![‘My criticism of it is that though it [is] an excellent pose the photographer has rather sentimentalised it, and used that detestable trick (especially unappreciative for a profile of beautiful lines) blurring the outline and making it fuzzywuzzy [...] But I am glad to have the photograph.’ (19 February 1937); Emily Hale with bows in her hair, ca. 1910s–20s](/the-eliot-hale-letters/images/gallery/42-hale-emily-with-bows-in-her-hair-c-1910s-1920s-frame.jpg "‘My criticism of it is that though it [is] an excellent pose the photographer has rather sentimentalised it, and used that detestable trick (especially unappreciative for a profile of beautiful lines) blurring the outline and making it fuzzywuzzy [...] But I am glad to have the photograph.’ (19 February 1937); Emily Hale with bows in her hair, ca. 1910s–20s")
‘My criticism of it is that though it [is] an excellent pose the photographer has rather sentimentalised it, and used that detestable trick (especially unappreciative for a profile of beautiful lines) blurring the outline and making it fuzzywuzzy [...] But I am glad to have the photograph.’ (19 February 1937); Emily Hale with bows in her hair, ca. 1910s–20s
From the collection of the T. S. Eliot Estate.