somehow stunted, take to Evelyn Underhill and Harriet Weaver, taken on Bloomsbury tour, OM on, TSE reflects on their departure, have never asked after EH's mother, not in TSE's confidence as to EH, at odds with TSE's view of marriage, EH yet to confide in, more conventional than moral, bemuse TSE, their company makes TSE feel wary, outside Ada's confidence, TSE repents of criticising, more intolerant even than TSE, apprised of TSE's separation, ignorant of TSE's feelings for EH, EH explains relationship with TSE to, family drama of Dane babies, supported Landon over FDR, their insularity, their family sclerosis, TSE imagines EH's evening with,
Huxley, Aldous, critiques 'Thoughts After Lambeth', drops in on the Eliots, the man versus the writer, TSE pronounces on, dismissed as novelist, his irreligion, signatory to Credit Reform letter, invigorating company, concurs with TSE on California, suffering from insomnia, and the Christian attitude to war, always charms TSE, pacifist efforts, as playwright, Brave New World, Eyeless in Gaza, The World of Light, TSE enjoys, compared to Hay Fever, EH reads and comments on, TSE reflects on, Those Barren Leaves,
see also Huxleys, the

10.AldousHuxley, Aldous Huxley (1894–1963), novelist, poet, essayist: see Biographical Register.

Maritain, Jacques, and de Menasce's conversion and ordination, responsible for Cocteau's reconversion, on Cocteau, approaching sainthood, Boston reunion with, TSE appreciates his spiritual inferiority to, introduced to Jeanette McPherrin, on The Use of Poetry, writes to Jeanette McPherrin, TSE chairs talk by, which EH attends, thanks TSE for hospitality, and TSE's Paris itinerary, dinner for,
see also Maritains, the

5.JacquesMaritain, Jacques Maritain (1882–1973), philosopher and littérateur, was at first a disciple of Bergson, but revoked that allegiance (L’Evolutionnisme de M. Bergson, 1911; La Philosophie bergsonienne, 1914) and became a Roman Catholic and foremost exponent of Neo-Thomism. For a while in the 1920s he was associated with Action Française, but the connection ended in 1926. Works include Art et scolastique (1920); Saint Thomas d’Aquin apôtre des temps modernes (1923); Réflexions sur l’intelligence (1924); Trois Réformateurs (1925); Primauté du spirituel (1927), Humanisme intégral (1936), Scholasticism and Politics (1940), Creative Intuition in Art and Poetry (1953). TSE told Ranjee Shahani (John O’London’s Weekly, 19 Aug. 1949, 497–8) that Maritain ‘filled an important role in our generation by uniting philosophy and theology, and also by enlarging the circle of readers who regard Christian philosophy seriously’. See Walter Raubicheck, ‘Jacques Maritain, T. S. Eliot, and the Romantics’, Renascence 46:1 (Fall 1993), 71–9; Shun’ichi Takayanagi, ‘T. S. Eliot, Jacques Maritain, and Neo-Thomism’, The Modern Schoolman 73: 1 (Nov. 1995), 71–90; Jason Harding, ‘“The Just Impartiality of a Christian Philosopher”: Jacques Maritain and T. S. Eliot’, in The Maritain Factor: Taking Religion into Interwar Modernism, ed. J. Heynickx and J. De Maeyer (Leuven, 2010), 180–91; James Matthew Wilson, ‘“I bought and praised but did not read Aquinas”: T. S. Eliot, Jacques Maritain, and the Ontology of the Sign’, Yeats Eliot Review 27: 1–2 (Spring–Summer 2010), 21; and Carter Wood, This Is Your Hour: Christian Intellectuals in Britain and the Crisis of Europe, 1937–40 (Manchester, 2019), 69–72.

Peters, Harold, in London, un-deracinated, compared to TSE, as TSE's quondam sailing companion, spends weekend with the Eliots, his tattoos, TSE longs to sail with, less estranged from TSE than expected, makes bizarre appearance, too old for American Navy, dies in accident, his death,

6.HaroldPeters, Harold Peters (1888–1943), close friend of TSE at Harvard, 1906–9. After graduation, he worked in real estate, and saw active service in the Massachusetts Naval Militia during WW1, and on leaving the navy he spent most of the rest of his life at sea. Leon M. Little, ‘Eliot: A Reminiscence’, Harvard Advocate, 100: 3.4 (Fall 1966), 33: ‘[TSE’sPeters, Haroldas TSE's quondam sailing companion;a2n] really closest friend was Harold Peters, and they were an odd but a very interesting pair. Peters and Eliot spent happy hours sailing together, sometimes in thick fog, off the Dry Salvages. In 1932 Peters sailed round the world for two years as skipper of an 85-foot auxiliary schooner, Pilgrim, having previously participated in the transatlantic race from Newport to Plymouth, and in the Fastnet Race. In 1943 he died after falling from a motor-boat that was in process of being hoisted into a dry dock at Marblehead.

Smith, Charlotte ('Chardy') Stearns (TSE's niece), resembles her mother, to lunch with Lucia Joyce and Barbara Hutchinson, TSE's quasi-paternal affection for, her wedding described, Dodo looks severely on, her marriage finishes, her life described, coming over with Dodo,

2.TheodoraSmith, Theodora ('Dodo') Eliot (TSE's niece) Eliot Smith (1904–92) – ‘Dodo’ – daughter of George Lawrence and Charlotte E. Smith: see Biographical Register. Theodora’sSmith, Charlotte ('Chardy') Stearns (TSE's niece) sister was Charlotte Stearns Smith (b. 1911), known as ‘Chardy’.

Smith, Theodora ('Dodo') Eliot (TSE's niece), 1931 visit to England, described, to lunch with Lucia Joyce and Barbara Hutchinson, TSE's almost fatherly affection for, in contrast to her sister, at Eliot family Thanksgiving, attends second Norton lecture, TSE reports on from Boston, TSE cultivates, and Marion's 1934 visit to England, visit to Chipping Campden, visit to Salisbury, walk with TSE to Kelmscott, Regent's Park visit, TSE on, 1935 visit to England, taken to the ballet, at the Russian ballet's Aurore, to tea with cousins, her way of addressing relations, TSE tells Trevelyan about, 1936 visit to England, ballet outing, taken to Cheetham's pageant, taken to Kensington Gardens, returns to America with TSE, 1938 visit to England, with Chardy, and Marion's 1939 visit to England, in doubt, Southwold week, taken to Dulwich, taken to ballet and dinner, writes to TSE, visited in Baltimore, 1949 visit to England, taken to Cambridge, then to Southwold, tours the Borders with TSE, 1950 visit to England, taken to The Cocktail Party, due for the summer, recovering from operation, arrives from Scotland, 1953 visit to England, in Edinburgh for Confidential Clerk, 1954 visit to England, 1955 visit to England, reports on the American weather, 1956 visit to England,

2.TheodoraSmith, Theodora ('Dodo') Eliot (TSE's niece) Eliot Smith (1904–92) – ‘Dodo’ – daughter of George Lawrence and Charlotte E. Smith: see Biographical Register. Theodora’sSmith, Charlotte ('Chardy') Stearns (TSE's niece) sister was Charlotte Stearns Smith (b. 1911), known as ‘Chardy’.