{"id":4303,"date":"2024-12-09T11:50:55","date_gmt":"2024-12-09T11:50:55","guid":{"rendered":"https:\/\/tseliot.com\/prize\/?p=4303"},"modified":"2025-05-22T16:06:26","modified_gmt":"2025-05-22T15:06:26","slug":"dazzling-critiques-and-visuals-young-critics-review-the-t-s-eliot-prize-2024-shortlist","status":"publish","type":"post","link":"https:\/\/tseliot.com\/prize\/dazzling-critiques-and-visuals-young-critics-review-the-t-s-eliot-prize-2024-shortlist\/","title":{"rendered":"&#8216;Dazzling critiques and visuals&#8217; \u2013 Young Critics review the T. S. Eliot Prize 2024 Shortlist"},"content":{"rendered":"<figure id=\"attachment_4345\" aria-describedby=\"caption-attachment-4345\" style=\"width: 1248px\" class=\"wp-caption alignnone\"><img fetchpriority=\"high\" decoding=\"async\" class=\"size-full wp-image-4345\" src=\"https:\/\/tseliot.com\/prize\/wp-content\/uploads\/2024\/12\/v2-YCs-batch-1-for-website.jpg\" alt=\"\" width=\"1248\" height=\"703\" \/><figcaption id=\"caption-attachment-4345\" class=\"wp-caption-text\">Young Critics Orla Davey, Sylvie Jane Lewis, Priyanka Moorjani, Eira Murphy and Joe Wright have produced remarkable video reviews of the T. S. Eliot Prize shortlisted titles.<\/figcaption><\/figure>\n<p style=\"font-weight: 400;\"><strong>The T.S. Eliot Prize and The Poetry Society are delighted to publish the <a href=\"https:\/\/www.youtube.com\/playlist?list=PL8VHSOl9gbqkDP8HzO1kqOGk3HtVIz_jh\" target=\"_blank\" rel=\"noopener\">first five of ten video reviews created by participants in this year\u2019s Young Critics Scheme<\/a>. <\/strong><\/p>\n<p style=\"font-weight: 400;\">\u2018The videos combine both dazzling critiques and visuals,\u2019 said Michael Sims, Director of the T. S. Eliot Prize, calling the reviews \u2018a brilliant way to deepen the reader\u2019s experience and understanding of the collections.\u2019<\/p>\n<p style=\"font-weight: 400;\">Following a series of criticism workshops led by The Poetry Society, this year\u2019s Young Critics \u2013 Ahana Banerji, Eira Murphy, Elliot Ruff, Joe Wright, Orla Davey, Priya Abularach, Priyanka Moorjani, Sylvie Jane Lewis, Tallulah Howarth, and Tusshara Nalakumar Srilatha \u2013 have produced engaging and insightful video reviews of the T. S. Eliot Prize 2024 Shortlist.<\/p>\n<p style=\"font-weight: 400;\">Five of the video reviews are now available to watch on The Poetry Society and T. S. Eliot Prize\u2019s YouTube channels: <a href=\"https:\/\/youtu.be\/SVMRyPfe9KE\" target=\"_blank\" rel=\"noopener\">Priyanka Moorjani reviews <em>Signs, Music<\/em> by Raymond Antrobus<\/a>, guiding the viewer through the speaker\u2019s \u2018avalanche\u2019 of emotions upon becoming a parent. <a href=\"https:\/\/youtu.be\/0bGVwMOH3Wo\" target=\"_blank\" rel=\"noopener\">Joe Wright considers the formal and poetic influences mapped throughout Hannah Copley\u2019s <em>Lapwing<\/em><\/a>, while <a href=\"https:\/\/youtu.be\/WPaCPOCr17c\" target=\"_blank\" rel=\"noopener\">Sylvie Jane Lewis pays close attention to the epigraphs of Helen Farish\u2019s <em>The Penny Dropping <\/em><\/a>and how they haunt the rest of the text. <a href=\"https:\/\/youtu.be\/DkhCr0eqQ-4\" target=\"_blank\" rel=\"noopener\">Eira Murphy situates Peter Gizzi\u2019s <em>Fierce Elegy<\/em><\/a> within the poet\u2019s wider corpus and influences, asking \u2018in what ways might we come to a world increasingly pushed to the horizon of its own collapse?\u2019, and <a href=\"https:\/\/youtu.be\/ge-VOY-QcnQ\" target=\"_blank\" rel=\"noopener\">Orla Davey interrogates Gustav Parker Hibbett\u2019s use of mythology in <em>High Jump as Icarus Story<\/em><\/a><em>. <\/em><\/p>\n<p style=\"font-weight: 400;\">The Scheme, now in its third year, is a partnership project that invites ten writers aged between 18 and 25 to take part in workshops and create short video reviews of each of the collections shortlisted for the T. S. Eliot Prize. The scheme aims to develop the skills of emerging critics and to amplify the voices of young people in poetry.<\/p>\n<p style=\"font-weight: 400;\">This year the workshops included exercises on what makes a review engaging or alienating, critical methods reviewers might borrow from other disciplines, and how to present ideas to camera. Critic Helen Bowell led a session on different ways of opening a review, and <em>Poetry London <\/em>Reviews Editor Isabelle Baafi shared her journey as a reviewer and some top tips for pitching to magazines and journals.<\/p>\n<p style=\"font-weight: 400;\">Several Young Critics alumni have gone on to publish reviews in leading journals such as <em>The Poetry Review<\/em>, <em>Poetry London<\/em>, and <em>Magma. <\/em>2023 Young Critic Oliver Cooney said, \u2018The Young Critics Scheme gave me so much more confidence to engage in poetry, whether that\u2019s in actually writing reviews or just having conversations. It really opened my eyes to the world of poetry criticism: I feel like I learned a lot about what that actually looks like and all the many forms it can take.\u2019<\/p>\n<p style=\"font-weight: 400;\">Look out for the next five video reviews which will be released on 16 December, ahead of the <a href=\"https:\/\/www.southbankcentre.co.uk\/whats-on\/ts-eliot-prize-shortlist-readings\/\" target=\"_blank\" rel=\"noopener\">T. S. Eliot Prize Readings on 12 January 2025<\/a>. Details will be posted on The Poetry Society and T. S. Eliot Prize\u2019s YouTube channels and social media. Find out more about the Young Critics Scheme <a href=\"https:\/\/poetrysociety.org.uk\/young-poets\/young-critics-scheme\/\" target=\"_blank\" rel=\"noopener\">here<\/a>.<\/p>\n<p style=\"font-weight: 400;\">This week the <a href=\"https:\/\/childrenspoetrysummit.com\/?blogid=154965099&amp;blogsub=confirming#subscribe-blog\" target=\"_blank\" rel=\"noopener\">Children&#8217;s Poetry Summit<\/a>&#8216;s weekly blog features Cia Mangat&#8217;s article about organising the Young Critics programme. The Children&#8217;s Poetry Summit is a pressure group which campaigns for and supports poetry for children and young people.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>The T.S. Eliot Prize and The Poetry Society are delighted to publish the first five of ten video reviews created by participants in this year\u2019s Young Critics Scheme. \u2018The videos combine both dazzling critiques and visuals,\u2019 said Michael Sims, Director of the T. S. Eliot Prize, calling the reviews \u2018a brilliant way to deepen the [&hellip;]<\/p>\n","protected":false},"author":5,"featured_media":5061,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[36],"tags":[63,65],"class_list":["post-4303","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-news","tag-63","tag-young-critics"],"_links":{"self":[{"href":"https:\/\/tseliot.com\/prize\/wp-json\/wp\/v2\/posts\/4303","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/tseliot.com\/prize\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/tseliot.com\/prize\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/tseliot.com\/prize\/wp-json\/wp\/v2\/users\/5"}],"replies":[{"embeddable":true,"href":"https:\/\/tseliot.com\/prize\/wp-json\/wp\/v2\/comments?post=4303"}],"version-history":[{"count":5,"href":"https:\/\/tseliot.com\/prize\/wp-json\/wp\/v2\/posts\/4303\/revisions"}],"predecessor-version":[{"id":9942,"href":"https:\/\/tseliot.com\/prize\/wp-json\/wp\/v2\/posts\/4303\/revisions\/9942"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/tseliot.com\/prize\/wp-json\/wp\/v2\/media\/5061"}],"wp:attachment":[{"href":"https:\/\/tseliot.com\/prize\/wp-json\/wp\/v2\/media?parent=4303"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/tseliot.com\/prize\/wp-json\/wp\/v2\/categories?post=4303"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/tseliot.com\/prize\/wp-json\/wp\/v2\/tags?post=4303"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}