The T. S. Eliot International Summer School has announced the third annual winter session, an exclusive, one-day seminar designed to foster collaboration, share research, and support new emerging scholarship on Eliot’s work. Open to participants at any level, the winter session offers a taste of the summer school, introducing students to the kinds of conversations, texts, and approaches they can encounter in Oxford every July. READ
‘Shall these bones live?’: The Criterion in Crisis
At the beginning of 1928, Eliot was busy writing a new life. In fact, he was writing a new new life: ‘Ash-Wednesday […] was merely an attempt to do the verse of the Vita Nuova in English’, the poet would later write. READ
The eleventh annual T. S. Eliot Lecture at the Abbey Theatre, Dublin will be delivered by Zadie Smith.
The evening will be introduced by Abbey Theatre Artistic Director Caitríona McLaughlin, followed by a reading of T. S. Eliot’s Preludes by Marty Rea. READ
To mark the centenary of Valerie Eliot’s birth, on 17 August 1926, we reproduce here John Haffenden’s essay on Valerie, featured in volume five of The Letters of T. S. Eliot.
The Letters of T. READ
The Poetry Society of America and the T. S. Eliot Foundation are pleased to announce that Daniel Schonning is the winner of the 2026 Four Quartets Prize for his collection As When Waking (University of Chicago Press, 2025).
Selected by judges Paisley Rekdal, Charif Shanahan, and Brian Teare. READ
Volume 3 of those letters collected online begins with an apology. Eliot writes to Natalie A. Duddington on 5 January 1926:
READ‘[I] am writing immediately to explain to you the position with regard to your translation of Bunin’s ‘A Night at Sea’ which I accepted for the Criterion […] During the whole of the summer, negotiations were proceeding for the transfer of the publication of the Criterion from Mr Cobden-Sanderson to Messrs Faber & Gwyer Limited.’
Marylebone Theatre is hosting a programme of music and spoken word featuring readings from Four Quartets.
The programme weaves music by Purcell, Haydn, Beethoven, Dowland, Locke, and Britten with two poems from T. S. Eliot’s Four Quartets, read by A. N. READ
READ‘This volume contains nothing new except a set of poems called ‘The Hollow Men’, which represents an even more advanced stage of the condition of demoralization already given expression in The Waste Land; the last of these poems — the disconnected thoughts of a man lying awake at night — consists merely of the barest statement of a melancholy self-analysis mixed with a fragment of the Lord’s Prayer and a morose parody of ‘Here We Go Round the Mulberry Bush’.
The tenth annual T. S. Eliot Lecture at the Abbey Theater, Dublin will be delivered by Colm Tóibín.
The evening will be introduced by the Abbey Theatre’s artistic director Caitríona McLaughlin, interspersed with readings by Cathy Belton, and followed by a conversation with James Shapiro. READ
