[No surviving envelope]
IMcPherrin, Jeanettesent stuffed plums;c8 have ordered a box for Jean – it came to about 15 shillings – but we ought to have ordered it while you were here; because it has to go by air mail, and will probably catch her. Three weeks on a freighter seems a serious matter. There were not figs or dates so I ordered some stuffed plums.
ITandys, theTSE's Hampton weekends with;a1 had a pleasant weekend, lying in the sun on the shore of the Thames. The young lady who interrupted us in the Precincts in the evening turned up in a punt and a red bathing dress, with a young man who had been playing Mephistopheles in ‘Dr. Faustus’. Theappearance (TSE's)of Maurice Evans;b3 licensee of ‘The Bell’ in Hampton1 says I put him in mind of someone, he couldn’t think for a long time who, its that young fellow in that film ‘White Cargo’.2 A good film it was too, because he’d been out in the East himself twenty year and he could say it was true to life. Well, I said, what was his story? Ah, he said, it was a sad story. A nice young fellow he was too, decent and all, and when he went out to the East to see all sorts of women tryin to get old of him, and finally he’s vamped by a native girl named Tooloolalonga that means Naughty Girl, and after that he takes to the gin and goes right down. Well, I said, that is a sad story, I suppose he ends on the beach. No, he said, he got sent ’ome in disgrace, that’s why it’s called ‘White Cargo’. But you’re the image of ’im, he said.
I am tired after a hot day, partly spent in legal affairs. I have recovered most of my French books, papers, and missing photographs.
It was lovely seeing you, even for a few moments, and9 Grenville Place, Londonsanctified by EH's presence;b4 it is good to have these rooms still further impressed with your personality. And I look forward ever so eagerly to next week.
1.TSE had been visiting the Tandys at Hampton-on-Thames.
2.White Cargo is an ‘audible pictorial’ 1929 film – shot in London (originally as a silent movie, but with some dialogue added) and starring Maurice Evans – based on a hit play by Leon Gordon (1923) which was itself adapted from a novel entitled Hell’s Playground (1912) by Ida Vera Simonton. Set in a British rubber plantation in colonial Africa, the film – which is all too faithful to the play – shows how a new manager falls for the charms of a native ‘negress’ and marries her; but when after a few months she grows bored and seeks to poison her husband, the tables are successfully turned on her (she is made to drink her own poison), and the manager – the ‘white cargo’ – is despatched downriver to recover his health. The wicked Tondelayo was played by Gypsy Rhouma. In 1942 White Cargo was to be remade by Hollywood, starring Walter Pidgeon, and with Hedy Lamarr as Tondelayo – whose ethnicity was delicately shifted to half-Egyptian, half-‘low-caste Arab’.
2.JeanetteMcPherrin, Jeanette McPherrin (1911–92), postgraduate student at Scripps College; friend of EH: see Biographical Register.