A Refutation

To the Lethargic Doctor and the Ingenious Master Freyburg1

Consisting of an Epistle from the Low Countries and a Homily thereon.

I

There is a pleasure in the pathless waves

There is a rapture on the deep-sea floor2

In vacant inter-continental caves3

Whales know, but Coots and Elephants deplore;

And to emerge upon a foreign shore4

To view the foreign ways of foreign nations

Ought not to be regarded as a bore

By one who publishes Mass-Observations5

Without which nobody can understand Migrations.

II

This is well said by Horace and by Hafiz6

But Coots and Elephants love Nature less.

They hesitate to drink in German cafés;

The reason is, if they would but confess

That both of them are pedants to excess:

In youth (long past) they were almighty zealous

To study German, not to make a mess

Of German verbs: yet they can’t speak as well as

Whales can in active life—which of course makes them jealous[.]

III

So to mere manuscripts and the routine

Of reading German (at which they are good)

Leave Coots and Elephants; while those more keen

To travel for the Firm7 through storm or flood

Those of high-spirited Adventurous blood

May to the nose be true and Follow Noses.

There is some hope in Coots, whose instincts should

Praise Whale’s, instead of Elephant’s, psychosis—

Elephant’s only agile part is his proboscis.

IV

Anent the charge that Whales behave like Fishes,

Admitted. That harpoon sinks in profound.

Now once upon a time, at Coot’s own wishes

Whale left the Sea to look at hallowed Ground

Obedient, as in proper duty bound

To any lead from Elephant or Coot.

Whale watches any Creatures so renowned,

Patient in being shot at, slow to shoot:

Observance of his Elders is Whale’s longest suit.

[F. V. Morley]

Notes
  1. 1.

    The spelling ‘Freyberg’ is used in a manuscript draft, Faber K44.

  2. 2.

    See Lord Byron, Childe Harold’s Pilgrimage, Canto IV, verse 178 (ll. 1594–5ff.):

    There is a pleasure in the pathless woods,

    There is a rapture on the lonely shore

  3. 3.

    See TSE, ‘East Coker’ III:

    O dark dark dark. They all go into the dark,

    The vacant interstellar spaces, the vacant into the vacant

  4. 4.

    See the song ‘Give My Regards to Broadway’, by George M. Cohan, a standard that originally featured in his first successful musical play Little Johnny Jones (1904):

    Did you ever see two Yankees part upon a foreign shore

    When the good ship’s just about to start for Old New York once more?

  5. 5.

    JDH note: ‘Mr F. had issued a book on this new science.’

    May the Twelfth: Mass-Observation Day Surveys, ed. Tom Harrisson and Charles Madge (London: F&F, 1937), observed public activities pertaining to the coronation of George VI.

  6. 6.

    Khājeh Shams-od-Dīn Moḥammad Ḥāfeẓ-e-Shirazi (c. 1325–90) – known by his alias Hafez (‘memoriser/keeper’) or Hafiz – Persian lyric poet; adherent of Sufism.

  7. 7.

    JDH note: ‘Faber & Faber Ltd.’