T. S. Eliot Prize News

SHORTLISTED POET IN FOCUS: HANNAH COPLEY

Portrait photo by Nick Dennis of the poet Hannah Copley, closely cropped around her face. Hannah has blue eyes and blonde hair.

Photo © Nick Dennis

Hannah Copley, shortlisted with her collection Lapwing (Pavilion Poetry / Liverpool University Press, 2024), is the featured poet in this week’s Eliot Prize e-newsletter.

The newsletter tells you about the wide range of content we have just published to help you get to know Copley and her collection.

This includes specially produced videos of Copley reading from Lapwing, and talking about both the composition of the poems and the themes they explore.

Download our Reader’s Notes on Lapwing, with a selection of poems from the collection, plus reviews, reading suggestions, and a writing prompt or two for those inspired to respond creatively. The aim of the Readers’ Notes is to inspire deeper readings of the book, individually or shared with friends, book groups or writing workshops.

We have also published an insightful review, specially commissioned from John Field.

To be the first to read Eliot Prize news, simply sign up to weekly e-newsletter.

SHORTLISTED POET IN FOCUS: RAYMOND ANTROBUS

A portrait photo of Raymond Antrobus, looking directly into the camera. He is wearing a striped top.

Photo © Chantal Lawrie

Raymond Antrobus, shortlisted with his collection Signs, Music (Picador Poetry, 2024), is the featured poet in this week’s Eliot Prize e-newsletter.

The newsletter tells you about the wide range of content we have just published to help you get to know Antrobus and his collection.

We’re delighted to continue our celebrated video series with specially produced recordings of Antrobus reading from Signs, Music, and talking about both the composition of the poems and the themes they explore.

Download the Reader’s Notes on Signs, Music, which include a selection of poems from the collection, plus reviews, reading suggestions, and a writing prompt or two for those inspired to respond creatively. The aim of the Readers’ Notes is to inspire deeper readings of the book, individually or shared with friends, book groups or writing workshops.

We have also published an insightful review, specially commissioned from John Field,

To be the first to read Eliot Prize news, simply sign up to weekly e-newsletter.

IN MEMORY OF FLEUR ADCOCK: RAZOR-SHARP POET AND JUDGE OF THE INAUGURAL T. S. ELIOT PRIZE

Fleur Adcock, a judge of the inaugural T. S. Eliot Prize in 1993 and shortlisted in 1997 for her collection Looking Back (Oxford Poetry / OUP), died on 10 October 2024 after a short illness.

Adcock, born in New Zealand and an emigrant to England in 1963, was one of the UK’s foremost poets, known for both the cool wit and emotional dexterity of her work. Carol Ann Duffy’s remark about her, that she ‘has a deceptively laid-back tone, through which the sharper edge of her talent is encountered like a razor blade in a peach’, is widely quoted. ‘I wouldn’t embroider facts, I believe in the absolute direct pure truth’, she told Julian Stannard, when he interviewed her in 1991.

Along with Robert Crawford, Adcock was a Poetry Book Society selector in the year the Society launched the T. S. Eliot Prize, and a member of the judging panel alongside Crawford, Edna Longley, John Lucas and Peter Porter (Chair). In the PBS Bulletin Winter 1993, she reported on the ‘comforting degree of convergence in [the judges’] views’ at the shortlisting meeting (see below). While anticipating that ‘the final day of judgement, in January, is likely to be a long and challenging one… fortified with relays of coffee and sandwiches far into the afternoon’, she demurred from ‘any pronouncements about how much more civilized poetry judges are in their deliberations than the judges of other literary prizes we hear about’.

Adcock published 13 collections of poetry with Oxford University Press and Bloodaxe Books. She was the editor of The Faber Book of 20th Century Women’s Poetry, published in 1987. Her Collected Poems was published by Bloodaxe Books on her 90th birthday, 10 February 2024, which she marked with a lively reading and interview at the London Review Bookshop, as well as at StAnza in St Andrews, and at Newcastle and Ledbury Poetry Festivals. Adcock received an OBE in 1996, The Queen’s Gold Medal for Poetry in 2006, recognising her first collected edition, Poems 1960–2000 from Bloodaxe, and with the New Zealand Prime Minister’s Award for Literary Achievement in Poetry 2019. For a full biography, visit the Bloodaxe Books website. (Fleur Adcock photo © Jemimah Kuhfeld.)