{"id":8308,"date":"2018-01-15T15:57:04","date_gmt":"2018-01-15T15:57:04","guid":{"rendered":"http:\/\/tseliot.com\/foundation\/?p=8308"},"modified":"2018-01-15T15:57:38","modified_gmt":"2018-01-15T15:57:38","slug":"performance-of-the-waste-land","status":"publish","type":"post","link":"https:\/\/tseliot.com\/foundation\/performance-of-the-waste-land\/","title":{"rendered":"Performance of The Waste Land"},"content":{"rendered":"

\"\"First performed in 2015 as part of the Beckett Festival, now revived as part of the Mountains to Sea literary festival in 2018 by kind permission of the T. S. Eliot Estate, this performance remains true to the rhythms and references of 1922.<\/p>\n

Directed by Adrian Dunbar, with a specially commissioned score by composer Nick Roth,\u00a0DLR\u2019s Musician in Residence, and period film footage, this rare performative setting splits\u00a0The Waste Land\u00a0<\/em>between four voices, taking as inspiration the idea of Sibylline Fragments \u2013 throwing letters in the air and making sense of them as they fall.<\/p>\n

Details are as follows:<\/p>\n

Director: Adrian Dunbar<\/p>\n

Composer: Nick Roth<\/p>\n

Voices: Anna Nygh, Orla Charlton, Frank McCusker, Stanley Townsend<\/p>\n

Musicians: Alex Bonney, Nick Roth, Matthew Bourne, Riaan Vosloo, Simon Roth<\/p>\n

The performance will take place from 9pm at the Pavilion Theatre<\/a>\u00a0on 24 March 2018.\u00a0Tickets available here<\/a>.<\/p>\n","protected":false},"excerpt":{"rendered":"

First performed in 2015 as part of the Beckett Festival, now revived as part of the Mountains to Sea literary festival in 2018 by kind permission of the T. S. Eliot Estate, this performance remains true to the rhythms and references of 1922. Directed by Adrian Dunbar, with a specially commissioned score by composer Nick … Continued<\/a><\/p>\n","protected":false},"author":3,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_exactmetrics_skip_tracking":false,"_exactmetrics_sitenote_active":false,"_exactmetrics_sitenote_note":"","_exactmetrics_sitenote_category":0,"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","jetpack_publicize_message":"","jetpack_is_tweetstorm":false,"jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","enabled":false}}},"categories":[3,2],"tags":[],"jetpack_publicize_connections":[],"acf":[],"jetpack_featured_media_url":"","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/tseliot.com\/foundation\/wp-json\/wp\/v2\/posts\/8308"}],"collection":[{"href":"https:\/\/tseliot.com\/foundation\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/tseliot.com\/foundation\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/tseliot.com\/foundation\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/tseliot.com\/foundation\/wp-json\/wp\/v2\/comments?post=8308"}],"version-history":[{"count":3,"href":"https:\/\/tseliot.com\/foundation\/wp-json\/wp\/v2\/posts\/8308\/revisions"}],"predecessor-version":[{"id":8368,"href":"https:\/\/tseliot.com\/foundation\/wp-json\/wp\/v2\/posts\/8308\/revisions\/8368"}],"wp:attachment":[{"href":"https:\/\/tseliot.com\/foundation\/wp-json\/wp\/v2\/media?parent=8308"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/tseliot.com\/foundation\/wp-json\/wp\/v2\/categories?post=8308"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/tseliot.com\/foundation\/wp-json\/wp\/v2\/tags?post=8308"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}